#I wanted to get my references straight from the source

[silverior968]

Mortifying! Transformers equivalent of nearly 30yo man forced to third wheel his parents

[Image ID: A digital drawing of RiD15 Ratchet, Optimus and Bumblebee. Optimus and Ratchet are holding hands with Optimus smiling gently and Ratchet either talking or laughing. Bumblebee is walking next to them, looking bored. The background is mostly white, except for a patch of grassy dirt defined under their feet. The artist's signature, Silverior968 is overlayed over the image in green. / End ID]

[momomogos]

*Break the water surface

The original clip is probably: his own light reflects from the skin to the water surface, outlining his soft blue outline, which rises slowly, gently, quietly from the water. You looked along the glowing blue smooth curve until you finally saw him one-a pair of ruby-colored eyes staring straight from the water.

[A?MLTYT au by @helpmeimawkwardbutfun]

This is a great word game! You get to explore an alien planet! Cuddle up and fall asleep with the alien boys! The link is here!

I'm not the author, the author is @helpmeimawkwardbutfun !!

I just wanted to do something about it out of spontaneity!I want this wonderful game to be seen by more people!

[SUN/MOON] Character Reference Sheet

[Y/N] Character Reference Sheet

There are character reference design Sheets I made for this game out of challenge and for my own amusement! I got the idea and design from @helpmeimawkwardbutfun! I just added some of my thoughts and preferences while keeping the description of the game itself as close as possible! I thank her for her help! I did have a lot of questions while designing that she helped answer and solve! I love how talented and enthusiastic she is!

（As always, I can't get the naff's SJ au out of my head, and I don't want yn to be bald, so draw it this way）

I have to thank my inspirations :[Sources of Light/Signs of Life created by @jackofallrabbits]

I might not have even finished the design without the inspiration of her writing. I was reading these two great drama-filled novels even before I learned about the game! 

I was also very highly recommended to check out jack's writing when I was chatting with the game writer!!!! So I'm here to highly recommend her work again! Click here to check it out!

*Is there anything better than hugging three boys together?

(I don't know how it will develop in the future lololo just the night before, she talked to me about some interesting things, so with this meme~~)

Here's a close-up: 

oops, there's also a costume reference version!

[SUN/MOON] CLOTHES Reference Sheet

*As well as there is a Chinese version! Click here to play!

The Chinese version of the project originated from an ASK from me, and I didn't realize that just 6 hours after I asked the question, bean released the Chinese version of the game and left me a message!!!! I really feel very thankful for that! There are no words to express my gratitude!

As well as please ask @helpmeimawkwardbutfun more questions! She deserves more love and kisses!

[sirfrogsworth]

Let's talk about screens and eye comfort.

@krakenartificer wrote this in response to my motivated lighting post.

Maximum-visibility lighting is also accessible lighting. I cannot turn the brightness on my screen up any more than it is -- even a few seconds of a light-mode app at 75% brightness will give me a migraine. I believe you when you say that the train-light photos are legible to you. But with my screen at ~50% brightness in a medium-dim room, that second one, with the bright-white light, is already painful to look at. And since my pupils have constricted to protect me, I can't see almost anything else going on there.

I already mentioned that if people are having issues seeing dark elements in their content, their room may be too bright. That is a strategy to get the highest quality viewing experience, but it may not be the most comfortable for people with various eye sensitivities.

So I'm going to address eye comfort over image quality in this post.

I think many people have a misconception about the brightness setting on their display. Often people will turn it up and down depending on the content they are viewing. If something has a really bright element, they may turn it down. If something is too dark, they may turn it up.

That isn't really how display brightness is meant to work. This setting is meant to maintain picture quality and contrast as much as possible while raising and lowering the overall intensity of the display. And the intensity is meant to be adjusted according to the viewer's environment, not what is on the screen from moment to moment.

You want the intensity of light in the room to match the brightness of your screen.

Some people prefer to adjust their screen a little brighter than ambient so it is a little more legible. But that is a personal preference.

So if you are in a dark room, you'd turn the brightness down.

If you are out in bright sun, you'd turn your brightness up.

If your screen is displaying near white or pure white and it hurts your eyes, that usually means your room is too dark. A brighter ambient environment can help make "light mode" more comfortable. Try turning on some lights or going to a brighter space and see if it helps.

However, some people do not feel comfortable in brighter rooms. This is when you might consider "bias lighting." This is a soft light source behind your screen that you can adjust to the maximum tolerable brightness to keep your eyes from going into night vision mode or max dilation.

It's better if the bias lighting is spread out rather than using a small light source like a night light. Small light sources feel much more intense and can add to eye strain. You want the light to cover a large surface area.

String lights across a wall work well.

Or you can bounce a light off a wall or ceiling to diffuse and spread it out. Many people just put a light behind their TV and light up the wall behind it.

The idea is to make the room *feel* dark while still having enough light to keep your pupils from opening up and feeling like any sudden bright light source is blasting you in the eyeballs. Your pupils prefer gradual adjustments to light and dark. If you go straight from a dark scene to a bright scene without any bias lighting, your eyes might feel a bit melty.

If you are *still* uncomfortable with white on your screen and have a particularly strong eye sensitivity, then you might consider sacrificing picture quality for comfort.

Turning down your brightness is not a great solution because it makes *everything* darker. Again, the brightness of your screen should be close to the room lighting.

Typically, to get the highest quality image you want to adjust your screen so the blacks are as black as possible and the whites are as white as possible without losing any detail.

Rtings has a guide for monitors and TVs for this.

They have two patterns for black and white point adjustment.

They look like this.

You want to see bars all the way up until the reference point.

The white point is most commonly called "contrast" in display settings. Sometimes there will be a contrast adjustment AND a white point adjustment. In that case, the white point only deals with the brightest highlights and the contrast will affect all whites.

But if you have really sensitive eyes... forget the charts. Forget peak image quality.

Instead, try lowering your contrast and reducing the intensity of *only* the white elements rather than darkening everything.

The picture might look a little gray and dull, but you won't lose as much legibility in the shadow areas. You are just turning down the brightest stuff to make your eyes more comfy.

Max white point...

Lowered white point...

And if you still need to turn down your screen brightness, you can raise the black point to keep more detail in the shadows.

Again, that might not look great, but it will keep your eyes comfortable and you will be able to make out all the details you need to see.

You might also consider adjusting the color temperature of your screen to be warmer. Blue light is higher frequency and more energetic. Which means it can pierce and glare more than warmer light. So shifting things to the orange could also bring some comfort to sensitive eyes. Search for a “Warm” mode, “Eye Comfort” mode, or Night Shift settings.

Most TVs and monitors have these adjustments. Sometimes they call them different things, so you may have to do some googling. (God forbid tech companies ever agree on a standard.)

And if you are on a phone or laptop, you may need a special app to adjust these specific things. I would research "how to reduce white point" for whatever device you are using.

To review...

Adjust your ambient room lighting first. Brighter ambient room lighting can make bright white elements on your display more comfortable.

Display "brightness" should be adjusted to your lighting environment, not the content on screen.

If you don't like bright rooms, bias lighting behind your display can keep your eyes from going into night vision mode. This can prevent bright screen elements from being too intense or glaring.

If you have eye sensitivity issues, try all of the above first, and then consider lowering your contrast or white point setting. This will dim only the brightest elements on screen without making everything else too dark.

If you need to lower the screen brightness AND white point/contrast, you may lose detail in the shadows as well. You can try raising the black point to compensate. This is a worst case scenario and will probably not look great.

Consider warmer color temperature settings to reduce glare from high-frequency blue light.

[choochooboss]

Sketch dump! Vol. 5

September 2022 (Part 1/2)

The first piece on top summarised my cosplay rush for Tracon 2022! The second is an old idea for a charm.

"SURPRISE!!"

