#I won't do it but good for her

[braceletofteeth]

Even if you're a bad person, a wicked soul; even if you're broke, or down and out; I'll still love you. I've only ever been happy to have you. You've never once disappointed me. Forgive yourself, child.

[demaparbat-hp]

Her eyes meet his. He reaches out his arm and takes an enormous breath. With terror clear in her eyes, her hand reaches for his, and he locks his grip on her wrist, and her fingers dig into his arm.

“I got you! Hold on!”

Vermillion Seas, Cardinal Skies Chapter 22: A Second Chance

The Fall took my breath away when I first read it. The intensity, the terror, the beauty... I loved each and every second of it, and I know you will too.

Go read Vermillion Seas, Cardinal Skies by @geothewriter if you want to find a perfect balance of love and adventure!

[kimwexlers-brownhair]

"Patti Lupone isn't racist! Sure she publicly diminished two Black women's careers and called one a bitch in a major publication, but that wasn't her being racist, that was just her being a shitty person, which is her brand! Pleeeease can I go back to sucking Marvel's dick or fawning over her stage performances without thinking deeply about why over 500 of her colleagues felt compelled to call her out and demand the toxic shit she and others like her pull needs to stop?"

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.

[violetsorengail]

She doesn’t like anyone but Xaden, and she only tolerates me, though I’m growing on her. Like a tumor.

fourth wing - ch. 36

iron flame - ch. 65

onyx storm - ch. 62

[embrace-your-illithid]

heere she is..… my illithid tav creature....… my sunshine goth pink sparkle princess paladin.… naive -2 int will drop a divine smite a-bomb on whoever threatens her lynchpin bf…... loyal lapdog to the very end, won't break her oath so she is the most cringefail starving mindflayer in toril.... Qurrn ✨🦑☀️

[phantomrose96]

In case you hadn't seen it yet: I saw you weren't tagged on this fanart by dragonno1412 that was inspired by your Ghosts Must Dine series and I didn't want you to miss out!

Ohh!!!!! Thanks for pointing this out to me!!

Also ahahaha! Man!!

That fic is from 12 years ago. That fic could be in middle school. I wrote that when I was 16 and had just joined tumblr.

I think it's cool this kind of longevity is possible.

(I think that might also have been the first fanfic-for-fanart interaction I did with Kikai??? Kikai and I still chat! I was liveblogging Takopi to her just the other day!)

[bayetea]

there's something really bizarre about what may or may not be excessive wariness of adultifying black girls that's resulted in not only treating hazel like some moronish baby but sweeping oversimplification of the person that she is. by refusing to observe hazel in a more mature light (and by this I only mean taking her seriously) there's a pervasive dumbing down of her character in the fandom that really does not occur as much for other characters. she's 14 in hoo. not 13. she's 15 in toa. for comparison the second youngest member of the prophecy 7 is jason, who was 15 himself for the first half of hoo and does not experience nearly as much character infantilization by the fandom at large

as a hazel enjoyer it's all pretty disappointing; I see so much to appreciate and unpack in the frankly gothic nature of her story but when I go looking for hazel fanworks (not just fanfics but fanart, headcanons, hazel ships, textposts to reblog, etc) I can't help but sense an unwillingness to just THINK about how her experiences might impact her. there's little more regard for hazel in the fandom than her merely being nico's cute and sweet little sister. and she is cute and she is sweet that much is true. she also grew up during jim crow while black and was violently bullied and killed herself and her mother when she was 13 years old. genuinely I don't understand reading horrific parts of her story like this and thinking that she's just a cute and soft tweenaged girl and not much else

like let's just be candid about this - abused and neglected children are forced to grow up fast (something that will almost inevitably have consequences in their adulthood). they are forced to be mature in ways that other kids aren't. hazel is not written like a "normal" 14 year old in part because she is not a normal 14 year old. you don't spend your life consciously wasting away in asphodel surrounded by ghosts and rejoin the living as a normal teenager. she was mistreated her entire life by everyone but sammy and then she died. and upon her resurrection the nature of her quest is more horrific than anyone else's - she has to "redeem" herself for helping gaea+giving her mom asphodel in the eyes of the underworld judges by killing herself again. that's literally what going on the son of neptune quest is for hazel; freeing thanatos = he takes her back to the underworld. there could not be a more literal confrontation of her discordant mortality than this. the only reason her life doesn't end that way is because of pluto's leniency towards his own children, and the narrative does nothing to justify something so objectively unjustifiable. even positing this as pluto's self-redemption of his failure to protect her in her first life, rather than hazel's own self-redemption, would have been something but hoo simply doesn't resolve this glaring conflict about its messagings on the unchangeable nature of life/death. but that's a post for another day

I cannot emphasize enough that hazel is every bit as deep and angsty as popular SadBoy™ characters like nico and leo but the interest in her sorrow and complexities is simply not there. this is not an insult to nico/leo themselves but a notation of how SadGirls™ (especially black girls) will never receive comparable acknowledgment of their miseries or the way said miseries have impacted them. hazel is deeply contemplative and world-weary and struggles so much with alienation from the world around her - alienation from the modern world as a person of color from the segregated past, alienation from the living as an undead girl, alienation towards her own powers because they ruin lives, including her own. if you just observe her character and her story I think you'll find more meaning about how life is a thing to be cherished than anywhere else in the franchise

[veththeebrave]

if your only response to this is "I don't like to imagine Veth cheating!" you can go ahead and scroll past this poll it's not for you. and if you think imagining fictional characters cheating on each other is evil and I'm evil you can do us both a favor and block me. peace and love on the planet earth talk to me about veth rarepairs

[rainybraindays]

Not to be that bitch, but if you're out here still saying Colin never apologized for the whole "I would never court Penelope Featherington" i think you need to maybe actually rewatch episode 1.

