#Fusion Event

[owlservice]

[uyunto]

childhood

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[zeldahime]

Coming to an AO3 near you this fall, Eclipse: A Ladyhawke Fusion! When charming thief Phillipe "the Mouse" Gaston is saved by a strangely angelic man with a black snake, he'll find himself swept up in a fairy tale as he slowly realizes everyone really is exactly who they say they are.

I'm super excited to be writing this and working with the fabulous @mulasawala for the DITWS Silver Screen Bang.

Catch Mula's art on Cara, and keep an eye out on my AO3 for the week of September 28th!

[itsgonnagetinspiringsoon]

JON MATTESON ON SMARTYPANTS. THIS IS NOT A DRILL.

(via Izzy's insta story)

[bumblingbabooshka]

Perpetrators and Survivors Let me Change your Mind [Patreon | Commissions]

[inaris-pokemon-world]

Ooh :0 🎃 This is fun!

What’s that sweet smell? It’s a Fidough/Galarian Ponyta/Swirlix hybrid! A gift for you~

[mooncalf87]

i need opal to serenade me to sleep

[artbyblastweave]

My sense of what Crossovers are for, conceptually, the thing they do that other works can't, was entirely formulated by my early-childhood exposure to Kurt Busiek and George Perez's seminal 2004 Marvel/DC crossover JLA/Avengers. Like most stuff Busiek writes it's a love-letter, and part-and-parcel with its status as a love-letter was that he took the time to render the horror and bewilderment that the respective teams had upon encountering the status-quo of their counterpart's setting. The JLA encounter the anti-mutant hysteria, the supervillainous fiefdoms like Latveria, figures like Hulk and Punisher being allowed to roam free, all those tonal hallmarks of Marvel, and they come to the conclusion that the Marvel Universe is hanging on by its fingernails and that the Avengers are somewhere between in over their heads and actively negligent. Meanwhile the Avengers explore the shiny, forward-thinking, optimistic DC universe, encounter the ubiquitously positive reactions they get from people on the street just for visibly Being Superheroes, see things like the Flash Museum and the Hall of Justice, and Captain America comes to the conclusion that the Justice League obviously must have led a fascist takeover of America. Then they hit each other a lot. Anyway, if you're writing a crossover between two works and you want me to care at all, you need to meet the JLA/Avengers Bar. When a character from one work is placed in the context of another work's setting, what commentary on the original work is that character in a position to provide through their outlook and worldview? What insight, in turn, can their commentary provide on on the assumptions and conventions of their native narrative? Have all characters involved experienced enough of the events of their own work that they've actually got something to compare and contrast with, or is the crossover occurring so early in one or more of their respective timelines that you're basically dealing with OCs due to the butterfly effect? Are you actually acknowledging the different properties as discrete narratives that are abrading each other in interesting ways, or are you for the one millionth time reimagining Izuku Midoriya as a native resident of some other setting (seemingly decided via roulette wheel?) And of course, are you correct in your assessments of how these are bouncing off each other? How many times am I getting hit with "They would not fucking say that/react like that/understand their new surroundings in that way/go five minutes without trying to disembowel this fan-favorite character from the other work that you've decided they're getting along great with?"

[erranver]

day 02 entry for @lavendergalactic's & @llocket's 2020 event: "an anime glitter edit or cow print pattern"．feat. Childe

as usual, f2u w/ or w/o cr \(^‿^)/

[emo4r]

📸•241128

[mylittlefusions]

Fusion idea: Mayor Mare + Princess Twilight Sparkle (the ultimate ruler of Ponyville)

For sure!! I've been thinking of this fusion as Lady Twimare, which isn't as elegant as some other fusion names but... I think it matches her overall vibe ^^

Also want to take the opportunity to recommend an awesome fic about these two: Paperwork. It's a shipfic set in s1 (but written quite recently) that is just a really fun read. Hope you all enjoy!

[mellobellooo]

[dreamy-pill]

I like this idea so much. This is the final design I had planned for Dipper and Steven. I think I really like how their character turned out. I had this whole idea planned out that matches up well with plenty of other types of media. I was inspired by Lilo & Stitch and Spirited Away and Venom for the following: additional appendages. I really like the idea of Dipven just multitasking and needing an extra hand or two for either taking notes or pinning evidence to their conspiracy board or something when an arm just startles him. Dipven has this inadvertent ability to just shapeshift to have extra limbs whenever he needs them.

This scene here is just what I imagined what their shared mindscape will turn to when they do have their inevitable moment of instability. I had this whole scene pictured out where Dipven is experiencing extreme psychosis from lack of sleep and Bill will somehow manipulate their shared reality into a horror show. It’s like on the bridge of a daydream that suddenly turns into a straight up daymare. I think they’ll be equally horrified because Bill will have made the dream where they have absolutely no control.

I want to reference Scary-oke because that’s just meets at the same time when the zombies show up, along with the government. I think it’s neat because the party would obviously kickstart with loud noises and obnoxious partygoers, and in the background Dipven will just try to shy away from the whole event before it even starts. Then, of course, he has to be strung along by one of the family members or even friends. However, I could see Dipven running away from the party at a clearly distressing moment. Somewhere in that timeframe the daymare happens. Or, is it nightmare? Idk. They swipe through the pages of the journal as a tactic to hide that it’s Dipper’s coping mechanism. They continue their walk to talk to the agents.

I think he’ll be trying to calm down and that’s when the government agents will show up. What if they discover he’s an alien, too? Never mind, another time. Then the zombie apocalypse almost tears down the Shack. The whole time Dipven just focuses on protecting Mabel from the dead. Soos getting bitten is probably what further tears up at Dipven. They manage to make to the attic. And it’s probably at that moment Dipven is close to falling apart. Stan is there to snap them out of it. They focus on the next step to taking down the dead. I’m skimming past some crucial parts just so I could actually summarize the main events.

That’s about it. I want to dive in further, but at this point my grammar is failing me.

I listened to Losing My Religion (Cover)(-)BELLSAINT while drawing this. I think it fits nicely. Either that or Van den Budenmayer: Concerto en mi mineur - SBI 152 - Version de 1798(-)Zbigniew Preisner (@ 1:39 - 310). I just like listening to a variety of music.

[chimerafflesia]

october 1st... welcome to Yuri duel links month

[asktheoger]

ogre-n-partner Shinji @ Momo The disguised human walks over, waving before responding. Hey there. You doing alright over here? Need some company?

"I-um-Ah-I," Momo sputtered, fumbling his card pack and nearly dropping it. "Um...y-yeah, um...I'm...I'm doing okay.....um...you can stay, if you really want to."

"OH! I'm...I'm Momo. Hi...," the Applin hastily added, appalled he forgot to introduce himself.

- - -

Featuring Shinji from @ogre-n-partner