Back in 2022 I hosted an art raffle for reaching 777 followers on Twitter! The winner would get their submas themed idea realised (which was their friends throwing a surprise party for the twins!). I wanted to make a little comic and have the bosses walk in their office where depot agents, Elesa, Drayden, Skyla, Clay etc. would be waiting with decorations and treats and games.

Emmet is all smiles of course while Ingo gets so emotional he could only whisper a "super bravo".

Not really headcanons anymore but still funny ideas.

1. Emmet gets clumsy when off-rhythm! He starts walking in curves if there is nobody else around to match his rhythm with.

2. Emmet spaces out/forgets to say things aloud when someone speaks too long or when things go off-script! His thinking gets interrupted easily.

3. Ingo sometimes bumps into doors because he is too used to automatic doors!

4. When things go off-script Ingo speaks too much and rushes in straight lines"

Also my little inexpensive sketchbook & my trusty tools! Mechanical pencil and eraser pen are life when scribbling my skrimblos smaller than a postage stamp!

More Ingo~ I utilise a wide range of sources for references, including CSP's poseable 3D models, they can come really handy with perspectives and proportions!

The second piece is my very first attempt at cosplay in Tracon 2022: Blingo! I walked in with a sequin hat, leather jacket, leather pants and high heel patent leather boots.

The hardest part of cosplaying Ingo is remembering NOT to smile ahaha!

Some hairstyle tests

I drew these for a huge submas art collaboration over Twitter hosted by @/mimizukeii!! It was technically my first art collab before I started arranging them myself with Aggie/Magma.

While looking for train related songs I found this cute nursery rhyme to go with the marching:

"Over the mountains,

Over the plains,

Over the rivers,

Here come the trains.

Carrying passengers,

Carrying mail,

Bringing their precious loads In without fail"

I wanted to compare these silly twins, planning to do something more silly with them later. Also a sketch of @/fukurow's butler designs I never finished.. The capes compliment them so well, I love them!!

Prequel to this piece! Emmet is so confident in himself he thinks Pierce wants to learn from him but is invited for a duet on the stage instead!!

Emmet has really great voice actors in Pokemas! I especially love how his english VA gives him that bri'ish/posh/sophisticated vibe while also soft and melodic! I know for SURE this VA/Emmet can sing, I can show you later!

One of my favourite sketches!! I wanted to add a bunch of characters in the BG reacting to this sonic blast of emotion over a performance!

Heyyy it's the smile buddies comic!! I really hope Ingo gets to interact with Marnie in Pokemas one day!!

I feel Ingo's eyes in the mirror panel is a little off in the final comic, I meant to keep it softer like in the sketch!

It's Nimbasa trio!! Idea inspired by submas EX uniform colors. Might continue this later!

Some BG tests for this piece! Compositing is hard but absolutely worth the effort, it can make a huge difference in the appeal of your piece!!

Practise piece drawing over a photo I thought was cool! I want to get more experimental with lighting and perspective!

'How's it hanging bro?' Who hung him up there anyway??

Sketch for this arguing scene! Something REALLY BAD needs to happen for them to end up that tense! Even if I want to present them close to the canon material I still want to put them in really challenging situations to see how far I can push their emotions!

Thank you so much for coming all the way down here!! This set was pretty loaded, I hope you enjoyed scrolling through all this ahah!

Previous posts:

Sketch dump Vol. 1: April-June 2022

Sketch dump Vol. 2: July 2022

Sketch dump Vol. 3: August 2022

Sketch dump Vol. 4: July 2022 Part 2

[secundati]

Collecting my thoughts on what I know of Xavier’s journey, its impact on the main story, and my guess for what’s going to happen in his chapter in the next update—

For reference:

-Philos is a man-made planet that was ‘born’ the moment earth died. It’s earth, reanimated and kept alive by a powerful artificial source.

-MC is that source, the main story update confirmed she literally has the power of a planet inside her.

-Ever made Philos, or rather in this timeline, is planning on creating Philos.

-Some of the anecdotes and world underneath chapters allude to the fact Ever is watching her, watching her cultivate— she gets more powerful every time she resonates

-they are aware of her connection with Xavier and are choosing not to interfere, because every time they resonate his light evol makes her stronger.

-I’m SICK. He is basically unknowingly charging her up like a battery and they’re just salivating in anticipation, waiting for the right moment to seize her AND him.

-The Backtracker that betrayed Xavier ( Isaiah), is working for Ever. He assassinates Josephine (the explosion) to silence her and steal her observation records on MC. he managed to retrieve something to give to the Ever Raincoat/Agent.

-However Josephine left some files with Zayne before her death. She knew what was coming hid away the most valuable of the information they were after.

-The traitorous backtracker is receiving a drug to keep him from turning into a Wanderer in exchange for completing the tasks they give him. But there’s a substance in it that can make them control him if it works.

-They plan on modifying it to use on Xavier.

-The way the raincoat speaks on Philos is a bit?? As if he’s already familiar. He playfully comments on how a monarchy seems regressive for a futuristic civilization, then jokes as if Ever can interfere with their politics. “Kill Xavier and let Ever crown you as a prince”

-Then the “By seniority, I’m your ancestor.”

-it could be a coincidence, I don’t believe this raincoat has blood ties to the backtracker, but I do believe he’s referring to the fact that since he’ll be playing a hand in the creation of Philos, it basically makes him a “Founding Father”

-He might be delusional here, since he’s not yet in on the “Real Plan” and won’t be until he proves his worth by getting and controlling Xavier. Right now he’s basically flaunting authority he doesn’t even have lol.

-Xavier already knows that Philos needs human sacrifices to sustain itself.

-He knows that wanderers are a side effect of the sacrifices.

-He knows that MC is the perfect sacrifice because of her power but also because she can be reborn after she dies.

-Not wanting to choose between saving the planet or saving the girl he loves

-he scours the universe for a solution, something, anything that can power Philos and save MC from the fate of forever being the planet’s fuel.

-in my opinion, he eventually resolves to just straight up prevent Philos’s inception. Maybe being stuck in the past made it easier to get to this decision.

-This is where things get tricky, because earth finds out about Philos after the deepspace tunnel opens

-How?? Literally how the planet is literally future earth??

-Then there’s this line from one of world underneath chapters (chapter 4 I believe)

-The deep space tunnel created a convergence in which earth got to see its own ‘future’

-Xavier travels through the deepspace tunnel 200 years before it opens up above Linkon City. Could he be inadvertently responsible?

-We know now Sylus arrives through the tunnel and breaks MC out of the Gaia research center amidst the chaos of the Chronorift catastrophe

-He does just enough to free her and leaves again, Xavier rescues her and she ends up at a shelter

-Josephine finds her and decides to be her guardian.

-I’m not caught up on Caleb’s lore but I know his presence fits in here, he was definitely at the shelter with MC and was also taken in by Josephine. He was also caught up in her assassination, which nearly kills him too but he is saved, presumably by Ever.

-I read this character analysis on reddit regarding his dynamic with some other minor characters, but this part sticks out to me

-(IF SOMEONE COULD LET ME KNOW WHERE EXACTLY HE SAID THESE LINES IT WOULD BE GREATLY APPRECIATED)

-but!! A world built on ruins is an illusion. This feels like a reference to Philos and how it’s doomed to fail.

-I think Caleb is aware of the plans for MC

-Back at the shelter, I remember you said that your home was beyond the stars.

-We now know that MC was not born on earth, that her earliest memory is being a child gladiator in some intergalactic arena with Sylus.

-I don’t think MC told him all about her past, but I do believe that Caleb has a vague idea that she’s not really from here or meant to be here, and knowing the fate of where Earth is headed he’s more than willing to take her wherever she’s meant to be, or better yet wherever she wants to be. Caleb doesn’t care about whatever happens to earth because it has always been his intention to just leave with MC if worst comes to worst.

-If Ever is aware of MC’s connection with Xavier, then they’re likely aware of the other LIs, and like with Xavier, every resonance with them makes MC stronger. They are watching her ripen like fruit before they pluck it.

-All the love interests KNOW there are eyes on her and have their own way of protecting her.

