#dowel bar detail

[tenaciouschronicler]

July 25 2024 2009

(Tumblr Keeps eating my post ( ´△｀))

A single page update but another interactive one!

Ive replayed the sequence a good handful of times, its just so fun. John finally uses his learning to good use. All but the towel, which floats gracefully between them, are parried by the imp. The Cruxtruder dowel is the only thing that actually bounces back and hits John.

What happens next is arguably the best sequence of events. Somehow! John runs UP the side of the screen, jumps off, does a youth roll BACKWARDS and recaptchas the PDA.

On landing, the hammer head is ejected and hits the imp head on causing it to EXPLODE is a shower of Loot!

Its hard to see without screen recording and going frame by frame, but the health bar part of the vial is ejected and does a little spin as it blinks out of existance in a shower of purple bubbles. The vial itself closes in a similar fashion to a dialouge box closing in a video game. Little details that are very blink and you miss it.

I appreciate the knowledge that gel is the Sburb equivilant to a health potion. I wonder how much EXP (because there has to be, its a video game) John got from this strife

John is now 32 build grist and 10 shale richer.

[unicyclehippo]

ok so here’s what the fabric looks like on the scroll frame! there is material stapled onto each of the scroll bars (the dowels at top and bottom can be “scrolled” to pull the fabric tighter) & the fabric is stitched onto that material.

i truly don’t know how im going to embroider this, it’s so detailed & silly, but I’ll figure it out or at least have fun trying . mostly im just delighted to use the scroll frame for the first time

[srjsteel]

Dowel Bars for Highways: How They Reduce Maintenance Costs and Extend Pavement Life

Why Roads Fail So Quickly

Pavement failures don’t happen overnight. But they do creep up, silently, until cracking and joint displacement turn a highway into a hazard. The culprit? In many cases, it’s not the concrete or the weather—it’s the absence or improper use of dowel bars.

While some contractors still overlook them, dowel bars in rigid pavement have proven to be one of the most cost-effective ways to enhance load transfer efficiency, reduce maintenance frequency, and significantly extend pavement life.

Understanding the Invisible Workhorses

You won’t see them on the surface, but dowel bars in road construction are doing the heavy lifting beneath every jointed concrete slab. These solid steel bars are placed at transverse joints to transfer loads from one slab to another. Sounds simple, right? But here’s the kicker: without them, slabs start moving independently, creating uneven surfaces and accelerating deterioration.

In the short term, roads without dowel bars may look fine. But as axle loads increase and the pavement flexes under traffic, joint faults develop. Water seeps in. The base gets eroded. Repair costs skyrocket. Meanwhile, a road reinforced with dowel bars silently absorbs and distributes that load stress like a seasoned pro.

Comparing the Real Costs

Let’s put it in numbers. Suppose a highway stretch without dowels needs major joint repairs every 4–6 years. Factor in lane closures, traffic diversions, rework, and admin overhead—maintenance isn't just expensive, it's disruptive.

Now consider roads with properly aligned dowel bars in rigid pavement. These stretches stay functional far longer. Studies from transportation authorities in North America and Asia show a lifespan extension of 8–15 years with minimal intervention. What is the cost of installing dowel bars during initial construction? Just a fraction of the repair bills they help avoid later.

Still comparing based on initial price per meter? That’s a rookie mistake.

Precision Is Everything

But not all dowel bars are created—or installed—equally. The effectiveness depends heavily on alignment, depth, and spacing. Misaligned dowels can cause restraint, resulting in cracking instead of preventing it. It’s a detail-driven job, not a plug-and-play accessory.

What Smart Builders Already Know

Ask any experienced road contractor, and they'll confirm: neglecting dowel bars in road projects is penny wise, pound-foolish. They might not be flashy, but they’re foundational.

Rehabilitation projects that include dowel retrofitting often cost twice as much as simply installing them during original construction. So the decision isn’t just technical—it’s financial foresight.

Final Thoughts: Build it Right the First Time

Highway durability isn’t an accident—it’s engineered. The next time a project spec comes across your desk, don’t skip the section on dowel bars. Their role in structural integrity, ride comfort, and long-term savings is non-negotiable.

From a bird’s-eye view, they might just look like metal rods tucked into concrete. But dig deeper—figuratively and literally—and you’ll realize they’re the spine of a smart pavement system.

FAQs

Q1: Are dowel bars required for all concrete pavements? Not always. They’re most effective in jointed rigid pavements that carry high traffic volumes, especially highways and industrial zones.

Q2: What’s the ideal spacing between dowel bars? Typically, it ranges from 300mm to 400mm center-to-center, depending on slab thickness and load requirements.

Q3: Can dowel bars be retrofitted into existing pavements? Yes, but it’s costlier and more labor-intensive than including them in initial construction.

Q4: Why are epoxy coatings used on dowel bars? To prevent corrosion, especially in wet environments or where road salts are used frequently.

Q5: How do dowel bars differ from tie bars? Tie bars prevent joint widening, while dowel bars transfer vertical loads across slabs.

[atplblog]

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[hariomtmt]

Customer Preferences in Choosing Dowel Bars in Japan

INTRODUCTION

In the construction industry, the choice of materials can significantly influence the quality, durability, and overall success of a project. Among these materials, dowel bars play a crucial role in reinforcing concrete structures. In Japan, where seismic safety and high-quality construction standards are paramount, understanding customer preferences when selecting dowel bars is essential. This blog explores the factors that influence these preferences and the trends shaping the market.

Quality and Durability

Japanese customers prioritize quality and durability when choosing dowel bars. Given the country’s susceptibility to earthquakes and extreme weather conditions, construction materials must meet stringent quality standards. Customers often look for dowel bars made from high-quality materials, such as fusion bonded epoxy coated bars, which offer superior corrosion resistance and longevity. Builders and engineers tend to prefer products that can withstand environmental stressors while ensuring structural integrity.

Corrosion Resistance

Corrosion resistance is a critical factor for customers in Japan, especially for projects located in coastal areas or exposed to harsh chemicals. Epoxy coated dowel bars are favored due to their protective coatings, which prevent rust and deterioration. This characteristic not only extends the lifespan of the bars but also reduces maintenance costs over time. As a result, customers are increasingly inclined to choose dowel bars that offer enhanced protection against corrosion.

Technical Specifications

Customers in Japan often seek detailed technical specifications when selecting dowel bars. Factors such as load-bearing capacity, tensile strength, and bonding properties are vital considerations. Construction professionals rely on these specifications to ensure that the chosen dowel bars will perform adequately in specific applications. Manufacturers that provide comprehensive technical data and performance metrics tend to build trust and rapport with their customers.

Regulatory Compliance

Japan has strict building codes and regulations, particularly regarding safety and structural integrity. Customers are more likely to choose dowel bars that comply with these regulations. Manufacturers that can demonstrate adherence to local standards and certifications are often viewed favorably. This compliance not only ensures safety but also reassures customers that they are investing in reliable and approved materials.

Cost-Effectiveness

While quality and performance are crucial, cost-effectiveness remains a significant consideration for customers. Construction companies often operate within tight budgets, so they seek materials that provide value for money. Epoxy coated dowel bars, although initially more expensive than traditional options, can prove cost-effective in the long run due to their durability and reduced maintenance needs. Customers are increasingly aware of the lifecycle costs associated with their material choices.

Supplier Reputation and Reliability

The reputation of the manufacturer plays a critical role in customer decision-making. Japanese customers often prefer to work with established and reputable suppliers known for their quality products and reliable service. Trust and credibility are vital in the construction industry, where timely delivery and product availability can significantly impact project timelines. Manufacturers that prioritize customer relationships and offer exceptional service tend to gain a competitive edge.

Sustainability Considerations

As the construction industry in Japan shifts towards more sustainable practices, environmental considerations are becoming increasingly important. Customers are more inclined to choose dowel bars produced using eco-friendly processes or materials. Manufacturers that adopt sustainable practices, such as recycling materials or reducing waste in production, are likely to attract environmentally-conscious customers.

Innovation and Technology

Customers are also interested in innovations that enhance the performance and application of dowel bars. Technologies that improve the manufacturing process, increase the strength of the bars, or offer additional features (like anti-corrosive properties) can influence purchasing decisions. Manufacturers that invest in research and development to create advanced dowel bar solutions will likely capture the attention of forward-thinking customers.

Conclusion

In Japan's competitive construction market, understanding customer preferences when choosing dowel bars is essential for manufacturers aiming to meet the needs of builders and engineers. Quality, durability, corrosion resistance, and compliance with regulations are just a few of the factors influencing these preferences. By focusing on these aspects and adopting sustainable practices, manufacturers can strengthen their market position and contribute to the construction of safer, more resilient structures across the country.

