#drop a word

[shatterred-unvoiced-thoughts]

Drop some words in the comments, and I’ll turn them into a crappy, painful poem :)

[chronictranssexuality]

"you don't owe anyone anything" You are a tar pit. Speak for yourself. I personally owe the cafe employees my dishes put away and my friends a listening ear and small scared insects a cup and a gentle trip outside. Hyperindividualism is a rancid infection borne of capitalism and willfully misinterpreted therapyspeak and I will defy it by continuing to be kind regardless of whether or not it benefits me personally

[vulpinesaint]

quiz enjoyers! i am now inviting you to come create something in my workshop❕

[runawaymarbles]

The midjourney stuff just reminds of when we were trying to find a new platform to host the ao3 donation form, and companies kept trying to tell me about all their "ai" features that would track donor engagement, and figure out the optimal pattern to email individual donors asking for follow up donations, and all the ways they suggest we manipulate people into staying on our websites. It was a great way to filter out who either wasn't listening to us when we described our ethics and donor base, or just didn't believe us.

Now granted ao3 is a unique case based on a) the amount of page views we get in any given time period and b) the fact that most donors absolutely do Not want to be identified as such anywhere, (the default "list of recent donors" module got nuked Immediately) but it surprised me some that the concept of "donors who value their privacy and would be furious at even the whiff of AI" is unique. Some of us really are just existing in different worlds.

[txttletale]

for sale: undertale copy, never played

[prlssprfctn]

God, I just know that the family hates playing Scrabble with Jason, because they agree being casual and not search for unusable words through dictionaries intentionally - side eye at Tim, who prior the Scrabble night learned by heart the whole dictionary and spluttered words the next day without even remembering their meaning just because he wanted to win - and then they forget that Jason is English & Literary major. And his casual words are like. Unknown by the half of population.

Jason: Hm-m, geoluread. Dick: There is no way this word is real. Jason: It means yellow-red, actually. Poets and writers used it to describe-- Damian, aka. Nerd Jr: He is right, it is a real word. Tim, groaning: Can we play Uno? Duke: No, no, wait, I use Jason's bizarre knowledge for making my own dictionary to use in school essays and impress teachers, let him cook. Cass, nodding: Good source information. Dick, frustrated: THIS IS NOT EVEN FAIR Stephanie, reaching for her phone: I smell a fight--

[sator-the-wanderer]

Discworld designs - The Truth

[poorly-drawn-mdzs]

Lines drawn, teeth bared.

[Ko-fi members can check out the behind-the-scenes thumbnails for this comic!]

[First] Prev <–-> Next

[cookie-lore-keeper]

FUCKING WHAT????????

[serpentface]

Comparing livestock color-words.

Both the Chenahyeigi and Wardi languages are derived from peoples who have been pastoralists for millennia, and both have an absolute ton of words for livestock coloration.

Both languages have had at least some mutual influence for about a thousand years (to varying extents by dialect, depending on geography/trade connection) so you'll see similar or identical words crop up here and there.

THE WORDS:

Hneya - [hne:ʝɑ] or [hne:jɑ] (whether the ʝ sound is retained in speech and to what extent varies by dialect)

Straightforwardly refers to bright reddish-orange color, but is mostly used for animals rather than other orangeish things. The word Was probably influenced by an older form of the Wardi 'reyla', and absorbed with the introduction of orange colored cattle. It may have been merged with the Chenahyeigi '(h)ne', which is the root of several red color-related terms.

Reyla - [rejlɑ]

This is a Wardi word for most reddish-orange hues in general. When applied to livestock, it refers to solid orange coats without spotting/masks/notable countershading.

Fels akhri - [fels] [ɑ:khɾi]

Translates readily as 'storm cloud' (the 'storm' here specifies thunderstorms). When applied to livestock, it describes fur that is rich dark blue-gray with white guard hairs.

Aganne - [ɑgɑ:ne]

This doesn't actually translate to 'night sea' in a straightforward manner, but as a color word it's poetically associated with dark seas, at night or in storms. When used for livestock, it describes this coloration exclusively.

Woud et lleng - [woʊd] [ɛt] [ɬeŋk]

Woud is the word for rich moist soil specifically, lleng refers to laterite and its association with iron deposits. This phrase is used to describe livestock with dark brown heads and and orange-brown bodies.

