#digital performance

[mild-goth-sauce]

An informational comic I drew last year for my Comics 2 class, reposting it to my new account (had to jump ship from the old one unfortunately) with some minor grammar changes and learned my lesson in adding watermarks! Happy early pride :)

[pppuri]

bizarre places with peculiar people

[aslesha05]

Lag is dead. long live the speed.

we used to wait. for apps to open. for screens to load. for taps to do something.

but not anymore. in 2025, speed isn’t a bonus—it’s the baseline. your users expect instant everything. and the fastest apps? they're not just fast—they feel alive.

optimize your load times. trim the fluff. cache like a pro. because lag is dead.

and speed? speed is the new king. 👑 To know more read our blog above...

[srcepiksla]

well, that didn't go quite as planned...

[sciencestyled]

When Pixels Meet Pirouettes: The Dizzying Dance of Digital Divas and Techno Twirlers

Ladies, gentlemen, and sentient smartphones, lend me your ears—or, you know, your Bluetooth earbuds! Gather 'round as we embark on a psychedelic voyage into the neon-lit vortex of digital performance art. Brace yourselves for a spectacle that makes a David Lynch film look like an episode of "Sesame Street." Imagine, if you will, a stage where humans tango with technology, creating a spectacle so surreal it could make Salvador Dalí’s mustache twitch with envy.

Our tale begins in a parallel universe where Shakespearean thespians and TikTok influencers join forces, conjuring up a dazzling display of digital sorcery. Here, projection mapping isn’t just for fancy building facades; it's the wizardry that transforms bland backdrops into a vortex of visual vomit. You’re no longer in Kansas, dear Dorothy; you’re in a digital wonderland where pixels prance like caffeinated unicorns.

Now, picture this: a lithe ballerina gracefully leaping across the stage, her every move shadowed by a digital avatar. This isn’t your grandma’s hologram of Tupac; it’s a fully interactive digital doppelgänger, capable of pirouetting in perfect synchrony with our human performer. The avatar, let’s call her Digi-Diva, isn’t just mimicking movements; she’s reading the ballerina's every twitch and twerk, thanks to the marvels of motion capture technology. It’s as if a Fitbit and a PlayStation had a lovechild and named it "Art."

This isn’t just a gimmick—oh no, this is a revolution in the realm of technology and art. Picture a world where Beyoncé’s backup dancers are half-human, half-digital, and all fabulous. These avatars are not confined to the mundane laws of physics; they can leap higher than a kangaroo on a pogo stick and contort like a contortionist in a Salvador Dalí painting. The human performer, bless their analog heart, is no longer constrained by the limitations of mere flesh and bone. They’ve got a digital wingman, and together, they’re breaking the fourth wall with the subtlety of a sledgehammer.

But let’s dive deeper into this rabbit hole of techno-twiddling and avatar antics. Projection mapping isn’t just for creating trippy backdrops; it's for transforming the very essence of the stage. One moment, it’s a serene forest; the next, it’s a post-apocalyptic wasteland where even Mad Max would need a GPS. And the best part? These digital landscapes react to the performers in real-time. Step on a virtual twig, and it snaps; breathe on a holographic flower, and it blooms. This is interactive software on steroids, my friends, where the stage is a living, breathing organism, as unpredictable as a cat meme.

Now, let’s not forget our beloved motion capture technology. Remember when it was just for creating lifelike video game characters and resurrecting dead celebrities for awkward commercials? Ha! Those were simpler times. Today, motion capture suits are the haute couture of digital performance art. Imagine a dancer donned in a skin-tight suit covered in tiny sensors, looking like an escapee from a high-tech disco. Every move they make is captured, translated, and amplified by their digital counterpart. It’s as if Michael Jackson’s moonwalk and a glitch in the Matrix had a baby and taught it ballet.

But what’s a performance without a bit of audience participation? Enter interactive software, the pièce de résistance of our digital performance art extravaganza. In this brave new world, the audience isn’t just a passive observer; they’re an active participant, like contestants on a weirdly avant-garde game show. Imagine a theater where your smartphone isn’t just a distraction; it’s a tool. Scan a QR code, download an app, and suddenly, you’re controlling elements of the performance. Want the stage to turn into a fiery inferno? Swipe right. Prefer a serene underwater scene? Swipe left. It’s Tinder for stage design, and it’s as chaotic and hilarious as it sounds.

And let’s not even start on the performers themselves. These digital avatars aren’t just mindless clones; they’ve got personalities, sass, and more attitude than a Real Housewife of the Metaverse. They can interact with the audience, make snarky comments, and even throw shade at the human performers. It’s like watching a roast battle where one of the contestants is a sentient GIF.

As we wade through this kaleidoscopic circus of bytes and ballet, one must ponder the deeper implications. Are we witnessing the birth of a new art form, or just the fever dream of a coder who’s had one too many energy drinks? Is this the next evolution of theater, or just an elaborate excuse for tech geeks to show off their latest toys? The answer, my dear Watsons, is both and neither. It’s a beautiful, bewildering mess—a digital Dadaist delight that defies categorization.

But let’s not kid ourselves. This fusion of technology and art isn’t just about pushing boundaries; it’s about smashing them to smithereens and then using the pieces to build a cybernetic sculpture of a dancing llama. It’s about taking the mundane and making it magnificent, the ordinary and making it extraordinary. It’s about creating a world where the lines between reality and virtuality blur, and where anything is possible—even a dance-off between a human and their holographic twin.

So, next time you find yourself at a performance that’s part Shakespearean soliloquy, part TikTok dance challenge, and part acid trip, remember this: You’re not just watching a show; you’re witnessing the future. A future where technology and art are not just intertwined but doing the cha-cha on a stage of infinite possibilities. And as you sit there, bewildered and bemused, just remember—you’re part of the show too. Welcome to the wild, wacky, and wonderful world of digital performance art. It’s not just a performance; it’s a phenomenon. Now, if you’ll excuse me, I’ve got a date with a digital diva and a projection-mapped paradise.

[ziggystqrdust]

they danced

[daylily-diary]

How would I describe girlhood?

Dance, dress up, lie in bed, bake, isolate, yearn, clean, explore, blankets, candles, validation, cry, scream, kiss a friend, gut wrenching films, miscellaneous trinkets and wall decor, hangover, social anxiety, sunbathe, laugh, hold someone, be held, run away, unfinished books, sing, crushes are hell, stickers, parental issues, sexual trauma, pink, nostalgia, matching pjs, smell good, fear the calorie, fall in love with anything and everything, break your own heart, grow your hair long, cut it short. Who are you?

[poorly-drawn-mdzs]

The Yiling Band Tour!

[a-scary-lack-of-common-sense]

Found my old robo-Pomni and Jax designs in the deep depths of my ibispaint canvas so I tried my hand at re-drawing them :)

[catucchi]

do you guys see the vision

[gingersn4pp]

I think a lot about how Worker ENA's outfit was inspired by a kids edutainment show, and am surprised no one has played with that idea! I'LL DO WHAT I MUST.

ENA and Froggy are roommates, and both are cast in this kids show, lots of dancing and musical numbers and keeping fit, etc. Coral is like. stage director/some sort of middle managerial position tasked with keeping things running smoothly. Generally does well but has to get on Ena for her silly antics holding up production. (or getting on her case for trying to push through a health flare up. ENA sounds difficult to work with.)

[vickyzot]

Aerial moves 💃

[guiiay]

shimmer and begonia 🌷

[royaltea000]

he could not control the class 😔

[aura-eden]

ANA MENDIETA, Creek, 1974