#also hi len :)
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you can’t cyber bully me i’m uncyberbullyable have you ever seen me get cyberbullied yeah EXACTLY.
#-ethan && rin#also hi len#I know it’s you freak#faggoty freak#banana loving men loving kaito freak#can’t believe you like KAITO.
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so within the universe of Dune, gender roles abide by a rigid false dichotomy created by the bene gesserit - men lead the noble houses, while the women may join their order, and the powers of both are kept intentionally separate. at the same time, the plot demonstrates repeatedly that the role of paul atreides as a character is that of the border between the concepts juxtaposed within dichotomies: he is both an outerworlder and fremen, both harkonnen and atreides, both a duke and a disciple of the bene gesserit.
as such, it follows that within the in-universe gender structure, he occupies the roles of both male and female, thus being functionally and societally nonbinary. in this essay, i will -
#dune#paul atreides#diversity win! this aspiring space dictator is nonbinary#dune 2024#atreides#bene gesserit#gender lens#dune meta#this is probably very obvious and already talked about but i had to get it out#i think it's also supported by the original intent behind his birth. as in he was supposed to be a girl etc#gender roles#worldbuilding
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The dead boys are detecting...!
Charles I said not to touch anything 😔 that boy's getting cursed by whatever's in there for sure
random extra stuff under the cut ↴
Here's just the background (this house has a suspiciously high quantity of lamps) from before I threw a bunch of random effects and color changes on it in davinki resolve. now we're rockin the cosmo and wanda color pallette
And some gifs that are an even BIGGER FILE SIZE as the other ones but they are eeeeever so slightly smoother in their slight camera shaking
Feel free to use any of this for whatever! :D For this one (1) artwork you have my permission yay thanks :)
#guys i think this house might be haunted 😳#dead boy detectives#dbda fanart#edwin payne#charles rowland#fanart#animation#dead boy detective agency#dbda#this was supposed to be a small thing of edwin but then i just kept adding stuff#i was lazy on coloring it but i still wanted it to look cool#theres a lot of stuff that could be fixed on the animation but eeehhhhhh#I feel like the room they're in would be awful for charles because its full of random stuff that he wants to mess with but#its almost all definitely spooky stuff that he shouldn't mess with#anyways do you like the radial blur#its not dead boy detectives if the corners of the screen aren't completely obscured by an artsy lens#i just did a little blur though#im not as crazy as the dbda cinematographer#also hi im suddenly posting art for the first time in years what#made in:#opentoonz#davinci resolve#these gifs dont loop and thats okay
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“OLROX IS A SERPENT, AND MIZRAK IS A CHRISTIAN. SO HE’S BOTH A LITERAL TEMPTATION, AND FROM MIZRAK’S CHRISTIAN LENS, THE SYMBOL OF TEMPTATION FROM THE SCRIPTURES. HE CONSIDERS OLROX INHERENTLY EVIL FOR WHAT HE IS, LIKE HOW HE VIEWS HIMSELF BECAUSE OF HIS FAITH. IT’S TRAGIC BUT ALSO HORNY AT THE SAME TIME.”
#I have A LOT OF FEELINGS ABOUT THIS#It’s so SMART#Olrox’s design of course being a reference to Quetzelcoatl#but Mizrak has a Christian lens and sees serpents as symbols of temptation#and Olrox is also his temptation#“Get Thee behind me Satan#UGH#olrox#mizrak#mizrox#castlevania nocturne#by me#my posts
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Was pondering how Mark’s rigid ass mask/lens is prob a Budget Thing (since squishy, bendy lens are pretty much a mandate for all hero animated series, like JL, BTAS, TNBA, Spider-Man, etc), and then I was slapped with a vision of Mark in a more JL/BTAS-ish style and I had to see it through. I am a genius btw.
#i had MANY thoughts while drawing my brain melted while posting so if ya have questions send 'em / ask 'em#but rapid fire: leans more into nightwing's look b/c bro's name is legit grayson + moves away from his father's sidekick/protege +#and legit has a blue and black outfit. that is soooo winking at robin (dick grayson specifically)#mark has a more casual / athletic fit and tried to keep his usual kicked puppy expression / mood#which then contrasts his more emotional (hero) side he acts upon when he's suited up as ANOTHER wink to the whole dual persona#mark does it unintentionally as he's eager to prove himself as invincible and thus more emotional/confidential/eager + feels lackluster#as just mark grayson.#but it's such a comic book trope it's interesting el show ignores the potential stakes for that + prob cause they dont focus on#villains#mark has debbie's cheek bones + pearls both so he skip the whole copy paste design tactic cartoons annoyingly use + wink at batman w/ pearl#nolan wears pink and debbie wears green b/c they have conflicting views on raising Mark but (used to?) stand on a somewhat#united front by having same collared shirt. but mark leans more on debbie's stuff visually w/ cooler colors + white shirt underneath#mark keeps his cape as another wink/nod at robins (tim drake TNBS specifically) which mimics his Dad + kid-like eagerness for hero stuff#which he gets rid off when he goes blue/black suit arc (cough cough nightwing looking ass) so just leaned MORE into it#mark has a heart on his chest because he's TRYING to do what he think he's best + emotional asf#lens/goggles are diff to keep the audiences' eye back at HIS eyes + look more ominous and predatory which the black/blue combo#already COULD do in canon but in show its just pallete swapped which ruins the more ominious look it probably intended#and doesnt really scream “OH NO! THERE'S NO GOLD! WHICH could be a marker of mark's joy vanishing!!!”#but i hope it does now but ALSO having design changes#the brainrotsreal's art tag ✧˖°:*♡#invincible rotating in my mind#mark grayson#invincible fanart#invincible#fanart#digital art#procreate art#i wish the style leaned more this way since it is messing with or TRYING to mess with some superhero tropes before it does its own thing#just straight up use nostalgia bait while it has his JL knock off#artists on tumblr
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“Dain is just an imperfect 21-year-old kid who trusted his dad, and is a little over-protective telling his chronically ill friend to sit the fuck down.”
