#Real-Time Access

[ross-frank]

Accelerate Data Integration with SAP SLT HANA

Accelerate Data Integration with SAP SLT HANA

CBS Consulting utilises SAP SLT HANA to accelerate data integration processes for organisations. Our expert team helps businesses optimise data replication and transformation, ensuring real-time access to critical information. Enhance your data management capabilities with our tailored SLT HANA solutions.

[ss-1990]

Radiology Machines Interfacing: Streamlining Imaging Processes

In the fast-paced world of radiology, efficient Radiology Machines Interfacing and PACS (Picture Archiving and Communication System) are essential for streamlining imaging processes and improving diagnostic outcomes. Let's delve into how these technologies facilitate seamless integration, optimize workflow, and enhance diagnostic efficiency.

Seamless Integration: The integration of radiology machines with PACS enables seamless integration of imaging data into a centralized system. This integration eliminates the need for manual data entry and facilitates the automatic transfer of images and patient information, reducing the risk of errors and ensuring data accuracy. With seamless integration, radiologists can access patient images and data from any location within the healthcare facility, enhancing collaboration and efficiency.

Image Management: Effective image management is crucial for organizing and storing large volumes of medical images generated by radiology machines. PACS provides robust tools for storing, retrieving, and managing images, allowing radiologists to quickly access relevant patient data during diagnosis and treatment planning. Advanced image management capabilities ensure that images are securely archived and readily accessible when needed, improving workflow efficiency and patient care.

Workflow Optimization: Radiology Machines Interfacing and PACS streamline imaging processes by optimizing workflow and reducing manual tasks. With automated workflows and intelligent routing, radiology images are routed to the appropriate radiologist for interpretation, ensuring timely diagnosis and treatment planning. Workflow optimization also minimizes unnecessary delays and bottlenecks, allowing healthcare providers to deliver prompt and efficient care to patients.

Real-time Access: PACS enables real-time access to radiology images and patient data, empowering healthcare providers to make informed decisions quickly. Radiologists can access images instantly from any location, enabling remote interpretation and consultation, particularly beneficial in emergency situations or when expert opinions are required. Real-time access to imaging data enhances diagnostic accuracy and facilitates timely interventions, ultimately improving patient outcomes.

Diagnostic Efficiency: By streamlining imaging processes and providing rapid access to radiology images, Radiology Machines Interfacing and PACS contribute to diagnostic efficiency. Radiologists can efficiently review and interpret images, leading to faster diagnoses and treatment decisions. Additionally, advanced features such as image enhancement and 3D reconstruction tools further enhance diagnostic accuracy, enabling radiologists to detect and analyze abnormalities with precision.

In conclusion, Radiology Machines Interfacing and PACS play a vital role in streamlining imaging processes and enhancing diagnostic efficiency in radiology departments. Through seamless integration, robust image management, workflow optimization, real-time access, and improved diagnostic efficiency, these technologies empower healthcare providers to deliver high-quality care and improve patient outcomes.

[musubiki]

balor 🥰

[vehemourn]

smth i honestly recommend everyone should do is like. keep a private folder of art u like on ur computer lol. and like. download art u like when u see it. ur gonna lose stuff Forever if u just like it, u know? and like, discord archives arent really enough lol. I have been downloading art since like 2016 & I have a LOT of art that was scrubbed from the internet otherwise, especially due to like. the antics of deviantart & twitter. And on things like twitter theres Barely a way to save art to begin with (bookmarks is Not good enough)

u do kinda lose Credit a lot of the time (unless u save it with it named? which i do sometimes but not always) and often like, it won't be the Perfect HQ or itll have a massive watermark on it. but like. since it's not really for Sharing as much as its for my own personal enjoyment, these things don't really bother me at all... Having a collection of art that i love that I can look at offline & like, On My Computer is so nice. And I back up a lot of it on hard drives when i back up my own art! Again, like, a lot of these pieces this is the Only way i can look at them anymore, and Maybe the only archive OF them.... I've had pieces from my friends Before they were my friends, that i just saved as a "fan", that THEY lost years later... I have pieces they hadn't Seen in years. And every year I Probably save at least a few more pieces that will become like, totally scrubbed from technology otherwise. idk. i think it's nice to have an archive of this art that is in my taste but also like, that i'd likely Lose otherwise.

i Hope people save my art. I don't honestly Think anyone does, but I Hope that like, if my shit ever blows up and all my accounts get scrubbed, Someone has at least one drawing I made saved to their computer 2 remember me. u know. Its like a scrapbook. I remember these ppls characters, i remember the communities at the time, i remember how i felt when i first saw the piece. Its really inspiring but also genuinely like, really Important to me and sentimental. I kinda think everyone should have their own collection but I think people are genuinely Scared to right click & save ppls art LOL. Genuinely where is the harm, though.

