#Current Limit Switch
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addohaislam2000 · 5 months ago
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Bipolar stepper motor-power, H bridge motor driver, Current Limit Switch
L6208 Series 52 V 5.6 A 0.3 Ohm DMOS Driver For Bipolar Stepper Motor-POWERSO-36
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pull2lsonn · 7 months ago
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https://www.futureelectronics.com/p/semiconductors--analog--drivers--motor-drivers/l298n-stmicroelectronics-5088472
What is a motor driver, Current Limit Switch, Stepper motor drivers
L298 Series 46 V 2 A Dual Full Bridge Driver Vertical - Multiwatt-15
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ap0llx · 5 months ago
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having hyperfixations and also difficulty switching between tasks means I cant look at pokemon anything rn even tho i want to. because im in the middle of something,
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hoodwinkeddotcom · 6 months ago
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i had my gripes abt the saurians before, but i feel like they're so much easier to use when theres an obvious, game-set goal
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grouchythefish · 6 months ago
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Genuinely kinda grappling with my job right now. Like, I don't think it's possible for someone like me to have a job they enjoy. Most people I know who enjoy their jobs are either deluded right wing nuts with weird ableist ideas about the virtues of work or people who went to school for 100 years to be the smartest person ever. (Or at least have a bachelor's degree which is not something I intend to get)
Technically I am not on stress leave right now but in my heart I am and I want to use this week to decide what I'm doing right now, if it's time for an actual career change.
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peachcott · 2 years ago
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Hi I was just wondering if you plan to reopen your shop sometime? :)
howdy!! yes, absolutely!! i'm so sorry for the delay oTL i expect to reopen in early 2024 (´▽`)💗 i'm aiming for the first week of jan, but i'm looking into switching platforms (from bigcartel to shopify), so i can't provide an exact date 😭 hopefully i'll have some new designs available too, though!! :D thank you so much for your interest and patience!!
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identifying-guitars-in-posts · 11 months ago
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Fender Jaguar in Olympic White
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comish for someone
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red-dyed-sarumane · 8 months ago
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there is something so so deeply wrong with the unplanned apoptosis character she's doing just absolutely nothing right & i'll defend her forever.
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notsodelirious · 4 months ago
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Double Trouble — Roy Harper and Jason Todd
This was actually supposed to a Dick x Kory x Reader fic but one thing lead to another (I got high) and now we have this! Enjoy!
Synopsis: your friends abandon you in a bar, and you end the night by going home with two fine men
Notes: NSFW MDNI, this one was a doozy, I usually try to limit my drabbles to 1.5k but clearly that didn’t happen here — also mild CW for a slightly creepy dude at the beginning
tags: threesome (m x m x f), double penetration, two penises in one hole, vaginal sex, mentions of alcohol (but nobody is drunk), sub space (not named), fem! reader, 3.7k words, no use of y/n
Part 1 (current) | Part 2 | Part 3
•─────⋅☾⊱♰⊰☽⋅─────•
It was supposed to be a regular night out with friends. A regular bar crawl, getting progressively more and more drunk until you eventually circle home. 
After your first beer, you dip to the bathroom, promising your friends that you would be fine alone for the 5 minutes it would take you to relieve yourself. Only when you come back, not a single one of your friends is to be seen. You leave messages, check the smoking area, even call but nothing. Not a single text or call answered and they were nowhere to be seen. 
They left you. Stranded you alone in a bar, with no warning or indication of where they had gone to next. Tears of frustration brim your eyes as you tuck yourself into a corner, scrolling on your phone as you try to determine your next move: you could just cut your losses and order a taxi home, but the other half of you was tempted to keep drinking and burn off the anger and hurt of continuously being treated like an afterthought. 
You don’t have time to come to a conclusion however before a shadow looms over you, caging you into the corner you had nestled yourself in. 
“Hi, sweetheart,” the man smiles as you look up at him. He’s boringly unremarkable, hair a little greasy and skin pale even for the sunless Gotham climate. He leans against the wall, crosses his arms, looks you up and down, “What’s a thing like you doing standing alone?”
“Oh, I umm…” Your brain freezes as you try to find words, an explanation, an excuse, anything to not make yourself the target of this man’s interest. “I was umm…” You look around the bar, looking. You don’t know what for, until you see a man sitting at the bar, absently nursing a whiskey. His dark hair interrupted by a solid white streak and hunched over frame catches your eye, even if he looks like he’d rather disappear into the decor. It’s a shot in the dark��he could be arguably worse than this creep but you’re desperate. 
So you plaster on a fake smile as you try to inch away from the man. 
“Texting my boyfriend, but it’s fine, I found him, thanks!” You slip past him, squeezing in the space between him and the wall before you begin trotting off towards the man you had spotted earlier. “Babe!”
Most heads snap up to look towards you as you call out—making everyone witness to you and the man quickly walking behind you. The man at the bar looks up towards you too, frowning slightly when he notices you bee-lining towards you. 
“Hi!” you say with a forced smile when you reach him, resting a hand on his forearm, “Please pretend,” you breathe through clenched teeth. 
His demeanour flips on a switch—he sits straight as he wraps an arm around your waist, tugging you as close as is appropriate considering he’s holding a stranger. 
“Hi, princess,” he says, giving you a quick smile before he turns to eye the other man, “Who’s that?”
“Oh, I don’t know,” you shrug as you nervously inch closer, “I’ve never met him before.”
“I was just trying to have a conversation,” the guy frowns and he steps forward but the stranger tugs you back. 
“Hey, man,” he says as he stands, shielding you from sight with his body. He’s so much taller than you expected, and bigger—you could see his impressive physique even when he sat, broad shouldered and muscular arms but stood and looming over that creep, your heart fluttered a little. “Don’t talk to my girl, got it?”
“Fuck, dude, I was just being friendly,” he backpedals quickly, stumbling backwards until he’s supposedly out of the stranger’s reach. “Ain’t do nothing to her.”
“Yeah, well I don’t want your sorry ass snooping around her, got it?”
“Everything okay, here?” Everybody looks back towards the new voice. A small part of you withers in embarrassment when you see a third man, just as tall and buff as the stranger you had run to shelter for, but painfully ginger. You’re the only person you know who can dig yourself into such a situation between three different men.
“This bitch is hitting on our girl,” your fake-boyfriend says. Our? You think, brain already running at 100 miles per hour to try to figure out how you’ll disentangle yourself from this mess. 
“I wasn’t doing that shit!”
“Yeah? Cause it sure looked like you were!”
“Listen, dude,” Ginger-stranger says as he rests a hand on the creeps shoulder, “How about you just fuck off before we punch your lights out for messing with our girl, okay?”
“Shit, you fuck the same bitch?” the man sneers at you as he steps away from the two other men, “Have fun with that whore.”
The stranger’s fists clench.
You grab your fake-boyfriend’s arm before he can actually swing—his friend seems to come to the same conclusion, placing a hand on his chest as he shoves the creep back. 
“Fuck off.”
The man looks between the three of you, mutters something before he turns tail and flees, leaving the three of you standing, tense and anxious. 
“You okay, doll?”
You startle out of your thoughts as you look up at the first stranger who’s now looking down at you, a vaguely worried expression on his face. He steps aside to let you out from behind him, where you wedged between his body and the barstool, and heat flushes through you again when you realise how close you had been standing to his back. 
“Oh, yes!” you slip away, nervously tugging on your top’s sleeve. You look up at both men, a shy smile playing on your lips, “All good. Thanks for that. Scaring him off.”
“No worries.”
“Glad we could help,” Ginger-stranger says with a crooked smile, “Can’t say I wasn’t surprised that my boyfriend had suddenly acquired a girlfriend, though.”
“Oh, haha,” the boyfriend in question says mockingly as he rolls his eyes. But your own eyes widen as you look between the two of them. 
“Oh shit! Sorry!”
“You’re alright,” he smiles, “I’m Roy, by the way,” he adds before thrusting a thumb towards the other man, “And this is my boyfriend Jason.”
“Hi,” you smile shyly as you wave. 
Jason just gives you a non-commital grunt as Roy gently nudges your shoulder.
“Nice to meet you, kid, but how about we walk you back to your friends?”
“They left,” Jason says before you explain the embarrassing truth yourself. Your face warms as Roy looks at his boyfriend.
“Wait, what? Why?”
Jason just shrugs, shuffles back into his chair before picking up his whiskey tumbler, “Dunno. Saw them giggling and shit and looking at the bathroom before they all decided to dash. Didn’t pay the bill, by the way,” he adds, looking at you. The mortification only grows and you can only nod as the lump in your throat returns.
“Oh,” you say, as if you had been expecting anything more from people who ditched you, not even a single beer into the night, “Right, thanks…” You rub your arm, almost as if you could trick yourself into believing somebody else was trying to comfort you. “I’ll just umm… I’ll get that. It was nice meeting you both.”
You step a little to the side, out of their way, as you try to wave down the bartender so you could ask for the bill. You almost miss the concerned glance Roy and Jason exchange, and the silent conversation that seems to be happening.
“So that’s $70 for 6 beers and 10 shots?” the bartender double-checks with you he reads off his screen.
“$70?” You don’t mean to be so loud–you’d already been dreading the price of the six beers alone but the two additional rounds of shots that you didn’t even get to drink made your heart sink into your gut. The bartender just looks at you sheepishly with an awkward smile, as if his training hadn’t accounted for the possible duping of some poor college girl.
“Sorry, I wouldn’t have served them if-”
“No, no, you’re all, I umm…” You dig out your wallet as you consider your options–you had $12.53 in cash and about $20.46 in your bank account and even with all the wills of the earth, you couldn’t stretch that remotely far enough to cover half the tab they had left you with.
“I’ve got it.”
Jason slaps two bills on the counter and you turn just in time to see him slip his wallet back into his back pocket.
“What-? No, no, no, I can’t ask you to do that,” you say, but you don’t have the wherewithal to take the cash before the bartender takes it. You hesitate when you see his mildly triumphant smile, probably the most expressive he’s been all evening aside from his righteous anger on your behalf and you find yourself fumbling for words again. Your heart is pattering behind your ribcage as you finally manage to spit out your words, “I get paid in a week, I can pay you back, I promise-”
“Woah, hey, I’m not trying to extort you or anything, it’s fine,” Jason pats you on the shoulder.
“Trust me, he has more money than he knows what to do with,” Roy snorts as he grabs Jason’s drink to down it, which only made his boyfriend scowl at him, “He’s constantly spoiling my daughter–he’s going to make her a menace.”
Your shoulders relax the slightest bit when you recognise the offered out of the current topic of conversation.
“You have a daughter?”
