#and fuck those stupid writers that think they are geniuses for killing characters...

[dragynkeep]

I think the most puzzling criticism(?) I've had thrown my way when analyzing and critiquing RWBY is that I "focus too much of moments that don't matter."

I remember someone tried to say I was focused too much on that infamous scene where Yang grabs Blake and runs from the Apathy, all the while leaving Ruby, Weiss, and her very drunk Uncle behind.

Are we not supposed to focus on that scene? Analyzing how your characters react in a dangerous situation when all the chips are down can give you a lot of insight into the character's mindset and what they value most. I've seen similar analysis done on other series and its fine and even expected, but somehow it's too nitpicky when it's done to RWBY.

The fact of the matter is, RWBY, like most Anime, is a visual medium. It doesn't tell its story solely through dialogue, character actions and body language tell you just as much, and sometimes even more, about a story and characters than just talking would, and the fact that Yang chose to put Blake above Weiss and two family members (who she is near constantly stated to value most above anything else) is a characterization flaw.

I once had someone tell me I focus too much on that aspect of Yang's character, that I water her down to just the big sister, but it's basic writing 101 that if you establish a trait for a character, you either need to keep that trait consistent or have a reason for said trait to be developed or otherwise removed

We can ignore the fact that Yang's characterization as the "overprotective" big sister was shoddy from the start, what with her immediately abandoning Ruby at Beacon, but even if you wanted to argue that "Yang sees all of Team RWBY as a family" or that she was "more concerned for Blake because she almost died" it doesn't negate poor characterization in the scene itself.

She could've pushed Blake ahead and told her to get out before helping the others, thus showcasing her concern for Blake without ignoring the wellbeing of the others, but instead we're left confused as to why the previously established overprotective sister just abandoned her baby sister.

I wouldn't have a problem with the scene if it was addressed in universe, maybe with Yang apologizing to Ruby profusely afterwards like, "I don't know, I panicked! I just was so worried about Blake, I wasn't thinking!" Or something like that, but it's never mentioned again.

I dunno. It just bothers me because I want to like Bumbleby, and I do to some degree, but it just feels like they're ignoring all of Blake and Yang's previous character traits and previously established relationships for the sake of a ship, and it's hurting the characters and the show. Just— it would be so easy to write a convincing romance if they just let the girls have flaws and fuck up or explain any changes they have.

If fans can analyse the most asinine scenes for crumbs to say why the writers are actually geniuses or how their ship is the best thing, we can use those same scenes and say why it doesn't work, and that scene where Yang abandons Ruby, Qrow and Weiss to drag Blake out is one of the worst.

Because as you said, anon, it makes no sense for who Yang is as a character. The show and the fans keep trying to tell us that Yang is this overprotective big sister who would do anything for Ruby, but the question remains: is she really?

Because an overprotective big sister would not abandon her sibling on the first day of school just to hang out with friends. An overprotective big sister would not leave searching for her missing sister, in the middle of their school being attacked, to a friend so she can go and look for the girl she knew for a semester. An overprotective big sister would not abandon her own sibling and uncle in a house to angry liquorice that almost killed them just to drag out the girl who hurt her and who Yang should still be angry at.

It doesn't matter that Blake almost died, because they all almost died. The Apathy wouldn't have stopped after killing Blake, she was not the only one in danger while the rest of the team watched from safety, they would've killed all of Team RWBY and Maria if Ruby hadn't have used her Silver eyes at that moment to save them.

Yang doesn't even try to get Qrow out. She just looks at Blake and takes her outside, leaving Ruby and Weiss to drag this blindingly drunk man out while still in immediate danger of the Apathy. What would've happened if the Apathy did their scream again, rendering Ruby and Weiss incapable of moving? What if Ruby couldn't use her eyes again?

If fans can use that scene to say how much Yang cares for Blake, we can use that exact same scene to criticise Yang for abandoning her family for a stupid cat girl.

[hellyeahheroes]

...So Cates, I have questions?

I am waiting until the event is finished to do a super post on Donny Cates Absolute Garbage. Until then, Cates continues to show that he cannot form sequence of events and just throws scenes in for no reason.

In AC #2 and MM: AC #1, we were left with Miles becoming a symbiote host. Cates doesn’t use his pieces well because for one Eddie and Mac were safely away from the Carnage horde at the end of both issues. As soon as this issue picks up, Miles transformation is complete and he is suddenly attacking Eddie and the Carnage Cult is surrounding both again.

This sounds like a nitpick but as I pointed out in that there is a right way to chart action scenes in comics and I refuse to lay the blame at Stegman because he is simply providing the art to Cates’ script. Also it continues to be a problem in the book and it involves a major scene.

Why couldn’t Venom just do this earlier? Why bother with the several page melodrama of Eddie angering over letting Miles down when it was his fault that he got captured in the first place since you want to demand Scorpion to man up for no reason? Why is the Symbiote getting bold and basically putting himself in danger to just kill Osborn or is it Cletus...who the fuck knows anymore.

So Venom takes Carnage back to the warehouse and to safety to find this.

Now Spider-Man explains to Eddie that the Avengers know that he is helping which is okay. But I have questions because it obvious why a certain character is there. If Ben Grimm is there, why not bring in Reed Richards instead of Bruce Banner? Yes, Banner is a genius too but Mr. Fantastic has familiarity with symbiotes and alien biology. Banner’s field has to do with Nuclear Physics, Physics, and energy transference. This is just the writer assuming all geniuses are the same in order to display a pivotal scene that is complete macho bait.

Oh hey, remember when I mentioned Cates lack of sequence of events?

...How did Carnage find their hideout? How did Carnage sneak into the hideout and become a copy of Eddie and how did no one think to realize why there are two Eddies in the same building?

That is the sequence of events, fam. There are no missing pages. Carnage just finds Eddie and Peter(Eddie casually dropping Peter’s name and alias to a serial killer god wannabe) and there is no explanation at all as to how 2 geniuses and Eddie got caught so fucking off guard by something so simple to realize. It makes people look stupid.

And the edgy ass dialogue? “I am sex and violence?” Cringe as fuck(I am aware he is quoting a book but whatever).

I am not a Venom fan. I was roped in this shit show because it involved Miles and Andi. So dealing with Cates, who is being hailed for his ‘writing’, is like one massive disappointment after another.

The issue is that he is desperately trying to exonerate Eddie while making the Symbiote look evil. The Symbiote is bringing the worst of Eddie and it’s never Eddie’s fault ever. Like you see the scene where the Symbiote is trying to relieve Peter of the responsibility of bringing Symbiotes on Earth(a retcon that Cates made btw) only for Eddie to make the same mistake and manipulate Peter’s guilt for his sake. But does the writing ever call Eddie out? No.

The Symbiote is the wild one for wanting to kill Carnage while Eddie wants to protect his own kin as if those two ideas are at odds. All of the sudden, Eddie values human life because he has a kid now? And it’s not even human. Null/Carnage is literally killing swathes of people and taking over people’s bodies while infecting them with a codex. At this point, Null is a parasitic disease.