#Rebecca Yarros#Dain Aetos#pro Dain Aetos#REBECCA SAID SO#The Empyrean#Onyx Storm#Fourth Wing#Iron Flame#Rebecca Yarros quotes#The Empyrean series#can’t wait for Empyrean 4#look I get it I had my phase too#but by the end of IF I’m just sad for him#OS was cruel to all#and re-reads are just painful#and yes I love him with Sloane#but I never hated him (I liked him in FW & wanted to LOVE him but it wasn’t right in the pov lens at the time… he’s learning too & TRYING).#and IF he picks Violet & goes to kill Varrish. He leaves EVERYTHING for the right thing. Hell in OS he translated for the nightgown lmao.#and then you reread and I just feel for (well all of them) but him too#He got his slap the fandom had their feels as did Violet now let’s move on and see them as full characters; cause he’s a great one.#and now I’m full pro Dain#As the interviewer said: “We all have some Dain in us.”#And yes (being a chronically ill person) there are people we love that say “sit the fuck down” and were like “stop it!”#but it doesn’t mean we don’t love them anymore.#“& yes he invaded her privacy but so did Xaden & yall don’t seem to mind that— IS IT BECAUSE HE’S HOT?! Cause that’s a double standard!”#Also lmao whoever said Dain wasn’t hot; did you forget the almost friends to lovers hook? More importantly ENEMIES TO LOVERS#“Gods don’t I know it”?! … We sure the man isn’t a dragon cause that line is fire🤣#the only thing he did wrong was invading her privacy (and yes on rereads that hurts) but it was his dad; he didnt know; he carries enough OK#I love Dain! Rebecca said she LOVES DAIN!! “I LOVE DAIN!”#this post better age well & not betray me
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Emmerdale | 29.05.2025
#emmerdale#robron#aaron x robert#robert sugden#aaron dingle#i apologize for the quality of these#i hate that they went for an aerial shot#'cause the quality is shit idk about the lens they used but it's really shit like the focus should be on them and not the background#and the coloring??? thankfully the camera raw filter brought back greens and blues but oh boy the episode looks so beige#i mean... it's not like they wanted to pretend the wedding is a happy one but still#also like... it's their first kiss in 6 years why would you MOVE AWAY??? WE ALL WANT TO BE UPCLOSE#anyways i did not make these gifs to rant but oh boy did i have things to say#better on my post than on anybody else's gifset#i will say if aaron's hand didn't leave some tenderness or bruises on robert's arm then idk what would#his fingers went WHITE he was gripping HARD
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
#zukka#zukka fanart#sokka#sokka fanart#zuko#zuko fanart#atla#atla fanart#avatar the last airbender#zukka fic rec#myart#yall. yall. dani. this FIC#first off it made me cry twice. not like 'oh im crying' internet speak no. like. eyes are too blurry to read let me stop this for a sec#it is SO GOOD#your prose? amazing#your insights on grief? life changing#THEM??? THEM their relationship and trust#'zuko looked at him and his world shifted on its axis'#ive been thinking about that line for WEEKS STRAIGHT#i can't tell you how many passages i screenshot just because of how beautiful or cute they were#the moment of seeing the painting of sokka's mom? how did you manage to make it so telling character wise--so sweet so PAINful AND so#cute with their relationship?!!?!#'oh so you think i'm beautiful too'#GOD#i had so many scenes i wanted to draw it was crazy#also#'Our loved ones leave impressions on us that can still impact our decisions and feelings even after they're gone'#fuck. had me crying AGAIN#seriously this fic is so wonderful and not just through a zukka lens. truly life changing you're an AMAZING writer#the fandom is so lucky to have you and i can't Believe it took me so long to get around to reading this masterpiece
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Do you still get a kick out of your dad and Jimmy Chase's relationship after all these years?
Yeah, definitely. Those guys like to have fun, that's for sure. One of my favorite parts of doing this is providing that experience for my family to be able to get together.
#his little laugh about it 🥹#also 'my family' implies he thinks of the chases as his family too right?? like??#i'm not even seeing that through my Insane Lens!! that's the text here??#woooo boy#good shit. and right at the end of the presser to make all that swaying worth it!!#joe burrow#joe'marr#jimmy chase#jimmy burrow#wow glad this took half an hour to upload lmao
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Bruce assumes that Superman knows his identity.
They’ve been on dozens of missions where Bruce has been in Superman’s field of view when he’s using his x-ray vision. He’s absolutely certain that he and this Clark Kent are on equal footing. So sure in fact, that he often purposefully runs into him at galas and media events so they can share recon. He’s always baffled by Clark’s civilian persona, but he’s not in any position to judge. Glass houses and all that.