[lobsterplush]

Day 9-10: Alternating square knot

Good for making wide projects and forming the background structure for wide designs. Most 3D projects are also built using this method. An alternating square knot is a row of square knots that switch their base and outside cords each row down:

^ On the left, the numbers on the bottom are the PLs of each string. The path of most strings is similar to the outside cord of an open square, but on each side there's one string that doesn't form knots. On the right, various cords are highlighted so you can follow their path.

Keep in mind my diagrams tend to be loose so you can see the structure of the cords, but an actual sample tends to be tighter. I suggest you don't try to build it loose because then you have to work extra hard to maintain the same distance between knots.

I measure the width of my projects in square knots. The above project is three wide. Note that every other row it switches from three square knots and two square knots. On the rows that are two knots, there's two strings, half a knot's worth, on each side shaped like an open square. I'll call these open square loops.

Some projects have an extra half knot in width, and the half knot/open square loop is on every row, alternating on the left and right side.

^ Details of square knot and cord interactions. On the right is a 1 1/2 square knot wide example.

/\/\/\/\/\

Some examples:

^ This one is five square knots wide. I took a bunch of pictures of the building process for this Macre-May prompt.

Here's an example of a necklace using alternating square. On the front I used red and yellow cord to create a design:

but the wide back is alternating square, 2 1/2 knots wide:

/\/\/\/\/\

Starting an alternating square:

A) A row of lark's heads knots formed over two cords. The two cords bend down to join the project. Good for 3D projects.

B) Start with an overhand knot to form a loop at the top. Then add lark's head knots to the strings coming out of the overhand. Good for jewelry.

C) Lark's heads over a separate string , dowel rod, bar, etc. that is not part of the alternating square knot project. Good for wall hangings.

D) Lark's heads knots added to a keychain. You can't add as many cords as the other options, but you can make it wider later.

E) If you want a lot of space at the top you can add less lark's heads knots, with square knot starters (colored in blue) on their cords.

When you are planning an alternating square knot project, first figure out how wide you want the project. Choose a starter method like one of the ones above and add lark's head knots until you reach that width.

Two cords, folded to create two lark's heads knots, hang down to create four strings for one square knot. To give an extra half knot in width, use an odd number of cords.

/\/\/\/\/\

Finishing an alternating square:

Finish with a row of overhand knots to secure the ends and make a neat finish. Sometimes I make a knot every two cords or, as pictured, every four. It depends on the project and preference.

A knot every two cords make smaller overhand knots and can draw less attention to the ends, but when you knot four cords it gives you an extra open square loop on the sides of the bottom.

Four cords also tend to angle downward while two cords angle out.

^ Four cord overhand knots

^ Type B starter and two cord overhand knots

(Macre-May Prompt list)

[justin-stewart-weed]

The Art of Craftsmanship: Exploring the World of Handcrafted Woodworking

In a world filled with mass-produced, cookie-cutter items, the allure of handcrafted woodworking stands as a testament to human creativity and skill. Woodworking, with its rich history and endless possibilities, allows individuals to express their artistic vision by transforming raw wood into functional and aesthetic creations. At the heart of this craft are the woodworking tools – the artisans' loyal companions that bring their ideas to life. In this article, we will embark on a journey into the enchanting world of handcrafted woodworking and introduce you to the essential tools that shape it.

Measuring and Marking Tools

Accurate measurements and precise markings are the foundation upon which every woodworking project is built. The tools used for these tasks are not just rulers and pencils; they are instruments of precision and patience.

Steel Rule: A high-quality steel rule is a woodworker's best friend for measuring small distances and drawing straight lines.

Marking Gauge: This tool is essential for marking precise measurements, ensuring your cuts and joints are as accurate as possible.

Try Square: A try square is used to check the squareness of your workpieces, helping maintain precise angles throughout your project.

Saws and Cutting Tools

Woodworking requires a variety of saws and cutting tools to shape and sculpt wood into the desired form. Each type of saw serves a unique purpose.

Hand Saw: A versatile hand saw is perfect for making straight cuts and crosscuts. Choose a saw with fine teeth for smoother cuts and one with more prominent teeth for rougher cuts.

Japanese Pull Saw: Renowned for its accuracy, it excels in delicate woodworking tasks. Its thin blade reduces waste and ensures finer cuts.

Coping Saw: The coping saw is a fantastic tool for intricate curves and patterns, and it's perfect for cutting out shapes within your wood.

Chisels and Mallets

Chisels and mallets are the sculptor's tools in woodworking. They allow you to carve and shape the wood with precision.

Wood Chisels: Wood chisels come in various shapes and sizes and are used for carving, paring, and creating fine details in your wood.

Mallet: A wooden or rubber mallet is employed to tap the chisel, ensuring control and force during chiseling while protecting the tool from damage.

Planes

Woodworking is a world of creativity and craftsmanship. Woodworking planes are used for smoothing surfaces and creating precise, flat edges. The choice of aircraft depends on the desired outcome of your project.

Jack Plane: A jack plane is your go-to tool for removing excess material quickly and straightening rough surfaces.

Smoothing Plane: The smoothing plane is the final touch, leaving your wood with a glass-smooth finish, ready for finishing touches.

Drilling and Boring Tools

Drilling and boring tools are essential for creating holes, mortises, and dowels in your woodworking projects.

Hand Drill: A hand drill, often called a brace, allows you to drill holes manually, offering better control over depth and precision.

Auger Bits: Auger bits are perfect for boring holes in wood and come in various sizes to suit your project's needs.

Clamps

Clamps are the unsung heroes of woodworking, holding your pieces together during assembly, gluing, or while waiting for joints to set.

Bar Clamps: Bar clamps are versatile and adjustable, suitable for various projects.

Spring Clamps: Spring clamps are perfect for holding small, delicate pieces in place, adding a gentle touch to your work.

Safety Gear

Safety should always be a priority in woodworking. The workshop can be a hazardous place, so equipping yourself with the proper safety gear is essential.

Safety Glasses: Protect your eyes from flying wood chips, dust, and debris.

Dust Mask: Woodworking generates a significant amount of dust, and a good dust mask safeguards your lungs from harmful particles.

Hearing Protection: Prolonged exposure to the noise from power tools can damage your hearing, so wear ear protection.

Workbench

A sturdy workbench is the heart of any woodworking workshop. It offers a stable platform for all your tasks, from cutting and planning to assembly and finishing.

Sanding Tools

Sanding is the process that gives your woodworking project its final, polished look. Sandpaper, sanding blocks, and a random orbital sander are your tools for achieving that smooth finish.

Finishing Tools

Finishing is the icing on the cake. Brushes, stains, varnishes, and sealants enhance the wood's appearance, protect it, and give it character. Your choice of finishing tools and techniques will bring your creation to life.

The essential tools we've explored are just the beginning of a journey filled with learning, patience, and the satisfaction of turning raw wood into something beautiful and functional. Whether you're a beginner looking to start your woodworking adventure or an experienced craftsman seeking to expand your repertoire, these tools will be your faithful companions on your artistic journey. Woodworking is more than a hobby; it's a passion and a profound connection to the past, present, and future of the craft. So, gather your tools, unleash your creativity, and let the world of handcrafted woodworking reveal its magic to you.

[the-iron-orchid]

Canvas-making: Materials

Here's what you will need, I go into detail on each under the cut!

Wooden stretching frame

Wooden dowels

Cotton fabric

Bookbinding thread

Kitchen twine

Gesso

Upholstery Needles

Bulldog clips

3" Paintbrush

Sandpaper

Dust Mask

Mixing cup

Distilled water (optional)

(links are just examples, I'm not affiliated with any of them!)

The Frame

Traditionally, we use a simple frame with half-lap joints, held together by bolts or even just lashed together with twine. This allows it to be disassembled when not in use. However, you can absolutely salvage the inner stretching frame from an old canvas, or make a frame from inexpensive stretcher bars you can get at most hobby and art supply stores. These usually friction-fit together; you can also glue or staple them for more security.

You need to leave room on the inside of the frame for the stretching technique. If you want a specific final canvas size, add about 8 inches (20cm) to each dimension when buying stretcher bars. (For example, if you want a 12x14 final canvas size after trimming, you should get two 20-inch and two 22-inch stretcher bars.) It's better to err on the side of larger, as it will give you some extra area to test your paints on!