But Eddie doesn’t trust the Symbiote and feels like it’s trying to control him and manipulate his life so he just does stupid things due to this creator forced drama. And it is creator forced because it was Cates that made the relationship between the two abusive when there was no such tension earlier. You erased the one sole motivator of Eddie, his sister, and claimed that she never existed. You made it seem like it was the Symbiote that was giving Eddie cancer intentionally so Eddie would always need it. You made the Symbiote use Eddie’s DNA and rape and force impregnate his ex-wife because women in this series are only good when they are sex slaves to an alien cult, raped to have children of dubious consent, and just a lie of a manipulation. Honestly, Cates’ Venom run should be held in the same regard as One More Day and I say this as an avid Spider-Man fan.

@ubernegro

[alkja]

Well, here we come: Endgame review (spoilers galore)

Endgame is essentially two different movies for me: the one up until the last three minutes and the one that includes those last three minutes.

The first is a decent movie – riddled with stupid crap, plot holes and the occasional nonsense, but on the whole acceptable.

The second is a waterfall of crap that makes me seethe in anger.

If you liked that ending, I seriously discourage you from keeping on reading. Otherwise, let us discuss the good, the bad, the wtf and the “How dare you?”

THE “DID YOU EVEN TRY THINKING ABOUT THIS” DIVISION

 Let’s start with the inevitable: time shenanigans equal inevitable fuckery. That is known.

The most egregious example being: Nebula kills her younger self and is apparently fine and dandy. What the shit? I don’t care if you killed her in 2023 (or whenever Endgame happens, I’m going with Infinity War happening in 2018 as released), if Nebula 2014 dies there is no Nebula 2015 and so on to eventually become Nebula 2023. Ergo, she should absolutely have died. Same with Thanos & Co. No matter where you do it, if you kill a past version of someone, there is no one to do the things they would have done in the future. Thanos 2014 dies, so there cannot be a Thanos from after that to do the Snap.

Which is not bad, go ahead and kill past versions of evil shits, but doing so changes the timeline. Period. Rodhey even proposed that and they had a long nerd out about why that would not be possible... and then they went and did that and pretended it didn’t count. That is so goddamn stupid.

Same with all the time travel.

I don’t care if you go and put the Infinity Stones back, because those stupid McGuffins are not the only thing that can mess the timeline. First of all, there is no one to use them anyway since Thanos died before he did the Snap, but we’re supposed to ignore that.

More to the point, in order to put the timeline to right, you have to put the Stones back after the future Avengers have stolen them. Fine, that puts them back in the timeline. However, that doesn’t erase the actions your slightly-past selves have taken trying to grab them. Which means, for example, that Loki fucking escaped with the Tesseract after Avengers 1, which is a MAJOR change.

Or, it should be. But apparently we’re supposed to ignore that because in the Dark World time Loki is in his cell, and wow. NO. If he escapes in Avengers 1 (with the Tesseract to boot), that leads to massive changes in Dark World and Ragnarok. For one thing, without the Tesseract, the Bifrost cannot be repaired. More essential to those plots, Loki should plainly not be there.

Putting the sceptre back also doesn’t erase the fact that Captain America said “Heil Hydra” to a Hydra agent (oh oh oh, such canny comic references!), who apparently never mentioned it again to anyone ever? Not even to his goddamn boss? So, did Sitwell legitimately think Steve was Hydra up until Winter Soldier? And yet come Winter Soldier he never thought to ask Steve “Wait, even if you’re not actually Hydra, you clearly knew about us for years, so why are you now so outraged like this is brand new information for you? Why did it take you this long to move against us and why are you doing it without much in the way of planning or allies? The hell did you do these past years?”

Hell, why did Sitwell – a prominent Hydra agent in SHIELD who would not raise any flags doing so – never approach Steve, Hydra agent to Hydra agent? No, he discovers that Captain America is apparently Hydra and just rolls with it. No “What the hell, sir?” call to Pierce, no secret handshake to Steve. For years. I can handwave him not saying anything to Rumlow and the rest of Strike, because if Steve is Hydra maintaining his deep cover with everyone is more important than anything (even if they were right there when he gave him the scepter, so what did he say to them?), but not mentioning it to Pierce? Cannot buy that. And not having any mention of that in Winter Soldier is pretty damn unbelievable.

The timeline was also changed by having future!Steve fight past!Steve. And no, it doesn’t matter that past!Steve thought it was Loki. It was still a change.

Not to mention, Loki could not have had a Peggy compass or known shit about Bucky, so it stands to reason it’s not Loki. So, what gives? What did past!Steve think it happened? Hell, come Winter Soldier what did he think about that time some guy who looked and fought like himself told him that Bucky was alive and lo and behold, here comes Buckaroo?

  In essence, the Avengers fucked the timeline without lube but we’re supposed to pretend they didn’t.

To me, that is shit.

Mess with time all you like, but acknowledge you’re doing so. Either your plan goes off without a hitch (as if!), or the moment where everything goes inevitably to hell and there are changes - and here we are talking about major changes - you say fuck it, pull out all the stops and change away.

[Ok, I admit it, by that I mostly mean: pull out all the stops, take 5 minutes to explain to your past self you come from the future and tell him to get his ass in gear because Hydra is literally running the government and SHIELD and most importantly Bucky has been frozen, tortured and brainwashed for about 70 years, so get to it, save Bucky Bear save the world, and smash Nazis like the fucking Hulk. May the fic gods, as ever, be kinder to me than the canon ones.]

This “pretend nothing has changed even while we change important stuff that should logically have repercussions” approach only works if you think your audience has the reasoning capabilities of concussed goldfishes. Tony’s last bout of genius solving time travel on the fly deserved better than this.

(Also, good luck trying to sell me on any future conflict stakes when our heroes now have the capabilities of fucking going back in time and change things, even if you don’t want to admit it.)

In the “this is so dumb and nonsensical and wow look at those strings” camp, we also have the two Nebulas being connected. That is so stupid and clearly only there for the sake of plot you can literally see the writers going “Uhm... how can we make it so past!Thanos knows what the heroes are doing? What if we make it so past!Nebula gets the memories of future!Nebula from a galaxy away? How? Why? Because!”

Riveting.

About as riveting as the Thor stuff. Here you can see the writers desperately wracking their brain wondering “But how are we gonna have dumb jokes in a serious movies? Where will we go for cheap, juvenile humor? I know! Let’s make Thor a drunk idiot with a beer belly! Oh oh oh, what could be more funny than a parade of fat jokes, we’re comedic geniuses!”

Yawn. Also, offensive much? But really, everything about Thor spits in the face of his three movies long character arc (which was all about responsibility): dudes, do you even know the characters you’re writing about?

Speaking of desperation: no Steve and Bucky reunion post UnSnapping? Seriously? We have Tony and Peter - who have known each other for 5 minutes - tearfully embrace but no scene between two characters who have known each other all their lives and have been through massive shit in those lives? Marvel execs, we know that every time Steve and Bucky shared a scene The Dreadful Spectre of The GAY appeared and made your blood pressure rise but this is ridiculous.

Which is also why you get no cookie for The First Gay Character in the franchise: an unnamed character in a single blink-and-you’ll-miss-it scene, truly stellar representation. What made you believe this was a smart move?