-Xavier will keep her by his side, they’d have to get through him to get to her. Sylus wants her to grow stronger and more powerful so that she’d be untouchable. They couldn’t take her if they tried. Caleb is planning an escape route for when shit hits the fan, Rafayel is dropping bodies behind the scenes and Zayne is like single-handedly keeping a VERY spiteful God at bay.

-But the chip in Caleb’s brain, the drug they’re brewing for Xavier, and the anti-matter weapons being made to combat Sylus? Zayne is distancing himself from MC on his own accord and I’m not sure what they have in store for Rafayel. But Ever is literally crafting tools to neutralize the LIs so they can easily get to MC.

-Back to Xavier, though. I ultimately think that his chapter will be his realization that in spite of his efforts, it still wasn’t enough to change the future he was trying to prevent. And that keeping MC by his side won’t be enough to protect her. Is he just going to be stuck in this loop of having to witness MC’s death over and over?

Okay final notes 🗒️:

-I know about the evol suppression device around Xavier’s neck but according to his anecdotes he had it on long before this present timeline. He exchanged his freedom for a Protocore that could save MC (though it was too late) and it’s implied that though Ever couldn’t get it off of him, they were able to tamper with it and increase it’s threshold so he can use more of his evol. (Side note: since he’s had the evol suppression device from the very beginning, doesn’t it mean his attempt to elope to Uluru would have likely failed since they probably could track him through the device?)

-I’m not caught up on all the world underneath chapters and the rest of the LIs lore, so if you read this far and there’s anything I’ve left out or that contradicts my theories please let me know I’m trying to make sense of this so bad 🙏😭

[transformers-spike]

(Not a request)

I’ve been like honestly thinking, what would certain bots call their little human partners? Like I could imagine TFA megs being “my darling” but like at the same time I don’t. Just a random ramble I hope you could help me out here bc it’s been on my mind for a while🥲

I've been discussing this question with @drunkeninlovesailor this morning and we've brainstormed a bunch - so keep in mind we've also come up with a bit of extra worldbuilding (since we don't always vibe with official sources) Honestly, it depends on how well a bot is acquainted with/willing to use human terms. TFA Megatron for example would only use "my darling" if he knows it terribly flusters the human. He obviously looks down on humanity (and this includes everyone but his human - whom he still looks down upon to a degree but shhhhh). If his planet's terms don't have the same impact, then "darling" it is. But if he were to use a Cybertronian term, he would go for "my spark" (meaning "person I cannot live without"). TFP Megatron always goes for something that's a thin line between affectionate and demeaning. Things like "little one" where you're really questioning if he views you as someone he loves or a glorified pet. To be fair he's weird with everyone - any affection he has is mixed with murderous intent. TFP Optimus would call you something that shows his respect and appreciation for you. Not big on nicknames, but I'm sure you can get him to adopt something - be it Cybertronian or human lingo TFP Bulkhead and Breakdown are well-acquainted with human media (thanks to Miko and Knock Out) - but the nicknames they choose are either obscure references or sickeningly sweet to a point it gets ridiculous. Are they aware of this? Mostly Bulkhead - Breakdown would call you cotton candy with a straight face because it's sweet so it must be affectionate, right? TFP Ratchet would refer to you as his associate and later friend until he finally figures out his feelings and admits to himself he's been pining for so long it's starting to take a toll on him. Then he'll start calling his human "my spark" in private, because he's old as balls. But also "sweetspark" if he's feeling playful. Although he's willing to adopt some human terms as well and lovingly mock you by using the most grotesquely cute nicknames when you're alone. TFP Starscream? Absolute disaster. He tries so hard but he's too self-aware about how weird it sounds to call you anything affectionate. Usually everything he uses sounds demeaning even if he starts them with "my" - ie: my fleshbag. Unless you're in private and he's feeling particularly generous, at which point he's going to see if he can use some of the human lingo he learned while scouring the internet. He's testing them out to see which ones work - this can either make or break your boner. He's trying to seduce you not call you his "honey bear" TFP Smokescreen is a virgin who's never been with anyone before (you can pry this headcanon from my cold dead hands) so he's navigating the land of pet names with even less experience. Don't let him use the internet though because he'll probably end up calling you his bitch and see nothing wrong with that. Cybertronian terms tend to be easier. He says sweetspark and acts smooth to impress you, but all it takes is a sultry voice and his entire system needs to reboot. TFP Knock Out has a good grip of human lingo and is the best at mixing human and Cybertronian nicknames. He can easily switch between sweetspark and love - my spark and darling. Heck if he wants to be a smug bitch he'll call you kid/kiddo by saying Newspark.

[moonstruckme]

Hi Mae! Welcome back, hope you had a great, well deserved break while requests were off 🫶 but I was wondering if I could request tasm!peter x fem or gn reader (whichever you’d like!), that’s kinda specific kinda not..

but maybe a fic where reader accidentally hurts themselves, not seriously but like, enough to bleed just a bit, but they do not enjoy the sight of blood at all, so Peter has to help them with the actual injury, whatever it is, but also them feeling lightheaded/dizzy or faint from the blood itself ?? but it’s overall a fluffy and sweet scene

Hope that isn’t too specific, thank youuu <3

-🪻

Thanks angel!

cw: blood mention, joking reference to war

tasm!Peter Parker x fem!reader ♡ 574 words

You suck air in through your teeth. “Ow.” 

Your face tips toward the source of the hurt on instinct, but Peter’s nose bumps your chin gently, reminding you to keep it up. “Don’t look,” he says. 

“Are you almost done? It stings.” 

“That’s what happens when you try to make cats be friends, baby.” You can see Peter’s smirk in your periphery. At your pointed silence, he softens his tone. “Yeah, I’m almost done. Hang in there.”

You sigh. “I really thought they’d get along. Yzma gets so lonely.” 

You were sitting by the window with your cat, Yzma, when the neighbor’s tabby decided to hop across to your fire escape for a visit. Usually, he’s well received; you’ll stick your hand out the window to feed him a few treats while Yzma sits on the floor halfway across the room looking suspicious but intrigued. You’d thought the intrigue would win out, but when Yzma had seen him so close today—not seeming to realize there was still a window between them—she’d chosen fight and then flight, batting at the glass a few times before tearing off. And, of course, tearing up your lap in the process. Peter had followed the sounds of her panicked spitting to find you with thin scratches welling blood on your thighs and already beginning to slump in your chair from the sight of them.

Yzma was put in time-out. You do plan to make a case for her, as soon as you can see straight.

“She gets lonely for you,” Peter laughs. He squeezes your knee, the cool surface of your kitchen counter chilling the underside. “She’s got it made here, and she knows it. She doesn’t want some tomcat coming around to hog your attention.” 

“She only misses me because I’m the one who gives her treats.” 

“Bingo.” 

Peter laughs again when you tip your head down just enough to glare. He squeezes your knee again, ducking closer to kiss beneath your jaw, over the fluttering beat of your pulse. You hear the crackly ripping sound of adhesive being peeled from bandages. 

“You’re gonna look like you just came back from war.” 

“It feels like it.” 

“I’m gonna tell my great uncle Dave you said that. He was in World War II.” 

“Ask him if there are any support meetings I could go to, please?” 

Peter’s smile winds up tucked into your shoulder. You tilt your cheek into his hair, the sticky-uppy ends tickling your skin. 

“Too far,” you murmur. “Sorry.” 

Peter hums like he maybe agrees but he’s amused nonetheless. His thumb runs over the edge of a bandage, flattening it. “You’re all done.” 

You breathe out. “Thanks.” 

“Feeling any better?” He cups your face, straightening to look you in the eyes. “Still kind of floaty?” 

You give a small shrug and a smile. “A little. Not as much.” 

Peter’s thumb strokes down your cheek sympathetically. “You wanna stay here for a while?” he asks, cooing a little. 

Your smile grows. “Maybe. What will we do?” 

“I mean, distraction helps, right?” 