You will also need four 3/8 inch (9-10mm) thick hardwood dowels, cut to roughly 2 inches (~5cm) shorter than the inside dimensions of your frame. The inside dimensions of our example frame would be roughly 17x19, so you would cut two 15-inch dowels and two 17-inch dowels. (You can also make smaller canvases with the same frame, just by using shorter dowels!)

Fabric

You want a plain medium weight 100% cotton fabric with a nice even weave, like Kona or Pimatex. (Avoid muslin, it stretches far too much and may tear!) You can find Kona cotton in the quilting section of most fabric stores. I personally prefer Pimatex, and I buy it from Dharma Trading Company.

Threads

For lashing the fabric to the dowels, you will want linen bookbinding thread. Other threads will stretch, break and/or tear your fabric. Size 35/3 is good, 25/3 is better. You can get this at most art supply or craft stores (albeit rather overpriced) or at a specialty bookbinding supply shop online. One spool will last a very long time.

For the actual stretching, just get a ball of some good old-fashioned 100% cotton kitchen twine from the grocery store.

Gesso

Any decent quality acrylic artist's gesso will do. My teacher prefers Winsor & Newton; I often use Liquitex. For colored grounds, I like to use Matisse Background Colors. If you are planning to paint with transparent watercolor, you may want a specialty watercolor ground like these from Daniel Smith or Golden. You don't need a huge bottle; this process doesn't use as much gesso as traditional canvas.

Tools

Upholstery Repair Needle Kit: The big curved-tip needles will make this a lot easier. Find them at any fabric or crafts store, or Amazon.

Bulldog clips: Not strictly necessary, but they do make it easier to stitch the fabric to the dowels. Binder clips can also work. Get them at any office supply store or 'borrow' some from work

Paintbrush: A regular 3-inch synthetic flat paintbrush from the hardware store or Harbor Freight will do just fine.

Sandpaper: A hand-sized piece of 240-300 grit is plenty. I like to use drywall sanding mesh because it doesn't get blocked up by gesso dust so quickly.

Dust Mask: Please wear a dust mask when sanding your gesso! I prefer to do this outside, it's real messy.

Disposable Cup: For thinning your gesso. I just use an old yogurt container or such.

Distilled Water: For thinning your gesso. Not 100% required.

[be11atrixthestrange]

The Loft (Chapter 6)

After a bad break-up, Hermione Granger moves into a messy and dysfunctional loft with four single men. What starts as a temporary home until she gets back on her feet becomes so much more, as she learns there's a lot of life - and love - that happens at rock-bottom.

Inspired by the TV Series ‘New Girl’

--------------------------------

Also on A03 | FFN

More Chapters

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Chapter 6

[Ron]

Ron's phone vibrates in his pocket, but he can barely feel it from his position on his hands and knees, surrounded by small piles of sharp screws, wooden dowels, and a pile of miscellaneous lumber that will hopefully, with a little bit of elbow grease, resemble a dresser.

He leans over to squint at the illustration in Ikea's assembly manual, but whoever drew it seems to have left out essential details, like which of the four pre-drilled holes is for a screw versus a dowel, what pieces are in front versus back, and the proper order of operations. If only he had a magic wand to complete this task more quickly.

His phone buzzes again, and this time he notices, as it's pinned between his hip and thigh from his awkward crouched position. With a sigh, Ron pulls the phone from his pocket and opens the text.

Are you busy tonight? You owe me a drink ;)

Ron's fingers hover over the reply box and he wonders what to say. He's hesitant to make plans.

Instead of responding, he closes out the text and makes a mental note to follow up later, right as the door to Harry's bedroom swings open and startles Ron.

"What's all this noise?" asks Harry upon seeing the construction zone overtaking the living room.

"Nothing."

"It looks like something." Harry takes a seat on the couch in front of Ron. "You bought yourself a new dresser?"

"No, it's Hermione's."

"Oh. Why are you putting it together?"

Ron shrugs. "Thought she'd appreciate it."

"Did she ask?"

"No."

"Well, that's nice of you."

"It's also frustrating as fuck." Ron turns the page in the manual to see more Ikea stick figures doing who-knows-what with the dresser.

"Then leave it be and come out with us. We're going to dinner."

Ron clenches his jaw and shoves one of the wooden dowels into a pre-drilled hole with so much unnecessary force that it snaps. "FUCK."

His expletive alerts Seamus, who bounces out of his room looking quite sharp in a woven dress shirt. "What's up with you?"

"Just trying to build this thing," he says through gritted teeth.

"Let's go to dinner instead, and then we can hit up the bar later," says Seamus with a waggle of his eyebrows. He waves a hand vaguely toward Ron. "An opportunity to release all of this tension."

Ron slams the manual onto the floor with a sigh. "There's no tension."

"You're building a dresser for a girl who is — where is she, again?"

"At Krum's," mutters Ron.

"See, that's tension," says Seamus.

"There's nothing going on between me and Hermione. I'm just doing something nice for my roommate."

Harry and Seamus exchange a look and a smirk.

"Right," says Harry. "So if I buy a new dresser, will you build it for me?"

Ron shoots Harry a glare, and Seamus sniggers.

"Let him deny it, Harry. He's just putting it together. It's not like he went to Ikea with her. Right, Ron?"

Ron keeps his mouth glued shut, but his crimson ears give him away.

"You did, didn't you?" says Seamus.

"A perfectly reasonable thing to do with friends," says Harry.

"Of course," agrees Seamus. "Men go to Ikea with women they don't want to fuck all the time."

"Can you two shut up?"

Harry and Seamus exchange another look, and with a sigh, Seamus takes a seat next to Harry. "Neville, it's happening now!"

Neville's door opens, and he emerges dressed to impress, in a floral shirt and well-fitting khakis.

"I thought it was happening at dinner," says Neville as he enters the living room.

"Ron doesn't want to come to dinner," explains Harry. "He wants to stay home and build a dresser for Hermione."

Neville sighs and plops down onto the couch. "I was looking forward to dinner."

"We all were," says Seamus.

"I didn't even know you were planning on going out to dinner," says Ron. "Don't act like I'm ruining your plans when you can go without me."

"No, we can't."

"Why."

The three roommates seem to be avoiding eye contact with Ron. The way they shift in their seats makes Ron's palms sweat and the hair on his neck prick up. What are they on about?

"Ron, we didn't want to do this here, but you leave us no choice," says Harry. "This is an intervention."

"An intervention?"

"Yes."

"What am I doing that could possibly require an intervention?"

Seamus, Harry, and Neville look at one another, their expressions simulating a silent argument. Eventually, Seamus and Neville's eyes land expectantly on Harry, as if to remind him that Ron's his best friend, so he's the one who should do the talking.

"Harry," says Ron. "What is this about?"

Harry takes a deep breath and clears his throat. "Do you ever wonder how porn stars stay hard all the time?"

Ron isn't sure what he was expecting Harry to say, but it isn't that. His mouth drops open in surprise, and he's shocked to see that Harry's expression is completely serious. "No. Can't say that I do. Is that something that concerns you?"

"This isn't about me," dismisses Harry. "Porn stars have fluffers, Ron."

"What the fuck is a fluffer?"

"Glad you asked," interrupts Seamus. "The sole job of the fluffer is to follow the porn star around the set and keep them, you know, excited. Then, when the cameras start rolling, they get out of the way."

"What does this have to do with me?"

Harry clears his throat again. "You're Hermione's fluffer, Ron."

"Emotional fluffer," interjects Neville.

"Which is even worse," says Seamus.

"And we're worried about you," says Harry. "You gotta stop."

"Seriously?" says Ron as he rises to his feet. His fists are clenched and his face is burning hot. "I don't care that she's fucking Krum. She can do whatever she wants—"

"And you'll just build her Ikea furniture?" asks Seamus with raised eyebrows.

Harry and Seamus look smug, but not Neville — he's seated at the far end of the couch and looks unsure of himself, as though he's not sold on the idea of an intervention.

"Do you agree, Neville? Do you really think I'm Hermione's emotional fluffer?"

"I wouldn't put it so crudely," he sighs. "I do find it suspicious that you aren't responding to that text." Neville points toward Ron's phone, which has fallen to the floor in his haste to stand up. The last message flashes on the screen for all to see. "Is it possible that after accompanying Hermione to Ikea and building her dresser, you have no more fluffs left to give?"

Ron glances at the dresser, which still resembles a pile of wooden panels, with the assembly instructions and hardware scattered senselessly about, a perfect indication of his frustration. In an ideal world, Hermione would discover it in her bedroom, thank him and think of him every time she got dressed, but more realistically, it'll become the place where Viktor stores a few changes of clothes for spontaneous overnights, maybe a toothbrush and a razer. A box of condoms.