  That said, there are some good things in this movie.

  THE “I DIDN’T NECESSARILY WANT THIS BUT I CAN ACCEPT YOU DID IT. ALSO, OUCH: MY HEART” DIVISION

First of all, Tony Stark.

Never thought I’d say that, because I’m the furthest thing from a Tony fan and spent all of Ultron and Civil War wanting to punch him. And Infinity War being indifferent to him.

But goddamn if I didn’t feel how goddamn much he adored Pepper and their daughter. Goddamn if I didn’t tear up at his heroic sacrifice, going out with the line that started it all (“I am Iron Man”- my heart), goddamn if I didn’t tear up at his goodbye with Pepper and then at his funeral.

For all his many, many faults – which I’m not gonna forget for a second – Tony went out exactly as he should be: a goddamn hero. With a heart big enough, strong enough to give himself up for everyone else even at the moment where he had everything he ever wished to have.

My hat’s off to him.

Never thought I’d ever say this, but I will miss him.

 Other MVPs of Endgame: Clint Motherfucking Barton and Natasha “Love is NOT for Children” Romanoff. I know: Natasha, sure, but who would ever have guessed that about Clint? Prior to Endgame, he was just sort of there, not helped by Ultron and his sudden family in a farm.

Endgame managed to make me care about the family I loathed. How? I don’t know, but I am totally down for a Clint + Kate Bishop + Lila show, where everyone is a badass archer and they are all codenamed Hawkeye just because! I am also totally down for Clint’s badass reinvention (after, I’m guessing, mainlining all 7 seasons of Arrow), no matter how heartbreaking the reason or questionable the style choices.

And that Clintasha scene was pretty much worth the whole movie to me.

Because, first of all, that’s how you solve a problem like the Soul Stone: a willing sacrifice. (Which, btw, makes even more disgusting the fact that we are supposed to see this as equally worthy to Thanos murdering his daughter).

Second, because I am a total sucker for characters fighting about who gets to sacrifice themselves. Clint and Natasha beating the crap out of each other just like in Avengers 1 (just one of many delightful callbacks that pepper the movie), this time because they love each other too much to let the other be the one to die is everything.

Third, because it’s just a really good scene, based on one of the better relationships in the MCU. Even those not shipping Clintasha have no doubt that those two are extremely important to one another, and Renner and Johannson acted the hell out of it - just as they did every scene together, from their reunion post-yakuza slaughter, to the giddiness of flying a spaceship. I teared up like a baby at Nat’s sacrifice and I was right there with Clint hoping for a loophole that made it so we could get Nat back and was heartbroken anew when that did not come to pass.

But, again, the Black Widow went out just like she should have: a true hero, loving, strong and unafraid. The red in her ledger was wiped out once and for all.

  The “Feels” subdivision

 Scott Lang was an integral part of the solution. I mean, never before have we heard about time passing differently in the quantum realm – and in fact Janet Van Dyne aged the 30 years she spent in it, so more plot service crap – but who cares! Still, his desperate checking to see if his daughter was among the Snapped only to find his own name and running like hell to get to Cassie only to be suddenly confronted with a teenager and realizing he missed those 5 years with her and not caring because she was still there was absolutely perfect.

Speaking of families: I have already said it but Tony and Pepper and little Morgan were amazing.

Also, Thor and Frigga! Frigga was an egregious fridging to start with, so it was lovely seeing her again, but especially giving her a wonderful scene with her son that shows her intelligence and strength and exactly why she was Queen of Asgard. Not to mention being the one to restore Thor’s confidence and absolving him of his failures. Sometimes you just really, really need your mom. (Too bad about that stupid salad joke.)

Natasha and Steve. Just... Natasha and Steve being badly messed up by those 5 years post-Snap and yet being so supportive and understanding of each other. Really, after Winter Soldier, this was the best Natasha movie. And rightly so.

In general, the Avengers being not just a team but also friends, fucking finally. Sure, there is the whole “found family-baited” post going around, but memes aside, it is true that we never got to see those people acting like friends and not merely co-workers. Was that so difficult to do before the very last moment?

  THE “IN HERE FOR THE HOLY SHIT QUOTIENT” DIVISION

 A small but admirable moment for a villain that was otherwise pretty underwhelming no matter how much they tried passing him off as deep: Thanos having the smarts and the metaphorical stones to goddamn destroy the Infinity Stones. Better to accept never using them himself again than run the risk of someone stealing them and undo his work. He may be evil and incapable of properly understanding the concept of proportions (that whole: if you destroy half of the resources along with half of the people using said resources, you are just as screwed as before), but the guy is smart.

Carol was as amazing as she could be in a movie that by design could not be about her kicking Thanos’s ass up and down the whole galaxy but was necessarily the Last Hooray  of the Old Guard. Her face seeing Fury among the Snapped, her entrance and towing a fucking spaceship, her pointing out that while the Avengers have been watching (with mixed results) over a single planet she was watching over a lot of them (likely with better results), her second entrance, her goddamn everything. Not as good as her solo movie but what could ever be?

Speaking of ladies, Valkyrie becoming a Literal Queen warms my heart. I have some doubts about Thor just up and leaving what remains of his people, even after everything (read: I don’t buy it, just like I don’t buy anything about Thor in this movie), but considering Heimdall is not around anymore, we can all agree he left them in excellent, badass hands. I want more.

Switching to metaphorical Valkyries... It was a fanservice-y, mostly unearned scene in a series that has historically been pretty low in female friendships or relationships, but goddamn if the optics of all the badass ladies of the MCU banding together weren’t made of FUCKYEAH! Give us a ladies-led movie, Marvel, you fucking cowards: DC is giving us the Birds of Prey (and Harley Quinn), what’s your excuse?

In that vein: Pepper donning an Iron Man armor! Basically everything I ever hoped for, so much so that for a moment I legitimately thought I had imagined it. Now that Tony is gone, let Pepper step up as Rescue or Iron Maiden or whatever, get her to mentor a bright intern named Riri Williams and we’re set to go for maximum awesomeness.

Still, when talking about maximum awesomeness: CAP. WIELDING. MJOLNIR. We Italians don’t have the habit of reacting to movies out loud at the theatre, but you could hear the current of FUCKYEAH!!! coming from all the nerds in the room, and rightly so. Cap fighting with the shield in one hand and Mjolnir in the other was everything every superhero fan could ever have wished for in a movie distilled into the Crowning Moment of Awesome to top all CMOAs. (Too bad this gets incredibly undermined by that ending beacuse I refuse to believe that that guy could be worthy of a fucking shoehorn, much less Mjolnir.)

Thor dual-wielding Mjolnir and Stormbreaker deserves a mention too.

(This as long as we forget Mjolnir being taken away to the future at the start of Dark World makes gaping holes in Ultron e Ragnarok, because past!Thor wouldn’t have it anymore, but whatever LALALALALA what time logic?)

But the moment that threatened to bring down the house in cheers was the sight of all the Unsnapped returning followed by - finally - the call: AVENGERS ASSEMBLE! Every single person visibly restrained themselves from punching the air and shouting along. I think we all regret not doing so, dignity be damned.