You hum, leaning down so you meet Peter in the middle. The tips of your noses brush. “Yeah. It does.” 

Peter tips his head up to catch the corner of your lips with his mouth. “You can’t pass out while I’m kissing you, you know. I’ll never live it down.” 

You close your eyes, settling in. “Just take it as a compliment if I do, m’kay?”

[suigenerisisadiva]

You're Australian?! Batboys x Aussie!Reader 🇦🇺

Pairing: Batboys x Reader when they find out their S/O is Australian (Like me lolol) Content: Australian bogan language, crack A/N: Requested by @ilona2nerrie, my fellow Aussie Diva 😍, Idk which style you wanted so I did headcanon-esque type thing lmao, guys FYI, this is all the slang I use in my daily life. Also can I just say this was such a pain to format omfg, I actually TWEAKED AND CRASHED OUT, Tumblr please fix yourself. COMMENT IF YOUR AUSSIE 🇦🇺🦘🐨

Dick Grayson!

Reaction: "Oh my god you're Australian?!! .....Is that why you say servo?" Immediately understands the accent now

Gets excited when you casually say "Bloke" or refer to mosquitoes as "mozzies"

Doesn't understand calling McDonald's "macca's" but rolls with it

Wears the Matilda's jersey as "cultural immersion" Asks loving, yet kinda stupid questions like:"Do you guys actually ride kangaroos to school?" "Can you say crikey one more time for me babe"

Quote :"Babe teach me the slang, I wanna say good on ya like a local" proceeds to tell it to his brothers with amazing confidence Will absolutely try Vegemite™ and cry.

Jason Todd! Reaction: "....yeah I figured. Americans aren't that calm."

Stops dead hearing you say "your gunpowder pongs bro"

Loves hearing you say "Oi"

Scared asf of spiders (this is my headcanon lolol), and gets you to kill all of them. Passes away eating a tim tam, from pure joy. Can't look at regular cake anymore after trying them lamingtons Quote: YOU HAD UNIFORMS IN SCHOOL??? Tragic doll, tragic."

Will absolutely start saying mate, and call Roy, Dick and Wally "Drongos"

Tim Drake!

Reaction:

"You're Australian-Australian? Like milo-straight-out-of-the-can Australian?" (I literally love doing that I am a milo addict fight me) Highkey blue-screens

Tweaks when you say "yeah, nah"

Reconsiders your guys's trip to the Northern Territory after hearing about drop bears.

Thought you said "Esky" to be different Quote: "Pookie who do you think would win: 100 Tim Drakes or 100 Kangaroos"

Will absolutely mimic your accent and sound so stupid.

Aged up!Damian Wayne!

Reaction:

"I suspected that..." Thinks your accent is cute but lowkey thought it was fake

Enjoys fairy bread and pork rolls like the average gyal when they hit the local bakery after school

Despises Vegemite with a burning passion

English already confuses him enough, so he thought you were talking about the actual undergarment when you said "thongs" so imagine his surprise when you're referring to the ones on your FEET.

Quote: "Shush you wallaby" Denies it to be affectionate Will absolutely travel to Australia to adopt a koala and have Bruce house it in the barn, it becomes good friends with Titus and Alfred

LMFAO I HOPE YOU ALL ENJOYED THISSSS!!! I LOVE BEING AUSSIE! Likes, comments, reblogs and requests are highly appreciated! Requests are open!

Sources! - Moodboard - @saradika-graphics

Summer dividers - @bbyg4rlhelps

This post is property of suigenerisisadiva

[scourgeofmyownbrain]

My siblings in Primus, holy fucking shit. I made an Optimus Height Chart. This took me.. SO LONG TO DO. Were y'all aware of how many Optimus designs there are?? Because I don't have all of them on this chart, and I still have TWENTY NINE (29, a 2 and a 9) out of the THIRTY SIX (36, a 3 and a 6) that exist. I didn't include the SEVEN (7) because either they were just a temporary upgraded form, or I already had multiple designs from that universe that were the same height and having all of them is redundant and repetitive.

40 fucking years and nearly as many distinct designs, I deserve a medal, honestly. Optimus has been in every single piece of media the Transformers franchise has ever made. Working on this in tandem with the Megatron one was a wild choice of mine, but I did it.

I included Optimus Primal on this chart. Both are named Optimus, I should not have to explain myself. Big Monkey and Big Truck are the same. No, your honour, I do not plead insanity; why do you ask?

Quick Disclaimer, if any of the images look weird, it's because I had to stitch a few separate images together to create a full body shot of the character.

Links to my Bumblebee Chart and my Megatron Chart. !!NEW!! -> Shockwave, Soundwave, Ratchet, and Ironhide. For future reference, all these charts will be filed under my "Transformers Height Charts" tag and my "aka the adventures of a..." tag. Hopefully, my bumblebee post is acting up and idk if the same issue will happen here.

Master Post

Explanations below the cut because I have fucking WORDS to say. This is gonna be a long one... 29 separate designs...

G1 Beast Wars V1 - ~9 Feet (Primal. Straight from TFWiki, converted to feet and rounded, the tiniest baby man gorilla)

G1 Beast Machines - ~8 Feet (Primal. The wiki failed me, but I found a old forum discussion where they made a chart comparing all the BW/M characters. Glorious stuff, I commend their effort.)

G1 Beast Wars V2 - ~10 Feet (Primal. TFWiki with the clutch, I will not always be this lucky.)

Earth Spark - ~15 Feet (Prime. No official numbers have been given, but I have already figured out how tall Bee is, and I was able to compare the two and get a good estimate. This is the shortest non-animal universe to date holy shit. Look at this, I'm showing my work

I am having a conniption they are so short)

RID 2001 - ~16 Feet (Prime. TFWiki once more, we love one source for everything)

Unicron Trilogy V2&3/ENG&CYB - ~16 Feet (Prime. For the uneducated, the Unicron Trilogy has given each of its 3 seasons separate names and 3 separate art styles. These are the designs used in Energon (S2) and Cybertron (S3). The Wiki had Cybertron's numbers but not Energon's, so for my own sanity, I decided the two were the same height. I could have done something in between Cybertron's and Armada's (S1) numbers, but there was a lot of float between the two)

G1 Beast Wars V3 - ~16 Feet (Primal/Optimal Optimus, this is the result of a fusion between Primal and Prime. The TFWiki says this design is like 40 feet tall, but if that is true, Rattrap, a character stated to be 1.8m or ~6f tall across several sources across several different languages, is actually not that tall. So I call bullshit, this guy is 2.6 Rattraps tall, making him around 16f or 4.9m tall. Checkmate, I win)

Prime Wars V1 - ~17 Feet (Primal. Slight spoilers for further into this chart but I decided that the Prime Wars Trilogy and the Netflix Cybertron Trilogy Optimuses were the same height as the Gen 1 design, because they're nearly identical. So comparing Primal to Prime, Primal comes up to about Prime's tits, bada bing bada boom)

Netflix Cybertron Trilogy - ~17 Feet (Primal. Identical explanation to above, don't want to repeat myself)

One V1 - ~17 Feet 10 inches (Prime. Okay, the Wiki says 32.534 feet, and I call Bullshit. A: These numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon. I already stated all of this in my Bumblebee chart post, and I will be dying on this hill. This is as short as we see OP in the movie, him at his tallest should match his KCV height, he's never taller than Megsy, so knock a couple feet off the biggest number and voila, my brain hurts)

One V2 - ~18 Feet 10 Inches (Prime. Same explanation as above, but taller than he was without his cog, because he got bigger)

Gen 1 - ~19 Feet (Prime. TFWiki has saved me the effort of figuring it out myself)

Prime Wars - ~19 Feet (Prime. As I said before, since this design is identical to Gen 1, it is the same height)

Netflix Cybertron Trilogy - ~19 Feet (Prime. I've said it twice now, identical, therefore same height)

Knight/Capel-Verse - ~19 Feet 4 inches (Primal. No Robot height given, I have his monkey form height from TFWiki, but comparing him to Optimus he's only a few inches shorter)