Tsipanibe - [t͡sipɑnibe]

This would be more literally translated as 'ochred'. Many Wardi words with the -ibe stem from verbs or nouns modified to indicate that the subject matter has 'received' an action or concept. (Examples of such words are long-established linguistically, you can't just add '-ibe' to any noun or verb). This one takes the root 'tsipan' (ochre) and applies it to the subject matter (cattle coloration).

Livestock with a dark brown or black head and orange-brown body are given this description, the idea being that their bodies look like they've been painted in ochre. This word is extremely rare outside of this context (you would usually just say the full 'ochre-painted' to convey this idea for other things)

Drengh yipeg - [dɾeŋg(h) yɪpɛ:g]

This is pretty straightforwardly 'little moon'. Yipeg comes from the same root as the Wardi 'hippe' for 'small', while drengh refers to the appearance of the moons in the sky (rather than the gods they embody). It's used to describe small round white blaze marks.

Ipalen hamita - [ipɑlɛn (h)ɑmitə]

Straightforwardly 'star marked', used for small round white blaze marks. Wardi actually does have a 'moon marked' (ipalen amit) to describe round white blazes that entirely cover the animal's forehead.

Brinyavir - [bɾi:nʝɑvir] (ʝ is retained for this word in most dialects)

This one is not directly translatable, 'celestial' or 'heavenly' just function closely enough. The word conceptually relates to stars but most specifically describes a layer of sky in which the afterlife rests (brinyavir is part of the phrase I translate as 'celestial fields'). The cattle there are said to have these markings. The stars in the night sky are sometimes playfully described as the spots of these cattle (though not literally, in Chenahyeigi cosmology stars are spirit-inhabited bonfires lit along pathways through the heavens).

As a color word for livestock, brinyavir refers to this rare (I Think nonexistent irl) white-spotted black coloration, due to both resembling the stars and the cattle that are moved among them.

Asi inwetadi - [ɑsi in:wetɑ:di]

This directly means 'like night sky', and is applied to this coat pattern with a similar underlying logic- it looks like a starry night sky. You will often see asi (like/akin to) retained in place or animal names like this, and it is sometimes part of names for people (the name Asinya is derived from a contracted 'like the sun').

Ogriye - Chenahyeigi: [oʊ:gɾije] Wardi: [oʊgɾi:je]

This word is (or was) a way to say 'gravel' or 'gravelly' in both Chenahyeigi and Wardi, and is pronounced very similarly in both (with the only significant difference being emphasis)

In Chenahyeigi it is a loanword from the Wardi language family, most likely received in the exchange of cattle of this coloration. It is retained in general speech as a word for gravel, more specifically the adjective 'gravelly'.

The word is mostly obsolete in contemporary Wardi, speakers do not know it used to mean 'gravel' (though it sounds close enough to assume a connection, the word is 'ogri') and exclusively use it to describe this livestock coloration (one of the more common among Wardi native cattle).

---

Also here's some cow lore.

There's some fairly tremendous diversity in Wardi cattle herds, given they have genetic influence from at least two separate aurochs domestication events (also distant and negligibly minor influence from one instance of bison domestication) and from multiple relatively isolated domestic cattle populations. Present day herds within Wardi provincial territory near-ubiquitously have at least some ancestry from the kulustaig and the Burri tepang cattle.

The ancestors of the Wardi native cow have been in the region for at Least 5,000 years. Burri cattle Possibly could have had tiny, isolated introductions between 2500-3000 years ago (this is extremely unlikely, but maize Was probably introduced by seafaring proto-Burri peoples at this time) or at more recent points since, and the tepang was certainly introduced during Imperial Burri occupation. High quality cattle are also occasionally received in diplomacy with the present-day Different Entity that is the Burri Republic. The kulustaig cattle arrived with proto-Finnic migrants starting 1500 years ago, and is the biggest external genetic influence on Wardi herds. Small populations of Yuroma native cattle arrived with migrants 540 years ago, though these have been wholly absorbed into Wardi herds, with their biggest trace being genes for naturally polled horns. Some Finn cattle were extracted in the recent two decades of Wardi occupation, though not enough to have a noteworthy genetic impact on any herds.