   So, leaving aside the truck-sized plot holes that are practically a given once you decide to muck around with time travel and the occasional plot-over-character-or-sense stupidity, all in all we have a rather solid movie full of badass moments and with occasionally meaningful emotional beats.

Not my favorite by a long shot, but a mostly fitting end to an insane project no one ever thought could possibly be achieved that ended up sweeping the world and fandom.

Too bad those last five minutes arrive to shit all over that, and incidentally all over a beloved character.

   THE “ARE YOU FUCKING KIDDING ME YOU GODDAMNED HACKS” DIVISION

 Steve – I must suppose SERIOUSLY concussed during the battle to the point of brain damage beyond the repairing capabilities of the superserum – returns the Infinity Stones to the past and, while he’s at it, decides to abscond in the same past to live his life with Peggy, only returning as an old man to pass the shield to Sam.

Awwwwwwwwww... Steve and Peggy living their life together, so heartwarming...

Yeah, except once you think about it, then you want to use that shield to fucking brain the skrull that must be impersonating Steve Rogers.

Because, in order to buy this story, we have to believe that Steve “I don’t like bullies” Rogers, Steve “If I see a situation pointed south, I can't ignore it” Rogers, Steve “On va voir” Rogers, Steve “I can do this all day” Rogers deliberately chose to spend the rest of his fucking life doing exactly nothing, otherwise the timeline would have been SERIOUSLY rebooted.

A life of inaction, hiding the fact of his existence.

Sure, that totally sounds like the Steve Rogers we have been watching up until this point.

Instead of an ending about moving forward no matter what life throws at you, we got one about happiness being literally going backwards.

Because that’s a totally healthy message.

Hell, you decide to go the retirement route, I don’t even necessarily disagree with it. If, after all the trauma of Infinity War + the five years interlude + the shitstorm of Endgame, Steve decided to lay aside the shield for a while and try to make an actual, functional life for himself I would have been all for it. If nothing else, the guy could make do with a lot of therapy. Most crucially, not being Captain America would not mean quitting the fight: he could do just as much good as an artist, a politician, an opinion leader, an activist or what have you. All that is not gonna be possible in the past, because to mantain the timeline he cannot become anyone relevant in any way. Especially since he knows Hydra is still around and attracting notice would mean risking some of that attention coming from them. So no, absconding to the past means by necessity a life not fighting in any way, not doing anything of any particular importance whatsoever.

This is completely antithetical to everything that Steve Rogers, as he was shown up until now, stands for.

And we have yet to touch the morality of it all, or the lack thereof.

Lest I get accused of being a bitter Stucky shipper whose slash goggles cannot make her appreciate a Steggy ending, let me point out that I ship Steggy as much as Stucky and if anything I am a bitter Peggy Carter fangirl: Our Kick-Ass Lady of the No Holds Barred Beatdown unquestionably deserves better than this crap.

By which, I’m not even talking about how this ending shits all over the closure we got before and the entirety of the Agent Carter run, which both show that while Peggy unquestionably loved Steve, she mourned him for a while and then, as healthy people do, moved on to have a perfectly fulfilling life with a rewarding job and eventually a new love and family. I’m not even talking about how this takes her back the “Steve Rogers’ Love Interest” route, Betty Carver-style, instead of letting her be her own woman with her own story that may have started alongside Steve Rogers but then developed on her own terms. I’m not talking about how she was rewinded from a character in her own right to a “hero’s” prize.

I’m talking about how this supposed happy ending to slow dancing and snuggling is based on either Peggy being apparently also brain damaged to the point that, upon hearing that the organization she’s busting her ass to run is a Nazi cesspool, just rolls with it - which, I think we can all agree, is definitely not something our Agent Carter would ever in a million years do -  or Steve merrily electing to spend something like 50 years lying like a motherfucker to the supposed love of his life about how the organization she’s busting her ass to run is a Nazi cesspool. True love, everyone!

Fuck you: Peggy Carter fucking deserved better than this.

This also leaving aside the fact that, in this happy ending, Steve knows that while he’s squirreled away in the woods dancing and doing decoupage, his supposed best friend is getting tortured to the point of complete dehumanization. But whatever, he’ll eventually be fine, no use doing anything about it. Oh, JFK got murdered? Nice shot, Buck! Oh, there goes Howard, a smooth operation, buddy: hope the brain-frying won’t be too bad, just hang on until 2014.

End of the line my goddamn ass.

Oh, and since no-one’s memories are rewritten, Bucky also conceivably knows all this. He knows that his supposed best friend voluntarily spent his life doing squat to save him.

Fuck you: Bucky Barnes fucking deserved better than this.

SO, TO RECAP: Steve Rogers is a selfish ass who chose a life of inaction, Peggy Carter is either his accomplice or a dupe and Bucky Barnes lost his best friend all over again. Coherent characterization got sacrificed for a theoretical feel-good moment that doesn’t stand up to the most cursory examination before being revealed as sheer horrifying fuckery.

Sure, Sam gets to be the new Captain America (which, don’t get me wrong: he totally deserves it and at this point he’s more worthy of it than the original), but that’s literally the only good thing in a mountain of shit dumped over characters that deserved much better.

I get that Evans wanted out, but there are ways to do it and then there are ways. Tony went out like a goddamn hero. So did Natasha.

Steve went out quitting - aka the one and only thing Steve Rogers would never ever do - and in addition what can only be called a bastard who shrugged off his best friend’s decades-long torture and quite likely spent his life lying to the woman he loves.

Fuck you: Steve Rogers fucking deserved better than this.

If there could be a worse impression to leave bowing out than this one, I’m honestly unable to imagine it (Well, beside making Steve Hydra for real: but considering that he spent his live blithely pretending they were not still around murdering, torturing and so on, that makes him a collaborationist at best and WOW, at this point it’s kinda splitting hairs, isn’t it?).

Coming into Endgame, I knew this was gonna be Cap’s last waltz and after spending years as a Steve Rogers fan I was dreading watching him die. Now, I wish he could have gone out with the heroism and dignity of Tony or Natasha instead of... whatever this was. I could have mourned him while celebrating him, instead of mourning what he used to be while despising what he was made to become.

This Steve Rogers fan, who spent years loving him while being annoyed and occasionally enraged by Tony Stark, left the theatre feeling deeply moved by Tony and quite honestly hating the guts of whatever was left of Steve. If someone told me this would happen I wouldn’t have believed them and yet here we are.

 Personally, in order to actually enjoy the movie and especially to be able to retain any fondness whatsoever for one of my most beloved characters, those last five minutes are gonna join the entirety of Age of Ultron in the realm of “I recognise Marvel Studios have made a decision, but given that it's a stupid-ass decision, I've elected to ignore it”.

As far as I’m concerned, Endgame ended with Tony Stark’s funeral. A fitting tribute to the fallen hero who started it all, to the road that took us to this moment and all those characters who travelled it with us.

To the end of an era and hope for the next one.

[tessatechaitea]

Batman Loves Superman #2

Hey DC! Stop portraying people who laugh as pure evil!

I don't know what genius centrist character speaks first in this comic book but fuck them.