Maybe his roommates have a point. "How did this happen?"

"Let's start from the beginning, " says Harry. "Tell us about the date."

x

— One week ago —

It wasn't supposed to be a date.

Ron was sitting at the restaurant alone, and he couldn't help but feel out of place. The Red Lobster was much too fancy for him, and he already felt constricted in his suit. His roommates should show up any minute.

They had planned a little celebration to mark six months of living together. Of course, the boys had lived together longer, but six months of adjusting to having Hermione around was something to celebrate. Not that she wasn't welcome in the loft — they just wanted to make sure she felt that way.

So there he was, waiting for everyone to show up, acutely aware that his red hair attracted attention and that he looked uncomfortable in his stiff attire. Why did they have to pick somewhere so nice?

Ron could feel his phone vibrating in his pocket and was tempted to ignore it. It was probably the girl from the bar the other night, Lavender. She was cute, but he never expected her to text him back. Lots of girls would flirt with him for free drinks — it was one of the perks of being a bartender.

It buzzed again, so he pulled it from his pocket and checked his texts to find a slew of missed messages — not from Lavender, but from Harry, Neville, and Seamus.

I'm not going to make it tonight— caught up at work.

Same. Last minute meeting.

Let's just reschedule?

Sounds good to me.

Same time next week?

Settled.

Ron, you can reschedule the reservation, right?

Ron?

Ron lets out a sigh. Why didn't he see these before? No one else was coming. Or at least, no one else but Hermione.

So it would be just him and Hermione. Ron glanced around the room, taking note of the fact that nearly everyone was part of a couple. The lights were dim, the music soft and low, and the ambience was perfect for a romantic date. It wasn't supposed to be a date.

He was about to stand up and leave when he spotted Hermione at the entrance. She was wearing a form-fitting black dress and had her hair tied up on top of her head, a few loose curls dangling down to frame her face.

She looked beautiful.

This was not good.

Hermione's eyes locked with his and he offered a nervous wave, his hand trembling. When she approached him, she appeared to glide across the restaurant floor.

"Hi," he croaked.

"Hi!" she said, biting her lip in a way that made Ron's palms sweat.

"You look amazing." With a lot of effort, he managed to steady his voice.

"Thank you! Is it too much?" Hermione glanced down at her dress. She stood stiffly, which told Ron that she was just as uncomfortable in fancy clothes as he was.

"Nowhere close to too much."

Hermione's cheeks filled with color and she averted her eyes. Ron hoped the compliment wasn't overbearing, but it wasn't like he had much control over his words.

"Where are the rest of the guys?" asked Hermione.

"Oh, erm… have you checked your texts? They bailed."

"No, I haven't looked at my phone all day. They all canceled?"

"Yeah. They wanted to reschedule, but I was already here."

"Oh, okay. So it's just you and me?"

"Yep."

Hermione's expression tensed. Maybe this was a terrible idea.

"Is that okay?" asks Ron, his voice tentative.

"Is it okay with you?"

"I asked you first."

The corners of Hermione's mouth tilted up at his playful retort. "It's great."

In response to her smile, Ron felt a wave of tension leave his body. "Good. Then have a seat."

His words sounded like a command rather than a suggestion, and he chastised himself for not softening his tone. Why was he so nervous? He was usually so comfortable around Hermione.

After a pause, Hermione pulled out a chair and took a seat. She smiled brightly at Ron from across the table, and that's when Ron noticed she was wearing makeup — nothing crazy, just a little sparkle of eye shadow. The thought of her getting dressed up for dinner out with the boys made his heart swell, and he could feel his neck heating up with color. He was tempted to tell her she looked beautiful, but resisted. He already did, didn't he? Twice might be overbearing.

"Have you been here before?" she asked, as she began browsing the menu.

"Never."

"Me neither. It's a nice place."

"I know. Much fancier than I'm used to."

The conversation came to a natural pause, and Ron didn't know what to say. The silence lingered between them, and when he glanced up he saw that her eyes were scanning the room. Was she taking note of the other patrons?

Did it bother her that everyone else was clearly on a date?

"Everything okay?" he asked.

"Yes, of course," she said in an uncharacteristically high voice.

"Are you sure?" he pressed.

Hermione groans. "Fine. It's kind of weird, don't you think?"

"Nope," he challenged. "Not weird at all."

"Ron. We look like we're on a date."

Frankly, he didn't mind looking like he was on a date with Hermione. Not when she was dressed like that.

In fact, he wouldn't have minded if she'd shown up in a ratty t-shirt and pajama bottoms. But sitting across from her in that slinky black dress made him want to puff his chest out in pride.

And it wasn't even a date, anyway.

"Then we're blending right in! Plus, what they don't know won't hurt them."

"You truly don't feel weird about this?"

Ron frowned. "No, but clearly you do. Do you want to leave?"

"No, it's not that," she groaned.

"Then what is it?"

His question went unanswered by the waiter's interruption. "Do you know what you'd like to order?"

"I'll take the oysters," said Ron. He'd never had oysters before, and this felt like the perfect opportunity.

"Oysters?" asked Hermione, her eyebrows raised.

"Yeah. What's wrong with oysters?"

"Uh, nothing, I guess. They're delicious."

"Well, then order them."

Hermione froze and eyed Ron suspiciously. "Okay. I'll have the oysters too."

"Great," said the waiter, pocketing his notepad.

When he walked away, Hermione turned back to Ron and whispered. "Really, oysters?"

"Seriously, why is that weird?"

"You know they're an aphrodisiac, right?"

What was she on about? "No, they're not!"

"Yes, they are."

"How do you know that?"

"Everyone knows that, Ron. It's a well-known fact."

"I didn't."

"Sure you didn't. Way to make it weird," she said. Ron scowled at her, but his face softened when he caught the hint of a smile on her face.

"I seriously didn't know!" he said. "And I'm not sure I believe you."

Hermione laughed. "Well don't complain when you're all hot and bothered after dinner."

Ron's jaw dropped open and he looked up to see Hermione smirking at him. "You ordered them too."

"I did," she confirmed, a smug look on her face.

Ron's heart sank, but he kept his face neutral. "Plans with Vicky later?"

"Maybe."

"Well, I won't tell him that you needed a plate of oysters in order to stomach him."

"Ron!"

"Sorry, that was mean." Ron grabbed his glass of water and lifted it up to make a toast. "Here's to extended foreplay via oysters. Gotta get you ready for the sex."

He took a sip of his water and winced as it burned a trail down his throat.

Hermione was shaking her head. "I'm going to need some alcohol if I'm slurping back oysters in front of you."

"I got you covered," he said, setting his water down. "Have a sip of your water."

Hermione looked cautiously at her glass, then raised it to her lips. She took a sip and grimaced when she swallowed. "Did you spike this?"

"You bet I did. Alcohol prices here are outrageous."

"How?"

"My pockets are filled with tiny bottles of vodka."

"I'd expect nothing less," she said.

Ron smiled as she took another sip, this time larger than before. "Perks of being a bartender."

During the brief moment of silence that followed, Ron's phone buzzed audibly in his pocket. Thinking it was one of the guys, he reached down to pull it out.

Hi Ron! What are you up to? Want to meet up?

Right. Lavender. The girl from the bar.

"Who's that?" asked Hermione, squinting at the phone.

Ron cleared out the text and shoved his phone back into his pocket. "No one. Not important."

"Very well."

Hermione reached for her glass, put it to her lips and downed the rest of her vodka water. When she finished, she set the glass back down on the table with a shudder.

"Damn, Hermione," said Ron. "You know there were three shots in there?"

Hermione let out a laugh. "That's why it tasted so terrible!"

"Hey, I take offense. That was my speciality."

"Right, vodka water."

She giggled again, and Ron couldn't help but find her laugh contagious, so he joined in. He was starting to feel the effects of his own spiked water, and enjoyed the slight buzz that kicked in. Hermione looked more relaxed too. The furrow between her eyebrows was gone, and her hair was beginning to unravel from its updo. For a moment he was tempted to reach a hand across the table and ruffle it, but that probably wouldn't have gone over very well.

By the time he finished his drink, the ice was officially broken, and the conversation became both more ridiculous and more comfortable.

"Twelve o'clock," said Hermione, nodding to a table across the room, where a couple about their age sat across from one another, looking tense.

"What about them?" asked Ron.

"Proposal or a break up?" she asked. "Something's about to happen."

Ron looked at the man gazing across the table at his girlfriend, starry-eyed. He then glanced at his date, with her arms crossed, gaze averted. "I vote break up."

"I vote proposal," said Hermione.

