captainsunshineee

[captainsunshineee]

Ages and ages ago on twitter, you posted a commissioned Fate comic where Gudao meets ‘The Yellow Kid’. Can you post that here too?

OH MAN I REMEMBER THAT. Still one of my fave comms

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Dave Mckean

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ferrofluid on a microscope slide (source)

this gifset was made for @washerdryer to support a palestinian family. commission me for a gifset to support mohammed by checking out this post!

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Tomiyuki Kaneko  -  Mystery of Earthworm   (mineral pigments, transparent watercolor, japanese ink, pen on silk, 2012)

[captainsunshineee]

"were there always two?"

[captainsunshineee]

Ok, we all know this one. If you start seeing repeated nursery rhymes and other simple poetry, it’s time to face the facts: you’re in a horror story.

Here’s an eldritch horror rhyme that you can put into your next King In Yellow adventure. It builds up over verses, but here’s the last one:

This is the man all tattered and torn, in cloaks and rags as yellow as corn

Who followed the maiden all forlorn, when she killed the cow with the curly horn

That kicked the dog, who barked at the cat, that chased the thing that wasn’t a rat

Who crept into the house that Jack built.

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Rot Lord

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by Konstantin Somov

Title page of Alexander Blok’s book “Theatre” (1909)

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RIP to the legend Mariusz Lewandowski

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I am the Red Death that passes

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[captainsunshineee]

Rae Klein (American, 1995) - Untitled (n.d.)

[captainsunshineee]

Characters who are yellow coded not as in joy and optimism but, rather, yellow as in the first color the human eye will notice, plastered over hazard signs and school buses. Yellow as in a light so bright it burns. Yellow as in illness and disease, just waiting to infect. Yellow as deception, a cover up for something with teeth and claws and malice. Can anyone hear me

[captainsunshineee]

Leon Bakst, costume design for Carabosse in The Sleeping Beauty, 1921

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Untitled, painting by ABeardedArtist

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"Witch" by Yoshitaka Amano.

[captainsunshineee]

“The red dragon’s head appears larger than it is, so close to its victim’s shuddering gaze, and so do its paper-maché teeth. Its humble operator, the size of a pet, manages a pole wrapped in silk-cloth that simulates a beast’s animal movements. There are many such things—those that frighten more than they do harm. If you look past its sharp teeth, you may find a soft if mischievous friend.”