People love to make statements that make them sound above it all. Statements that let them get away with sounding like a logical and rational person while really exposing the terrible things they believe. "Weapons are only tools." The "only" in that statement speaks volumes. They're defending weapons. Weapons are neutral. They're beyond blame. They're innocuous. Their follow-up statement providing evidence to bolster the first statement, "means to an end," shows that they don't give a fuck about context. What "end" are you trying to reach if your tools are weapons? Silverware are only tools as well, a means to an end, but we know that the end reached by silverware almost certainly is simply an empty tub of ice cream as opposed to a school full of murdered children. Oh no! Look at me bringing up murdered children to play on the emotions of the audience! How dare I bring in a real world example of an end that the means of these mere tools brings about! If your defense of weapons are that they're simply tools to be used to reach a particular end, you can't just ignore that the "end" you're discussing in the most general terms is violence. Weird that people who can't wait to be attacked so they can kill somebody and prove that their choice to carry a weapon was the right one often try to distance themselves from the inherent violence of their beloved weapon. The person speaking is Commissioner Gordon who laughed last issue so he's obviously a monster. I guess he's trying to point out that the real evil has been locked away at Arkham and the tools the evil people used aren't dangerous on their own which is why they've been locked in an armory outside Gotham City. He's come to liberate them with the help of a mystery person who has a sort of claw hand (Black Condor?!). A good writer would reveal who it was because they know that would get the reader really excited about Batman and Superman's confrontation with them. A good writer continually gives up surprising information. A mediocre writer hides as much as possible from the reader because it's the only way they can make a story suspenseful. Meanwhile, Shazam has begun calling himself "Earth's Mightiest Nightmare." See, he usually calls himself "Earth's Mightiest Mortal" so you can see how hilarious his wordplay is. But don't laugh because you don't want to appear wicked to the people around you.

Bullshit. Batman absolutely wants to fight him.

Shazam uses his magic lightning to try to destroy Batman but Batman just dodges because he probably trained with Himalayan Lightning Dodgers years ago. When Shazam uses his magic for evil, The Phantom Stranger's nose bleeds and Zatanna gets severe cramps. I guess magic in the DC Universe is like the Force in Star Wars. It's disturbing and shit. Superman almost gets the upper hand but, as I pointed out how the exciting battle might go last issue, Shazam turns back into Billy Batson to remind Superman he's fighting a child. So Superman is all, "Aw, shucks! I didn't mean nothing! You can fight it, Billy! Stop finding things funny!" But then Shazam is all, "SHAZAM! Fooled you!", and Superman is all, "D'oh!", and Batman is all, "SMDH." But remember! Batman is the king of the DC Universe! So he's definitely got a way to stop Shazam. I bet he's got a Bat-Monkey's Paw in his belt with two wishes left on it. Batman doesn't like to talk about the first wish and why Alfred now has to care for that tiny pianist living in the terrarium in the study. Batman doesn't use his Bat-Monkey's Paw to save the day but if you thought that idea was completely ludicrous, you'd better prepare your mind for Joshua Williamson's solution.

Batman finds the Batman Who Laughs Batwing, flies it up in the sky where Superman and Shazam are battling, and then, um, I don't know. He launches himself out the cockpit window against the g-forces of the accelerating Batwing? I suppose Batman learned to do this while training with the Sheep Hoppers of Aberdeen?

Um. Wait a second. Is Batman the greatest detective or am I because I think I just solved the mystery of the six heroes turned into Heroes Who Laugh.

The poison batarangs all have the symbols of the hero they're meant to infect on them! Just look more closely at the molds you found, idiots!

Shazam escapes because Superman held back and because Superman had to save Batman after Batman thought he could beat Shazam by crashing through the sturdy glass of a jet's cockpit while it was accelerating while only having a boomerang as a weapon. I guess Batman is only as smart as the writer writing him. He should have used his fucking Bat-Monkey's Paw. Later at the Bermuda Triangle Fortress of Solitude, Batman and Superman note that each Batarang Who Laughs has been infused with a specific Batman Who Laughs Juice based on the DNA of the intended victim. What they don't notice is that the Shazam one was a lightning bolt on it and the Superman one has the Kryponian symbol for hope (I know. Lame back story on the "S" on Supe's chest) on it and that they found the fucking molds for six Batarangs Who Laugh. Which means the answer to who else has been infected is in their stupid hands! Unless I'm supposed to believe that the symbols were carved onto the Batarangs Who Laugh after the fact. Which I totally don't even though that would probably be the way to do it seeing as how you're probably going to want to eventually make more than just six heroes laugh. My real opinion on this situation is that Joshua Williamson didn't actually think it through very well. Batman and Superman don't know what to do so they decide to pretend Superman was infected by Shazam. Shazam knows he didn't infect Superman but I'm sure he won't say anything to the Good Guys Who Laugh and ruin Batman and Superman's surprise when Superman goes undercover to work with the Batman Who Laughs. I'm sure failing to infect Superman so that Superman would have to pretend he's the Superman Who Laughs and thus free the Batman Who Laughs so he can find out the Batman Who Laughs plans is totally the Batman Who Laughs' plan. Because whatever the heroes do to stop the bad guys in the beginning of a story is always exactly what the bad guy knew the good guy would do. They're evil geniuses, remember! And Batman and Superman fell for it! Batman Loves Superman #2 Rating: C. If you didn't read this comic book yourself for a real world example, let me tell you how a mediocre writer writes a comic book: first, the bad guy attacks the heroes rather than doing something criminal or evil while trying to avoid the attention of the heroes. That's because a mediocre writer doesn't know how to write heroes discovering crimes being committed and instead need the villain to wave a lot and shout and say, "Hey! Jerks! I'm doing crime!" Or, better yet, have the criminal's entire plan simply be "I will antagonize the heroes for petty vengeance!" After that, the heroes will fail to stop the criminal. Depending on how long the story is, the heroes will either have to redouble their efforts and super believe in themselves to rally and win the day or the heroes will begin plans to defeat the villain. If they begin plans which make them seem like they're getting the upper hand, those plans will always be exactly what the villain wanted to happen in the first place. The heroes will then be defeated again just when they thought they were going to win! At that point, they'll probably need to do the rallying thing where they just fight a little bit harder than they did before and believe a little bit more than they believed before to show their strength of character and will. Because good always has stronger will and greater strength of character than evil! I really wish a writer would simply come up with a genius plan by the villain that isn't simply the villain saying, "They're falling right into my plans," after whatever the fuck bullshit the writer wrote. How these evil geniuses can plan such complicated and intricate plans that rely on knowing exactly what every hero is going to do is beyond my limited comprehension. I might even say it's contrived bullshit!