Prime Wars V2 - ~ 20 Feet (Primal. Compared to Prime, Prime comes up to about Primal's nose area, and we all know how tall I think this Prime is)

Animated - 20 Feet 6 Inches (Prime. This number actually comes from @phoenix-inanis and the glorious calculations they have done on the TFA Characters. Go check it out, because animated has literally no actual numbers -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4)

Knight/Capel-Verse - 20 feet 10 Inches (Prime. TFWiki has graced me with a number)

One V3 - ~20 Feet 10 Inches (Prime. If it's canon to KCV, then it's canon here. I've already told you my reasons)

Cyberverse - 21 Feet (Prime. Oh, shitty screenshot from a random Russian YouTube video; you treat me so well. I would adore a better scan of this if anyone has one)

Unicron Trilogy V1/ARM - 22 Feet 11 Inches (Prime. Technically, this number is for the Armada video game, which isn't exactly canon to the show. But I don't have any other numbers and my brain is tired, so CANON IT IS)

Aligned Cont. RID15 V1 - 25 Feet (Prime. I'm really proud of this one: I can already hear some of your questions. "But I thought his second form was as tall as his TFP V2 form, and this one was as tall as TFP V1," "but his V1 forms and V2 forms look like each other," You thought Wrong!! And I can Prove it!! Let's refresh ourselves on the height difference between TFP V1 Prime and Bee.

As we can see, Bee comes up to the top of Optimus's hips. Lovely. Now, let's look at RID15's height difference when Optimus first returns. Keep in mind that RID15 Bee and TFP Bee are the same height.

Look, Bee comes up to Optimus's chest in this form, not his hips. He comes up to a similar point on Bulkhead in the previous picture. Let's look at Prime's second form.

This is from the intro; yes, Bee is crouched, but look, if he stood straight he only comes up to about Prime's hips, JUST LIKE IN TFP!!! With this evidence, we can conclude that Prime's first RID15 form is similar in height to Bulkhead! I was so fucking excited to show y'all this, I was so proud of myself, I still am)

Bayverse V1 - 28 Feet (Prime. From the first 4 movies. Straight from TFWiki, because Mr. Michael Bay loves me)

Bayverse V2 - 29 Feet (Prime. Only in The Last Knight. Mr. Bay has lovingly kissed my forehead because he always gives me numbers for his movies)

Aligned Cont. WF/FOC/TFP V1/RID15 V2 - 30 Feet (Prime. TFWiki/Fandom/Me respectively. I love you, Video Game Info Screens. I am still pretty syced about figuring RID15 out, oh I feel so good. Almost makes me forget about how FREAKISHLY HUGE this universe is. And how the games concretely prove this fact)

Aligned Cont. TFP V2 - 35 Feet (Prime. Yes this number comes from Fandom, but this entire universe is monstrously huge for no reason, I believe it. Go look at my Bee chart for more in-depth and insane rant about how huge this universe is compared to other universes, it's at the end of the post)

Not Pictured: Aligned Cont. Rescue Bots and Rescue Bots Academy Optimus Prime - 30 Feet. (Yes, Optimus in the Aligned Continuity has 7 distinct designs across the whole thing. I am in physical pain. SEVEN?? ONE GUY?? SEVEN??), Bayverse Optimus Prime Power Up - 40 Feet. (It's an upgrade form that does not stick around, why should I include it), RID 2001 Super Mode - ~21 feet (Optimus can turn it on and off at will, it's just an upgrade mode), Unicron Trilogy Energon & Cybertron Optimus Prime Super Mode - ~20 Feet (Once more, upgrade mode, it's like stilts, you don't count something you don't always have on.)

29 pngs, holy shit I've done it. This took so long. If anyone has any suggestions for which transformer I should aggressively analyze next please tell me I don't know which ones to do next.

Here are the different layers separated, just so you can see all the many Optimuses (Optimusi?) clearly. I know my og chart is crowded, there's 29 pngs on there you don't think I noticed?

[miscellaneousdae]

WOULD THEY DATE A PLUS SIZED PERSON? | SKZ⁸

ᝰ.ᐟauthors note: raise your hand if you’ve been victimized by a tik tok video regarding who in skz would date a plus sized person! 🙋🏻‍♀️ in honor of that, here’s my take on this lol. these were written with reality in mind, but sprinkled by delusion on some. you’re all gorgeous and we don’t know these people personally, so delulu is the solulu.

p.s: written by a plus sized girlie

౨ৎ — BANG CHAN 🐺

Yes.

see source one, source two, and i had another video that i cant find, but chan talks about how saying “you look fine as you are” can sometimes give a negative impression, and how people say “you look good when you’re skinny” but he (at the time) didn’t like how skinny he was, and wanted to gain weight. he just…gets it, in a way, and i’m standing on that! can you tell he’s my bias?

i feel like his is so straightforward that there’s not a lot to elaborate on. he understands that bodies are different, for many reasons, and has always been so open about struggles. be it his own struggles or others, he’s always so kind and open minded. he also definitely gives me the vibe that he’s not actively seeking out romance when he meets someone, so he’s not even considering what’s attractive and what’s not attractive. people become attractive to him when he learns their personality and gets a good grasp of their energy and vibe. so, yes, chan would definitely date a plus sized person <3

౨ৎ — LEE MINHO 🐈

Yes.

now, i don’t have a lot to back me up here other than straight vibes. he’s another one who doesn’t immediately consider romance when meeting other people, and i think he’s probably experienced being physically attracted to someone and then their personality completely throws him off, so he’s just stopped considering looks as a whole. even if looks are considered, he seems like he doesn’t understand why he’d go out of his way to comment on someone else’s body, or why anyone else would. he’s very demure, very minding his own business, very whatever comes his way is what he loves. he’s just a chill guy.

౨ৎ — SEO CHANGBIN 🐇

…do I even need to say it?

for a number of reasons, yes. first and foremost, he just has that vibe that he loves the look, and secondly, he knows what it’s like to not be accepted because of how you look, and therefore, would never want to be that way to other people. he’s a sweetheart, and very much just wants someone who dotes on him and that he can dote on in return. changbin is a strong yes and you’re incorrect if you disagree.

౨ৎ — HWANG HYUNJIN 🥟

indecisive

genuinely, the only thing keeping me from saying yes is how firm some other people’s ‘no’s have been. from my perspective, hyunjin seems like someone who’s open minded and more focused on the ways he can connect with people rather than worrying about judging them. not to mention, he’s an artist. one could argue that he’s more critical, but i also feel like because of that, he wants to really know someone before making any judgements. plus, given the forbidden bullying scandal, i feel like he might be terrified to find himself in another situation like that but i digress

so like…if you ask me? yes, but i am delusional and hyunjin is one of my bias wreckers so who knows

౨ৎ — HAN JISUNG 🐿️

YES GAWDDD

look, i’ve seen mixed opinions on him as well (most of these opinions i’m referring to are old tumblr MTL posts or tik toks and the comment sections on them) BUT i feel like he’s very curious and open minded. so, say a plus sized person shoots their shot? han’s got that “you know what? hell yeah.” mindset. ANNDDDD the video where felix mentions gaining weight, and han immediately reassures him that gaining weight is okay, and that he’s pretty. plus, han spends a lot of time working with chan and changbin, to which i feel like they all probably have come to similar conclusions due to their influence on each other. plus han also gives me the energy that if you’re pretty, you’re pretty, regardless of size, shape, etc.

౨ৎ — LEE FELIX 🐣

…yes. and hear me out,

i’ve seen almost everyone who’s done this sort of thing say that felix is a hard no because of his own struggles with his body and how his perception of beauty is warped. while i can see that, i don’t think that translates to how he views other people. if anything, he wouldn’t want to put someone else through what his own mind puts him through. not to mention, i think he could find a lot of comfort in security in being with a plus sized person who’s confident with themselves, and could implement better ideals to felix. that’s just my take <33

౨ৎ — KIM SEUNGMIN 🐶

YES.

i don’t think i’ve seen anyone say he wouldn’t, and i stand with that because hear me out:

“but i’m fat”

“…okay and i’m seungmin?”

this man does not care. he acknowledges it and appreciates it. he’s very much in the “if i like you, i like you” category. case rested.