He very much does, as soon as he can once hes aware he hurt her. He addresses literally everything Penelope said hurt her about it. He says what he said was cruel and hurtful, he says that hes not embarrassed by her, he tells her hes changed and regrets doing something that hurt her. Its the most genuine apology anyone in this show has given.

How any of you have walked away from that seeing it as a fake apology makes me genuinely question what you think an apology is. Is he meant to fall on his knees crying and begging her to move on? Thats not an apology. Is he supposed to go "I'm sorry I fucked up, you're actually soso cool and so much better than me and everyone else" because thats love bombing.

Colin did it right, he came to her privately, apologized, addressed how he hurt her, reassured her he's not embarrassed of her and views her as his best friend, and said that he'd changed. Thats the correct way to apologize, thats how adults communicate. Everything that happened after that was in response to Penelopes frustration at her inability to be someone viewed as desirable in their society, and Colins want to prove how much he cares about her.

If we want to talk about non-apologies in this show, Colin is far from the first character in that line.

[kaiserouo]

he's a nom nom warframe

[dewwshi]

i liked the sparring scene from the start of siege of darkness a normal amount

[wilting-fl0wer]

The only correct form of caltam, as far as i am concerned

[commsroom]

this is a sensitive topic for me, so i really hate that i have to make this post, but unfortunately it keeps becoming relevant: stop infantilizing hera, and stop making excuses for it.

"well, she's literally four years old" she's been fully conscious with an adult mind for most of that, awake for most of that, and in multiple places at once for most of that. do you think that is comparable to a child's life experience, or is it maybe representative of something else?

i assume you understand why it would be wrong to call lovelace "literally two" because the fact that she is a clone is textually representative of the trauma she's been through. i also assume you understand why hera occasionally making flippant or frustrated comments about her own struggles living as an AI is different from the text telling you who she is or how you should regard her. it's science fiction, and it's a show that uses science fiction concepts in ways that resonate with real ones. the ultimate fact of the matter is that hera could've been in a lab for 30 years, or for 200 years, in a different setting, and be written the exact same way: as a sheltered, isolated adult woman without real life experiences.

hera is not a child or teenager in a natural stage of development. she is an adult who never went through the usual stages of development or life milestones, who has adult friendships and responsibilities, but who feels she is permanently ill-equipped to handle her life because no one ever taught her how, or gave her the space to make mistakes. if you don't understand why this distinction is important in discussing her trauma, that there are real, adult people who feel the same way, people who feel they've only been alive for four years, women who were never girls... then i really don't know what to say to you.

and i guess i have to say it: it's inherently infantilizing to say her peers see her the same way they see an actual child, or to say she needs them to be parental figures, especially eiffel of all people. "adult women have parents too" not ones that are 30 year old men! and parents have responsibilities to children, even adult children, that are different from the responsibilities two unrelated adults who care about each other have. it fundamentally reframes hera's most equal relationship in a way that diminishes her autonomy within it. (and if you're arguing it's all equal anyway, then what does it add? why don't you consider friendship as important?)

i know some people will dismiss that point because i view eiffel and hera romantically, but i've never argued you have to. if you want to go down that road, it says some pretty awful things about the couple of writers and actors who also view it romantically if you think she was meant to be viewed as a child, much less comparable to his child. you're inventing problems that don't canonically exist.

i just don't understand why you would make it about eiffel at all - and eiffel does not have the right to be a parent; the only thing that will heal his relationship with his real actual child is in relation to his real actual child - instead of discussing what a disabled, isolated, traumatized adult might be able to offer a disabled, traumatized kid. isn't the whole point of hera not being like pryce about breaking cycles? why make her a passive figure in her own story when her entire story arc is about taking control of her life?

there's no utility to this line of thought that doesn't further demean and alienate her, while implying she isn't ready to be a fully autonomous adult person. i don't think most people mean to be ableist, but hera is canonically a disabled woman, and i don't like where that line of thought leads. and yes, she's just a fictional character and can't be hurt by it, but everyone brings some real-world biases to how they engage with fiction. she's written as a marginalized adult person, and her womanhood is textually tied to defense of her personhood and autonomy (as well as a parallel to lovelace, also a marginalized woman.) to paraphrase minkowski - "you are going to show [that woman] some goddamned respect."

[manic-sapphic]

[degenerateshinji]

Hi, random anon here to tell you that you’re my favorite fanfic author rn and I love your link click fics so so much

HIIII THATS SO KIND OF YOUUU im studying rn so i cant draw a little blorbo like i usually do but heres some older drawings from my math notes they're cheering me on as i go