[everydreamtilldawn]

Endgame Thoughts *Spoilers obviously and a whole lot of venting*

OK Endgame, here we go! The absolute disrespect to the audience, the actors, the characters, and all the other creators who put so much work and care into building characters and stories for the other movies and shows which led up Infinity War and Endgame. The Russos are so far up their own asses with how good they think they are. I'm so done with their pure spoiler free excuses. Not letting actors know what scenes they're in, who they're with - wasting oscar winning actors on their own bloated egos insisting adults can't be trusted not to cause a PR scandal over their fanfic. Those assholes put themselves into the canon as "the first canon gay character". Oh, Mr. Unnamed Guy 32 is the first gay character out of all these hundreds of people on screen? Oh Mr. Russo well we all better get on our knees and kiss your gay dick in thanks then you ass faced worthless shit for brain. What a fucking insult. Who has the actual nerve? Who actually has an ego so big they don't actually see the lgbt community and their issues as something to take seriously within their narrative - its like their heads have been under a rock the past few years thinking of only their wonderful, unbeatable movie that they have no idea gay people are main characters now and have their own movies elsewhere in the world. We're not nameless, background characters you dicks. The fact that 10 years led up to this is like spitting in the face of your audience and telling them exactly how little you actually care about them except for their money. Every bit of Endgame highlighted and emphasized the flaws that was the monstrosity that was Infinity War. Starting there - I will never get over the fact that the end battle of Endgame so clearly shows how awful the previous movie was. I think I've told you all the problems I have with IW before but to emphasize again - the "we don't trade lives" concept is still something I'm furious over. The fact that grand old captain america wasn't willing to kill Vision for the UNIVERSE but was ok with a few hundred Wakandan's dying for Vision to maybe live? Bullshit. AND that final battle? WTF so we're supposed to believe that in the... five?... ten minutes? after being snapped back to life all those people got off their asses? I can't even. They expect us to believe that when you put all those geniuses, warriors, battle proven tacticions, strategists and spies in a room that they still make all those obvious mistakes when they know the UNIVERSE is at stake? Where was that army of sorcerers in battle one? Why did Wong or whatever his name is really HAVE to protect that one sanctum even knowing the fate of the UNIVERSE was at stake? They had hours to plan. HOURS. If not days?!?!?!?!?! They went to different countries, they had time to sit and plan. They had time to call in the world's resources to prepare, to gather armies. Instead they fought with Wakanda and a handful of superheroes - why??? They literally knew the stakes, the only reason they didn't have the huge army battle scene in Infinity War is because Marvel wanted another movie. They wanted to make billions on Endgame cause they knew audiences would come back if they shock value killed half the universe and then brought them back for battle two but uhhhhhhh.... On your left was a great badass scene and all. But they had max like ten minutes to gather forces who legit just came back to life. Who sent out that distress call btw? Why did all these people NOW have a plan of attack and were gathered in preparation to fight?

Was it badass? Was the shot of Captain America alone against an entire army not iconic? OF COURSE. I loved that scene. I loved the women gathering around Peter and racing to fight against the army as one. It was legendary. There were some really funny, badass, and wonderful moments. But it was a bad story. It was bad writing. Working my way down from character murders that least upset me to most. Black Widow. She finally came to life in this movie. She was a leader, she had emotions, she was more than a catsuit, a sexy smile and a witty comment. I adored her. I despise her death. I hated that in the end she was still another pretty face lying sexily at the bottom of a pit for the life and will of a man. I’m half okay with her death, because it was almost justified. In this story where she was finally a fully-fledged and fleshed out person – she had wants and goals and those centered around protecting her family. The character she was in this movie didn’t even begin to exist until Endgame and it’s a tragedy that she was murdered before she even reached her full potential. But she did want to sacrifice herself so the universe could live again. She wanted Clint to go back to his family. She wanted to give her life for the only thing she loved. BUT Clint was the true perfect mirror for this narrative. Thanos sacrificing Gamora will never be okay. Gamora said it herself – that wasn’t love. That was glorifying abuse. Thanos never should have been given the soul stone under the ridiculous and unclear rules of the soul stone. Honestly, I’d believe Red Skull is just fucking with everybody at this point with how ridiculous those rules are. No way is what Thanos did love. I will come back to the Russos glorifying and being okay with child abusers when I get to Tony and his father. Clint would have been the mirror to Thanos in that moment. Instead of a father killing his daughter, it would have been a father dying for his daughter. His relationship to his daughter is even highlighted at the start of the movie and in his time travel moment. Clint hated who he’d become, he was ready and willing to sacrifice himself for his family and at that point he deserved it. As shown later with Tony – the theme of fathers sacrificing themselves is a relevant theme. So why Natasha in that moment. Why not the father? Why not the narrative mirror? Why the only woman on the team, the one who has grown to be a real person in the narrative and one who is now LITERALLY IMPORTANT TO THE STRUCTURE OF THE WHOLE WORLD AND THE UNIVERSE? She became the leader of the Avengers and expanded their reach across galaxies by communicating and coordinating with Rocket, Nebula, and Carol. She had a world to rebuild by coming home. It’s not like they’re going to give Clint his own redemption movie where he makes up for his half assed arc to becoming his Ronin character arc. I’m half okay with it, but I also think it was the completely wrong choice of which character to sacrifice.

THOR. The insult to Taika Waititi. The insult to Thor, Thor: the Dark World, and Thor: Ragnarok. The insult to Thor the character. Hell, the reversal on Thor -2.0 from Infinity War. Years of movies, years of work building this character. Them saying that not only does Thor, who finally learned to be the God of Thunder without his hammer, who took up Odin’s role and finally accepted his place as King, needed to be.... fixed?!?!?! They gave him back his eye for starters which reverses the whole meaning of him losing it in the first place. Of assuming the role of Odin, of King, of being Thor. Then they give him the axe and then the HAMMER. Thor moved on. Thor accepted himself. Thor in Ragnarok is proven to be stronger without the hammer than he was with it. Giving him the axe, making him obsessed with getting his hammer back, reverses three movie of character development. AND THEN. Making him FAT. Making him STUPID. Making him threaten children, abandon his people, abandon his duty, fall into a depression completely unlike his character who is a hardened warrior with deep emotional depth and understanding – a fucking soft hearted genius in his own right who was able to easily give forgiveness to Gamora and understanding that being the daughter of an abusive monster isn’t her fault. They have the audacity to spend a whole movie making fat jokes about him and decide to reverse him back ten year’s worth of character development. Oh hardy har, we’re such good writers. We understand posttraumatic stress and the mindset of heroes – look he’s drinking beer, and an alcoholic, and eat a salad you fat fucks. WTF. It wasn’t funny. It was mean. It was unnecessary. It was out of character like the Russos came up with it high on crack and refused to let it go. Thank god Chris H is a good enough actor not to show how insulting it must have been to have his character be paraded around in bad cgi and treated like he’s an idiot. Did the Russos not watch the other movies in the canon? Did they not care that Thor had become this deeply complex character who loved his people, would do anything for them, was ready to be King and lead – NO I guess they just don’t care. Like everyone who sat on their asses during the battle in Wakanda. It would have been amazing for Thor to have gone back in time to see his mother as the true and worthy King at last, if his final arc had been around idk his apprehension at how to lead his people after failing them, after them dying down to a few hundred. Having everything he could have been overshadowed by the Russos need for a running joke the entire movie is so very insulting. It shows just how little they think of the audience’s intelligence.