౨ৎ — YANG JEONGIN 🦊

indecisive pt. 2

in theory, yes. i think he’s probably taken some influence from chan, or maybe even seeing how changbin has been affected and treated by media would alter any negative views he might have had. to be fair, i just don’t even see jeongin dating LMAO like he’s content as he is, and if the person that happened to come his way was plus sized? if he likes your personality, he’s down.

[ohnoitstbskyen]

I am a long-time fan of you and I know you care a lot about social issues. When I saw your analysis on the HH designs, I feel you missed two major aspects of Alastor's design that are suspect. One, the 'deer' aspect of Alastor is a reference to a Native American Cannibal spirit which name is taboo and so I won't type it here. Though the creature itself isn't associated with deer, the common depiction of them is a cannibalistic deer-monster. Second, the 'magic symbols' Alastor uses are straight up Voodoo/Vodoun symbols. Not used in the right context or with an actual voudoun priest/priestess serving as a sensitivity reader. I bring these up, because I feel your analysis lacked a lot of context. If you answer this, thank you in advance.

Ah, you might be able to help me on this, I've heard before that the creature in question is taboo to mention or depict, but I've looked around multiple times for a source on the taboo. Which indigenous cultures is it that have the taboo on the creature? It's part of multiple nations' folklore, do they all collectively have the same taboo on the creature, or do they have differing stances on it?

I have seen this claim of taboo repeated across the internet, it's on various poorly-sourced mythology blogs and it gets repeated by TikTokers and in social media discussions, but I haven't been able to find any official sources from Algonquian-speaking indigenous nations, whose cultures originate the stories, asking that outsiders not discuss or represent the creature.

I've been able to find anecdotes shared by people that their elders have told them not to say the creature's name at certain times or in certain circumstances, because it supposedly draws the creature (or the evil it represents) closer, but I've not been able to find any strong indications that that taboo extends to non-members of the culture, or people speaking outside of the nation's lands, or on the Internet.

I saw a few people who identified as Ojibwe make fun of the idea that the word needs to be censored in text especially, with one of them calling it "colonizer nonsense." According to them, the rule they grew up with is not to speak the creature's name out loud in certain circumstances, and they claimed that it was considered significantly more taboo (at least in their communities) to whistle at night, since that would call the creature. Again, this is all anecdotal, but better sources seem scarce on the ground.

Do you have a link or a source, or some knowledge of which nations or organizations are calling for the taboo to be respected by non-indigenous people? The main reason I did not bring up this subject is because I simply cannot find any good sources on which to base a criticism. I don't want to spread the idea that First Nations people are calling for a taboo on depictions or mentions of a creature from their culture unless I can positively confirm that they are actually doing that.

Similarly, if you have a solid source from an authoritative Vodoun practitioner criticizing Alastor's design, I'd love to read it, it might come in handy someday. Not asking you to do my research for me, obviously, just that if you have one to hand or off the top of your head, you'd be doing me a favor.

As I say in the video itself, it was meant to be a fairly short project, and I did not have a lot of research time available. If I'm going to broach a critique on Alastor's design as it relates to Vodoun practises and culture, I need to study some primary sources from those cultures outlining what they consider to be best practises and faux-pas when it comes to depiction and use in pop culture. It's maybe a subject for a future video some day, but not until I've done the reading, and I would probably make it a much broader discussion than just Alastor and Hazbin Hotel.

[literaryvein-reblogs]

Writing Notes: Adverbs

Conjunctive adverbs: accordingly, additionally, also, anyway, besides, certainly, conversely, finally, hence, however, instead, in conclusion, lately, likewise, moreover, namely, nevertheless, so, then, yet

Adverbs of frequency: always, usually, often, sometimes, rarely, never, ever, hardly ever, occasionally, seldom, generally, frequently, normally, once, twice

Adverbs of time: tomorrow, tonight, yesterday, now, then, today, already, daily, last, next, previously, after, afterwards, early, late, later, since, still, just, seldom

Adverbs of manner: well, fast, straight, hard, loudly, proudly, suspiciously, strangely, kindly, easily, rudely, neatly, quickly, generously, eagerly, accidentally, rapidly, hungrily, foolishly, cheerfully, really (can also be adverb of degree in sense of “very”)

Adverbs of degree: lots, somewhat, barely, very, much, most, nearly, too, extremely, enough, so, slightly, especially, just, almost, scarcely, virtually, fully, far, exceptionally

Adverbs of place: behind, above, nearby, backward(s), toward(s), outside, inside, around, over, overseas, close, away, upstairs, downstairs, here, there, everywhere, deeply, next-door

Adverb - a word that modifies a verb, adjective, other adverbs, or adverbial phrases.

The 6 common categories of adverbs are:

conjunctive adverbs

adverbs of frequency

adverbs of time

adverbs of manner

adverbs of degree

adverbs of place

One thing to keep in mind is that there can be some overlap or repetition across the different categories of adverbs, because words can have more than one meaning or use depending on the context.

For example, yet can be a conjunction, meaning “though,” but it can also be an adverb of time, in the sense “in the time still remaining.”

Conjunctive Adverbs

A conjunction is any word that connects words, phrases, clauses, or sentences. They express the relationship between ideas or parts of speech.

A conjunctive adverb is an adverb that acts like a conjunction.

Conjunctive adverbs are often set off from the rest of the sentence by a comma.

For example: We don’t have time to run to the store. Besides, you already have cereal at home.

Conjunctive adverbs can also go at the end of a sentence, in which case they don’t need to be set off with a comma, as in: I didn’t really want a pony anyway.

Adverbs of Frequency

Detail at what rate over time an action or event occurs.

They answer the question “How often?”

Generally go just before the verb they are modifying:

She always orders chocolate cake.

My brother will never get over it.

Adverbs of Time

Describe when things occur.

They answer the question “When?”

Are very flexible: they can go at the beginning of a sentence set off with a comma, right before thea verb or clause they are modifying, or at the end of a sentence. It depends on the adverb and how it is being used in the sentence. For example:

Tomorrow, the class is going to the zoo.

We last saw her before dinner.

Are you going to Paris next?

Adverbs of Manner

Manner here means “a way of doing, being done, or happening.”

Answer the question “How?”

Can go before or after the verb or phrase they are modifying. For example:

The students quickly ate their lunches.

Our mayor spoke loudly and authoritatively.

Adverbs of Degree

Describe intensity or quantity of an action.

Answer the question “How much?”

Typically go before the verb or part of speech being modified. For example:

We were too hungry to talk during the meal.

The little puppy was extremely energetic.

Adverbs of Place

Describe location.

They answer the question “Where?”

Typically go after the verb or other part of the speech they are modifying. For example:

I think your sister is upstairs.

Go toward the big tree, then make a left.

Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

[sirfrogsworth]

The original image is stupid. That's a given. I guess they are trying to ask why the Moon doesn't have a bright spot and dark edges.

But the Community Note isn't much better.

The short answer is... the Moon is bumpy and the Sun is far away.

The long answer requires me to do some math. So I apologize in advance if I get some numbers wrong. But I promise you will learn some neat things about light if you are into that.

First, I have no idea why they brought retroreflectiveness into this.

Retroreflection is when light is reflected back at the angle of incidence. Meaning no matter what angle you shine light from, it will always reflect straight back to you.

It's a bit of an optical magic trick. It is how street signs and highway markers work.

Weirdly enough, astronauts placed a manmade retroreflector on the Moon which people can use to reflect lasers and disprove the fake Moon landing theory.

The Moon may have retroreflective properties, but that effect would only really be noticeable if you were to shine a tight beam of light like a laser or something. Retroreflection would be more apparent from the perspective of the Sun, not the Earth.