You hadn’t planned on staying to chat with both men for so long but well you got caught up in the good time. The three of you sipped on ice waters as you chatted, about everything and nothing, until they knew way too much about you and you learned select things about them: Roy had a daughter named Lian (no info on the mother though) and she’s currently with her godfather, Jason’s brother; Jason is a Gotham native, Roy isn’t, but after moving around so much, he decided to settle close to his boyfriend so his daughter could have a stable life; they’d been together for a while (but you never learn how long) and they’re both bi (which is important because they find your ass really fucking cute).
Which is essentially how you ended up stumbling into Jason’s apartment at midnight, laughter muffled by lips and hands groping at each other. Despite how sober you were, you felt giddy and a little light-headed, being sandwiched between two blessings from God; strong and kind and sweet and they’d chosen you to bring home, despite the fact that they’d never brought anybody home before as a couple.
“Does that mean I’m the lucky first?”
“The only one, baby,” Roy says as he moves up to bite your ear, enough to make you gasp, but not enough to hurt badly. “We’re keeping you.”
“We’re not kidnapping you,” Jason clarifies as he wraps his hands around your waist, fingers inching beneath your shirt as he strokes the bare skin there, “But we’d like to have you around.”
You hum as you nod, reaching forward to grab Jason’s t-shirt, tugging him forward so you could kiss him, almost sloppily, pushing your tongue into his mouth.
“Fuck,” you hear Roy mutter, “You two are so fucking hot.” You break away to breathe, smiling, shifting to give space to Roy who appeared behind his boyfriend, lips immediately finding the man’s neck.
“Shit,” Jason groans and all you can think to do is kiss him again, overwhelm him with affection. Hands tug at your shirt, eventually shucking it off your body, which temporarily paused all activity.
“Well, damn,” Roy wolf whistles when he sees you topless. Jason snaps the strap of your bra.
“Wanna take this off for us, doll face?” Your hands tremble as you eagerly reach back to unclasp your bra, letting your tits spill free. Jason’s hands are on you as soon as you drop your underwear, and Roy moves close enough to kiss you.
You can barely keep track of whose hands are whose, as clothing is pulled away from your body and you’re guided to a bedroom. Roy’s the one to drag you down onto the mattress. You giggled softly as you landed on his chest, straddling his thighs as he held your hips. Jason kneels behind you, wrapping his arms around you. You moan softly when his hips grind against your ass, rubbing his clothed bulge into you. The chain reaction leads you to thrusting against Roy and dragging your panty-clad pussy across his growing dick too.
“Fuck, I- please…” you moan as your pussy soaks your panties. It’s a joint effort from both men to pull them off you and then they’re standing to discard their own boxers. They kneel on either side of you, and Roy reaches out to cup your face to kiss you softly.
“Like what you see, baby?” You can only nod dumbly as you look up at them; fat, pretty cocks, hard and throbbing. You reach out to touch both, slowly stroking each cock in hand, feeling soft skin and pre-cum under your fingertips. 
“Just like that, baby,” Roy groans as he rolls his hips into your hands all while Jason buries his fingers in your hair. Roy slips out of your grasp when he shifts to press his chest against your back. “Want to bounce on Jason’s big cock for us, sweetheart?” You’re nodding before he even finishes his sentence. Roy’s hands wrap around your waist as they help you up, and then down onto Jason’s cock, leaving you both moaning softly as he pushes into your cunny, opening you up. You’re so wet he barely meets any resistance even with his thick size and soon you’re begging them for movement. You spear yourself on Jason’s cock happily, your tits bouncing in tandem with your thrusts, fuelling a couple of Roy’s lewd remarks. 
“There’s a good girl,” he purrs as he noses the shell of your ear. “Want more?”
“Y-yes please,” you moan out, a punched sound leaving your throat as you drop back down onto Jason’s cock, bruising your cervix. The next time you rose, Jason hooks his hands under your knees, holding you aloft as Roy holds your thighs up too while he slides close behind you. 
The tip of Roy’s cock nudges your entrance and you whine softly. 
“Relax, doll face,” Jason mumbles as they tease your already stretched opening with Roy’s cock, threatening to properly split you open and ravage you. “You’ll feel so good.”
“A-ah-! Fuck…”
“Do you want to stop?” Roy asks kindly, dick retreating a little, but still rubbing against your pussy, promisingly. “It’s okay if it’ll be too much.”
You barely think about it before you’re shaking your head—you don’t want to stop, you want to take them both. But they’re so big-
“It won’t fit,” you hiccup as both men hold you steady. Only the tip of Jason’s dick is inside your stretched-out pussy but Roy’s nudges in next to Jason, pulling you open that much further. “Roy…”
“Shh… baby,” he hushes softly as he kisses the back of your neck, gently easing his cock past your opening. You keen loudly, the stretch burning through you. Your legs twitch as you fight the other to clench down as the second dick split you open. “Good girl…”
“Fuck, you’re so tight,” Jason grunts. His hands around your thighs tighten as he begins to help you down over their cocks when gravity stops playing its parts. You yelp as you’re pulled down, until you’re all the way down to their hip. You tremble in their arms as your pelvic muscles struggle weakly, trying valiantly to squeeze down around the fat cocks nestled in your stretched out cunt. You moan weakly, head backwards against Roy’s shoulder, desperately trying to regain control of your body. 
“Doll face?” You blink away the tears as you sit up ever so slightly to look up at Jason, whose eyes scan your face for any sign of trouble. “Okay?”
“So much,” you mumble out, the arm that wasn’t clutching onto one of them desperately, dropping to your lower stomach where you can feel their cocks inside you. 
“That right, baby?” Roy says, his voice almost teasing as it strains while he desperately tries to not fuck into you right then and there. 
“Uh huh,” you mumble as you nod weakly. “M-more…” Jason absolutely doesn’t hesitate, rolling his hips, just enough to grind his cock against Roy’s inside you. They both groan softly before beginning at a gentle pace, fucking into you one after the other, making you moan soundlessly. Your pussy grows impossibly wetter as your body finally accommodates the stretch. 
“F-fuck doll face, so fucking good for us,” Jason whispers into your neck as he bites and sucks your skin, staining it a soft purple. Somebody’s hands find your chest, playing and tugging at your nipples, pinching and pulling harder the louder you whine. Jason’s mouth ventures down, until his lips find your tits and begin to lavish them. The fingers disappear in favour of Jason’s mouth—you arch your back into his touch, fingers running through his hair, tugging at it. Whoever hands were just on your tits are now playing with your pussy, rubbing your clit and teasing it softly, pulling the rubber band in your belly tighter and tighter until it finally snaps. 
You pretty much come then and there, body going tense as you cry out, clear cum squirting out of you onto the boys and the sheets. 
“Fuck, look at you, baby,” Roy grunts as he and Jason simultaneously increased their pace, thrust meaner than before, your cunt struggling to keep up. You whimper weakly, trying to clench down, relieve some of the overstimulation but you’re spent, body limp as they continue to fuck you like a doll. You only grow damper at the thought, leaving your body in their hands as you feel the coil in your belly tighten in preparation for a new orgasm. 
“Ngh~ fuck,” you moan when whoever was playing with your pussy pressed down on your lower belly with the heel of their palm. “Too much. Ah, I- I can’t-“
“Yes, you can,” Roy whispers into your ear. Their hips are punishing, fucking into your puffy pussy, widening you open further than you’d ever been. No man or dildo would be able to fill you the same way after tonight, every other man spoiled for you. You don’t know when your mind goes blank, barely able to make more than punched out moans, a soft rhythmic “ah, ah, ah,” as they both fuck you with reckless abandon. “Cum again for us, baby girl. That’s it.”
You’re sure they’ll receive a noise complaint after how loud you cry when you come again, soon followed by the boys who flooded your cunt with cum. It bubbles around the base of their cocks, as they give a couple more thrust to fuck their cum deeper into you before finally pulling, leaving you gaping and leaking. 
Your vision blacks for a short second before you’re being transferred to a single set of arms and rested against somebody’s chest. 
“Easy, doll face,” Jason’s voice rumbles in his chest as he speaks, heaving chest mirroring your own as you both try to catch your breath. Roy ducks down to kiss your cheek, gently cupping your other before he pulls away to look you over. 
“With us, baby?”
You mumble something incompressible to his question: you understand the general sentiment he’s trying to convey but your head is still too foggy. You’re also vaguely aware of the conversation happening over your head as you half-sleep against Jason’s chest. 
“Stay with her. I’ll be right back, gonna go grab some stuff.”
Jason hums as he meets Roy with a chaste kiss. “Mmh, okay.”
You feel Roy leave and the mattress shifts to fill his absence. Your breathing eventually eases, and you almost fall asleep against Jason’s chest as he rocks you pack and forth, whispering soft words of praise and kindness. 
Only to jolt at the rough feeling of a warm, damp towel against your pussy. You whined uncomfortably as Roy began to wipe off your gaping cunt, still too weak to fully squeeze closed, raw and fluttering weakly instead, loose from having taken two fat cocks. It would probably ache for the next few days but you didn’t doubt that the boys would take care of you during then. Almost cheekily, he brushes his fingertips against your swollen and exposed inner walls, only to make you whine louder and complain. He chuckles softly, mumbling an apology before he moves on to the rest of his tasks.
He wipes down your thighs and tits too before helping Jason wipe off. The opening of a bottle presses against your lips and you drink slowly, but eagerly, trying not to choke while the cold water soothes your throat, clear your mind a little more. After the bottle is pulled away from you, Roy kindly coaxes you to eat, placing a bowl of apple slices in your lap. They both chat quietly above you, checking with each other and talking about other random stuff as you all eat and recuperate. 
“Feel better, baby?” Roy asks softly after you’ve finished the bowl. You nod sleepily, nuzzling against Jason’s neck even as you try valiantly to keep your eyes open. “Pick her up for a sec?” Roy asked Jason, “Lemme change the sheets.”
Jason complies and you’re hoisted up into his arms before he moves to stand, effortlessly cradling you in his arms while Roy quickly moves to change the sheets. 
You don’t realise you had began to doze until you’re laid down onto fresh sheets and two warm bodies slide in on either side of you and you’re properly tucked in. 
“Good night, sweet thing.”
A sense of peace washes over you, as you lie sandwiched between two men you hadn’t met until a couple of hours ago but trusted more than anybody. A small, terrified but excited part of yourself, your heart, realises that you’ve never felt more content than right here and now. But that isn’t a realisation for your fucked out brain to process. You curl up against them before properly allowing yourself to fall asleep, satiated and exhausted.