CAPTAIN AMERICA. The insult to women’s agency. I truly at this point think the Russos are lying fucks who have no respect for women. They’re sexists assholes. The insult to the entire team of Agent Carter. The insult to Peggy fucking Carter, the most badass woman who built herself up, who built Shield, who moved on, who had a life, a husband, children, who died in peace and was put to rest. Nope. Forget about everything she did. The Russos plot line is more important. Steve Rogers started out the movie saying how important it was to move on, and what does he do? Not move on. Lets highlight the insult that throwing in “the first gay character” is when facing the cowardice of switching Steve Rogers from being so obsessed with protecting Bucky Barnes that he threw away the shield, became a fugitive, and left the family and team he’d built in the future to chase after Peggy Carter who he HAD MOVED ON FROM. He kissed that one random blonde girl he had no chemistry with. He said goodbye and buried Peggy. Peggy had a life, she was happy. Did she miss Steve? Was she sad he “died”? Yeah. But now she doesn’t get a choice between the future she could have had and the one where Steve buts in and I guess Bruce didn’t have a discussion with Steve about splitting the path of time into multiple realities cause the Russos decided to fuck their own established logic and leave Steve in a new version of the past – where almost all the infinity stones are returned in their non-original forms, loki is fucking off with the tesseract and Thanos/his entire army/and Gamora are all in the wrong time never to forge the original war in the first place? They didn’t put a single scene between Steve and Bucky reconciling the past few years, Bucky’s dusting or the fact Steve was gonna go and never come back after ALL THAT. After Winter Soldier and Civil War, Steve said fuck Bucky, fuck the avengers, fuck this future that doesn’t have Iron Man, I want to go dance with a woman who HAD A LIFE WITHOUT YOU YOU ASSHOLE. I was touched by the old man Steve returning to give Sam the shield. I thought it was wonderful, I cried a little. But what about Peggy? What about the timeline? What about the rules????? Fuck it, there’s a gay character now and Thor is fat, the rules don’t matter anymore I guess.

Tony Stark.... deserved better. He is the true, real hero. The only hero. I don’t care about anyone else. Excluding his own 3 movies and Homecoming, Tony’s character was done so wrong in the Avengers movies by the writers, the audience and the other characters. So many people wrote him off as the person he pretended to be instead of the person he was. They saw selfishness and ego instead of the amount of sacrifice, the effort he gave into making the world a better place. He was such a good person. He grew so much. He gave his life for a world that never loved him, but that he never stopped loving. Natasha and Tony were the only people with something left to lose, but they were the ones who sacrificed themselves for a cold, uncaring universe and they deserved better. Tony finally had everything he never thought he would deserve – a wife, a daughter, a peaceful life at rest. All his wars were finished. He had everything to lose and he went into the endgame with the one condition that he would not give up what he had gained. And still they killed him. It was the only acceptable death for a hero like Tony Stark, but that doesn’t mean he deserved it. That doesn’t mean his daughter grows up without her father. That doesn’t mean its okay for that abusive, negligent asshole that was Howard Stark to get a last hoorah and be “redeemed” by a final conversation with his son. No. Tony had multiple arc, multiple points in his life where he had to rise above Howard and all that Howard stood for, all the ways Howard had hurt him and held him back. He was better than his father – going to be a better father than his father. Thanos and Howard will never, ever be men who should be looked upon as having loved their children enough for them to die in exchange for the greater good. It was so very satisfying for Tony to finally have it out at Steve for everything and I wish that scene had been longer. Tony deserved to live.

Final points. The timeline stuff, again, was bs. They insisted on not messing it up and still they messed up everything. The greater implications of all that is... astoundingly idiotic. Along with, why not just have Tony’s life ending snap send Thanos right back to the past along with the infinity stones to their rightful places and memories erased? If the infinity stones can do anything, such as kill half the universe, why not correct the flaws of the plot? I thought it was stupid that the only reason the time heist failed was because Nebula didn’t think about mind melding with her past self. The fact that’s even a thing... that happened. Really. The whole movie shouldn’t have existed let alone be three hours. They set such a great tone with the opening scene. It was tragic and heart wrenching and then seeing Natasha finally realized and the world broken. I can forgive dues-rat-machina bring Scott back cause I love Scott, but the time heist threw out all the tension. I didn’t feel the stakes, I felt like they stepped sideways into a whole different genre. That middle plot didn’t feel like a movie worth ending an era on. It felt cheesy and underdeveloped. Again – they had forever to plan. There was no time limit pushing them to go to the past immediately. They could have taken the time to think this out, cover every possible option – and they did. They’re shown doing that. So how, for the second time in these two movies, do these brilliant geniuses, tacticians and strategists believably fail to predict the outcome. And uhhhhhh did snapping all those people back account for the post snap casualties? Cause we saw helicopters flying into buildings, cars crashing, we were told that wars broke out and people went kinda crazy as they had a right to. The snap resulted in post snap causalities by the billions across the universe – had to have. So did all those people come back? What happens to the people who moved on and now have a 5 years younger mother/father/sister/brother/friend/loved one/wife/husband/etc to deal with who just blinked and suddenly half the people they care about are now five years older and the whole world is different? The sheer amount of housing and food crises that are about to begin post “snap 2: the snappening” are insane. And I get that its no fun to think about that in the fun of a big super hero battle and all that. But next movie will probably have zero mention of all that as shown by Peter’s entire class just moseying along on a European vacation in the next Spiderman. So Peter’s entire class got snapped, came back, and went on with their lives? The rest of the world’s infrastructure repaired itself in the time frame of Peter still being in High School? Yeah, right. But still – the fact that there’s an hour and a half of the movie that pauses all the tension and drama to be a comedy is just... whatever fine. It was funny. It was kinda cool, but it didn’t belong and it wasn’t necessary. Ok, I think I’m done.

[kinetic-elaboration]

February 5: Thoughts on The 100 2x03 Reapercussions

I am very tired and I should sleep but instead I’m going to bring my The 100 rewatch project out of hiatus yet again with Episode 2x03: Reapercussions.

I miss Anya so much!!!!! This is mostly my Dichen Lachman obsession showing but also the way she gives Clarke that ‘yeah, whatever’ look when Clarke says she’ll get her out of the cage... your Grounder fave could never.

The show honestly peaked with S2 and after this it should have abandoned all attempts at edginess because nothing will ever be more Pure Nightmare Fuel than the Mount Weather Grounder Cages.

Clarke/Anya: the ship that almost was.

So when Clarke takes Anya out of the prison room, she opens a door that says “End Containment Area” and underneath that it says “U.S. Department of Homeland Security, Mount Weather Containment Protocol.” And people really thought JRoth made this up omg learn some history.

Considering how they left things (Anya literally trying to kill her and all her friends) it’s actually pretty impressively selfless and magnanimous on Clarke’s part to not just rescue her, but immediately and unthinkably rescue her. On the other hand, Anya feels some remorse for leaving her people whereas Clarke’s like ‘here are some clothes [even though those random bandages are holding up pretty well??], let’s get a move on!’ (I know she intended to come back for them and she was being smart and practical but from the pov of, say, Jasper or Monty, this is cold as hell of her.)

I’ve said it before and I’ll say it again: early S2 Clarke is Peak Clarke: smart, sly, practical, brave.

Byrne mentions Earth Skills teacher “Davis” as being part of the search team for Bell et. al. My question: how many Earth Skills teachers did they have lol?