Meanwhile, Clark is continuously baffled by both Batman and some celebrity civilian that has been approaching him. Both of them have been saying odd things, dropping some sort of hint it seems like they expect Clark to understand but he has no clue what they’re talking about.
It isn’t until he literally watches Bruce Wayne suit up at a gala that goes awry that he finally pieces it all together. He’d tried to get the celebrity Bruce Wayne to safety only to realize mid-flight that Bruce had dropped to the Batman tone and was feeding him intel and strategy for the fight.
Clark had been so shocked he’d almost dropped the poor man.
Batman.
He’d almost dropped Batman.
After the fight Bruce corners him about his reaction, how he’d wasted time “getting him to safety” before eventually taking him to get suited up. And Clark had to admit the problem.
That he hadn’t known Batman’s identity.
Bruce stared at him.
It was the kind of stare Hal usually got just before the end of a mission, when the team was balanced on the edge of a knife, uncertain if their plan would work. When Hal would make a point to propose an entirely new plan, foolhardy and more of a flash-bang than a solution. That was the look Bruce was giving him. It went beyond bafflement, beyond incredulity. Hovered around disbelief.
“I know you’ve used your x-ray vision in my vicinity. That I’ve been in front of you while you’ve used it.”
“Well yeah,” Clark resisted the urge to scratch the back of his neck, “but only when I’ve been looking through buildings. Besides, it was turned up too high to see your face.”
Another blank look from Bruce. “Turned up too high?”
“Yeah, to see through buildings, sometimes multiple floors. You know, you’ve been awfully close to me when I’ve done it. Too close honestly.”
“Then what did you see?”
“Your skull.”
#batman#bruce wayne#superman#clark kent#love the idea that clark is looking through buildings and bruce walks in front of him and he’s like too close to the lens for clark to parse#bruce is like: ah he knows my identity#and clark is like: goddamit another skeleton in the way of what im trying to look at better look through that too#doesn’t even think of looking through just the cowl or reign in the distance of his cray vision just leaves it at a crazy magnification#like being able to see bruce’s face would be a 10x magnification but seeing through a 50 story building and the bomb casing for the wires is#like 400x magnification/x-ray whatever and the sensitivity is too high for him to see batman’s identity#also it’s usually a really stressful moment and he’s not thinking about identities just disarming a bomb
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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thinking of trans allegory neil josten. chose a new name and identity for himself and desperately wants to move forward and live his life as such. to carve a path for himself other than the one he was forced into from birth. wishing he could leave his old name and past behind.
unwilling to let others see his body, covered in scars. always opting to change alone. covering himself up as much as he can. baggy shirts and faded jeans. hiding a binder (even if in canon it isn’t that kind) with his life.
letting any of these things slip would have disastrous consequences for him. he’ll do anything to prevent that. very few get to have the truth, or even a sliver of it, shared with them. trusted with them.
because he believes it can never last. he can’t be neil josten forever.
and yet, and yet, and yet. despite the secrets he keeps, the foxes love him. they accept him and will fight for him because they are family. and even after his world ends, and everybody knows, he is able to find his way back home to them. and they are not letting go.
asking, “can i really be neil again?" and his anchor, andrew, replying, "i told neil to stay. leave nathaniel buried in baltimore with his father.” like. i’m so normal. i’m soooo normal.
#drawing trans neil has me in the feels again#he is so important to me#and although his story is one of the mafia and blood and gore#it is also one of identity and family and home#and#analyzing it through a trans lens adds a whole other layer to it that i just adore#love u king#aftg#all for the game#neil josten#trans neil josten#pixtalks
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Fic: Brilliant Things
While Rook is trapped in the Fade prison, Johanna and Emmrich are forced to help each other overcome their own regrets. DRAGON AGE | EMMRICH & JOHANNA; EMMROOK | WORDS: 4,553 | RATED: G
(AO3 LINK)
It’s pathetic, really. Volkarin has always been a soft touch, but this snivelling is something else.
Despite her own prodigious knowledge of anatomy and the undead, Johanna had not known the human body capable of making such a hideous racket prior to the events of these past few days. Corpses do not weep, and even if they did, she hardly cares.
The worst part isn’t even that she’s reduced to mere ornamentation in the already ostentatious study of one of Nevarra’s greatest necromancers, forced to watch him burn a hole in the floorboards with each anguished thump, thump, thump of his feet as he teeters at the edge of a nervous breakdown borne by the weight of his own misplaced compassion. No, this part was inevitable. Volkarin had always been destined to crack one day—she just wished she could have been the one to cause it.
No, the absolute worst part, worse than having been denied the opportunity to gloat over her lifelong rival, is that despite the circumstances, the lovelorn fool’s dedication to his Watcher duties have been thorough to a fault. Johanna has of course tested the wards binding her soul to her remains multiple times; she’d been trying to escape before this most recent escalation in their circumstances, it would be downright idiotic not to try when facing down the end of the world as they know it. Especially while her only hope at salvation rubs his red-rimmed eyes and mutters inconsolably under his breath, unwilling to accept that it is in fact his infernal meddling which has doomed them all.