•─────⋅☾⊱♰⊰☽⋅─────•
a/n: yeah, I have nothing to say for myself, I just want them both — don’t hesitate to leave an ask or a request if you have one <3
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blvdprn · 5 months ago
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VALENTINE’S DAY SPECIAL
# jjk men ; 柔術廻戦男 ) x domtop male reader
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synopsis special day with your lovely boyfriend
ft. goj��, getō, nanami, tōji, & naoya
warnings non-specified nsfw, suguru’s part is shorter srry, slight homophobia & misogyny from naoya surprise surprise
wc not counted
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It was your first ever Valentine’s Day with your boyfriend. Or rather, the first Valentine’s Day when neither of you was busy. Usually, one or the other had a job to do that day —seeing as work never rests— but today, finally, you were both free.
And you were pretty excited.
See, you’ve been planning a little something for a while. After a nice and romantic day filled with sexual tension and ending with a candle-lit dinner, a surprise was waiting for you and your boyfriend at home.
Your sex life wasn’t lacking per se, it was more so some things went unexplored because of an insufficient amount of time. Usually (and sadly), you guys had quickies. There was nothing special about it, it was just a way to relieve stress and show each other that yes you still find the other very appealing. I mean, how could you not? Living with an insanely attractive man and what’s that? Dating said, attractive man? Mmmm, yes, please.
Pushing the key into the lock after paying the bill and driving home, you were nearly shaking with anticipation for what was about to come. Opening the door to your shared house, you quickly pulled the man in, knowing damn well you’d get a noise complaint in the morning. Or at the very least, a nasty stink eye from your neighbours.
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—GOJŌ SATORU ( 五条悟 ) : cock bondage
“Fuck!”
“Mm— what’s wrong Satoru? I thought you could take it?”
Right now he was spread out so beautifully for you, knees touching his shoulders and ankles near your shoulders as a result of you pushing his thighs upwards. You were fucking him deep and slow at the moment, making him see stars.
Oh, and how could you forget the pretty pink ribbon tied under and between his balls, reaching the base of his cute red dick and creating a small bow.
“I-I can! This is nothINGGGHH,” cried the man under you, moaning the last part of his sentence.
You laughed. “Doesn’t seem like nothing, sweetheart.”
Satoru blushed even harder, whether from you calling him out or the endearing pet name, you couldn’t tell. Pouting a little, he scratches the hands holding his thighs down. “Just take this thing off… I want to cum already and this stupid thing won’t let me!”
“Awe,” you coo. “Other than giving your cock a nice touch, that was the whole point of it.”
“You’re a dick.”
“Yeah, but you’re taking this dick though!”
“Man just shut up and— FUUUCK!”
Your hips switched pace, from slow to fast, but equally as deep. You should thank all those stupid times Satoru dragged you out on a run for the insane speed you currently held.
“S-shit,” you groaned. “Look at your cute little dick. Looks s-so pretty with the bow…” And although his length was perfect (just like him) and you were just teasing, it really did look pretty. The light pink of the satin ribbon contrasted nicely with the darker shade of him.
Satoru could barely respond, overwhelmed with both the feeling of needing to cum but not being able to, and feeling your cock touching his prostate with every thrust. Slight tears left his eyes, blurring his vision from fully seeing the way small amounts of pre cum ran down the satin around him.
You noticed this, and feeling pity for your pathetic boyfriend, you let one of his thighs go in order to untie the ribbon, knowing you were at your limit too. Immediately, he threw his head back, letting out a loud and whiny moan that would surely wake the neighbours if they weren’t already awake.
Muffling his moan with a kiss, you pulled out right on time, both of your hot fluids mixing together and on his stomach.
“Happy Valentine’s Day,” you mumbled against his lips. Only receiving a slight laugh in response.
When you were about to pull away, his legs slid down, wrapping themselves around your hips and waist with surprising strength from someone who was just shaking.
“Where do you think you’re going, babe? We’re not done here yet.” Satoru said, staring at your eyes darkly, and all you could do was gulp.
‘Oh, boy.’
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—GETŌ SUGURU ( 夏油 傑 ) : collaring
“Is this really necessary?”
“What?” you questioned. “You don’t like it?”
“Darling, it’s embarrassing.”
You huffed. “Which part? The leash or my name on it?”
“Both.” You could practically see him giving you a side eye from your question, even though his back was facing you.
“Well,” you hummed. “Just don’t think about it.”
“And how am I not supposed to do that?”
Expecting an answer, he didn’t imagine you would pull the leash back while giving a powerful thrust. Which is why he couldn’t control the loud and surprised moan that escaped from his lips.
“A-ah! A warning would’ve been n-nice.”
You shushed him. “Don’t think.”
“Mmh— this is going t-to make my throat sore…”
“Liar,” you tutted. “I’ve seen you swallow those curses. This is nothing for you, Suguru.”
He stayed silent, but not for long, because you started rapidly thrusting again with only one goal in mind.
“F-feels so good, darling!” He moaned, gripping the sheets below him, only being able to see your silhouette moving because of the small candles on each side of the bed. “Haaahh—”
Pulling the leash again, you lowered your body so your stomach was almost directly onto Suguru’s back and your face hooked onto his shoulder. In this position, his head was pulled back, and you were able to see the way the nameplate with your name on it moved with each of your thrusts.
Suguru moaned louder, somewhat liking how your name was engraved into something that was on him. He enjoyed the harsh feeling of the collar digging into his Adam’s apple. And he certainly savoured the sounds leaving your mouth that was directly behind his right ear.
Drool escaped his lips, having no choice but to let it fall out of his mouth because he wasn’t able to properly swallow it.
With one strong arm holding him up, he let the other grab your head, pulling you into a necessary and messy kiss. Gasping with every breath, his fingers tightened more and more on some of your longer strands, feeling himself about to cum.
“Darling— I’m ab-bout to—”
“It’s okay… You can cum more anyway.”
And with that, he knew the night was going to be long.
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—NANAMI KENTO ( 七海建人 ) : wax play
Quiet pants slipped past your boyfriend’s lips. The heat of the wax on his skin was a great contrast to his cold body. It was embarrassing, how much he liked it. When you first brought it up, Kento was hesitant, never before trying something that was considered so… kinky (by his standards anyway, not yours).
“Ngh…” he moaned softly.
You smile at him, eyes bright with happiness. “It seems like you’re enjoying yourself, Kento.”
Pink dusted his cheeks, shamefully averting his eyes from your face. “It’s not as bad as I thought it would be.”
With amusement in your voice and a raised eyebrow, you ask, “Not as bad? But you’re making such cute noises.” Your teasing doesn’t stop there. “It’s bad to lie to the love of your life, you know, and on such a special day too.”
“Don’t tease. Fine, I like the warmth.”
“Of course you do, I knew you would.”
With that, you dipped the candle in your hand, hot wax falling and hitting the blonde man under you. His fit stomach clenched, abs pronounced more than normal as a result.
“By the way,” you muttered. “The wax turns into lotion.” To show him, you moved one of your fingers around some of the hardened wax, watching how it turned into liquid again, but this time it had a semi-cold watery texture. And to your enjoyment, you see the way his eyes watch and silently plea for your hands to move the wax somewhere else.
“That’s…” he begins, eyebrow twitching a bit. “Nice.”
“Very.”
Continuing to pour the hot wax down, down, down. You reach his naked thighs, seeing his pale skin slightly tremble. He wasn’t able to hold in the “hurry” that he covered by putting his hand over his mouth.
“S-shit!” Kento said, being muffled by his hand, letting out an uncharacteristic squeal the moment the blistering heat travelled to his inner thighs.
You chuckled, appreciating the almost once-in-a-lifetime view.
Closer and closer, all Kento was able to feel was a need that he never thought he’d have. A shameful and embarrassing thought rushed through his head, one that he wasn’t quite sure he could vocally tell you in fear that it was a little too much. But like always, you could read him like the back of your hand, so you knew exactly what he wanted.
“Fffffffuuuuuckk—” Was all he let out the moment the wax made contact with the base of his dick.
With an idea in your mind, you swiftly stained his cock with the red burning heat, hearing the desperate cries he let out for you to continue. Even louder moans reached your ears the moment your hand went into contact with it, sweetly massaging up and down so the now lotion wasn’t able to cool down quickly enough.
Kento unexpectedly reached down, grabbing onto your hand so the lotion could be spread everywhere. From his balls to his stomach and up his pecs, it didn’t seem like he knew what he was doing, only trying to feel the fire-like warmth from smearing all over him.
With his moans in the air and his senseless voice sounding in the quiet night, you knew this was just starting. After all, you guys hadn’t even fucked yet.
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—FUSHIGURO TŌJI ( 伏黒甚爾 ) : riding crop
Never in your fucking life did you think he was actually going to let you do this? I mean sure, you’ve explored a little bit before but you thought this was going to be too excessive for him, that he was even going to be annoyed with you.
But that wasn’t the case at all.
Sure he looked a little ticked off at first, but after thinking about it for a bit he laughed and challenged you.
Which is what brought you to now.
Toji’s strong form was lying on the rose-covered bed, something he scoffed at but you were sure you saw a tiny dust of pink on his cheeks before he turned away. His back was to you, a rare sight, seeing as it made him feel like he had no control. Although you were certain it also made him feel exposed and embarrassed if his red-coloured ears were anything to go by.
You could see his muscular back flexing with any slight movement he did, his veiny arms twitching and big biceps tightening.
All in all, he looked delicious.
The crop tightened in your hand, its leather end glided down the curve of Toji’s spine. A perfect fit, touching every nook and cranny, leaving absolutely nothing unmarked.
An annoyed huff left his nose. “Would you hurry it up?”
You tsked, “Patience.”
“That’s something I don’t have right now and you know it. Unless you don’t know what you’re fucking doing?”
With a hum, you decided to give him what he wanted, knowing this was going to be the last time you did so tonight.
A harsh slap was heard when leather hit unblemished skin, turning it into a soft pink.
Toji’s shoulders stiffened, and you were sure he held in any sounds he was about to make.
“Hey,” you called out. “Don’t hold your noises in.”
“I’m not, you’re just weak.”
‘Right.’
Hit. Again.
Hit. Again.
Hit. Again.
This continued on until his back was covered in colour, yet nothing escaped his lips. Not until the leather hit his ass.
“Fu—”
Continuing your assault on his round ass, you never gave him enough time to complain. And even though it was embarrassing for him, he was glad you didn’t stop, because he knew he wasn’t going to be able to say anything anyway, and it felt so good.
When you knew bruises were going to form, you stopped to turn Toji around, letting the crop trail from his giant pecs to his twitching dick. Only then did you notice that he had come already, but the look in his eyes was telling you to hit something else.