I fucking love this crashed-ship aesthetic omg I forget how much I love it and then I see it again....

“On the Ark, you did anything you wanted, without a second thought about the consequences.” Like mother, like daughter.

I ALSO miss Jasper and Maya. I’m probably like the lone person out there who still remembers them fondly but they were basically perfect because they were sweet but with the potential for a lot of darkness as well, my favorite combination.

WHERE’S MY ART SCHOOL JAYA AU?

So actually fun fact, that isn’t how the art work would have been stored in Mount Weather. They had special containers for the paintings to protect them and like a special cart thing to transport them quickly from their old homes to the bunker I read a book.

No one ever characterizes him this way sufficiently imo but Monty is really quite uptight in a way. Like first: don’t cockblock him man. And second: just chilll. This is probably why he used to smoke weed.

“Trouble? It’s Clarke. Whatever she’s up to, I’m sure she can handle it.” I mean.... he’s not wrong.

Except for the part where she’s covered in dead bodies. But even then...

So I always felt like the main point of the Reapers was as kind of a zombie police force for Mount Weather: to keep the Grounders scared of the Mountain, so they won’t poke around in it too much. Though of course they also collect Grounders, which is helpful, since the Mountain Men can’t walk that far from their home base (and, as stated, they probably want to keep most of that area Grounder-free anyway). But it occurs to me now that a third use of the Reapers is like dead-body collectors? The Mountain dumps the dead bodies out the trap door, and the Reapers take them away and eat them. So gross and efficient all at once. Mount Weather’s motto basically.

Murphy and his creating-a-distraction stones are still one of the funniest jokes this show has ever pulled, though if it were a quicker reveal after “something like that” it would be funnier.

Never mind, Bellamy appearing out of the bush is true underrated comedy gold,

That said, I feel like everything outside of the Mount Weather and Clarke stories here is filler.

Love! That! Ship!

Major Byrne says that Kane is on the verge of losing control of the camp but... I dunno.... everyone seems to be working together pretty well? Maybe if they had diversified the cast a little, not in terms of yet more Grounders but, like, non-leaders of the Ark, that would be more clear????

Okay, well, admittedly, when the Grounder prisoner is brought in they do start a mini-mob, lol. Also one of the delinquent’s fathers is shot, it would be cool if we knew who he was?? ETA: and then he dies and Abby’s like “does he have any family?” lol he just said that his son was one of the 100 so like obviously he does??

The costuming people, like the set people, really are the geniuses of this show. I love Clarke and Anya’s outfits, and Clarke’s hair somehow being both grungy and beautiful like THAT’s the apocalypse style I wanna see.

Also they absolutely 100% would have gotten together in the S2-S3 hiatus if Anya hadn’t been killed off.

“You saved my life because you needed me” IS true but she also did it absolutely without hesitation, even knowing Anya really quite truly hates her, so this speaks either to some foolhardy bravery mixed in with her practical thoughts, or just straight compassion, or both. I guess that sort of is a Clarke thing. She can be a grudge holder (seriously don’t tell me she isn’t: Wells????) but her grudges are NEVER more important than hard-nosed practical problem-solving.

Time for some gratuitous torture. Honestly, I like Season 2, it’s probably my favorite season, but it has some MAJOR filler problems. Like when it’s good it’s THE BEST but then other times it just doesn’t know how to fill 40 minutes so it resorts to pointless diversions (like Bellamy rappelling down the side of a mountain to save a character who is literally never seen again? for some reason?) or just straight out ugly violence for screaming’s sake (Raven’s surgery, Raven’s Grounder torture, Abby’s shocklashing, etc.) Like honestly I can’t even watch this. I’m just gonna browse tumblr until it’s done.

The Arkers really like the concept of “confessing” don’t they?

Like okay I’m not done WHAT IS THE POINT of this? It all but kills the whole Kabby vibe (I still lowkey ship them but sometimes I think...why?), it’s truly painful to watch, and it has no plot purpose AT ALL not even world-building because, lol, we know the writers don’t care to flesh out Camp Jaha in any real way.

Murphy is taking such sad glee out of instigating Finn’s madness/violence. The Luci of The 100 for sure.

This Bellamy story line is boring though I’m sorry. Some of these scenes (the Clarke or Mount Weather ones) I could watch a million times but this is like... kay, I know what happens already. So.

“There are some lines you can’t uncross.” I mean I think this show has actually shown that’s pretty untrue since people get over almost everything pretty fast. There’s always another horrific thing to do and/or experience!

Yeah my bitterness is seeping in.

Anyway when you come into an interrogation knowing what the “right” answer is, you’ll never learn anything, take note, stupid teenager boys + U.S. law enforcement.

Like honestly this Grounder is 500000x smarter than they are. He saves himself and rains gunfire and destruction upon his enemies. (Well, saves himself for a few minutes--but at least he got to cause harm to those he hates!)

“You thought I was the crazy one, huh?” Was Murphy ever crazy, though, or was he just coldly vengeful?

Speaking of coldly vengeful, Byrne could have been a potentially interesting character? Maybe? I’m not really into the type but as I said I want more Arkers wherever I can find them. And Kane needs real opposition. I have sympathy for him to a degree, but I also think he ultimately weakens rather than strengthens himself.

I love when Monty calls bullshit on stuff. “I can’t see Clarke? Try and fucking stop me, bitches.”

Jasper has such a big heart. Truly the emotional core of this friendship.

I like how Kane speaks as if his “diplomatic mission” of adults is so vastly different than Bellamy and Finn just going off on their own I mean, Byrne is little better than Finn? They’re both easily frustrated and fond of torture? It’s just that Byrne understands a chain of command--barely--that’s literally it.

How does it make literally any sense at all to shocklash a person one hour and make her the Chancellor the next? Like you’ve just encouraged the populace to think of her as nothing special, not above the embarrassing public application of extreme pain--but yes by all means expect them to fall into line behind her leadership. I mean I guess this sort of works if she was already somehow beloved (I guess I’m supposed to just believe that?) and now more sympathy has been generated for her--but such sympathy would seem to come at the expense of Kane. It would seem to be the opposite of what he, or really Byrne, was going for with that disgusting display. But whatever memory is a fiction I guess.

And they have this swelling-music romantic eye-fuck goodbye like??? He was just beating you!! JUST NOW!

What I’m getting out of Murphy advocating for killing the Grounder: first, he has a clear, cold, practicality not unlike Clarke, and two, he still thinks of the delinquents as his friends--how sweet. Two days ago he was killing them, holding them hostage, and stealing their ammo before a huge battle but still. Bygones.

This is not a great ep. for Bellamy leadership lol.

Finn executes a man, while wearing Clarke’s watch, in the place they had sex. Seems...symbolic?? IDK it’s late lol.

I miss Nyko a lot but also now that I’ve seen (part of) Slasher I’m not entirely sure I can ever see Ty Olsson in the same light.

Wouldn’t it be funny if they were literal brothers? Because I always assumed this was metaphorical but...was it? WAS IT?

Weird note to end on, I know. If patterns hold, it’ll be another 2-3 months before I do this again but I’ll try to be a little more on the ball about it.