It’s simple, really: if Volkarin had just stayed out of her way, left her alone, Johanna would still have her beautiful bone construct—the culmination of her life’s work—with which she would’ve had the power to raise an army of undead to defeat this so-called god, this Elgar’nan.
But Volkarin had possessed the sheer nerve to outplay her at the most inopportune moment. Although she’s ordinarily capable of giving credit where it’s due, she cannot respect the lack of long-term strategy. Of all moments to finally locate his own backbone! Volkarin had always been like that, though. Capable of surpassing his own self-imposed limitations given the correct impetus. What else could one expect from such a hot-headed, idealistic man as he. Ugh. And couple that all that with a new paramour, a bright-eyed young thing surely twenty years his junior, it’s no wonder Volkarin’s been distracted (but not distracted enough) of late.
What needs to be done now is plainly obvious to Johanna, or indeed, anyone with half a functioning brain. For whatever reason, everyone in this crackpot team of would-be heroes that Volkarin has somehow gotten himself mixed up in relies on Rook, even though Johanna’s not sure what the impudent whelp brings to the team, other than a tendency to meddle which rivals even Volkarin’s. And as the group’s resident expert on the Fade, Volkarin is the most well-placed to tear a hole in reality itself to locate his misplaced lover. Even Johanna can see that would make for a most romantic story indeed, and she doesn’t even read that sort of dreck.
But it’s clear to Johanna that Volkarin is functioning at perhaps one-tenth of his usual operating capacity, compromised as he is by needless sentimentality. Of course, the type of man who would sacrifice not only his lifelong dream—immortality itself!— for a mere wisp, of all things, would struggle without the guidance of a more indomitable hand.
And in Rook’s absence, the task falls to Johanna. Unfortunately. Here she’d hoped her days of solving Emmrich Volkarin’s problems for him were over, but no matter. Unlike Volkarin, Johanna Hezenkoss does not shy away from necessary evils.
As always, she chooses her words carefully, delicately balancing dramatic effect and efficiency.
“You know this is entirely your fault, don’t you?”
Volkarin stops dead in his tracks as though she’d just punched him. The respite from his infernal pacing is most pleasant indeed, and she’s elated by the knowledge she can still instil such a reaction in him even while bereft of limbs.
Expression jumping from shock to outrage and then, most curiously, to acceptance, Volkarin raises two fingers to rub at his temples, quietly answering, “I know.”
Johanna’s mandibles clench tightly and it is only with some difficulty that she manages to relax them. For Volkarin to admit his failings so readily, the situation must be worse than she had feared. “And what do you have to say for yourself?” she asks instead. The last thing she needs him to know is that she’s worried.
Volkarin averts his gaze as he hunches into himself. She remembers the stance well from his days as a young child at the Necropolis. “I should have confessed the truth to Rook while I had the chance,” he admits in the most mournful, pitiful tone that makes even Johanna feel sorry for him as much as it makes her want to vomit, if she were still capable of such a thing.
While it’s not quite the answer she’d hoped for—then again, Volkarin would never debase himself by offering her a proper apology for everything he’d put her through—it’s one Johanna can work with nonetheless. Doing her best approximation of a tongue-clicking noise, she replies, “Don’t tell me you’re still hung up on that argument you had with your paramour.”
As planned, the words bait him back into action with a sputter. Back straightening and fingers curling into the palms of his ungloved and unadorned hands, he snaps, “Still hung up on—” before cutting himself off and pinching the bridge of his nose as he breathes deeply to regulate his emotions, the same exercises they’d been taught as apprentices. Johanna had never cared much for them.
The next words that come out of Volkarin’s mouth throw her for a loop. “Have you ever been in love, Johanna?”
One of the downsides of no longer having muscles or tendons is the inability to answer questions through exaggerated facial expressions alone. As much as it pains her to lend legitimacy to this line of inquiry, there’s a frightening intensity in his eyes suggestive of a commitment to this topic of conversation. She suspects he won’t accept a total deflection, or worse, that such an attempt might set off his moping again.
That still doesn’t mean it’s any of his blasted business. The time to be asking these types of questions was thirty years ago, not now. “I’m familiar with the concept,” she says acridly, hoping it’s enough to satisfy his curiosity before swiftly adding, “Not that I see how it’s of any relevance.”
Of course, Volkarin simply can’t leave it there. Instead, his lips purse, the look he now fixes Johanna with one of mixed pity and disappointment.
Infuriating man, to think such condescension could possibly affect her!
“Then you would know what it feels like,” he continues quietly, “to leave such matters unresolved with no resolution.”
Of course he would turn it around on her: a most pathetic and transparent attempt to make this an exercise in ‘practicing empathy’ instead of learning to properly communicate himself. She deftly avoids the obvious trap, cutting to the chase instead.
“You’re an idiot,” she states cleanly, simply. There’s a lack of malice in her words that surprises even her.
Volkarin must sense it too, because even though his body visibly tenses at the accusation, his reaction is short-lived. Instead, he allows his shoulders to slump—terrible posture, really—before running a hand through his tousled hair, the action accentuating the dark circles beneath his eyes. Finally, he sighs, a little huff of intermingled acceptance and defeat. Pinching the bridge of his nose once more, he answers, “I’m afraid you’ll have to explain yourself, Johanna.”