And who were you to deny? Guess he really had you wrapped around his finger.
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—ZEN’IN NAOYA ( 禪院直哉 ) : feminisation
“What the fuck is this?” Were the only words to come out of your boyfriend when he saw the short red dress with a frilly skirt on your shared bed.
“A present.”
“It’s a fucking dress. Do I look like a damn woman to you?”
Ah yes, you decided this was going to be a slight punishment for all the times he’s said some dumb shit about women.
“You call women whores. Maybe I should treat you like one so you can know the difference, no?”
Naoya’s eyes screamed in rage, how dare you compare him to them? “It’s bad enough I’m with you —a man who can’t even give me an offspring— but now you want me to be a stupid woman?” His fists were clenched and ready to beat some sense into you (as if he could). “You fucking—”
And then suddenly his top half was leaning on the edge of the bed, wrists pinned behind his back by your hands, and his legs trying to keep himself up to not slide down and fall to the floor.
He hiccuped, not understanding how one minute he was about to launch a punch at you, then the next he had the stupid dress on with the skirt flipped up so as to not get in the way of your continuous thrusts.
“Awe,” you coo mockingly. “What happened to all the talking back? I thought you didn’t want to wear this, but look at you! Looking all pretty and taking me so well. Now aren’t you a doll?”
Naoya was so fucking embarrassed, both by your words and what he was wearing. Why did he like this?
“S-shut the fuck uP— NGHH!”
With only one of your hands pinning his wrists, the other slipped past the cloth of the dress on the chest area. Luckily, your arms were long enough, so there was no need to take your eyes off his hole swallowing your dick, just to pinch one of his nipples.
“I’m not a w-whore! Stop it!” He cried out, but really, he didn’t want you to stop.
“Really?” You pulled on his perky nipple, feeling the way he clenched around you. “But your pussy seems to like it when I play with your tits?”
He whined, slight sobs making his shoulders shake. “Not a pussy!”
You moaned, liking how his voice rose when he said that. “You’re so wet here though.” And with that, your other hand let go of his wrists, Naoya hastily having to grab the sheets under him.
Your hand slipped around his surprisingly slim waist, grabbing a handful of his nodding cock and tracing your thumb against the slit.
“See? You’re so sensitive when I touch your clit.”
Naoya’s mind went blank, everything around him went ignored except for your words and the pleasurable feeling you gave him everywhere your hands and dick touched. Before he knew it, he came, panting against the sheets stained with his drool.
But, oh, you weren’t done with him yet. You still hadn’t come after all.
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notes: better late than nvr! i ws planning on writing for sukuna & choso too but ran out of time so 🤷
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nightingale-prompts · 7 months ago
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Danny lives in a horror horror movie-part 2
Part 1
Once again this is inspired by surrealist horror books and podcasts. This is mainly inspired by Welcome to Nightvale more directly with other influences as well.
The people of Amity Park are strange. The entire town was off.
Wes, the teenager that worked late at the gas station was not the talkative sort but he gave quite the few clues.
"You aren't from here aren't you?" He said cleaning the black blood off his face.
"Uh, no. We are hero sent to investigate-" Superman tried to explain but Wes began laughing.
"Heros?! Haha! That's a new one. Alright, nutcases you got me." Wes laughed "New people are great. I only get locals these days."
"Wait, so no one outside the town comes here?" Batman asked, still trying to keep this investigation on track.
Wes went silent.
"No one comes here. This gas station is on the edge of town." He picked up his book again.
"If no one comes to this town why is there a gas station built just outside the city limits?" Batman asked this time more firmly.
"Let me specify. People tend to come here once. People come into town every once in a while and they stay. They don't leave. No one leaves." Wes didn't sound like he was making a threat just saying what he believed.
"That's not normal. Why would that happen?" Batman asked.
Wes sighed deeply as if he had this conversation time and time again.
"People don't just end up here. Usually, the ones that come here are those that want to leave their old life behind. They don't look for this place they just end up here. Sometimes they get freaked out but they settle like the rest of us and just make their place here." He explained but he really didn't feel like it.
When another question popped up Wes just turned his radio to a station and turned it all the way up.
"Good Evening citizens of Amity Park. It is another beautiful night here in our quiet little town. Here at the local public broadcast station, we wish you a great day and we hope that you remembered to not leave your shoes outside your door. Amanda Sawyer forgot last Saturday and hasn't been seen since. Please remember or end up like poor Amanda. This was a warning from the town's public health committee." A young but not too young voice said over the radio. "You know that is the mark of a caring local government. Sure they spend so much on bloodstone alters and bi-yearly mandatory festivals but we all know it's for our health and happiness. Now moving on to current events: A group of strangely dressed visitors are in our town. They are at the Cabbymart Gas Station at the end of town. They are asking Wes a lot of questions and Wes as always is in a bad mood. Hang in there Wes we all have those days. Retail am I right? We'll check in later with an update as this story evolves. Remember to welcome our visitors when you see them. Until then here is the-."
The broadcast was switched off as Wes turned to another station.
"Who was that? What was that actually?!" Flash asked hysterically.
"That's just Danny. He works at the radio station now." Wes grunted still not in the mood.
"Okay but how did he know we were here? We just got here and we haven't even gone into town."
"He just knows. I don't even get what you're asking! Why wouldn't he know, he reports the news?! Look can you guys just buy something or leave?" Wes said exasperated.
The heroes had little chance of getting more answers out of the teen so they went into town. Despite it being past midnight now the people of Amity Park were up and about. Watering their gardens and talking in front of illuminated cafés. They all looked carefree and jovial. Even a woman greeted them like the sight of people dressed in capes and spandex was normal.
But things here seemed out of place. Things just didn't match. Bloodstains made patterns into the sidewalk like children's sidewalk chalk.
The buzz if the radio station broadcast could be heard from window sills.
"We interrupt this broadcast for our sponsor Subway. Subway: Eat your cold dead heart out. Now with that out of the way an update on the revolutionary ghost situation. The mayor had formally declared that he would be kept at the museum where he could parade about however he liked. I'm sure the children of the town will adore his charming way of shooting at nothing and spending an hour to reload. There is also an update on the amusement park now that Mr.Stiches caretaker role has been filled by my friend Sam we can expect the horror house can finally reopen for the season. Buy tickets now. And lastly the update on the stangers in town. The brightly colored fellows are still meandering around town. I wonder what they're thinking. Probably things like: Where are these bloodstains from? What are we doing here? And most importantly. Will I ever see my family again? All good questions."
Amity Park was a strange place. But the people liked it that way. They never blinked twice at the horrid and horrific thanks that happened. Perhaps they were monsters in their own right but unlike the jaded masses of Gotham, they were downright jovial about it. In their world, there weren't demonic entities or ancient gods. What they experienced were things, undefined by mortals. Reality blurred with something else, somewhere else. So they adapted.
It was when the heros was a group of children attacked this Thing with long knurled limp and lips like puss-filled sacs under the watchful eyes of parents did they understand. They were the monsters here.
"Another win for Girl Scout Troop 667 in their hunt. Their parents must be so proud. It brings me back to 4th grade when all the children were kidnapped and brought to the library by the monstrosities we call librarians for the summer reading program. Had it not been for Valerie and her high reading comprehension score and display of berserker rage tactics we would have probably all died. I still remember as she stood over the body of the fallen librarian with the bloodied book Hannibal held aloft. She was an inspiration to us all and the reason we fled to the woods to train under her as her children's militia. Books and knives in hand we well-read warriors set out to keep our town safe. Remember kids of Amity Park, we look to heroes like Valerie and the clawed librarian's hand that hangs around her neck as a symbol of pride. Don't forget to return your library book. The librarians are still alive and while the most feral ones have been disposed of there still is a small population of them left in order to preserve the local food chain and they can smell late returns."
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artfight · 3 months ago
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New Feature: Bookmark Folders
You can create a folder by clicking here.
From there, select your 'Unorganized' folder to start moving your bookmarks around! You can also choose a bookmark's folder from the 'edit bookmark' screen.
Additionally, we've made a couple of UI adjustments to the bookmarks screen. You can switch back to the old layout by interacting with the view switcher in the top-left while viewing a bookmark folder.
Please note that this feature is still in beta, so feedback is very much welcomed (esp. regarding the folder limit), and you may experience some occasional bugs. Please report anything you find using this form.
Bug Fixes
Fixed issue where clicking a character's image thumbnail would occasionally open the full image in a new tab instead of switching the image on the current page
Fixed issue where bookmarks were not directly editable on the 'manage bookmarks' page
Let us know what you think of the new feature in the notes below!
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itsays · 2 years ago
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sonicpridecorner · 2 months ago
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The 2025 Sonic Pride Week prompts are here!🏳️‍⚧️🏳️‍🌈✨
Running from June 23rd through June 27th, Sonic Pride Week 2025 will include the following prompts:
Day One: Realization
Day Two: Inspired
Day Three: Friendship
Day Four: Confession
Day Five: Celebration
As well as three alternative prompts, which you may switch out or combine with any of the prompts listed above:
Dress-Up
Snack Break
"Long Time No See"
These alternative prompts are provided to be simpler ideas to work with! "Long time no see" is whatever that quote evokes within you, but we like to view it as akin to introducing your new self / coming out. 💫
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Event Guidelines
Your creations MUST be focused on one or more Sonic characters. OCs are welcome too, so long as they are Sonic OCs.
Include the appropriate day/prompt in your post. (ex. Day 2: Inspired)
You may draw for this event, write for it, or do whatever else you want, really! Any type of media is welcome as long as it is of your own creation. (No AI art)
Please do not create suggestive/NSFW, incest/pedophilia, gore, or otherwise graphic content for our event. We want to keep this as accessible as possible and focus on feel-good media for all ages!
There is no restrictions on what your creations must be about, as long as its celebrating your pride or identity in some way! There is also no limit on how much you may create.
There are no restrictions on who may participate and what platform. However, we will only be able to reblog works via tumblr. Make sure to mention @sonicpridecorner and use the #sonicpride2025 and #sonicprideweek tags so we do not miss your post!
If you have any questions, feel free to send them our way! Our inbox is currently open and will stay open for the forseeable future.
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dividers via gifcities
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fluentmoviequoter · 8 months ago
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Words to Die By
The Rookie x Criminal Minds Crossover
-> Part 2: Strikes to Die By
Pairing: Tim Bradford x fem!BAU!reader
Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.
Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker
Word Count: 13k+ words
Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules
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As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.
“Can I help you?”
You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.
“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.
“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”
You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.
“Is this your first time in LA?” she asks.
“No, it isn’t.”
