#Through hands-on projects

[geekonik]

Latest in Tech and Programming.

Who We Are

Welcome to Geekonik, your go-to platform for mastering the latest in tech and programming. Whether you’re a beginner eager to start your coding journey or an experienced developer looking to sharpen your skills, we offer a diverse range of expert-led courses designed to help you succeed in today’s ever-evolving tech industry.

Let the Numbers Speak

✅ 200+ Courses

✅ 30+ Expert Instructors

✅ 4000+ Students and Growing

Our Vision

At Geekonik, we believe learning tech should be both practical and enjoyable. That’s why our curriculum is constantly updated to reflect the latest trends, technologies, and best practices. Join us today and take the first step toward becoming a skilled programmer or tech professional!

Our Mission

Our mission is simple: to make technology and programming education accessible, engaging, and impactful for learners of all backgrounds. We are committed to equipping individuals with the skills and knowledge they need to thrive in the digital world.

Through hands-on projects, expert-led courses, and a collaborative learning environment, we inspire curiosity, foster growth, and empower the next generation of tech professionals. Our goal is to bridge the gap between learning and real-world application, ensuring our students are ready to tackle the challenges and opportunities of the future.

Success Stories

🚀 "Geekonik transformed my career! I went from zero coding experience to landing my first developer job in just six months. The hands-on projects made all the difference!" – Alex R., Software Engineer

Join the Geekonik community today and start building the future of tech—one skill at a time!

Call Us

+91 9560562455

Our Location

H140 Fourth Floor Sector 63 Noida

Website 

[aaaaaaafrogs]

Finally finished my most ambitious Hatchetfield project yet. Every box in the border represents a different Nightmare Time, as well as Hey Melissa, Trail to Oregon, Workin’ Boys, the BBQ monologues and Peanuts the Hatchetfield Pocket Squirrel. The three large boxes at the bottom represent the three main musicals. It’s 18x24” and made with sharpie :]

[random-cockroach]

[felassan]

From Owlcat Games - The Expanse: Osiris Reborn Announcement Trailer

"The Expanse: Osiris Reborn is a story-driven sci-fi Action RPG. You play as a Pinkwater Security mercenary whose brief shore leave on the asteroid Eros spirals out of control. Trapped in a deadly lockdown and drawn into a solar system-wide conspiracy far beyond your control, you’ll have to adapt, survive, taking command of the most advanced ship in the whole of the solar system. Gather a crew and find your own path through the web of lies to leave your mark on the solar system. Become a Founder to support the development and get exclusive rewards: https://osirisreborn.owlcat.games/ [source]"

✨ A new upcoming science-fiction action RPG set in the The Expanse universe! ✨

singleplayer | third-person | story-driven | Mass Effect-inspired

Customizable PC, ‘the captain’ (who can be a woman or a man)

Play them as an Earther, Martian, or Belter

On CC: “robust and expansive character creation with a lot of options to choose from. Nice hairstyles, nice features, everything you would expect from modern character creation”

Make choices with consequences that shape the story and which influence your relationships with the companions

The captain has an identical twin sibling of the same gender who is “your first companion and most loyal companion from the start”

The captain commands the advanced starship frigate Gemini

They lead a crew of companions

There are romances

Game is fully voiced

The Story takes place “between Season 1 and Season 3 of the Expanse show” / “set during the first two-and-a-half seasons of the show, or the first two books. The events of the game occur alongside the major events that transpire across the universe in The Expanse TV show / books during that time”

Some familiar faces/voices from The Expanse will show up, “with some of the [show] actors reprising their roles”

Two companions will join you in the field during gameplay

Cover-focused, over-the-shoulder perspective real-time gameplay with guns, classes, squad coordination, and abilities

Pre-production began in 2022

will be on PC via Steam, Epic Games Store, and GOG, PlayStation 5, and Xbox Series X and S

Release date: “Coming Soon”

"Game Design Producer Yuliya Chernenko admitted the original Mass Effect trilogy “was absolutely an inspiration to the team.” “It was iconic for the Xbox 360 generation of gamers,” Chernenko continued. “Many of us first played it in our teenage years, and it left a lasting impression. We are building on that legacy and expanding what players anticipate from this experience. Our story is deeply rooted in hard science fiction, one of the core reasons The Expanse universe resonates so well with its fans. The combat reflects the standards of modern action gameplay. The narrative emphasizes political tension and moral complexity. And yes — there’s romance too.”"