Now she’s really concerned, and even more adamant about not admitting it. Esteemed Professor Volkarin, inviting her to lecture? She’d never thought she’d see the day. Preening nonetheless, she doesn’t bother to disguise the elation from her voice as she points out the obvious. “Your paramour is trapped physically in the Fade, correct?”
Volkarin blinks; it’s too difficult for Johanna to distinguish whether he’s simply concentrating or staving off a fresh wave of tears, so she doesn’t bother.
“Correct,” he answers, fingers rubbing at his chin now, itching at the three-day-old growth which is a sight bewildering to even Johanna.
She does her best to continue ignoring the absurdity of it all as she continues. “And my understanding is that you are indeed Professor Volkarin of the Mourn Watch, one of Thedas’s leading experts on the properties of said Fade, are you not?”
The masseter muscle in Volkarin’s jaw twitches. “I don’t see where you’re going with this.”
“You always did lack a certain vision,” she says with a sigh which could be described as downright nostalgic. “I simply ask, what would happen were the situation reversed? If you were the one trapped in the Fade?”
Volkarin’s face softens, lips twisted into a smile so besotted it sickens her. “Rook would stop at nothing less than breaking into the Fade barehanded.” Johanna watches him expectantly as his eyes widen in realisation and he mutters, “Oh. Oh dear.”
It would, of course, be too much to hope for him to actually admit that she had a point, that she was in fact, entirely correct as always. “You always did give up far too easily,” she admonishes instead. “I’m frankly astonished you ever got anything done without me.”
Not only does he have to the gall to ignore her reprimand, he even adds to her immense displeasure by resuming his infernal pacing. There he goes, thump, thump, thump against the floorboards again. All take and no give, just as always.
A newfound wave of frustration pulses through Johanna’s consciousness and she’s hardly a patient person to begin with. “You know, when I told you this situation was entirely your fault, I wasn’t talking about the missteps you’ve made in your pathetic love life.” There’s a new vigour—an urgency—to his steps when he finally deigns to face her. His hands together with frenetic energy. “Johanna, this is hardly the time. There’s so much to set in motion—”
No. Absolutely not.
She refuses to be overlooked again.
Shouting over him, she demands to be heard. “YOU. RUINED. EVERYTHING.”
But Volkarin still won’t be diverted and waves a hand as though before himself as though to dismiss her accusations. What’s downright infuriating is the confirmation that this infatuation with some youth he’s known for less than six months means more to him than all the years they’d spent working together. He pulls books off their shelves with alarming velocity, muttering titles under his breath that Johanna can’t quite decipher.
Never one to back down from a challenge, Johanna tries again. “If only there was more at stake than locating your lost paramour,” she hedges.
Volkarin continues to ignore her, but she can see his hands shake.
She makes another attempt, but this time she doesn’t even bother to disguise any lingering traces of bitterness evident in her voice. Not that she had been holding back on purpose, of course. It’s simply a most peculiar situation in which they find themselves. “If only you had an old friend with practical experience in creating receptive Fade eddies.”
A sharp intake of breath. Aha! A reaction! He doesn’t look at her yet. “What do you suggest?”
She’s not going to let him off that easily. “I don’t know. I didn’t realise you were seeking my opinion on the matter.”
“Johanna.” He finally turns from the bookshelf, pushing back unruly locks of hair from his forehead. “I could not have expressed myself any more clearly.” “Only because I had to do nearly all the work of leading you there!” she snaps back in return. Despite her gnawing frustration, there’s comfort in the familiarity of their conflict, the back-and-forth, the diametric oppositions of their world views.
Johanna will never, ever admit it aloud, but she has missed him. Not that it means she wants to spend the rest of his life trapped in his study, mind you.
But still, better this than death, better this than the cowardice Volkarin had embraced with open arms. For all that the good professor harps on about morality, of propriety, of decorum, of kindness, the real difference between them is that Volkarin is little more than a persnickety academic, but Johanna is the true innovator. An inventor. Her experiments speak for themselves. Yes, her aptitude for the more experiential aspects of their art had resulted in her current predicament, but failure is only ever a temporary setback, so long as the fundamental nature of existence remains intact.
And right now, that can't be relied upon. Elgar’nan had changed the trajectory of the moon itself! Even Johanna balks at such audacity.
It's only then that she realises Volkarin has been silent too long, which is entirely suspicious for a man who so adores the sound of his own voice. But at least he isn’t snivelling again. No, instead his forehead is furrowed deep in thought, fingers scratching at his chin once more.
“Careful,” she warns.
Volkarin blinks, his attention snapping back to her. “What is it?”
“You’ll hurt yourself, thinking that hard about it.”
Strangely, he begins to smile. Maddening man! “I suppose it would be too much to hope for you to simply help me out of mere goodwill.”
Something about his tone and his expression manages to get under her skin even though she no longer has any. “Obviously. You know me better than that.”
“But you are considering offering lending your knowledge to our cause due to the mutually-aligned nature of our interests.” “I would’ve used less words,” she answers in agreement. He holds up an index finger as though about to lecture, but it’s evident in his posture that he’s barely able to restrain himself from pacing again. That he does manage to do so is a point in his favour, for now. “You’ve certainly made clear your opinion on my relationship with Rook.” When she opens her mouth to interject, he raises the other fingers on his hand, and despite herself, Johanna falls silent and allows him to continue. “Which brings me to the realisation your motive was to provide a distraction from my grief so I could recalibrate and continue on the necessary work that must be done in Rook’s … absence.”