“Chen, Bradford wants to see you before roll call,” another officer calls.
“Is Bradford your training officer?” you ask.
“He is. Do you know him?”
You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”
“Eleventh,” she answers, surprised.
“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”
Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”
“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”
A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”
“I am. I assume you remember him?”
“You know an FBI agent, Officer Lopez?” Chen asks.
“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”
You nod to Lucy, then return your attention to an email from Penelope.
“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”
“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”
Spencer frowns and murmurs, “Sounds like a job for Morgan.”
“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”
“In Los Angeles?” you ask incredulously. “Hard pass.”
“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.
“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.
“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“
“Says the walking brain with at least fourteen tabs open,” Derek jokes.
“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”
“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.
“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.
You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.
“More evidence?” you whisper.
She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.
Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.
“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”
Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”
Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.
“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”
Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.
JJ leans toward you and asks, “Remember how intimidating that look used to be?”
“Still makes me stand up a little straighter,” you admit.
“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”
“But talking about the suspect’s feelings will?” one of the officers jokes.
Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”
JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.
“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”
Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”
“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”
Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.
“Do any of you have questions for me or my communications liaison?” Hotch asks.
Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.
“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.
“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”
“If you trust them, they’re welcome to stay.”
Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”
You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”
You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?
“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.
“How is a literary analyst helpful?” someone questions softly.
“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”
“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”
“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”
“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.
“I think that went well,” Derek says as Hotch gathers his things.
“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”
“Pretty boy and I are going to go find some coffee.”
As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.
“It’s good to see you,” Wade says, smiling as he pulls you into a hug.
“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”
“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”
“We like to think so,” Hotch agrees. “Although…”
“Bradford won’t be a problem,” you interrupt.
Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”
Hotch hesitates, then asks, “Do you trust him?”
“With my life.”
“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”
“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”
Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.
“Where’s Spencer?” you ask, looking over his shoulder.
“Telling Officer Chen about the health benefits of doing something boring. How are you?”
“I’m okay. Hotch doesn’t seem to think so.”
Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”
You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.
“I hope our hotel has a hot tub,” you lament.
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“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.
Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.
“What happened?” Lucy tries.
“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”
“Yes, sir.”
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A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.
“Old habits?” you ask as you approach the counter.
Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.
“Something like that,” he says. “So, uh, the FBI. That’s incredible.”
You shrug. “Not what I wanted, but I love it.”
Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.
“How long have you been with the BAU?” he inquires.
The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.
“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”
You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.
“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”
“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”
“I did everything by the book, if that’s what you’re asking.”
“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”
“I did.”
“There’s more to it.”
“There’s really not,” you insist. “If you don’t want to be on this task force-“
“I do. I wish you could see that you have the potential to lead it.”
“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.
The waitress returns with two full bags, and you stand as you take them from the counter.
“Goodnight, Tim. I’ll see you at the station tomorrow.”
As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.
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“What if - and hear me out on this - you just told him the truth,” Derek suggests.
You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”
“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“
Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”
“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”
“And he can deal with some of the guilt,” Hotch grumbles.
“What guilt?” you inquire, pausing with a cheap metal fork in your hand.
“He clearly blames himself for letting you lose your position,” Hotch explains.
“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.
“He doesn’t,” you mutter. “He told me last night-“
“You saw him last night?” JJ exclaims.
“I ran into him at the diner.”
“He still goes to your diner?” Derek questions.
“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”
“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”
“That would be illegal,” Spencer mumbles.
“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”
Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”
“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.
Hotch frowns and mouths, You’ll never find them all.
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“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”
“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”
Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”
“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.
“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”
“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”
“I’ll tell Hotch. Anything else?”
“Are you okay?” she asks.
“Fine. Why?”
She stops typing suddenly and then inhales sharply.
“Garcia?” You ask.
The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.
“Penelope?” you ask hurriedly.
“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”
“None of the prelim suspects would know how to do that,” you point out.
“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”
“What is it?”
“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”
“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.
“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”
“It’s about me?” you whisper.
“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”
“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”
“You got it. Tell Morgan and I said hi and I’m wearing-“
You hang up and take a deep breath as you return the receiver to the cradle.
“Agent Hotchner,” you call as you return. “I need a word.”
“Let me finish-“
“There’s been a development,” you interrupt. “An urgent one.”
Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.
“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then… whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”
“Manipulated the data how?” Hotch asks.
You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”
“Left it where?” Grey inquires.
“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”
“The date?” Hotch presses.
You inhale deeply before saying, “February 18, 2017.”
“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”
You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.
“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“
“We need you,” he interjects. “The literary aspect of this case is progressing.”
“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.
“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”
“Garcia’s tracing the data changes?” Hotch assumes.
“Yes, sir.”
“Then we work what we can until she gets back to us.”
“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”
“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”
You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”
Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.
“What are you expecting to find?” Hotch asks you.
“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”
“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”
You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”
Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”
“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.
“Talk to me,” Hotch encourages.
“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”
Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.
“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”
“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”
“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”
“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.
“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”
“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”
“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”
You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.
“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.
“Unless Penelope told you to do that, I’m going to be very mad,” you say.
“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.
“I found our guy, or his IP address at least,” Penelope says.
“And?” Hotch asks. “Where is he?”
“That’s the thing. He’s in an apartment a few miles from the station.”
You recite your previous address and Penelope murmurs, “That’s the one.”
Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”
“Uh, there were some numbers,” she answers.
“34381?” you guess. “And 6147?”
“Amongst others, yeah. Do they mean something to you?”
“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”
“I’ll run the rest of the numbers against the LAPD database and get back to you.”
“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.
“Not yet,” she replies, and then the line clicks.
“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”
“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”
“Yes,” you answer. “He could do it overnight if the circumstances called for it.”
“Assuming he’ll take a break between kills, however…”
“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”
“He’s a criminal,” JJ says. “They all get stupid and forgetful.”
“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”
“What if they could help?” JJ argues.
“No.”
“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”
“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”
You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”
“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”
“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”
Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”
“Which affects us how?” Hotch inquires.
“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”
“Still doubting your hypothesis?” Hotch deadpans.
“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.
“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”
“They’re getting concerned,” Derek whispers, waving toward the roll call room.
“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”
“Yes, sir,” you agree with the rest of your team.
As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.
“What about me?” Lucy asks as the other officers exit into the bullpen.
“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”
“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”
“Keep me updated,” Hotch tells you.
“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”
Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved and the killer is behind bars, you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.
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“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”
Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.
Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.
“Ready?” you ask Lucy.
“Yes, ma’am.”
You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.
“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”
“That looks like a building staple,” Lucy muses, leaning over the picture.
“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”
“What was the cause of death?”
“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”
“I don’t know,” Lucy confesses. “Sorry.”
“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”
“That’s the nicest thing anyone has ever told me.”
You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”
“Then what’s the point of leaving it there?”
“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”
“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”
“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”
“That’s a lot of options.”
“Which is why we keep looking. Victim number three had a personalized novella…”
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“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.
“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”
Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.
“Do any of you have experience with crime scene investigation?” Spencer asks.
Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.
“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”
“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”
Spencer nods and shifts his attention to the tools and proposed appearance of the killer.
“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”
Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.
“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.
“Army,” Tim responds. “FBI always the goal for you?”
“Oh, nah, I started as a cop up in Chicago. Things just happened.”
“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.
“Why be a TO?”
Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.
“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”
“Got it. Thank you.”
Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.
He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”
You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’
“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”
Tim nods as he places the box down, and then looks at the case board.
“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”
“She retired,” Tim replies.
You drop your shoulders and nod. “Thanks.”
“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.
“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”
Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.
“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”
“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”
“The novellas?” he guesses.
“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”
“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”
“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”
“I’ll run it by him if I can get a word in.”
You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”
“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”
Derek smiles as he opens the door, and Tim and Lucy return soon after.
“She lives three miles from here and said she’d talk to you,” Lucy relays.
“Let me tell my team.”
Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”
“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”
Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”
Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.
“You don’t have to,” you begin as Tim asks, “Ready?”
You fail to find the right words for several moments, then say, “Lucy, do you want to help Agent Morgan review crime scenes for construction and security?”
“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”
“Thanks,” you say, though you think I’ll need it.
“Do you want to drive or should I?” Tim asks once you’re alone.
You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”
“We can hope.”
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“Can I address the elephant in the room?” Sergeant Grey asks.
“Be my guest,” Hotch answers, not looking up from his improved profile.
“Bradford isn’t operating at his usual level.”
“She is.”
“Which is why I think there may be more to his side of the story.”
Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”
“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”
“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”
“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”
“That’s one connection.”
“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”
“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”
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“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”
“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”
Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”
Tim looks at you before demanding, “Why didn’t you put that in the report?”
“I was scared.”
“And you think the people living here weren’t?”
“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”
She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”
“Who?” Tim asks.
“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”
“Was there residue?” you inquire. “From the superglue?”
“There were trace amounts, and the lab was able to identify it easily.”
“It was the only death to be covered up, why do you think that is?”
Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”
“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”
“It was,” she explains, “he must have taken her earlier to get a head start.”
“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”
Daniella frowns, and you lean forward to ask, “How many more were there?”
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Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.
“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.
“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”
“Pretty easily. Self-preservation is a powerful motivator.”
“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”
“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”
Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.
“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”
“Yes, sir.”
After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.
“I’m going with you,” Tim states.
“No, you’re not. You heard him, you’re going back to the station.”
“You need me-“
“Actually, we don’t. We have jurisdiction now, Tim,” you snap.
“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”
You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.
“Alexander Riley,” you murmur.
“What?” Tim snaps.
“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”
“Convenient.”
You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.
“Are you still at the station?” you ask when he answers.
“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”
“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”
“Okay,” he agrees slowly. “Why?”
“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”
“You got it.”
You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.
“You had something for me?” Grey asks as you approach the townhouse.
“I do. Trust me for a few more minutes and I’ll tell you everything?”
Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.
“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”
“Why?” Spencer asks. “Wait, who?”
“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”
“Abuse of power,” Hotch deduces.
“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”
“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”
“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”
“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”
“What?” Hotch and Wade say, stepping toward you simultaneously.
“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”
“He’s going to target you?” Derek translates. “That’s not okay.”
“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”
“I’ll get a BOLO out,” Wade offers.
“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”
“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”
“Just send ‘em my way,” Derek jokes.
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“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”
Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.
“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.
“Bradford,” Wade begins.
“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”
“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”
“No idea. Sir.”
“I’d appreciate if you would stay and help review the story to find an idea, then.”
You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.
“Be safe out there,” you conclude.
As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.
“That was fun,” you mumble to Derek.
“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.
“That is bright,” you respond. “Thanks, Reid.”
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An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.