"Deal."

In perfect timing, the woman finished her drink and gasped. She pulled out a diamond ring from the glass and stared at it with wide eyes.

"Yes!" said Hermione. "Drink!"

"Wait."

Ron and Hermione continued staring as the man stood up, then lowered himself to one knee. They held their breath as the man's question got stuck in his throat, and his face fell from excitement to horror.

"Oh, fuck," said Ron.

The woman was shaking her head and gesturing for the man to get back into his seat. Her eyes watered with tears and they could barely make out the words she mouthed— I'm sorry, I can't.

The few onlookers awkwardly turned back to their conversations while the woman got up and scurried out, leaving her crestfallen ex alone at the table.

"That is rough," said Hermione.

As if summoned, the waiter stopped by to refill their water. "Your meal should be out soon!"

"Thank you!"

When he turned away, Ron promptly plucked another tiny vodka bottle from his pocket and hid it in his sleeve while he poured another shot's worth into his water. He raised his eyebrows at Hermione, who nodded. He refilled hers too.

"Good," says Ron. "Because we both have to drink for that one."

"Yeah. Poor guy. We probably shouldn't play that game," said Hermione as she finished another sip. "Okay, one more. Three o'clock!"

Ron laughed. "My three or your three?"

"Yours."

Ron looked over to see another couple sitting by the window, looking uncomfortable.

"Clearly a first date," said Hermione.

"Clearly."

"Is it going well?"

"Oooh that's a tough one," he said. Trying to read their body language was a challenge across the room. The man had his hands stashed in his pockets, but Ron couldn't tell if it was from nerves or discomfort.

"They look uncomfortable," said Hermione.

"But they could just be horny," said Ron, watching the man's ears turn pink in that all too familiar way.

"Ron!" laughed Hermione. "Why do you have to be so crude?"

They continued to watch, and it didn't take long for the couple to inch closer together, until one of them threw caution to the wind, and suddenly, they were wrapped up in one another in a passionate kiss.

"Wow," said Ron. "I was joking, but I guess I was right."

Hermione took a sip. "They probably had the oysters."

"So I guess we have that to look forward to." The words left Ron's mouth before he could stop them.

To his surprise, Hermione didn't skip a beat. "Well, too bad everyone else bailed. Would have loved to celebrate with an orgy."

Ron nearly spat out his drink at her response. "Granger! I'm cutting you off!"

"No!" she protested, laughing.

"Clearly, you've had too much," he joked, right as his phone buzzed again. He checked to see if it was anyone important, but it was just Lavender.

Are you at the bar? I'm close by.

He cleared it out and shoved the phone back into his pocket.

"Who keeps texting you?" she asked, her voice surprisingly soft.

"No one."

She cocked her head to the side, studying him. "Is it a girl?"

"No one," he repeated.

She opened her mouth to press further but was interrupted by the waiter. "Sorry about the wait," he said as he set down two plates of oysters in front of them. "Can I get you two anything to drink?"

"I think we're good," said Hermione with a giggle.

"Great," he said, eyeing them curiously before turning away.

"Tone down the giggles, Hermione. He knows we're drunk."

"No, he doesn't."

"We're acting pretty drunk."

"He doesn't know us. It could just be our personalities."

"We should still tone it down so we don't get kicked out!"

"That sounds like fun!"

Ron couldn't help but laugh. "Who are you and what did you do with Hermione Granger?"

"I've been here all this time, Ron," she said. "You're just the first to discover it. Oysters!"

As Hermione pulled her plate closer to her, Ron ignored the tingle elicited by her words and cleared his throat. "Full disclosure. I've never actually had oysters."

"Really?"

"How do you eat them? You just slurp them?"

"Pretty much. Like this." Hermione loosened the oyster with her fork, then held it up to her lips and sucked it in. "I mean, it's not exactly attractive to watch, but maybe after a few your perspective will be different."

"Yeah, you look ridiculous," he lied, while shifting in his seat. He might not need any oysters to disagree. "But does it have the desired effect? Are you feeling horny, Hermione?"

Hermione narrowed her eyes and scanned him. Ron leaned back in his chair and turned his head to show off his better side.

"Tough to say," she said.

"Maybe it takes a while to kick in. Let me try."

Mimicking her, Ron tugged the oyster free from its shell, held it up to his mouth, and slurped. It tasted like he expected — a little bit like the ocean — but the sensation of it sliding down his throat still caught him off guard. Once he swallowed, he eyed Hermione the same way she did just a moment ago, smiling as she straightened out her dress and flattened her hair.

"So, Ron. How do I look?"

"You're probably right. Must take a while to kick in. You look the same as always."

"So you don't feel attracted to me at all?" she said, pouting.

"I didn't say that."

Hermione paused to look at him, her cheeks rosy and her mouth agape as if caught without something to say.

It was a bold response, brought on only by the generous doses of vodka he'd mixed into his water. And of course, by the fact that Hermione seemed more relaxed with him than ever.

Her gape turned into a smile and she was about to finally speak when her phone buzzed, diverting her attention.

"Is that your prince charming texting you?"

Hermione scoffed. "Not quite."

"Then who?"

"Viktor," she said, shrugging.

"Booty call?"

"Yeah, basically."

Her thumb hovered over the keypad in hesitation, in a way that was all too familiar. "You don't seem excited."

Hermione shrugged. "It's not that."

"Then what is it?"

"I'm having fun here, that's all," she said. "With you."

"Dinner with me is more fun than sex with Vicky?"

"Don't flatter yourself," said Hermione, rolling her eyes. "But it is nice to feel wanted in that way," she nodded toward her phone, "because it's been a while since I've experienced that."

She stumbled through her words as though they were embarrassing for her to admit, and the sentiment was, unfortunately, familiar. "I know exactly how you feel. It's been a while for me too."

"But it's not all it's cracked up to be," she said, her voice wavering.

"Having someone want you like that isn't all it's cracked up to be?"

"I'm sorry, I shouldn't be talking to you about this."

"Hermione. Tell me."

Hermione paused to meet his eyes. He could tell by her expression that something was wearing on her, so he offered an encouraging nod.

"I think it's taking a hit on my confidence. For someone to want me for sex, but not for anything else. It's the complete opposite of what I'm used to. And you're right, sex is great, but slurping back oysters and gossiping about random strangers from across the room with you is a thousand times better."

It was all too tempting to beam at her compliment, but she wasn't smiling, so Ron held back. "Viktor doesn't do this kind of thing?"

Hermione shook her head.

"He doesn't know what he's missing."

With that, Hermione let out a chuckle. "With him, anything that could resemble a relationship is off-limits. I asked him to come to Ikea with me because I need a new dresser and he looked at me like I had three heads."

"What's wrong with Ikea? I love Ikea."

"He said asking him to help me build a dresser was a 'marriage level' ask."

Ron laughed. "That's ridiculous. I'll go to Ikea with you."

"Really?" she asked, her eyes lighting up.

"Definitely."

"Thank you," she said, but her voice is cut off when the buzz of Ron's phone startles him. "Who is that?"

"No one."

"Ron, I just spilled my soul to you. The least you can tell me is who keeps texting you."

"It doesn't matter—"

"So it is a girl?"

Ron's following silence might as well have been confirmation.

"What's her name?" pressed Hermione.

"Fine, I'll tell you. Her name's Lavender."

"And how'd you meet?"

"She came into the bar, flirted with me a bit. I thought she just wanted free drinks and I never expected her to text me back. But that's all that's happened. Just texting."

"Is she hot?"

"Sure," he said, shrugging, "but I wouldn't go to Ikea with her."

"I appreciate that," said Hermione, as she reached into her pocket for her buzzing phone.

"Vicky?"

"Yes," she said with an eye roll. "Viktor."

His stomach clenched at the thought of them together, but knowing that it wouldn't be nearly as fun for her as this dinner made it better. "Go," he urged. "Get laid."

"Really?"

"Yes. Just don't bring him to Ikea tomorrow."

"Okay," she laughed. "Only if you promise to text Lavender back. And don't bring her to Ikea either."

"Deal."

Hermione stood and gathered her things, while fumbling on her phone. "I'll Venmo you for my half. And I'll see you tomorrow?"

"Bye Hermione."

"Bye Ron."

He watched her leave before reaching for his phone. He should text Lavender back. Hermione wants him to, Lavender's expecting it, and what's the harm in a little bit of fun while Hermione's otherwise occupied?

Why doesn't he want to?

Ron pulls his phone from his pocket and opens Lavender's latest text, staring at it for a few seconds before typing out his response.