While she’s glad to hear Volkarin’s voice tremble as he dances around the topic of the void Rook has left in his otherwise obviously miserable life, the fact that it even does so still rankles her. Even more frustrating is Volkarin ascribing emotions and feelings to her that she does not possess, as though he’s some sort of Chantry sister instead of a powerful necromancer. “I just wanted to stop the racket,” she snaps.
“Be that as it may, I couldn’t help but notice your choice of topic.” He sighs again, an exhalation of air that’s heavier than any of the noises she’s heard him make throughout their entire conversation. His shoulders slump. It makes her wish she could slap him with a ruler.
“For what it’s worth,” he continues, “I am sorry. Sorry lichdom failed you. Sorry you were unable to reach out to me. I amespecially sorry you felt the need to conquer the capital in order to attract my attention.” When he lifts his gaze to look at her properly, she is surprised to find his eyes glittering with a mischief that makes her feel thirty years younger. “Forgive me, but I am unaccustomed to receiving overtures of friendship disguised as attempted acts of war.”
She has told herself many times over the years that she has always hated him. She wants to continue hating him the same way she has survived these last decades in his absence. But in this moment, something within her breaks. Perhaps it’s the way they’re hovering on the precipice of the end of the world, or maybe it’s even the way Volkarin’s eyes resemble a baby labrador’s.
As it turns out, even she is not entirely immune to the proximity of Emmrich Volkarin’s moral fortitude. Everything according to the Mourn Watch’s plan, no doubt. Oh, she’s not an idiot: she knows why it’s his office in which she has been assigned to complete this part of her penance, even if Volkarin pretends they’re still figuring out the details. All these years of exile but still trapped by the consequences of oaths she had made when she had been much younger and more naïve.
The realisation should really disgust her but she finds herself devoid of her usual anger and envy, bitterness and rage. She realises, too late, what it is that has broken inside her: the dam that had kept any other most inconvenient emotions at bay.
A wave of vulnerability crashes over her and she is powerless to stop it. Her next words slip out of her before she’s even had time to think.
“You abandoned me.” Once spoken aloud, she wishes for nothing more than the ability to take the words back, if only to stop Volkarin staring at her like she’s just kicked him. The flame of hatred she holds for him at her core begins to flicker back to life.
“Johanna, I….”
“Don’t you dare apologise to me!” she screams. Maker, she’d throttle him if she could. Discrete emotions become increasingly difficult to identify, she only knows that she’s been knocked off course and discombobulated despite only trying to help for once. She feels seven years old again, lost and scared in the chambers of the Grand Necropolis, hating all these stuffy mages and their prim propriety, hating the newfound knowledge that such arcane energies filled her veins as well. The only friendly face a shy boy not much older than herself, and she’d helped him out of his shell with her façade of fearlessness.
And in turn, she had watched as he had become one of them.
“You don’t understand,” she hisses. She chances a look directly at his eyes again. He’s patient. Waiting. Despite it all, he wants to understand. Damn him.
But whether Johanna is capable of letting herself be understood is shakier ground, part of a vast expanse of uncharted territory that lies between them.
Putting it as bluntly as she can, she simply states, “Your parents died. Your parents loved you.”
Volkarin steeples his hands together, comprehension dawning on his features despite what continues to be left unsaid between them. “Ah. I—you never did tell me how you came to live at the Grand Necropolis.”
She scoffs. “What was there to tell? It’s only the same tale from all over Thedas. Parents have child. Parents don’t want a child with magic. Pah!” A surge of resentment swells within her. Why is she talking about this? Why is she talking about this with him? She hasn’t so much as thought about this in years. It hardly matters now. Just look at everything she’s achieved! She’s fifty-one years young and she’s going to live forever.
The thoughtful expression has returned to Volkarin’s face, and she’s grateful to find herself capable of hating it again. “You told me you were born near Perendale.” Why does he even remember that? Regretting ever telling him anything about herself, she answers, “I don’t see how that’s relevant.” Next he was going to be asking her whether she had ever been in love again. Why did he always insist on meddling in matters that didn’t concern him!
“That’s no insignificant distance to travel, especially with a young child in tow.”
“As though you’re an expert on travelling with young children,” she answers hotly, before recalling that pet skeleton of his. The way he doted on it, Johanna would be unsurprised to discover that Volkarin had indeed mistaken it for a real boy. Very magnanimously, she decides against saying this part aloud.
She just wishes Volkarin would let the topic drop. In the past, she’d always retreated whenever he had threatened to dismantle her walls and bluster with his disaffecting sincerity and dogged determination.
But now, she is at his mercy. And she knows—better than anyone—that despite his spotty track record at seeing through his commitments, Volkarin is nothing if not thorough. He’s an indecisive man, not a slothful one.
“I simply believe most parents do their best with the resources available to them.” He scratches at the side of his nose. “Most people do, in fact. Even if we cannot, at times, predict the consequences of our actions.” At this, he fixes her with a downright professorial stare.
“I am grateful I wasn’t snatched up by templars,” she begrudgingly admits. “I could have been sent to Kirkwall.”