“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.
Tim falls back into his seat and crosses his arms to stare at you.
“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”
“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.
“Shut up,” Hotch says as he sits beside you, across the Table from Tim.
“Kenneth Adamson,” you say. “Do you have any idea of what he did?”
“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”
“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”
“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”
“Yes.”
“You could have told me.”
You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.
Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.
“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”
You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.
“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”
“I’m sorry.”
“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”
Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.
“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.
“Yes, sir. I’ll do everything I can to assist you.”
“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.
“Cursed wanderer?” Tim repeats.
“Remorseful, unabsolved character tormented by their fate and their actions.”
“He must not remember you well,” Hotch tells Tim.
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“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.
“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”
You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.
“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.
“Yeah. You.”
“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”
“Are there characters like that in all of them?” Hotch asks.
The sound of papers flipping precedes several firm answers of “Yes.”
“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”
Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.
“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”
“Are you gonna explain it or is this like Jeopardy?” Derek questions.
“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”
Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”
“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”
“Not recently.”
Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”
“Be careful,” Wade implores. “And keep me updated.”
“Can you do me a favor?” you ask.
“Anything,” JJ and Derek answer together.
“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”
“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”
“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”
You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.
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Tim's radio crackles as he makes the last turn to reach the crime scene.
“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”
Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.
“07-Adam-19,” he replies. “Go ahead, Lopez.”
“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”
“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”
Tim returns his radio to the dash and then sits back to wait.
“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.
“You really think he realized we were just as aggrieved as him?” Tim asks.
“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”
“You said your character died in the new one.”
“All I saw was my name. I made an assumption without enough evidence. It was stupid.”
“Welcome to the club.”
Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”
“You think it will?”
“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”
Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”
“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”
“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”
“I hope so.”
You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.
“Thanks,” you whisper as he straightens, mere inches from you.
Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”
Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”
“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”
“Did Derek ask Spencer about the bomb?”
“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”
“Could he be a cleithrophobe?” Tim wonders.
“What is that?” Derek asks, and you can imagine him looking around Wade’s office.
“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”
You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.
Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.
“You made it,” he says.
“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”
He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.
“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”
“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.
Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.
“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”
Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.
“Take your vest off,” he requests. “Please.”
You don’t move but look pointedly at his gun before raising your eyes to his face.
“I won’t hurt you.”
Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.
Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”
“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”
Riley fidgets, then nods.
You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”
“Alex is fine,” he replies, whispering your name under his breath like a prayer.
Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.
“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”
“You know who,” Alex mutters.
You smile and ask, “Was I in all of them?”
“Of course.”
“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”
“You were so far away,” he whispers.
“Alex, did you learn how to code just to talk to me?” you inquire softly.
He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.
“Kick it,” he demands.
“Why? It’s art, it’s part of your soul,” you argue.
“Kick it.”
Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.
“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”
“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”
“She was mine first,” Tim interjects suddenly.
Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.
“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”
“Adamson is the only one who hurt her,” Tim argues.
“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”
“Something changed,” you say from beside Riley.
He doesn’t move away from Tim but stops talking to listen.
“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”
“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”
“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”
“Fool! They’ve gotten to you, too.”
As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.
Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.
“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.
Tim sighs, taking your face in his hands as he wipes blood from your temple.
“Is his writing really that good?” Jackson asks as he stands.
“It’s a little preachy,” you reply with a smile.
Your phone rings, and you swipe the screen to answer, then immediately hang up.
“That was your boss,” Tim points out.
“He can yell at me when he gets here.”
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“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”
You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.
Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”
When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”
You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.
“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”
You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”
“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”
“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”
You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.
“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”
Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.
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Two Weeks Later
“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.
“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”
“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”
The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.
“I could have done that,” you complain.
“Sure you could, boot,” one of the men says, his voice muffled by the helmet.
You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.
Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”
As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.
“We’re wheels up to Los Angeles in forty-five,” Hotch says.
“Why?” you ask, stepping out from behind Tim.
“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”
You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”
Hotch narrows his eyes at Tim, then shrugs and agrees.
“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”
“Please do.”
You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.
A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”
1K notes · View notes
smutoperator · 2 months ago
Text
Nation's Little Slut
Lee Jieun (IU) x Male Reader (+4 more guys)
Legends Special Edition
Tags: airtight, anal, belt spanking, blowbang, bukkake, degrading, double penetration, fire, gangbang, gape, inverted facefucking, mouth/nose covering, object stuffing, pet play, (lots of) piss, rough sex, spanking, suspension, toilet sex, upside down, vibrator
Word count: 5872
To the general public, IU cultivates a bright, cute, and innocent image, letting her amazing talents do the talking and conquering audiences through her songs, earning the nickname of "Nation's Little Sister" over the course of the years.
Behind closed doors, however, things are much different.
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"I've been waiting for a while to do this; I feel my birthday is the perfect day for this special performance," IU says as she orders the cleaning of her ample studio before her special event takes place.
IU is a little anxious, but at the same time, extremely excited to take on this challenge, as she welcomes you and your crew to the studio while on her knees. "Good morning, guys," she says. "Good morning, birthday girl. Are you ready for something special?" you reply to her, asking IU a question. "Of course, I'm more than ready," IU answers, albeit deep in her heart she isn't exactly fully ready.
"Shall we start?" you ask IU. "Of course, do it as you want," she answers. The guys surround her, smiling as they look at IU's small frame. You grab her neck, pushing her up as your crew quickly rips her outfit apart, making IU moan. One of the guys already takes her bra off, leaving IU with just her panties and her sneakers on.
"Are you sure you guys aren't going too fast?" IU asks. "No, now go slow and get on your knees," you tell her. IU obliges, dropping on her knees at your commands. "You'll like it; you're 32," you say to her, referencing one of her biggest hits but changing her age to her current one. "Get ready to blow these five birthday candles," you then continue.
IU smiles as she sees the crew of guys pulling their cocks down their pants. Five huge candles—no better birthday gift than this to the nation's little sister. Well, today she won't be it; she'll rather be vying for a different title: the nation's little slut. Heck, maybe the nation's biggest slut.
The first cock soon finds IU's mouth, quickly making her gag as she already gets her face fucked. "You're going to take every single one of them like a good girl," you say to her, coming from behind and grabbing her tits as IU gets her beautiful face plowed. "Many more to come," you say, the next guy grabbing her small head and going even harder.
"Use all your hands, get those dicks hard," you command IU, who sucks and jerks off all the cocks that come in her sight. "Keep going, blow those candles," you tell her as your cock finally finds her mouth for her first time. IU tries to keep a fast pace, you slapping your cock against her tongue as she keeps switching between sucking and jerking off all those cocks, you now slapping your shaft in her hair.
"Don't stop," you keep commanding IU as she gags on all those five massive cocks. "That's good, but I know you can take it deeper," you say to her as you grab IU's small head and shove your shaft deep in her throat, pushing her limits. "Wow, you can really take a cock like a champ," you say to IU, praising her deepthroat skills as she holds your cock for quite a long time in her mouth, following suit as she deepthroats the other guys.
The longer the blowbang goes, the better IU gets. "That's the noise we wanna hear," you say as IU makes gagging sounds, her tits getting groped as she just can't stop sucking those big cocks. "Keep opening that mouth," you command her, IU now taking the poundings on her face with such ease.
You and your crew slap your cocks in IU's sexy face. "Keep your eyes open," you say as the five shafts hit her from all directions. IU feels amazing, watching all those hard poles ready for her and feeling like a goddess worshipped by a bunch of horny men. She goes for a no-hands blowjob, bobbing her head in each shaft before you shove yours down her throat like a sword. She takes it with ease and then rubs your shaft all over her pretty face, continuing to deepthroat all the guys countless times.
"That slut is incredible; no wonder she has the whole country in the palm of her hands," you say, praising IU's incredible cock-sucking skills. "Don't stop, get those cocks wet for your pussy and ass," you say to her, IU following it to perfection as she rotates, gagging on each cock. "That's what I wanna see," you praise her one more time as she keeps going back and forth between all those cocks.
You grab IU's head, making her go from one cock to another, enjoying the hot sounds coming from her mouth as she sucks all of them. The guys jerk themselves off, enjoying as IU gets crazier and crazier. "Come on, get that dick, don't choke," you tell IU, fucking her face. "That's what I'm talking about," you say as she handles it with ease, your shaft bulging under her cheeks.
"Make her gag," you say as one guy fucks IU's face. Another one holds her nose, but IU seems to just be gag-proof; she was truly born to take cocks. As many as possible, not even flinching as she keeps moving from one cock to another. "Come on, baby," you say, slapping IU's ass as the blowbang keeps going.
"I think it's finally time," you say as you get ready to move to the next round. If it depended just on IU, she could go all day blowing those candles, but that was just the warm-up. You grab a rope from your suitcase, getting IU up and grabbing her neck. "Are you ready to be our little bitch?" you ask her.
IU gets stripped naked, keeping only her socks and sneakers on. You wrap the rope all over her body, putting her upside down with the rope tied to a support in the ceiling. Her tits get a special treatment, as they get crushed between lots and lots of rope, popping out beautifully. Finally, you attach a massive Hitachi vibrator to her pussy to stimulate her as she gets suspended upside down, all the blood of her body rushing to her head.
Speaking of heads where all the body's blood is rushing to, you and your crew of guys are hungrier than ever, your cocks ready to use Korea's most famous slut even further. IU starts moaning, trying to move as her body is completely immobilized. She looks down at the floor, a little scared, but doesn't even have time to react as you grab her body through a piece of rope wrapped around her navel and shove your cock straight down her mouth.
IU's body moves as you slowly stick your cock in her mouth, getting on your knees and grabbing her tits as you fuck her face, enjoying the gagging sounds of her mouth. "Come on, guys," you say, inviting the rest of the crew to do the same, laughing as each guy that comes next fucks her face even harder. "Look at the sounds, she really likes it," you say as the face-fucking session picks up some steam, all the guys surrounding IU jerking their cocks off waiting for their turns.
"There you go," you say as one of the guys shakes his cock inside IU's mouth, making her drop some saliva to the floor. "Yes, baby, spit all over those cocks," you tell her. "Stick that tongue out," you then follow as you take another turn in her mouth.
One of the guys lies on the floor and starts pumping his cock upwards into IU's mouth. "Damn, you guys are really using her," you say, laughing and enjoying IU getting her face plowed from down low. "Already training to fuck that pussy?" you ask, jerking your cock off to the scene as IU takes a nice throat pounding.
You decide to go next, trying that same position but a little slower. Saliva comes out of IU's mouth as your cock hits the perfect spots inside her warm hole, trying to push deeper and making her gag. She sticks her tongue out as you pull out a bit before resuming as you grab her head and attack her throat as if you were attacking her pussy.