I can't tonight. Another time?

x

—Present—

"You have to text Lavender back," says Seamus. "While she's still interested."

He's right — the longer Ron waits, the more likely it is Lavender will lose interest. He can't ask for a second rain-check. With a sigh, Ron crouches to the floor to pick up his phone. "I hardly know the girl."

"Then get to know her better," suggests Neville. "What do you have to lose?"

Other than Hermione, nothing. And he can't lose someone he doesn't have.

"Nothing. I have nothing to lose."

"At the very least, it'll help you get your mind off of Hermione," says Harry.

Ron takes a seat on the armchair across from the couch and opens his most recent text.

Are you free tonight? You owe me a drink ;)

Short notice. Alcohol. A winky face. She's not asking for a date — she wants a hookup. The suggestion of the message is clear as day, yet somehow, he didn't read it that way before.

Maybe Hermione is clouding his mind more than he thinks.

So why does it make him so nervous? Probably because he's never had sex outside of a relationship.

But neither had straight-laced, prim and proper Hermione, at least not before Viktor, and if she can do it, so can he, right?

Ron taps the reply box and punches out his response.

I'm free tonight, and would love to buy you a drink. Meet in 30? ;)

He hits send and glances back at his roommates. His ears prickle pink at their smirks.

"I think this will be good for you," says Harry.

An unwelcome image of Hermione and Krum flash across his mind, causing his heart to momentarily sink. In response, he conjures up his memory of Lavender, the girl from the bar. Beautiful, friendly, and most importantly, interested. It almost makes him feel better.

Almost.

"Yeah. Me too."

[jaers454]

Designer Bar & Counter Stools

After that a designer bar stool is certainly an alternative for you if you wish to increase the degree of top quality in your bar and counter stools. With a designer bar and counter stools, you get specifically the design you prefer and also the products that are used are leading of the range. They stand apart from various other bar and counetr stools in their unique designs and exceptional quality.

For numerous designer bar and counter stools, the favoured look is the timeless wood bar stool with soft cushioned seats. The distinction in the quality of any type of designer stool in comparison to a basic bar and counter stools are rather evident as the quality of the product made use of is far much better.

Among the very best indicates of having a designer stool is the consideration given to detail; it is this attention to information that makes a designer bar stool so appealing.

For designer bar and counter stools you absolutely obtain what you spend for as the joints on the barstool are dual dowelled this is to aid in maintaining bench stool resilient, the legs on the designer stools have unique top quality anti-floor noting rubber stoppers to keep your flooring mark absolutely cost-free. Greater high quality wood is utilised, which is better tarnished or taken care of.

Do you like this Pistachio Green Velvet Counter Height Bar Stool? Then visit our designer bar stool collection at www.thefurniturelab.co.uk

[srjsteel]

Super Rings for Slabs, Beams, and Pavements: Where They Fit Best

Precision in Construction Starts with the Right Support

In bolstered concrete structures, each detail counts—from the kind of metal used to how reinforcement is tied, located, and spaced. One regularly underestimated factor that drastically improves strength, pace, and location safety is Super Rings. Whether you're handling residential slabs, commercial beams, or rigid pavements, these circular reinforcement spacers ensure consistent rebar cover and alignment. When coupled effectively with binding wires and placed near dowel bars in rigid pavement, Super Rings eliminate guesswork and bring precision where it's needed most.

Why the Basics Still Matter

Rebar placement can make or break structural integrity. Even a slight deviation in cover can reduce durability by exposing steel to moisture or reducing load-bearing efficiency. Traditionally, plastic blocks or bricks were used as spacers. But let’s be honest—they shift, crumble, or don’t support the load during concreting.

Super Rings, by contrast, offer a circular grip that locks onto the bar, allowing rebar to remain suspended correctly during pouring. This is particularly crucial in areas where concrete coverage is non-negotiable, like under beams and within pavement slabs.

On-Site Benefits that Speak for Themselves

Construction professionals are choosing Super Rings not because it’s a trend, but because it saves time, labor, and rework. Unlike flat spacers, their circular shape ensures even distribution of concrete around the bar. This feature plays a vital role, especially in beams, where uneven coverage leads to premature cracking or spalling.

When working in zones with dowel bars in rigid pavement, accurate height and distance matter. Super Rings help align rebar cages cleanly so that dowel bars can transfer load properly without causing stress fractures or uneven settlement.

Paired with binding wires, the structure becomes more cohesive. A tight bond between rebar and rings prevents shifting when concrete is vibrated or poured, maintaining the intended reinforcement layout.

Durability Meets Efficiency

The durability of Super Rings goes beyond resistance to crushing. They’re designed for rugged use in high-load environments. Unlike cheap PVC options that crack or deform under pressure, these rings retain their shape throughout the concreting process.

Even with aggressive vibration compaction, the use of properly secured binding wires and Super Rings means your reinforcement cage won’t budge. This reliability makes them ideal not just for slabs and beams but also for floor panels, pavements, and excessive-site visitor zones where structural balance is important.

How Pavements Benefit from Smart Reinforcement Accessories

Rigid pavements endure massive cyclic loading, thermal stresses, and exposure to weather. While dowel bars in rigid pavement allow load transfer and expansion, the surrounding rebar cage must remain perfectly in place. Super Rings maintain the bar profile height without sagging, ensuring effective load path continuity through dowel bars.

Incorrect rebar cover in pavements often leads to surface cracks, reduced life span, or joint failure. Super Rings help eliminate these issues early, before the concrete is even poured.

Choosing the Right Super Ring Size

Size matters here. Super Rings are available in different diameters to fit various bar sizes and ensure accurate cover (15 mm, 25 mm, 40 mm, etc.). For slabs and floor panels, smaller covers are ideal, while deeper beams or industrial pavements may require higher cover rings.

Always pair with high-quality binding wires to hold rebar and rings firmly in position. Twisting loose wires may seem trivial, but in fast-paced projects, it determines if your reinforcement stays locked or moves out of line during the pour.

Final Thoughts: Build Smart, Not Just Strong

The days of makeshift spacers are long gone. If construction quality matters, small things like Super Rings make a big difference. From residential slabs to heavy-duty pavements with dowel bars, these accessories streamline workflow, boost durability, and reduce structural risk.

There’s a reason top contractors don’t compromise on reinforcement accessories anymore. With a small investment in quality Super Rings and proper binding wires, the return is tenfold—better coverage, fewer failures, and long-term strength.

[desertdollranch]

Addy’s Winter Fun

When the winter days in Philadelphia start to become cold and dreary, Addy finds ways to have fun indoors. After helping Mrs. Golden make dinner and get it in the oven, she sits on the floor of the kitchen where it’s warm and cozy and smells good, and brings out some of her favorite toys. 

I recently finished making all of these for Addy. She’s got her mancala board, a calico bag for the mancala beans, a thumb piano called a sansa or mbira, and a little wooden box for her myriorama cards. I based it on the original set from her retired collection:  

Mine is a little different.

Her mancala board was made from clay and paint, and I sewed the bag from a scrap of calico and a piece of cord for the drawstring. The “beans” are seed beads. She loves to play mancala with her brother Sam, but when he’s away at work Addy teaches her doll Ida Bean how to do it (teaching is the best way to sharpen your own skills, of course!). Mancala is a very, very ancient game and was most likely brought to the United States by Africans. I did a longer post on the history of Addy’s mancala game (and how you can play it too) here. 

Her myriorama cards are fun to play with by herself. They consist of 16 cards that can all be arranged any way she chooses to make a different scene. These are not quite the same ones from Addy’s original collection, but they are very similar! I scoured the Internet to find high-quality myriorama pictures. The ones I used can be found here. They print out with a lot of detail. I played with them for a while because it’s actually a lot of fun to rearrange them and see all the possibilities.

Myriorama cards are very accurate to Addy’s time period, since they were a popular toy in the time before movies and radio. They were first invented in France in the 1820s as a children’s game. The word “myriorama” comes from the Greek words myrias which means “multitude” and orama meaning “scene”. This particular one I have was created in England in 1824 by toymaker Samuel Leigh and painted by John Heaviside Clark. It represents not a real place but a charming pastoral scene somewhere in rural Britain, with hills, trees, ruins, cottages, and villagers. The horizon stays at the same level and everything is more or less the same size and distance away from the viewer, so whatever way the cards are arranged look natural and pleasing. 

Addy has a little wooden box to store them in. I made this from foam core painted to resemble wood. 

Addy is teaching herself to play songs on her little thumb piano, which is called a sansa in her collection, but is more commonly known as an mbira. It’s an instrument from Zimbabwe that features a wooden board with metal tines held in place by a metal bar and screws. To play, Addy plucks the tines with her thumbs. To tune it, she tightens or loosens the screws. 