The corner of Volkarin’s lips twitch. “Perish the thought. I do profess my gratitude that the Mourn Watch was able to take me into their care.”
It’s only when Johanna remains silent that Volkarin appears to realise his mistake. “Ah. Of course. They never did truly appreciate you.”
Volkarin’s words sound downright strange to her until she’s able to identify the anomaly: the phrasing is hers, not his. She continues to say nothing, entirely too suspicious of where he’s beginning to go with this. “And although I wouldn’t, as you said, dare apologise to you, I do want you to know I am aware that it was wrong of me not to speak in your defense when it came to the growing number of censures that had been amassed against you, even though your experiments benefitted my research. If I could redo that time in our lives again, I would have severed our partnership earlier and provided you a proper explanation of my decisions. “I suppose I assumed you would come around to my position on the matter. But I dare say you thought the same as well.” She watches the smooth column of his throat as he swallows nervously. “There was so much I was willing to overlook until I thought the price too high to pay. Naturally, recent events and conversations have elucidated to me that we have vastly different thresholds for such matters.” To say she is stunned is an understatement: that she has allowed him to prattle for this long without interruption is testimony to this fact. But it is even more stunning that to receive a proper explanation for the events that have haunted her for decades from the most conflict-avoidant man she has ever known. Other partnerships are unlikely to be repaired by an admission that they should have separated sooner, but nothing had ever been what one would call normal when it came to the two of them.
As much as it displeases her to admit it, Johanna is certain that Volkarin’s capacity to deliver his soliloquy was driven by Rook’s influence. What other force in this world but love would be strong enough to push a man like Volkarin to the brink of foolhardy bravery?
And while the thought is still annoying, it doesn’t sting as much as it once had.
Thus, it is with nostalgia and not bitterness that she remarks, “We could have done brilliant things together, Emmrich.”
Her use of his first name does not go unnoticed. How could it? His eyebrows raise so high they nearly disappear into his receded hairline. “You haven’t called me that in over thirty years,” he protests.
“And it’ll be thirty more until I use it again,” she insists in return. “Just tell me the truth. Was there ever a moment in time when you appreciated the power and potential at our fingertips? That you thought we could have been the ones to rule this world?”
He averts his gaze. Grinds his teeth. “Yes,” he finally admits. “I saw it. But it would have never been worth the cost.” Johanna scoffs. “There’s always some crackpot trying to take over the world. It might as well have been us. We had the best chance of it. Both of us liches, our knowledge combined, my brilliance counterbalanced with your compassion… There was a reason I kept a bleeding heart like you as a partner for so many years. But I underestimated your sentimentality.” She wouldn’t be making that mistake again, that was for certain. Just look at the situation it had landed her in! She would simply have to figure out how to best wield it to her purposes while she remained trapped here. If Volkarin thought she wasn’t going to continue using every tool at her disposal to facilitate her great escape, then he was sorely mistaken.
“Yes,” Volkarin answers softly, crows’ feet at the corner of his eyes wrinkling as he gazes at her with discomfiting fondness. “I dare say you did. Just as I am guilty at times of underestimating your brilliance.” He swivels on the spot and Johanna is afraid he’s going to resume his pacing but the walk he has in mind for now is mercifully short, only over to the bowl on his desk where he’s deposited the majority of his grave gold.
“What are you doing?” she hisses, hating how urgent her voice sounds to her own consciousness. She always hates it when he behaves erratically.
“I was under the impression we had work to do, my dear.”
“Absolutely not.” Surely it hadn’t been so long he’d forgotten her utter loathing of pet names.
He laughs, then, long and rich. It is a definite improvement on the snivelling. “Force of habit. Won’t happen again,” he promises. “First things first. I do believe you had some knowledge to impart on the practical applications of receptive Fade eddies?”
“Getting ahead of yourself as always, Volkarin,” she says by way of reprimand. “You need a bath. I don’t have olfactory glands and even I can tell that you reek. And a shave.”
He rubs his hand against his chin again, eyes widening as though surprised to find it covered by hair. “Ah! Yes. Thank you.”
“Completely and utterly useless.” This time, she’s disgusted by the tenderness in her own voice. Oh, no, this won’t do at all. “While you’re at it,” she adds, determined to get their shared task back on track, “get the elf girl and your skeleton boy. We’ll need to replace the stolen dagger in order to kill a god. And I don’t know about you, but ancient elven gadgets are hardly my area of expertise.”
“Of course, I’ll speak with Bellara.” His brow furrows. “But why do you want Manfred?”
“Because I don’t have arms, you idiot.” It really does make building things more difficult. And she won’t even be able to inadvertently kill the wisp this time due to the aforementioned lack of limbs. It’ll work perfectly, really.
“Consider it done.”
Not having much other choice in the matter, Johanna watches as Volkarin gathers his bathing supplies and heads towards the door.
It is on the threshold that he pauses and looks back at her, his hazel eyes bright with fiery determination. “I’ve always appreciated you, Johanna Hezenkoss. Let us continue doing brilliant things together.”
And then he is gone, door to his study closing gently shut behind him.