The guys rotate as they give IU a very unusual unusualface-fuck session. You slap your cock against the entrance of her pussy, enjoying a bit of the massage the vibrator gives her. You then eat it out as you get on your knees and fuck her face at the same time, using your tongue as a supplement for the vibrator while spanking her ass.
IU keeps gagging on your friend's cocks and getting her face fucked while you play with the vibrator around her pussy. "Fuck, that's a good girl," you praise her as she drops more saliva onto the studio's floor. You rub your cock against her face. "Put that tongue out," you tell her. "How does it taste?" you ask her, but her answer is just a bunch of unintelligible sounds.
"We got more things lined up for you, little girl," you say do IU as you put an end to the facefucking session, turning her face red with another push of your cock deep in her throat, IU sticking her tongue afterwards as she loses a bit of her air.
"You're gonna love what we have in store next for you, girl," you say to IU. "Are you ready to get fucked hard?" you ask her. "Yes, sir," she answers. "I can't hear you, say it louder," you reply. "Yes, sir," IU says, raising her tone before you shut her up with your cock. You adjust the rope's position, putting her back facing the right direction, but spreading her legs wide open in a full split, tying them up to the ceiling of the studio as her pussy is now ripe for the taking.
IU moves her feet a bit, the only part of her body not completely immobilized. She looks down to her pussy and then in the direction of your crew, moaning a bit, the dark skin surrounding her throbbing clitoral area contrasting with her pale skin. You get close to her, putting your hands in her pussy and making her moan. "That's so beautiful," you say as your friends fight for every inch of her body like a bunch of horny demons surrounding a goddess.
You take first dibs on IU's pussy. To your surprise, she's quite tight, her pussy still feeling like new despite her already being in her 30s. "Hmmm, hmmm," she softly moans as you give your first thrusts inside. "Let's go, guys, get that pussy," you say as you give room for the next guy, who already comes pumping her pussy hard. "Good girl," you say to IU, getting behind her and choking her and groping her tits.
IU lets out a couple of muffled moans as her suspended body swings with the hard thrusts your crew gives her. One guy after another, they all get a piece of her tight pussy, IU doing everything in her power to take it like a champ. "OHHHHHH," she screams, closing her eyes as one cock hits her cervix. You take your turn next. "Open your eyes," you command her. "AHHHHH, YEAH," IU screams, the heat in her pussy turning up as you attack her even harder.
IU's pussy keeps getting passed around. "AHHHH, AHHH, AHHH," she moans, getting choked as she gets fucked, having no control over her body as one horny dude after another keeps going inside her. And that's just the beginning.
You grab a stool and slide your body under IU's, shoving your cock inside her asshole. "FUCKKK," she screams as her tight butthole gets impaled by your massive meat. "AHHHHH," she screams, you already pumping hard upwards from the get-go. "Open that ass," you tell her.
Another dude comes in and stuffs IU's pussy, double penetrating her for the first time. "YES, YES, YES," she screams, a little overwhelmed by the pair of cocks splitting her in half. "AHHH, AHHHH, AHHHH," she continues to scream, closing her eyes as you anchor a hot DP, pumping her ass nonstop until the next guy finds his way into her pussy, which is already completely wide open. "Fuck, you've got such a nice tight ass," you tell IU as the DP continues.
IU grinds her teeth as she keeps getting choked and double stuffed. "Fuck, fuck, fuck, fuck," she says repeatedly. "Come on baby girl," you say, letting another guy anchor the DP now and taking your cock in her pussy. All IU can do is moan and close her eyes. "RIGHT THERE, RIGHT THERE, YES, YES, YES, MAKE ME FUCKING CUM," she begs as your cock makes her pussy squirt for the same time.
"OH MY GOD, PLEASE, GIVE ME MORE," IU continues to beg as your crew only ramps up the intensity of the DP. "FUCKKKK," she loudly screams, getting treated like a fleshlight whose only purpose is to get stuffed from all sides. You and your guys keep taking turns, another dude now taking the anchor role. "OH FUCK, FUCK, FUCK, FUCK," IU keeps repeating.
"You need more cock, slut?" you ask IU. "Yes, I do," she answers as the cocks keep going in and out of her eyes. "Come on, baby, open your legs," you say as you take another turn in her cunt. "AHHHH YES," she screams, you making her body bounce like crazy. "Oh shit, that's so much cock," she says, and you guys seem determined not to stop. The more "fucks" that come from IU's filthy mouth, the harder you and your friends fuck her.
"MORE, MORE, I WANT MORE," IU begs as she gets double stuffed. "Are you ready to cum?" you ask her, the whole switcheroo still going harder than ever. "Oh shit, oh shit, oh shit," IU curses, you groping her tits and choking her as she gets stuffed, treating her like a ragdoll.
"Do you wanna cum?" you ask IU again. "YES, I DO, PLEASE, MAKE ME FUCKING CUM," she screams as you shove your hands in her pussy, making her squirt. "Are you cumming?" you ask her. "YES, SIR, I'M CUMMING," she answers, making it rain all over your cock while the other guy takes a couple of hard stabbings in her butthole.
"AHHHHHH," IU screams as her legs tremble and her body convulses into a hard orgasm. You come in and fuck her ass one final time, providing what would be the end of that suspended DP session as IU screams with her holes extremely sensitive now. Her formerly pale skin now turns completely red as she gets utterly ragdolled, truly earning the nickname of nation's little slut. "Is that what you like?" you ask her. "YES, SIR, I LOVE BEING USED LIKE A FUCKTOY," she answers.
After a few more turns from you and your friend in her pussy, you finally take IU out of her suspended position. She's so wasted she can't even stand on her feet when she gets back on the floor. "It isn't over yet," you say to her.
"You like it rough, don't you? You like being punished, little slut?" you ask her. "Yes, I love being punished like the good slut I am; that's the perfect birthday gift you guys are giving to me," IU says. "Good, I love using you like a bitch too," you reply to her.
You grab IU's neck one more time, fingering her pussy as you start spanking her whole body. "Hmmmm," she moans as you get rougher with her. "I'm ready to punish you even further, you fucking slut," you say, covering her eyes and pushing her towards another guy, who spanks her tits.
"Get your ass up," you tell IU, as one of the guys brings a belt from your suitcase, IU getting hit hard by it. "OHHHHH," she screams with a smile on her face. You grab the belt, using it to tie her arms up, and another guy stretches her mouth, and another one spanks her boobs. You bend IU over, ready for her to get spit roasted in a standing position. "Arch that ass," you tell her.
You tie IU's fingers with a piece of toilet paper. "You're gonna burn, bitch," you tell IU, grabbing a lighter and lighting up the paper. She tries to run, a little scared. "Ask for a cock before your hands are on fire," you tell her. "Please, please, give me a cock," she begs, feeling scared.
IU keeps begging as the fire keeps burning the paper. "Beg harder," you tell her. "PLEASE, PLEASE, GIVE ME A COCK," she screams, you finally shoving her face against a cock. "Good girl," you tell her, switching a tied-up IU between the shafts of your friends. "Who got the best cock in the room?" you ask her. "You, sir," she answers.
"Then suck it," you tell IU, shoving your balls in her face and fucking it hard as you spank her body. Your crew surrounds her, IU getting all the cocks slapping in her face once again as she starts losing her breath. You grab her hair and hold her nose, IU getting another round of facefucking as her face turns redder and redder.
"May I have your cock, please, sir?" IU asks, begging. "I can't hear you," you say to her. "MAY I HAVE YOUR COCK, PLEASE, SIR?" she asks. You stuff your cock in her mouth for more deepthroating, hitting her tits as you plow her face.
IU bends just enough to leave the room open for one of your guys to shove his cock in her pussy, you keeping your feet in her back as she gets fucked. "Rule number one: face down, ass up. Please stay like that, you fucking little cunt," you instruct her. "AHHHH, AHHHH, AHHHHH, AHHHH," she screams and smiles as she gets her ass spanked hard.
IU drops further to the floor, going from her position with both her hands and feet planted on the floor to completely on her knees. "Get on your knees and kiss my feet," you tell her, IU obliging as she gets pounded hard in her pussy. You take full control of her, grabbing her panties and shoving them down her mouth, muffling her moans as you attack her pussy in a mating press position, one of your friends stomping her head with his feet.
"Hmmm, hmmm, hmmm, hnmm," IU moans with her panties in her mouth. You pound her pussy hard, spanking her whole body too and spitting on her whole. You pull out and then take her panties from her mouth to her pussy. "A useless cunt for a useless cunt," you say to her, shoving your cock in her asshole next.
"AH FUCK," IU screams as she gets anally penetrated. "YES, YES, PLEASE FUCK MY ASS," she begs, you taking it really hard as IU stays with her legs over her head. You shut her mouth with your hands, spanking her body as you shove her panties deeper in her pussy.
"It's an anal buffet, guys, only in the ass, please," you command to the guys as they take turns inside IU's butthole, quickly getting it very gaped and used up. "OH FUCK," she screams as she gets treated like a fuckdoll. "THAT'S IT, FUCK ME HARDER," she begs. "Shut the fuck up," you tell her, shutting her mouth as one of your friends vigorously fucks IU in her ass.
The anal pounding keeps going. "MORE," IU begs as her pink anus gets abused nonstop. "We're gonna spread that ass wide open; you're not gonna shit for a whole week," you promise to her. IU only closes her eyes and takes the heat, her face redder than a jalapeño at this point. You grab another piece of toilet paper and try to shove it inside her pussy. "Damn, it's so tight I'm struggling to fit in alongside your stupid panties," you say to her.
You lit the piece of toilet paper on fire. "Guys, we are fucking her so good her pussy is on fire," you announce. IU gets scared as the fire slowly approaches her vaginal entrance as you pound her ass. "What is your best hole?" you ask her. "My fucking asshole," IU answers.
You take the toilet paper out just as the fire approaches IU's pussy. "Please fuck my asshole," she begs, another guy taking his turn on her now and spanking her hard. "AH, AH, AH, AH, YES, YES," she screams, him choking her and hitting her face and legs nonstop. You go next, shoving IU's hair in her face and covering her mouth for another round of rough anal before grabbing it and putting her on all fours for more ass-fucking.
"Please, please, use my asshole," IU begs as she gets a nice pounding that makes her little tits bounce while you take her ass in an animalesque doggy-style position, hitting it fast and hard. You mount on top of her, stomping on her head as she gets anally destroyed.