Most of the cattle in this post show predominantly Wardi native cattle + kulustaig ancestry (this takes place in the Ephenni riverlands, where the ancestry of herds tends to be around 2:1). The one with the blaze has a delicate sloping muzzle that suggests Burri tepang ancestry, and also likely has a wild aurochs grandparent (the white ring around the nose is a telltale sign, as it usually vanishes within a few generations of introgression).

Diversity in color and coat pattern is culturally favored for Wardi cattle herds, and selective breeding for aesthetics is usually limited to the purpose of preserving unique coats. The average herd tends to be very colorful, though the one shown here is a bit of an outlier, the universe having mysteriously put in place perfect conditions to compare the words for a variety of coat patterns.

[lazylittledragon]

pov a weird lady pulled you out of a portal and now there's a morgue in your house

[therainscene]

I didn't start shipping Byler because I picked up on a few moments of chemistry and decided they'd make a cute couple -- I started off by absolutely refusing to entertain said moments as reciprocally queer until I ran into the ridiculous homophobia on the ST subreddit and decided to review Mike's character arc out of sheer gay spite.

Let me clarify: Spite isn't what made me change my mind about Mike. Spite just made me read a few Byler analyses and rewatch the show with an open mind because I didn't want to be like those pricks who would insult and censor queer fans for... [checks notes]... thinking something gay might happen in a TV show with gay people in it. I truly wasn't expecting a queer interpretation to fit Mike's arc anywhere near as well as the default interpretation -- but by the time I'd finished my rewatch, I was reeling from how much better it fit.

Cause that's the thing: Mike's queerness is pretty obvious once you look for it. The difficulty is in giving yourself permission to look.

-------------------

A question Bylers are often asked is "why would the show spend four seasons building up Milevn just to tear it down at the last minute for some unrealistic woke ship? Mike literally said he loves El!" And yeah, Mike's grand love confession at the end of S4 certainly seems like a triumphant pay-off to all that build-up... but I have a few questions of my own.

Firstly: why establish in no uncertain terms that feeling loved is the key to unlocking El's fullest potential against Vecna--

--only to undermine the power of Mike's longed-for confession by having it only be good enough to delay Vecna instead of defeat him? Yes, it's the penultimate season -- so why did Milevn's pay-off happen here instead of S5 where it could properly shine?

Secondly: why couldn't Milevn fix their relationship by themselves? Even if you believe that El commissioned the painting (she didn't) and that the feelings Will describes are truly hers (they aren't), it was still Will who had to perform this romantic gesture on her behalf, and it broke his heart to do so. Why hand this important work off to a third party? Why weave queer tragedy into the build-up towards a heterosexual pay-off that's supposed to feel triumphantly romantic?

Speaking of which: why undermine the intimacy of this scene by having Will hover behind Mike's shoulder the whole time? Couldn't they have asked Noah to take a few steps to the left for the sake of a better shot? Couldn't they have waited until after Milevn's big romantic moment to remind us for the millionth fucking time how sad Will is about it?

In my opinion, this scene and its four seasons of build-up make much more sense if you read them as three entwined character arcs about the trials of growing up in a suffocatingly heteronormative era: the gay kid who doesn't think he's entitled to a happy ending; the abused girl who thinks shallow romance with the first boy who's nice to her will make her feel normal; and the confused hero who hasn't figured out the solution yet.

For all the insistence that this show has to stick to "realistic" depictions of 80s queerness... it's hardly a realistic depiction of 80s straightness for Mike to score an awesome magical girlfriend, either. That's just nerdy wish-fulfillment, and common only as a trope in fiction.

So it's not unreasonable to suppose that Mike's true role in the Subverting 80s Tropes Show might be to represent the actually very realistic 80s experience of getting swept up in compulsory heterosexuality.

Think about it: Will's vulnerability to the horrors functions as a metaphor for being visibly gay in a world that despises gay people--

--whereas Mike's girlfriend quite literally has the power to protect him from monsters and homophobic bullies alike.

This doesn't mean Mike is callously using El, though. He learned the hard way in S1 that treating an innocent girl like a means to an end would only end up destroying her, and the guilt and fear of hurting her again has been weighing heavy on him ever since.