#emmrich volkarin#johanna hezenkoss#emmrook#datv spoilers#therapy doesn't exist in thedas so we have the next best thing: frenemies!#also it is very entertaining to read this through an arospec johanna lens because it then becomes her#not understanding why emmrich (or anyone) bothers with love#until she sees how it helps him overcome his fear lmfao. still not her cuppa tho#but i prefer to leave these things open to interpretation unless they're the centerpiece of the fic :>#anyway! lemme know what you think <3#ziskfic
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the whole thing about me not fully designing the bug form was a lie I did do that . just a few days after . ew
#the tailpipe thingys on his back split open and the wings unfold from inside of them ok ?#they're also yellow ok#he's sooooo yucky#he's a mixture of himself + his car + the bug#len for scale#wreck it ralph#wir#wir turbo#turbo#turbotastic#turbotime#bumpercars#I guess#only len though not the other one#len is my frient's oc hi
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not incredibly well-thought because i'm just typing down thoughts briefly but
to me, the first timeline is the slightly less fairy tale-like version. the second timeline can be called a fix-it, an everything-goes-right, a best case scenario, which needed a grand plot device in the form of yuder regressing in order to happen at all. there must be tons and tons of different versions of first timeline where some things go right, some things also go wrong, in different ways whether miniscule or catastrophic. its not the worst though. things could go even worse, im sure.
there's a lot of takes surrounding first timeline kishiar with differing points. (also, as you know, im a glazer). and after running through a lot of them, it just makes me think that personally, a novel so nuanced and with a lot of complex interpersonal and intrapersonal happenings like turning needs to be approached with good faith and compassion. in my experience, doing that helps maximize my enjoyment of it.
second timeline kishiar is a 'green flag ML', yes, but he can only run because first timeline kishiar walked. what is turning if not about love and humanity? and the thing about loving while being human is, love doesnt stay pure all the time. sometimes its twisted, sometimes its murky. sometimes even when the love is pure, the communication gets lost in the middle. love happens even when people have a lot of difficult situations in their lives or even when they think they're not in a good place to be loving other people. first timeline yuder was also still green and less mature than second timeline yuder, a lot less equipped in many ways. second timeline yuder himself also needed to mature a lot before he could properly begin a relationship with second timeline kishiar that's grounded in trust and the expression of genuine care.
so many factors are being taken into consideration when writing turning, i think. thats why it becomes such a beautiful piece of work that can touch the hearts of many people, with characters and storylines that resonate with a lot of the fans. i find that it's turning's biggest charm. first timeline kishiar isn't a perfect victim nor a perfect 'toxic ex-boyfriend'. he tried his best and his best still had repercussions that are less than ideal for the people he loved whom he left behind. of course, there's also the fact that the story is mostly written through the main character yuder's perspective. i think i enjoy turning the most when i can see it through this type of lens, trying to keep in mind where the characters are coming from and empathize with them and taking the novel (as all fictions are) as a lesson in humanity.
#persounal#if 2TL yuder was inflexible and didnt open himself up to learning and changing his old ways too they wouldnt be such healthy couple goals#although arguably you can also say if 2TL yuder was inflexible he wouldnt be yuder at all. thats my take#yuder's character core is tied a lot to his changes (i.e one of the reasons why i think its interesting the series is called 'turning'#as though a process of transformation)#there was a yuder meta essay coming up but i never finished that :( ill reread soon!#turning#turning novel#터닝#turning bl#turning by kuyu#kishiar la orr#kishiar x yuder#kishiyu#kishyu#add: my point isnt to 'excuse all of 1TL kishiar's mistakes and wrongdoings to his situations'#my point is it would be more enjoyable to view turning through a less black and white lens and admire its shades of grey#fully enjoy its nuances#including the imperfect man that is 1TL kishiar with all his red flags his green flags his flaws his strengths his awful situation and#his love for yuder
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smth smth kris having 'lost' their brother, working with carol who's lost her daughter (who also has a connection to kris' brother), who's working with asgore who's 'lost' his wife and family... smth about chapter 3 being about tenna (existing as a projection in a dark world created specifically by kris) trying to make things stay as they were, and then ch 4 featuring carol keeping dess' room locked and untouched and not letting anyone even so much as handle her guitar and asgore still hounding toriel with flowers even though it's been long established things are over between them and she'll do nothing but throw them away... asgore outright saying he's doing 'this' (whatever this is) for his family, carol being simultaneously dismissive yet hungrily possessive over her own, kris being desperately lonely in theirs... idk man. smth smth clinging to what used to be, and trying to bring about something new solely based on that memory.
#deltarune#kris dreemurr#asgore dreemurr#carol holiday#deltarune chapter 3#deltarune chapter 4#op-txt#and lets not even get into ralsei's outright acknowledged resemblance to asriel and his whole Deal of following kris wherever they go.#me when the memory of my brother will always stay with me actually 👍 and also maybe make it a little weird between us but we simply have to#disregard that#ALSO toriel being a connecting force for 2 of these characters and her being taken in ch 3. and ofc the self evident pine tree in ch 4.#theres a v strange thread connecting all these characters and im not unconvinced that the ambiguous retrospective lens of 'family' isnt it#i just. im 100% convinced dess is the knight (her disappearance from the real world the horns the figure skating moves the sword carols#involvement... come on) and mostly at this point im just desperate to see whats been done to her and what continues to be done#what everyone has been so complicit in regarding her. and if shes been complicit or aware too or solely exploited
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