You drop IU to the floor, and one of your friends slides immediately under her body, sticking his cock in her pussy. You waste no time and take your cock in her ass, spanking her back as IU gets back to being double penetrated, but this time another cock also fills her mouth, making her go airtight.
"You look so stupid with all these cocks in your holes," you mock IU as you stuff her ass hard. The guy at the bottom grabs her body, pushing it in his direction as he pumps her pussy hard. You tease IU, getting your cock in and out of her ass multiple times. "HMMM, HMMM, HMMM, HMMM," she moans while gagging on another dude's cock before they suddenly turn into hard screams as he pulls his cock out to jerk off a little to the scene.
The cowgirl DP keeps going for a while. "OH FUCK, AHH, AH, AH, YES," IU screams, her mouth quickly getting shut as she goes airtight a little more. "Fuck, fuck, fuck, fuck," you can hear her screaming with a cock stuffed in her mouth as you pound her ass hard while her face gets stuffed too.
You grab IU by the piece of rope still tied on her body, using it to control her. "Tell me who's your boss, you fucking slut," you say to her. "It's you, sir," IU says as it gets muffled in her mouth. Soon, you pull out of IU's ass, watching as your crew takes care of her and stuffs both her holes. You now get in front of her, but instead of stuffing her mouth with your massive cock, you decide to shove another piece of toilet paper in her mouth, toying with her as this time you threaten to set it on fire but ultimately decide not to.
You enjoy IU's muffled moans as she keeps getting double stuffed, watching your crew make good work of her used-up fuckholes. IU gets disciplined hard, her getting treated like a pet. "Come on, bitch," you say, spanking her ass and finally shoving your cock in her mouth.
"OH FUCK," IU screams as one guy shoves his cock hard in her ass. You just pull yours out of her mouth, spanking it and leading her to make some weird sounds before you shove it back inside, enjoying the loud screams. IU now lets out every time a new cock gets inside your asshole, your hard meat in her mouth unable to stop her. "OHHHHH SHIT," she continues to scream, one guy after another taking turns in her ass, the lucky guy in her pussy just pumping it for a good 10 minutes right now. "Come on, bitch, scream for us," you tell her as you laugh at her being used like a fuck toy. "FUCK," IU then screams. "Fuck what?" you ask her. "MY PUSSY, MY ASS, MY MOUTH, EVERYTHING, I'M A USELESS CUNT, A STUPID SEX DOLL," she proclaims.
"Flip her around," you tell the guys as they just can't seem to stop manhandling IU in a cowgirl DP. After so much fucking, hitting, and spanking in her stupid holes, IU is completely numb, taking a little time to turn around as she puts her legs up and gets her ass pumped from down low now. "Quicker," you command her. You can't resist her enticing, wide-open cunt popping out, and you quickly stuff it full of your cock.
"Yeah, yeah, yeah," IU moans as she gets stuffed in a reverse cowgirl DP now. Another dude sticks his cock in her mouth, getting the nation's little slut fully airtight. "I can't hear anything," you say as IU's moans get muffled, the guys using every inch of her body to please themselves, one dude jerking himself off using her feet, another one rubbing his cock in her hair.
"Right there, right there," IU commands as she keeps getting double-stuffed. "Open it up," you command as the guys now take turns in her very used-up pussy. IU just moans softly, taking all these cocks like a champion. "Ah, ah, ah, ah, ah," she repeatedly moans, fingering herself and getting ready to cum.
"Come on, cum on these cocks," you tell IU as she starts to get increasingly more sensitive. "Yes, yes, please, make me fucking cum," she begs, you touching her tits while she gets pounded by two of your studs. You wrap the belt around IU's neck, treating her like your pet as she gets stuffed full of cocks.
"Open your mouth, you stupid cunt," you say to IU, stuffing your cock in it and spanking her body as she gets put under a full nelson while getting double stuffed. "AHHHHH," she screams, you quickly shutting her up with your cock as her face turns redder and redder, you enjoying her muffled moans all over your cock as you grab her head and fuck her face.
You keep spanking IU's face as the guy fucking her pussy also chokes her. You then cover her mouth, trying to take IU's air as much as possible. The DP keeps going harder and harder; IU turned into a fuck doll as your crew rotates inside her pussy like a buffet.
You decide to take your turn in IU's pussy as well. "What am I doing to it?" you ask her. "Fucking it while I get fucked in the ass," she answers. "You look so stupid getting stuffed like that," you mock her. "AHHHHHH," IU screams, you pinching her tits and fucking her pussy harder and deeper than everybody else.
"Come on, guys, one last round in her ass," you say as you get on the floor next. "Come here too and sit on this cock," you tell IU, pumping her hard from down low as she tries to ride it. "OH FUCK, OH FUCK, OH FUCK," she screams as she gets pounded, the guys coming from behind and stuffing her ass. "FUCK," IU keeps screaming, but quickly goes airtight again. She's been fucked for a while now and can barely say any words besides cursing as she keeps getting stuffed full of cock from all sides.
"AHHHHH YES, YES, YES," IU keeps screaming as both your cock in her pussy and one of your crew in her ass pound her hard. "What do you say, slut?" you ask her. "Thank you, sir," she answers, almost collapsing as her holes get more and more gaping. You attack her pussy nonstop, making her moan like a bitch as the cock-in-the-ass rotation also keeps going. "AHHHHHH," she continues to scream. "Come on, be a good girl," you say to her.
"Say it again, bitch," you command full obedience from IU. "Thank you for using my fucking holes," IU answers. "I can't hear it, bitch," you reply. "THANK YOU FOR USING MY FUCKING HOLES," she screams loud and clear. "Yes, that's what I wanna hear; you deserve a reward for that," you say.
"Open your mouth, you filthy cunt, get on your knees and get ready to take your reward," you say as you give the green light for one of your friends to grab IU's hair and take her out of the DP. IU closes her eyes as you grab a permanent marker and start writing on her forehead. "Look at you, a stupid cumslut waiting for all that cum," you tell her as the word "SLUT" gets drawn on her forehead.
"Let's make it clear what you are," you say to IU as you finish writing it. "Now tell us what you want," you continue. "I want some cum, please," she begs. "Please, please, cum in my face, give me all that hot cum, please," she continues to beg on her knees.
IU keeps begging as your crew starts jerking their cocks off close to her face. "All over my face, please, give it to me," she says as the first rope of semen covers her face. You put toilet paper in her mouth, lighting it up as you make her beg for the next load, IU asking for it with her mouth getting muffled as she receives another pair of shots in her face. "Oh, thank you," she says, one guy slapping his cock on her face.
"Lick what dropped to the floor before you get mine," you command to IU. As she licks the cum from the other guy, you surprise her from behind, fucking her in the ass one final time. "OH FUCK, OH FUCK, OH FUCK," she screams as you drill her hard for about 10 seconds before turning her in your direction. One more guy ejaculates in her face. "Oh yeah, more cum for me," she says, celebrating, before you prove to her that the best was saved for last, giving her an enormous blast of sperm right in her eyes.
"I think that's it for today, guys," you say as you take a picture of IU's bukkaked face, all the cocks surrounding it proud of their work. The other guys leave, you staying alongside IU in the room and telling her a few words.
"We aren't done yet; we have to clean it up," you say to her.
"I can do that," IU answers you. "No, you didn't understand; I'll be the one cleaning it up," you tell her. "What do you mean?" she asks. "I'll show you," you answer.
You drag IU using the belt on her neck. "Come here, my stupid little pet," you say to her. IU crawls across her studio, you laughing at her as you arrive at the bathroom. "Suck it," you tell her, IU bobbing her head on your cock and spitting on it to get it hard again.
You open the toilet lid, making IU stare down at it. She sticks her tongue out, giving you the green light as you pee on it. You urinate on the toilet, IU trying to catch a bit of your pee raining down, before you get behind her and fuck her ass doggystyle, IU on all fours as you grab the belt and start using her like your pet.
"I love fucking that ass," you tell her. "FUCK, FUCK, FUCK," she starts screaming. You increase your pace, groaning like an animal. IU gets pounded so hard she can barely stand on her feet, her cheeks clapping nonstop. You shove her pretty face down the toilet, trapping it with the lid as you flush the toilet down with her face in it, rubbing your cock in her face to show her your ownership of her, before peeing a little bit more and shoving her face down one more time, bringing it back to grab IU through the mouth as you pound her like an animal.
You sit on the toilet, pushing IU's face against your cock as you make her deepthroat it. IU promptly gags, barely able to breathe after being fucked so rough. "You need more cleaning," you say to her, letting IU briefly eat her ass before you grab the toilet paper, shove it in her head, and fuck her against it.
"FUCK MY ASSHOLE," IU screams so loudly you can hear it through the toilet paper in her mouth as you fuck her while she's on all fours. You remove the paper, putting one of her legs in the shower's support and attacking her ass hard. I'm completely numb after so much rough pounding. "Oh, fuck," is all she can say as you hold her nose while fucking her and then stretch her mouth.
"Thank you for using my fucking asshole, sir," IU says as you sit on the toilet seat and let her ride your cock a bit before fingering her pussy and making her squirt. "Cum, cum, cum," you say, slapping her cunt a couple times and enjoying her squirt.
You drag IU back to her studio, you bending her over as you fuck her hard in the ass. "Spread, keep that ass open," you tell her. You mount on top of her and stomp on her pretty face, punishing her for being a stupid slut. "Fuck, fuck, fuck, fuck, fuck," is all she can say; each thrust for her now is a pain in the ass, her hole completely sore. You grab her hair, manhandling her like an animal, before shoving her to the ground and attacking her ass nonstop in a hard drilling that almost breaks IU in half. "AHHHHHH YES," she screams as she gets pounded into oblivion.
"OH SHIT, OH SHIT," IU continues to scream as the pounding keeps going. "Oh shit, what?" you mock her, tightening the grip of the belt on her neck as she gets anally drilled like a sex doll, her hair getting pulled hard.
"Get back on your feet and show me your camera," you say to IU as you reference her ass, her obliging and spreading it and showing you her massive gape after so much fucking. You direct her towards the mirror as you enjoy seeing the view of her gaped asshole. She then winks her gape for you just as you point your cock to her spread ass, peeing on her gape and making her moan as you turn it into your personal urinal.
"Now turn around, get on your knees," you tell IU, pissing all over her face next and cleaning any remnants of cum and ink from her face. "Now you're fully clean," you say as IU opens her mouth to catch some of it, you peeing so hard you cover her whole body full of your yellow liquid.
"Happy birthday. I guess that's it for today; the U in IU now stands for urinal," you say as you finally get yourself ready to leave her studio.
"Yes, baby, you can come back any time to my studio and turn me into your urinal," IU says.
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