[source, two, official website]

More info from the game's Steam page and website under the cut due to length:

“You’re no hero — just a merc caught in the wrong place at the wrong time, trying to hold your crew together and keep the ship up and running. Your choices will shape your story.”

"The universe never tells us if we did right or wrong. By the 24th century, humanity has conquered the cosmos. However, life has remained anything but easy. In The Expanse: Osiris Reborn, a story-driven sci-fi Action RPG, you play as a Pinkwater Security mercenary whose brief shore leave on the asteroid Eros spirals out of control. Trapped in a deadly lockdown and drawn into a solar system-wide conspiracy far beyond your control, you’ll have to adapt, survive, taking command of the most advanced ship in the whole of the solar system. Create and customize your own captain — Earther, Martian, or Belter — and lead a crew of highly-skilled specialists as you face off against escalating threats, political pressure, and a relentless enemy that will stop at nothing to see you dead. In a solar system held together by fragile alliances, every decision leaves its mark. Trust isn’t given – it’s earned. Your companions are more than just mission assets — they are people with their own scars and loyalties. Some chase redemption. Others hide their truths. Over time, your relationships will flourish or deteriorate depending on the choices you make and how you choose to lead. The ship becomes your home — a place where trust is earned, not given. Dynamic third-person combat. Fight in third-person utilizing cover-focused gunplay and abilities. Two companions will accompany you into the field while others will support from a distance: disabling systems or drawing the enemies’ attention. You will issue real-time commands and have to adapt quickly to survive the manifold threats the system will throw at you. The fractured world of The Expanse. Visit iconic locations like Ganymede, Ceres, Mars, and Luna. Walk through ruined habitats and political strongholds mired in unease and tension. Talk to the locals. Uncover secrets. Use your skills to influence what happens next. The system looks different from every planet and from every asteroid. Some are falling apart. Others just hide it better. You may even come across a familiar face or voice that reminds you of just how small the system really is."

[source: Steam]

"INTRODUCTION The Expanse: Osiris Reborn is a third-person sci-fi action RPG set in the universe of The Expanse, where the tenuous balance of power between Earth, Mars, and the Belt is on the brink of collapse, and trust is a scarce commodity. Now it is time to gather a crew and find your own path through the web of lies to leave your mark on the solar system. By the 24th century, humanity has conquered the cosmos, but that hasn't made life any easier. What begins as a brief sojourn on the asteroid Eros reluctantly entangles you in a solar system-wide conspiracy. You will need to adapt to survive and keep your motley crew united in their mission as everything around you begins to fall apart. This is your story. The Expanse: Osiris Reborn offers a truly personal journey that evolves based on the choices you make and the pressures they place on everything you stand for. CHARACTERS Your crew is more than just backup — they’re the heart of your story. Each companion brings with them their own personal history and motives for joining the mission, though not all are easy to uncover. They’re more than just specialists. Some are haunted by past mistakes. Others hold on dearly to loyalty, survival, or even something they’ve never been capable of fully putting into words. The ship becomes your shared home — it’s not just a command center but a place where the crew can bond and where trust is earned. A single shared silence might become the foundation for a much deeper connection. A single decision could overturn it all. The way you lead your crew and the choices you make under pressure will shape every relationship in ways you don’t always see coming. COMBAT Combat in The Expanse: Osiris Reborn is tactical and built around smart decision-making under pressure, where every move has the potential to shift the balance of a fight. Control your captain in third-person, and gain the upper hand by making use of a variety of weapons, tactics (cover, command, etc.), and specialized abilities. The game features multiple roles, each offering a distinct approach that reflects your personal playstyle. Two companions will fight alongside you, supporting whatever strategy you choose with complementary skills. Others will assist from a distance, hacking into systems or drawing enemies’ attention right when you need it most. You will issue commands in real time and coordinate with your squad to stay one step ahead as the battlefield evolves. Survival depends on how quickly you can adapt and who you trust to stand with you when your back is to the wall. EXPLORATION The Expanse: Osiris Reborn opens into a narrative-driven world where shifting power dynamics and personal choices will define your experience. You’ll visit the marvel that is the gardens of Ganymede, the teeming slums of Ceres, whole bunker complexes veiled in vastness of the Asteroid Belt, and the imperious political bastions of Mars and Luna. As you travel throughout the solar system, you will be ensnared in a cyclone of power struggles and unresolved conflict. The system looks different from every planet and from every asteroid. Some are falling apart. Others just hide it better. Talk to the locals and use your skills to influence the outcomes, sometimes by digging into secrets some may wish remained buried. You may even cross paths with those who have already made their indelible mark on this universe. What you learn and how you act upon it can open new paths and slowly and subtly change your place in the world around you."