[xxplastic-cubexx]

this comic was brought to you by Summer Sux Dot Org

[peace-hunter]

I just realized. One thing that Optimus will certainly be educated on by the Primes in the Haunted AU is the various was One Can Kill A Quintesson! Leaving some Autobots confused at times when he's teaching them in return because 'This sounds pretty Specific...???'

It's slightly competitive on the Primes' part because yeah, the Deceptions do got the High Guard being good at killing Quintessons too but. They're the Real Experts. (Are they salty? Naaaah they're not. Much. Kinda.)

AKJSHDK YEAH YOU'RE SO RIGHT I LOVE THAT <333

they got so good at squishing the goddamn bugs and they're thrilled they can save Optimus the pain of figuring out their weak points through trial and error like they did. they're gonna make a pro out of their baby brother in no time.

and if they just so happen to know some of the Decepticons will be majorly pissed off at the fact OP is already on par with the best of what used to be the High Guard when he only has a fraction of their experience... well, happy coincidences, y'know?

and if they happen to teach Optimus how to crack open a Quintesson in just the right way to make some Decepticons see ghosts through him... that's between them and the people they're haunting :)

haunted au

[bigfatbreak]

In canon, a kwami's power must be used through a human wielding a miraculous, otherwise it'll have unforeseen consequences. So, in your AU, does Imago stealing Marinette's agonies cause any sort of trouble?

honestly the biggest unforeseen consequence is that this dude is around and being himself

no but for real, there should be a hypermassive consequence for a kwami unfettered peeking their head in, but there's not because of shit we'll get into later.

just consider it like this for the time being: now that Marinette is a sage and is capable of communing with the gods, she as a living being can be used as that intermediate conduit for power instead of the miraculous gems. If it was Tikki, for example, using her power raw with sage!Marinette, Mari would be able to access the power of creation or be swayed by it - however, it would put a massive strain on her, as she's not a miraculous but still capable of acting as that pipeline.

The reason Marinette has no ill effects from Imago, however, is because Imago is playing with a catch 22. Their purpose was to take agony away from Marinette, so even the exhaustion of accessing the unfettered power of a god was something he stole from her, so it seems like zero consequences have been had. In truth Imago is now SO tired holy moly and they DO NOT LIKE IT LMAO

[egophiliac]

I’m not a Ride Kamens player but I’m looking to be. Saw your art and was wondering if you could tell me how to pop on pls 🥺

(also wonderful art. it tastes like fruit gummies. to me specifically)

thank you!! :> right now Ride Kamens only has a Japanese version; if playing it directly works for you, there are download links and more app info on the official site! they've started teasing part 3 of the main story coming out soon, so it's not a bad time to jump in. 👀

if playing in Japanese isn't an option, then unfortunately I think English translations are still pretty difficult to find...I know there's some floating around YouTube and various blog sites for the first couple of main story chapters, plus a handful of card stories, and I think that's about it. :( I have heard there's a fan discord with rough translations/summaries(?) of most of the main story + events, but I'm not sure about the details on that?

I think it's definitely worth checking out if you can though! come join us all in agreement about who the best character is and why it's Leon

[turrondeluxe]

WOW KEYCHAINS???????????

[cloudinal]

Marluxia doodle hehe

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[vanhelsingapologist]

Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.

They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.

They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.

Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.

On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.

[deer-watcher]

I am BEGGING people at this point to make even the smallest attempt to learn something about asexuality/aromanticism before logging onto the internet to make sweeping & misunderstood generalizations about us

[soothsayerditty]

im not an au maker kinda guy. like at all. but ive gotta commit to random urges at times. sorry if it's been done before ;P

let's be self indulgent and cringe and free,,,!

[xxplastic-cubexx]

most people may have moved on from the cherik dazzler rockumentary date but i havent. Not now not ever

[wackywatchdotcom]

to me ragatha is the most tragic blend of fawning and wanting to be liked and being terrified that the people around you are going to die at any moment and a desperate desire for things to turn out okay and more and it makes me distraught