Comphet isn't about taking advantage of other people's feelings so you can pretend to be straight -- it's about deluding yourself into believing you're straight because queerness isn't an option you're allowed to consider.

Mike genuinely does love El and he genuinely does want to be an important part of her life -- so surely that means he wants to be her boyfriend, right? Twelve is perhaps a little young to know that yet... but surely there's gotta be something here that sets his feelings apart from how a friend or brother would feel?

Surely the reason he later finds himself struggling to say to her face that he loves her is because he's just an immature loser who needs to try harder to grow up and be the man this girl he adores deserves to have...?

...and certainly not because the guilt and fear of losing her just keeps piling up as the romantic instincts he thinks he's been waiting to grow into turn out to be developing at exactly the pace they're supposed to -- in the wrong direction.

That would be ridiculous. Will's his best friend. Yes, he loves him and can't bear to be without him, but that doesn't mean anything. Why can't a guy display a little unhinged devotion to his special friend without it having to mean something romantic?

Why can't he, indeed.

At his core, Mike is someone who desperately wants to be as special as the straight heroes in the nerdy media he loves. But there isn't anything inherently heroic about being some lame middle-class white nerd who's bad with girls, so he believes that the best he can do is to be a dutiful sidekick who would sacrifice himself in a heartbeat for people he perceives as more special than himself.

For all the "build-up" Mike's romance with El has enjoyed across four seasons, it's done absolutely nothing to help him grow as a character and overcome this self-worth problem.

So is it really any surprise that even after realizing El would be fine and still want to be friends with him if he told her the truth, and even after realizing just how good Will is at understanding his insecurities and reassuring him of his inherent worth--

--Mike would still sacrifice his chance at happiness for the sake of the greater good?

El was literally dying in his arms. How could queer desire possibly be as important as this girl who needed him to be a man and do his damn job so she could do hers?

I'm interpreting Mike as gay here, but I think it's important to note that this principle applies even if he's bi or straight -- Mike can be attracted to girls and still be forcing himself to stay in a relationship with a girl he's not a good romantic match for because that's just what he thinks he's supposed to do.

His sister had a similar problem: Nancy was legitimately attracted to Steve, but her infatuation with him was more about doing what cool teen girls are supposed do than about authentic connection. And because this is a horror story as much a coming-of-age story, Wheeler's conformity had horrendous consequences -- her critical-of-comphet bestie was killed by the horrors.

Which sounds familiar, doesn't it?

(Sure, Max technically didn't die -- but she still died enough for Vecna's plan to come to fruition. Which just brings us back to my first question: why couldn't the Power of Heterosexual Love prevent this? In the same season that said "forced conforming is what's killing the kids", no less?)

Will describes Vecna as an inevitability that won't stop until he's taken everyone -- which in my opinion is the same defeatist attitude demanded by comphet.

It's not that Mr. Refuses-To-Participate-In-Society's-Silly-Play symbolizes comphet itself, per se; rather, he represents the despair of feeling like you can't truly escape it. But either way, this means that the solution to defeating Vecna is the same solution to defeating comphet:

Giving yourself permission to look and see that your true self is far more valuable than whatever you think you're supposed to be.

[girlfictions]

palestine is in a complete and utter blackout with israel launching hundreds of its heaviest airstrikes so far across gaza. this is a mass slaughter and we won't even know the extent of the casualties until it's over; israel have cut off telecommunications so they can commit their atrocities in the dark. there is a genocide happening right in front of our eyes and every person who has ever defended israel's "right to defend itself" has the blood of palestinians on their hands. we cannot ignore what is one of the most devastating massacres in human history.

[hinamie]

places one last offering upon the itfs make it out alive altar bc if they die /i'll/ kill them

[theellipelli]

panel redraw of falst and dainix from @comicaurora because they make me sick. sick with thousands of diseases. theyve caused irreparable damage to my psyche

[ninja-knox-ur-sox-off]

aroace sonic: *says the most flirty shit ever* also aroace sonic seconds later: *does a backflip of the couch and almost lands on his face* literally anyone: wtf.

He’s got the range

(Aroace Sonic compliments pt 4)