[source]

[churchyaoi]

they're so besties to me

[batboopp]

as much as I love batgirl 2024, I have to admit the lack of Barbara Gordon mentions in the whole series so far, especially with the first arc having such a big theme of motherhood/daughterhood and the things that comes with it, makes me soo sad. Barbara was the first person Cass actually considered as a mother! Barbara, although she wasn’t the best at it at first, truly did try to understand and love Cass unconditionally even when she was separated from the Bat mantle! And that panel where Cass overhears Barbara tell Dick that she doesn’t know how to really care for Cass could’ve been the perfect parallel to the whole “is a Mother just being connected by blood? No, Something more is owed/Being a daughter is more than being connected by blood” lines that Cass says in the last (current) issue because Barbara, though she did not physically bring Cass into this world, has sacrificed SO much for her, and in return Cass gave so much back.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[angrybatart]

UPPIES.

[falmerbrook]

WIP Wednesday

I was tagged by @nuwanders last week after I made my wip post, so I'm using that tag this week instead!

I'm (much slower than I'd like) making progress on the Sotha Sil pmv. Right now I'm doing all the line art, which I'm just doing for the characters or foreground objects.

So have a made up mechanical do-dad I'm proud of and some Nerevars

Tagging @snowy-weather @thescrolls-haveforetold @caliblorn @snowy-weather @truth-01001001-liar (only if you want to, of course! no pressure!)

[telesodalite]

Never getting over Fulcrum being a project manager...

Idk why, but something about that is so funny to me. Not just because the title of "project manager" is inherently kinda funny for a Decepticon, but also because-

1. It's vague sounding and hard to explain irl because it technically exists in multiple fields, like healthcare or manufacturing, which surely translates into canon in some way.

2. In canon, it's simultaneously a really mundane, innocuous sounding job, yet it's also a super morally awful position to reside over depending on the context. (*cough* forced colonization and cyberforming *cough*)

And 3. It solidifies the fact that behind all the surface level militaristic work we get with both the Decepticons and Autobots, there's also Cons and Bots with "normal" jobs in both factions.

Like, sure yeah we get scientists and doctors, engineers and programmers, but usually in big important or warfront positions. (For plot reasons, understandably.) But it's also really funny and interesting to think of those that worked background positions, or minor jobs.

Like an Autobot working in their equivalent of an HR department, or a Decepticon who runs one of their outpost's or starship's kitchens.

Just all the pre-war jobs that didn't just disappear with the war, but instead evolved to exist within the factions.

It's particularly funny with the Decepticons though, because it could be a super mundane job or situation, but because it's them, it has to have an air of ~e v i l~ to it, either legitimately and/or merely for the vibes, like Tarn's "performance reviews".

[katabay]

L'APPEL DU VIDE

okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.

this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.

combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.

jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.

to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:

J. G. Ballard, The Drowned Giant

anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.

[notbecauseofvictories]

there's something calming about reading blog posts from last year, and realizing that I was in this exact same headspace at the exact same time for very similar reasons (ie, the weather isn't great, I tend to want to stay inside which makes me unhappier, my company goes a little bit insane at the end of the fiscal year, etc.)

obviously it doesn't fix the feelings, and there are particular wrinkles unique to 2025 vs. 2024, but still....sometimes you have to sit back, take a deep breath, and acknowledge that February simply isn't your month.

[coolnonsenseworld]

A little promo with my little obsession on the side...........

Reminder all items are shipped from Poland - for details on shipping times check out FAQ or send me a private message!

 mmezzy.bigcartel.com

[bunshr00m]

weird headcanon of mine: when androids turn off their skin their hair retracts into the follices like the machines that suck up your tickets at the arcade

[zebratimw]

2021

[icarianarts]

This is my final for one of my graphic design interactive media class...LMAO I would have liked to do more but I was going over the time limit. One of these days maybe I'll be able to expand upon this + improve the black sabbath scene + etc.