Mine is made from painted foam core for its base, and painted wooden dowels to look like the metal rods. I had beads glued on to look like screws, but they kept falling off so I left them off. The tines are made from strips of aluminum. Aluminum foil is too flimsy and wrinkly for delicate projects, so I cut apart metal from a disposable pie tin. It stays fairly rigid but is easily cut with scissors. I hot glued it all into place. It doesn’t play, but it looks cute in her hands, and that’s what matters. 

[dude-imyourfather]

Interior Bar Stools at Home

Considering that these are actually a mix of both armchairs as well as bar stools what you finish up along with is actually a much more pleasant type of settling that raises the useful make uses of. Merely like any type of item of modern kitchen and dining household furniture from www.ukfurnituredeals.co.uk there are actually a number of components that can easily be actually made use of to build a bar stool bench. One great aspect to appear out for is actually the style and also high quality of the pillow on the bar stools, this could possibly be actually a true transforming aspect when you happen to make a decision on the option of stylish dining chair at i-furnitures.com

A designer bar stool certainly does not come cheap, having a barstool made from the best quality materials as well as unique styles can set you back £1000 or more. If you make the effort to have a look at various bar stool sites that do good deals on designer stools. Lots of bar stool sellers are constantly on the keep an eye out for brand-new clients so you might most likely find a deal. This has in fact established a lull where vendors remain in strong competitors with each other so look difficult and also find a bargain. Even if you have adequate money for any kind of bar stool out there, a designer stool might not be a great suggestion under specific problems. Fixing these bar stools if damaged or changing damaged ones can be a trouble as well as rather pricey. Among the finest indicate having a designer bar stool is the factor to consider offered to information; it is this attention to detail that makes a designer bar stool so enticing. For designer bar stools you certainly obtain what you spend for as the joints on the barstool are dual dowelled this is to aid in keeping the bar stool sturdy, the legs on the designer stools have unique premium anti floor marking rubber stoppers to keep your flooring mark free. A designer bar stool certainly does not come cheap, having a barstool made from the very finest high quality materials and also one-of-a-kind styles at https://www.thefurniturelab.co.uk

If you possess a stool in your home or even possess a kitchen space counter developing a dividers in between the kitchen area as well as dining room, it will be actually a really good concept to include some bar stool office chairs to produce the divide appear like much less of a divide as well as incorporate an additional little bit of convenience to your house. These bar stool seats are actually largely for the property, to include a sky of difference to any individual's cooking area counter or even residence pub, yet they likewise do effectively under the thorough exercise in the social club or even dining establishment. Barstool chairs that you will possess in the house brag component such as tipping seat backs as well as chairs, changeable elevation as well as included padding, these attributes are actually seeming on additional and also even more bar stools that are actually being actually purchased for residence usage.

㋡🥀

Azala azala yaşadığımız şu Dünyada bir şeyler güzel kalsın..

.29.Nisan.2021.

[thee-haunted-blog]

How can I increase the value of my condo?

Begin with an arrangement to expand your apartment suite's resale esteem

The quickest method to build the resale estimation of your apartment suite is to make an arrangement. Regularly, with a home posting, potential resale and family movement seemingly within easy reach, our musings clutter into this overwhelming haze of undertakings, numbers and subtleties. Venture out from under the haze, and plunk down with a pen, paper and a status to conceptualize.Sell it like high end luxury condo florence residences.

Here are a few different ways you can quickly build your apartment suite's resale esteem, with more prominent detail underneath:

Include a new layer of paint

Sell it outfitted

Include more current finishings — ledges, backsplash, flooring, baseboards, and so on.

Include new machines

Expertly perfect the windows, and profound clean the inside

Add more pleasant furniture to your gallery and clean it

Get an expert arranging master

Utilize an inside plan administration to flavor up your spaces

How about we burrow somewhat more profound on these focuses, beginning with your arrangement.

Make an arrangement

Record a rundown of all the home remodels - enormous or little - that you might want to make. Incorporate the pragmatic and the fantastic, the simple fixes and the long haul ventures.

Contrast the rundown and your potential moving date, and check off the things on the rundown that can't be finished inside that window of time.

Classify the rest of the things as indicated by expense, including both time and cash. Run this refreshed rundown by a parc clematis floor plan real estate agent, who can educate on the prioritization regarding ventures dependent on need for resale and expected speculation return just as a fitting redesign spending dependent on practically identical homes in your general vicinity.

Go Rock

Minor kitchen overhauls are one of the progressions that can knock your apartment suite to the highest priority on the rundown with purchasers—while likewise boosting your asking cost. Rather than a full redesign, see where an unobtrusive invigorate can take you: a moment lift can be found in a glimmering piece of stone or a cool stretch of marble.

Having taken a long time to shape underneath the world's surface, these materials loan themselves well to immortal plan: rock's less permeable surface is most appropriate to kitchen situations as it is more averse to recolor, while marble in the washroom makes for an extravagant emphasize. For those without the ideal opportunity for development however with DIY keen, paint can give a useful option in contrast to a full ledge redesign, and swapping out the equipment on your cupboards can take a kitchen from so-so to champion.

As indicated by evaluations by team woodlands specialist, the kitchen is as yet ruler. Purchasers of different types have truly centered around the state of the kitchen and for the most up to date wave of first-time home buyers, a "cutting edge/refreshed" kitchen beat the rundown of perfect home highlights. In any case, you don't need to tear your kitchen down to the studs; a sensible venture can convey incredible returns. Complete a smaller than usual redesign. For as meager as $5,000, you can introduce a new suite of hardened steel machines, new ledges, backsplash tiling, ground surface and paint.

A few of these updates can be cost-viably finished yourself. In any case, spending time for rehearsing a bit before making a plunge into any DIY home redesigns, so as to spare yourself the time and cash required to re-try it later should an accident happen.

For example, when introducing tile, purchase an old table a second hand shop, set out some guide bars (wooden dowels work) and work on laying it before introducing it. Or on the other hand, when painting rooms, begin with the littlest region first to perceive how the paint shading looks and to increase a few hands-on preparing before proceeding onward to the kitchen or lounges.

Another persevering and speculation returning room is the restroom, the workhorse of your apartment suite. Since your washroom bears extraordinary mileage, guaranteeing its effective capacity and alluring appearance goes far. For an expected 85 percent return, redesign the shower with a twofold or downpour head and stone tile, and the vanities with rock ledges and under-mount sinks.

Subtleties have the effect. For a limited quantity of cash, establish a major connection on potential purchasers by including exceptional, unforeseen character to your apartment suite.

Add structural detail to a generally exhausting room by introducing crown embellishment or cut corbels.

Increment the usefulness and comfort of the kitchen workspace by supplanting an old sink fixture with another, extendable variant. Also, make it work twofold obligation by fitting an under-mount sink with a cutting board for more feast arrangement room. Essentially trim a bit of butcher square to measure with a jigsaw. Completion off the space by divider mounting a column of snares over the sink to keep dish towels and different devices good to go.

In conclusion, organize the neatness of your apartment suite. Remain over support, spotting potential issues before they become huge or costly, and free yourself of pointless mess. You get one opportunity to establish a first connection on a purchaser.

Last Contemplation

A decent arrangement will free you of the home-remodel tension cloud, keep you propelled to finish extends and get you on your way to your next home subsequent to having benefited from the expanded resale estimation of your present condominium.

[butler-in-black-blog1]

His Butler: Scraped

[Another nonsensical drabble of length XD a.k.a a throwback to the wonderful circus ark, back when things were simpler.]

The crow-tailed coat fluctuated behind the butler with each sinuous stride, whilst claret orbs swept to either periphery, drinking in the synchronized bustle overtaking the Fair Grounds. The way in which every Carney, Tier-member and Aid went about their early morning duties without one breaking stride was but an attestation to having served quite some time on the road together, as well as that unbearably, human ability to fall into a routine.

Driving more distance between himself and the vast tent which served as a civic, Mess Hall, the demon continued his advance, pace calculated and unyielding. Breakfast had long since been prepared for the First Tier-members and with practice still an hour away, Sebastian wanted to use this opportunity to exact his little Lord’s given orders: ‘by initiating his own investigation’. Regrettably, time was running out with regards to those missing children, the probability of them being alive and well growing all the more improbable as the reflexion of the Undertaker readying numerous, miniscule coffins became perversely conceivable. Then, there was also the niggling dispute concerning that uncooperative, unendurable, excuse for a god breathing down the nape of his neck. Good Grief. After meeting the likes of the Earl of Phantomhive himself, could he not distinguish the quality of his soul from the rest of the mediocrity this plain had to offer? The devil’s eyebrow twitched in mild exasperation at the reaper’s ignorance, before a low breath escaped from the back of his throat. There was only one soul that could wholly satiate this hunger. There was only one, which he desired. For his tainted aristocrat’s ambiance impelled even demons, wanting or no, to this pitiful farce.