You know what, I should just read the source and see what they are talking about.

"The edges of the full moon seem as bright as the center, without limb darkening, because of the reflective properties of lunar soil, which retroreflects light more towards the Sun than in other directions."

Hey, I was right about the Sun.

But this is a bad explanation. A rare L for Wikipedia. I even checked the primary reference and it doesn't even talk about retroreflectance. It does seem to be a factor, especially for the very outer edges, but looking at other sources my initial answer of the Moon being bumpy and the Sun being far away is much better.

So... let's learn some shit about light.

First we should talk about surface texture as mentioned. You have glossy surfaces and matte surfaces and a spectrum in between.

A glossy surface reflects light very directly (specular). A matte surface scatters light in many directions (diffused). This has to do with how smooth or bumpy the surface is.

The Moon is very rocky and bumpy and dusty, so it has a very matte surface. And I'm guessing since some rays bounce back toward the Sun, we don't get as many direct reflections that would add specularity. Perhaps there is a Moon expert who can weigh in on how much that actually diffuses the light beyond the matte surface texture.

And the reason the Moon is so evenly lit has to do with the distance of the light source. Again, the Sun is super duper far away.

When light is very close to something, it falls off very quickly.

When light is far away, the falloff is very gradual.

From the camera's perspective, the edges of the sphere are farther away than the center. When the light is closer, the edges of the sphere appear darker. But when the light is farther away, the edges of the sphere appear to have a similar intensity compared to the center.

The surface of the Moon is not a consistent distance from us. It is a spheroid so the edges are nearly a thousand miles farther away than the center. But the edges don't fall off into shadow from our perspective.

This is a property of the inverse square law.

Let's say you wanted to light two people and the light was very close—one person might end up in the light's falloff.

But if you move the light farther away and crank up the power, the two people will seem evenly lit.

You can think of light a bit like a shotgun in a video game. When you are close to something the shotgun has a very tight spread and is more lethal. When farther away, it has a larger spread but the lethality is decreased.

The first shotgun blast is very intense directly in the center but has no effect on the edges. The second blast has more even coverage, but the intensity is spread out and diminished.

From a point light source, light starts out very concentrated but the photons spread out over a distance. This dilutes the intensity of the light. The inverse square law says for every doubling of distance, the light becomes 1/4th as bright.

You have the same amount of photons but a larger area to light up. So coverage increases but intensity decreases.

Check out the background in these images.

In the first photo, the light is very close to her face. The intensity of the light is very concentrated. From the perspective of the camera, her face is super bright, but the background is very dim in comparison.

But as you move the light farther away, the photons spread out. If you leave the light on the same power and the camera at the same exposure, the photo on the right would look very dim—probably just pure black. So you'd have to compensate by increasing the power of the light (more photons) or adjusting the exposure of the camera (higher sensitivity) or both. But once you make those adjustments the background and her face seem very evenly lit.

In the first photo, relative to the light source, the background is far away compared to her face. The light might be 5 feet from her face but 10 feet from the background. It has to travel double the distance to hit the background so the intensity of the light hitting the background is 75% darker than the light hitting her face.

The majority of photons are hitting the face and only a few are escaping to the background.

But if the light is 20 feet from her face and 25 feet from the background, the light only travels 25% farther to hit the background. So the background is only 36% darker than the light hitting her face.

To achieve the same exposure the number of photons is increased substantially, but they are spread out and not concentrated in one area.

If you increase the distance enough, the difference gets less and less perceptible.

Now imagine the light is 93 million miles away. The background would only be 0.0000000004% darker than her face.

From the Earth's perspective, the edge of the Moon is roughly 1000 miles farther away from the center of the Moon. And about 0.001075% farther from the Sun. The falloff of light would be impossible for our eyeballs to detect.

To review, the Moon has edge-to-edge lighting with no specular highlights because the surface is bumpy and scatters light and the Sun is ridiculously far away. I'm sure there are other optical effects at play due to the atmosphere and reflective properties mentioned, but by and large, that is what's going on.

It's the same reason the face of a large boulder in direct sunlight doesn't have any bright spots or quick shadow falloff.

Can you use this knowledge to help your photography?

Yes!

Lighting indoor group photos can be very tricky.

You often have several rows of people. If your light source is too close, you may have difficulty getting a good exposure on all of their faces because of the varied distances involved. The back row of people may appear very dark. But if the light is too far away, you may end up getting harsh shadows.

Large light sources produce softer, more flattering light.

Small light sources produce harder, harsher light.

Distant light sources produce even light.

Distant light sources have a smaller apparent size.

Which means you need really big modifiers so you can put the light far enough away to get soft AND even lighting. You have to make the light sources bigger to compensate for the distance.

If all you have is a flash, you can bounce it off the ceiling or a large white wall to increase the size of your light source. Just make sure it is far enough away from everyone to get a proper exposure of all their smiling faces.

[firestorm09890]

there's a part of canto vi I've been thinking about since it came out, and it doesn't actually have anything to do with Heathcliff.

this

She is bitter as fuck and as time goes on she's getting worse at keeping it down. Sinclair's the one who started it, by talking about how sad it is that they'd never get to see color, and Rodya starts to get a little irritated over it (yeah, sure, pity the Backstreets folk and their poor miserable little lives, privileged nest boy), but she's obviously trying not to straight up call Sinclair a privileged nest boy because she doesn't want to. But then Yi Sang and Ishmael join in on talking about how sad this place is with no color and she just can't keep her opinion down.

But that makes the atmosphere tense, and she hates a tense atmosphere, so she changes the subject and her tone, not giving a damn about how obvious it is. also, haha, ice and cold references.

And actually, this doesn't really have much evidence to support it, but I wonder if she holds a higher level of resentment for Sinclair in particular.

Canto II had some discussion about how Rodya wishes she was special (and while I think what Sonya said about her killing the tax collector just to feel special is absolute bullshit, I do also think there is some truth to her wanting to feel special), and introduced us to the concept of The Sign in a way that was vague and more like foreshadowing than actually introducing it. Then Canto III was all about The Sign, and how special Sinclair is, and since then we've had people talking about signs and stars and a new birth of the world and it's all stuff Rodya doesn't get to be part of.

I don't think she wants to hold resentment for Sinclair, and she especially never wants him to know, but going back after all this time and rereading this one interaction with him in Canto II felt pretty jarring.

the more important part of this is the way it feels like she's making a joke at Heathcliff's expense, for being poor, like even though she's also from the Backstreets she feels she's "above" it.

She absolutely does not feel this way.

On my way to find the first passage, I reread some other interesting stuff:

Once again, there's the harsh juxtaposition between casual, fun-loving Rodya, and tired, poor man's advocate Rodya. Almost everyone on the team speaks through the lens of a Nest dweller (I have to wonder if learning that Heathcliff was apparently raised in a mansion made her even more bitter), and the way she's so short with her mention of the Sweepers makes me think she's thinking about how painfully obvious it would have been to any other Backstreets dweller. And then, right after, dropping back into her casual voice, and Sinclair revealing that Rodya used the fucked up Backstreets creature to tease him...

Other obvious moments of Rodya being bitter as hell about rich people include this part of S.E.A.

and this part of her observation logs on Spiral of Contempt (actually, nearly everything in that log that isn't about the physical abnormality has to do with how much she hates how rich people look down upon the poor)

Hong Lu's canto comes after Don's, and then after his is Ryōshū's, who, based on her source material, probably served one of the most awful, contemptuous rich people the sinners have access to, and I really hope at some point here Rodya gets to snap in a big way

...hey so I wrote this entire post at 1 in the morning and then saved it to drafts because I didn't want to post something at 1 in the morning. the Timekilling Time trailer came out about two hours later, featuring both Rodya... and the long-awaited return of the Yurodiviye. so now it's past 3 in the morning for me but I'm posting it now anyway because ohohoho seeing the Yurodiviye again has given me SO much energy

I have a feeling all this is going to be very relevant extremely soon

[43501]

Opened my copy of Another Note: The Los Angeles BB Murder Cases for the first time in a decade and man, I forgot this is a goldmine of info and Mello characterization. It lets us know what kind of person Mello is almost more than the source material. Every time he's on panel/screen he's always so intense, it's fascinating to see him write and kind of get this feeling of "oh, he is also a normal guy outside of those situations".

He says he had one extensive in-person meeting with L, which is backed up by this other post of mine where I point out that, in the anime at least, Mello references having spoken to L personally. If we take it as canon it means L and Mello met at some point between Kira emerging and L leaving England for Japan.

He expresses a strong sense he might die. I've seen people say that he's "narrating from beyond (heh) the grave" and it's nonsensical, but that's not what's happening here. He's just writing while anticipating his death and writing as if these notes may be discovered posthumously.

He thinks that, in the event he dies, Near is the one who will discover his writings. This is interesting to me because it suggests Mello either knows Near knows his whereabouts, or would figure it out and recover his belongings. I actually think this is outright supported by canon - we see Near eating Mello's chocolate in the manga's epilogue. I don't think he instructed his staff to go out and buy that same chocolate, I think that's straight up Mello's stash.

At some point he started identifying less with the "Mello" alias and calling himself Mihael.

He's so sentimental... ending the prologue simply with "Good memories and nightmares". Bro.

"Imagine you were going to kill someone. What do you think would be the most difficult part? .... The correct answer: killing someone." Damn, I love you Mello lol. Also fascinating when you remember that he achieved his status in the mafia by beheading someone. Yes, he would know how hard it is to kill a person.

Mello states that he and Near belong to the "fourth generation" of Wammy's House kids.

He expresses open sympathy for Beyond and his state, twice... based on his own narration and how he portrays B in the course of the story, he definitely relates to B's emotions.

"Perhaps these gods actually wanted a blood soaked world of betrayal and false accusation. Perhaps the entire episode exists as a lesson to teach us the difference between the Almighty and the shinigami." I can't entirely make sense of this, and I don't want to get ahead of myself, but is "Almighty" capitalized here to definitely refer to the divine? Like, the Christian God but in a bit of a sidestepped, roundabout way? Wish I could see the original Japanese text for this line. If anyone has essays/posts about it, please show me.

And on a meta-textual level, the ambiguity of our role/perspective as the reader of these notes is also interesting. We're probably just an omniscient, unmoored observer being told about this set of notes Mello wrote and his line to the effect of "if it happens to turn into [a book]" is tongue-in-cheek. I know there's a slight, hanging implication that Near did in fact publish his notes, but I think that's unlikely since they contain so much sensitive/classified information.

[greaseonmymouth]

As you've asked for asks!:

Do you have any quick-and-dirty book/fic binding methods a terrified-of-failure novice could use to bang something out to get over the first collywobbling step of Actually Doing The Thing? (this may be something I've been meaning to ask for ages)

yes! I absolutely do! in my opinion the best quick-and-dirty bookbinding method is a no-glue pamphlet: you don't have to mess with glue or measuring or cutting anything, all you need is your text, some paper, a needle and thread. you can use the same needle to punch holes if you don't have an awl.

this is going to be a little long but that's because I'm going to write out some fairly detailed instructions for an A5 sized pamphlet. If you don't want detailed instructions and think you can glean the necessary info from photos, just skip to the photos! I've also linked tutorials.

for preparing the text to printing, in whatever software you use (word, libreoffice, gdocs, whatever) make sure your document is set to page size A5. make it look readable. then save as/export that document as a straight-paged PDF. now go to the bookbinder JS tool (https://momijizukamori.github.io/bookbinder-js/), and upload the PDF. source manipulation: none printer paper size: A4 display unit (you can ignore, or choose cm if it gives you anxiety that it automatically displays points) printer type: select single-sided or duplex accordingly* rotate paper: ignore flip on long side: check if you are printing duplex and if your duplex printer flips the paper on the long side page layout:  tick folio page scaling: original page positioning: centered ignore the rest flyfleaf: ignore signature format tick: standard signatures. in the length drop down, this depends on the type of pamphlet you are doing. for folio i generally find 4-5 pages per signature a comfortable thickness. if you have 6 whole A4 pages you can still do that as a single signature or you can split it into two signatures 3 pages each. wacky small layouts: ignore this signature info click the generate preview button to see what your PDF looks like imposed! I love this step especially when I'm doing quarto (A6) or octavo (A7) sized books generate output - click this to generate an imposed PDF

for A6 and A7 sized books the instructions are much the same, except for these you make sure the page size is A6 or A7 in your software, and then you choose quarto or octavo instead of folio. for signature length drop down I keep signature length to 1 for octavos typically and 2 for quartos, as this still refers to sheets of paper, and for octavo 1 sheet of A4 paper will turn into 4 smaller sheets in one signature once folded and cut.

*if you don't have a duplex printer you will have to manually turn the paper to print on the other side. I cannot be arsed with this so I bought a printer capable of duplex printing (I didn't have a printer anyway). if you already have a printer check what it can do as you might be surprised and go from there.

now to the pamphlets! you don't need a cover - I have one for the long stitch pamphlet but for the saddle stitch one I didn't bother and just made sure the first page had a title on it. you can always take a different piece of paper and print a cover on or or just use coloured cardstock and create a simple cover, but a cover is not necessary unless you're doing a long stitch pamphlet. all you need to do is to punch holes and start sewing. there are a few different stitch types below, I wouldn't say any of them are more difficult or easier than others, but they do look different so...pick one you like the look of and go from there?

pamphlet stitch (uneven number of holes) I haven't ever done a pamphlet stitch but here's a tutorial for how to do it: https://www.starpointestudio.com/simple-pamphlet-stitch-book-step-by-step/

saddle stitch (uneven number of holes) I realised that what I was thinking of as a pamphlet stitch is actually saddle stitch, as in this A7 pamphlet:

here's a tutorial for how to sew saddle stitch: https://www.bookbindingworkshopsg.com/saddle-stitch-bookbinding-tutorial/ here's a video tutorial: https://www.youtube.com/watch?v=aWHkY5jOoqM (sealemon has a lot of bookbinding tutorials and I know many people who like her videos, I used her tutorial for coptic binding way back when I first made a book but I can't otherwise vouch for the quality as I haven't used her videos)

french link stitch (even number of holes) in this one I used french link stitch which I typically use for thicker textblocks that i'm not planning to use tapes with as the french link gives it some robustness, I used it here because I had never done it before and wanted to try it out. I am planning to take these stitches out and re-sew this pamphlet with a cover now that I've found a suitable piece of transformer fanart to use as a cover:

french link tutorial. it's quite long but it has a colour coded bit towards the end that shows how the thread is supposed to link which i find very helpful to visualise: https://www.handmadebooksandjournals.com/bindings/french-link-stitch-binding/

here's a video tutoral from DAS bookbinding (he is my go to for techniques and he has the most soothing Australian accent as well, though fair warning not all of his videos are for beginners): https://www.youtube.com/watch?v=O4ZPdbaM-Ws

long stitch (even number of holes) for this one I used long stitch and I had a cover. this one is my favourite variation because I can make these pretty and simple covers and the stitch looks nice on the outside as well, so this one scratches the 'i want to make a book' itch for me.

here's a tutorial that also includes a how to on a cover that is different from my cover: https://lccprintmaking.myblog.arts.ac.uk/files/2020/06/Long-Stitch-Tutorial-A4.pdf DAS also has a video tutorial for long stitch but it's like three videos long, maybe watch it later :'D  here's one I haven't watched but seems decent: https://www.youtube.com/watch?v=XnignTL_wDQ

you can use saddle stitch for this kind of pamphlet as well, that's what I did for dozens of ships and hundreds of souls (https://ashmouthbooks.tumblr.com/post/681587080267202560).

I hope this helped!!