After passing both the storeroom and the medicinal tent, the butler started to slow his pace to a brisk trot, satisfied now that he was not being followed and opting for a more precautious approach. Easing behind a stack of wooden crates and barrels, the frayed labels indicating that the storages contained ample amounts of gunpowder, Sebastian then peered over the edge, garnet hues narrowing upon the private accommodations. From what the retainer could tell, all of the tents seemed vacant of their gaudy inhabitants, which meant that all of them where still assembled at breakfast. Good. Now the only reputable obstacles which remained were the number of snakes slithering about the bivouacs, resembling wriggling earth worms in search of air after a hefty downpour. Raising a gloved hand to rest against the swell of his chin, the demon then contemplated his next course of action.

These deliberations were short-lived as the muted thuds of an approaching Carney, captured the demon’s attention. Said aid was short and rotund, her dirty-blonde, curls pinned back into an inelegant bun, which, along with the shadows pooling underneath her lids, preached of a rather late night. Sebastian’s attentive orbs travelled from her weary complexion to the laundry basket nestled within her arms, an inkling starting to seep into play. Straightening out of his crouch, the Second-Tier member weaved his way around the containers, before advancing towards his unsuspecting quarry, a hint of a smirk tugging at the corners of his mouth. “Why, such a devoted lady to be labouring at such an early hour…” The butler’s simper parted into a downy purr, before he then utilized the middle-aged woman’s momentary surprise, by lifting the basket from her grip. “Please let me assist you, Madam, it would only be proper…” The retainer, not waiting for the now befuddled woman’s riposte, raked his keen hues across the contents lining the basket as soon as it rested within his hold, delighted to find that the carrier contained the newly, cleansed costumes for that raucous one, Beast. The tell-tale scent of carbolic acid and phenol still clung to the material tenaciously, but did little as to deter the butler’s sense of satisfaction, as he started forward once more, completely disregarding the Carney’s confused stutters. Goodness, perhaps he was a bit presumptuous by means of his chosen moniker? No self-respecting ‘lady’ would ever splutter in such an unsightly fashion.

Brow furrowing at his own assertion, the butler was just about to reach for one of the numerous tent-flaps, when something precipitously appeared within the corner of his eye, causing Sebastian to still. “Oh, just what were the chances?” He uttered as glove-encased fingers gradually retreated from the ragged canvas, before the demon turned, changing his course entirely. For but a moment the thin wisps of thoughts revolving about that ridiculous reaper, whether or not his little Master received more than a paltry scoop of oatmeal or the whereabouts of all the human juveniles, dissipated, dissolving like oodles of mist touched by the first, thin rays of winter sunlight, all due to those looming, metallic bars and the magnificent, glossy orbs gazing through them.

“…Would it be completely nonsensical to refer to this opportunity as chance?” The butler relished in a subtle drone, whilst casting the laundry basket aside, the contents tumbling over the brim. The magnificent creature gave no means of acknowledgement, though none was needed once Sebastian eased closer, a faint splotch of colour staining his usually pallid visage. Betty’s auburn fur was even more exquisite, whilst being illuminated by the faint, glow of daybreak, her paw pads the very epitome of supple, plumpness and those resplendent hues…Oh those round, lustrous pools. The butler lingered a few paces from the cage, wanting nothing more than to reach through the rods for those vividly, striped ears and to feel the dampness of her nose; yet no amount of fur was going to make him forget the rather painful scratch he received due to his previous discourtesy. Call it a noble sacrifice if you will, but the very last thing the Phantomhive butler needed was to stand out, the complete lack of skill his young possessor managed to display, with the exception of getting captured (Oh his Lord was a Master at that!) meant that the butler needed to be conspicuous enough for both of them.

As a result, the devil continued to absorb every detail the enormous feline had to proffer, his hands pinned at his sides by sheer will, before he blinked, the limited colour present within the billows of his cheeks draining away as he was forced to incline his head side-ways, narrowly avoiding the leaf-trimmer intent on impaling his distracted form. Heavens, did the galling Death God truly believe him to be pilfering the souls of animals now? Preposterous. Yet, no matter how utterly hoodwinked the reaper seemed to be, it was clear that his time for probing had come to an unfortunate end. Ah my, so much for progress. Straightening the brim of his hat, the devil’s hand curled about the extended dowel of the Death Scythe, orbs burning a bright fuchsia, before he then yanked the weapon free from where it imbedded itself into Betty’s cork flooring. It may be a troublesome task, but as a butler of the noble Phantomhive estate, it was best to indulge those who sought the attention. Moreover, it is said that attention is sometimes perceived as vitality, seeing as it creates the ‘urge’ to connect with others, thus, if the reaper wanted to ‘connect’ with that of the butler so vehemently, he would be happy to fix said reapers’ weapon to that of his chest. Permanently. No doubt it would serve as a suitable means of reprisal for shattering his previously, perfect moment.

Inopportunely, though, an hour had long since passed, which meant that if Sebastian wished to maintain his cover and ultimately the cover of his young Master, he would have to postpone his justly desire for retribution and proceed to practice. Being but a collared fiend had its minuses and its constraints. Fortunately for that of the reaper and possibly for Sebastian as well, his newly acquired roommate had the same intent, as he begrudging took back his weapon of choice, pausing only to wipe at it with a lined handkerchief he seemingly produced out of thin air. Hm. Sebastian consecutively, shot a last, longing glance at the stunning form of Betty, her barred pelt every bit as alluring as at first glance, before the retainer finally retreated with a disconsolate sigh. Perhaps it would have been in order to have risked a quick pat or two?

My, Providence was a cruel mistress indeed.

[boxturret]

Megaleg

I already did a post on this model but after writing the Digga-Leg obituary I realised I never really went into detail with this model.

Super Mario Galaxy was the first game I played that really inspired me, it all looked so good and it was so fun. The Goomba was the first model I made but not long after I started on a huge project, a model of the first dome boss: Megaleg.

I was very ambitious at the start, as you can see it had light up eyes but it also was meant to be completely poseable, a two axis joint in the “hip” and joints in the knee and ankle. This proved to be a bad idea.

It worked, kind of. I managed to finish the entire model like this and it was actually free standing but in terms of strength it was incredibly weak. This was one of my earliest models so I didn’t have much experience making joints: the hip joints were just pins holding together bits of cardboard, the knee joint was a hollow cylinder with a cotton swab in the middle acting as the axle for a long bar of cardboard with a hole in it, and the ankle was just a rounded piece pressure fit into the foot.

Its not a surprise that one day it just completely fell apart.

It was in pieces for a while, having a model that you’ve worked so hard on fall apart in front of you is quite demoralising. But time passes and I improved in my modelling and decided to try again, this time it would be completely static and be placed on its moon.

Mapping this out took a while, each side is different, well its one pattern rotated but it takes a while of mapping out to realise that. Making the top part inset was beyond me at the time though.

Getting a base for the moon was hard, since it was such a structurally important part I knew I couldn’t use my normal technique of layering paper and hot glue over a cardboard skeleton so eventually I settled on a large blue rubber dog toy I found in a pet shop, it was pretty much completely solid so once I covered it and detailed it it worked out very well. I also made a tiny version of the starting planet.

That was made by applying a layer of hot glue over a styrofoam ball wrapped in plastic wrap and when the glue was hardened I cut the ball to pieces to remove it. 

As you can see from the picture I now had dowel running through all the limbs rather than some hot glue lightly holding key structural parts together. I also gave up on the dome on the top and instead made the gates from the second phase. I bet I could make the dome now though...

It wasn’t exactly smooth sailing but eventually I got it standing proudly on its moon. You can see one of the feet doesn’t properly line up with the moon, that’s because in I got everything ready with the legs off and attached them to the main model as I was putting it on the moon and it was very physically difficult so I think I accidentally switched two of the legs. Oh well.

So to end, I’m happy with how this model came out but at some point I really want to renovate it, I’ve learned a lot since completing it and I feel I can make it even better, particularly the knees, I went with that hexagonal design more out of desperation than anything as I was having a lot of trouble making the right shape.

Super Mario Galaxy is one of my favourite games and Megaleg is one of my favourite things in it so I will always want to make it look as good as I can.