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studioeisa · 6 months ago

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babe for the weekend ❄️ soonyoung x reader.

Everybody thought that you and Kwon Soonyoung were a foregone conclusion, but then he had to go and change the ending. Six years after the breakup, he decides to come home for the holidays— and now, you’re stuck between your pride, his dreams, and the road not taken. ‘Tis the damn season, indeed.

୨ৎ pairing: dance studio ceo!soonyoung x lawyer!f!reader. ୨ৎ genre/warnings: hurt/comfort, angst, romance. alternate universe: non-idol. mentions of food, alcohol consumption, swearing/cussing. post-breakup dynamics and quarter-life crises. high school lovers to exes. law terms. spiteful reader. rated T for languages and themes. title and synopsis shamelessly reference taylor swift's t'is the damn season. ୨ৎ word count: 16.6k ୨ৎ footnotes: this is part of @camandemstudios's winter with you collaboration! ´◡` thank you so much for trusting me with soonyoung. also eternally grateful to @shinwonderful and @biniaiahs for beta reading. may revisit this to do edits in the future, but for now, we settle.

in the words of a, i am the 'harbringer of doom and angst.' happy holidays, everyone! + tag list in the comments.

⋆˚ 𝜗𝜚˚⋆ winter with you masterlist ┆ my masterlist ┆ the official babe for the weekend playlist.

This has to be the universe’s idea of a joke.

It’s like the time your professor refused to round up your grade in college and you almost got set back a semester. Or that one day at work, where the forecast said it would be sunny— only for you to get caught in a downpour on your way home.

The universe had to be an aspiring amateur comedian, because why else would Kwon Soonyoung be in front of you right now?

“What?” Soonyoung chirps. “No ‘hello’ for your favorite ex?”

Six years. It’s been six years since you last saw each other, and those are the opening words he decides to go with.

You’re torn between smacking him upside on the head and strangling him. Maybe both, you muse, as you survey the ways he’s changed over time.

His hair is blonde now. His once-pale skin is a little more tan. And— as much as you loathe to admit it— he looks more fit. You can vaguely make out the muscles straining underneath his casual wear.

Dancer’s build, you begrudgingly concede.

When Soonyoung calls you out in a bid to snap you out of your daydream, you physically flinch. Your name still rolls right off his tongue like honey. You don’t have the right to call me that, a small, bitter voice says in the back of your mind. You don’t have the right to talk to me at all.

“Hellooo,” he sing-songs, waving one of his palms inches away from your face. “Did you have a stroke or something?”

That prompts you to speak.

After all that time, your first words to Soonyoung in six years are cold and curt: “Get out.”

A corner of Soonyoung’s mouth twitches upward. The infuriating bastard. He probably anticipated a reaction like this from you.

He straightens until he can shove his hands into the pockets of his winter coat. “I don’t see any signs that say I’m not allowed to be here,” he says. “Did I miss it?”

He makes a whole show of looking around your family’s restaurant. A part of you is grateful that you’re the only one on today’s shift; your parents would’ve undoubtedly had over-the-top reactions to Soonyoung’s sudden reappearance. It’s only through years of conditioning that you’ve learned to keep your reactions under control, even when the world throws you curveballs such as these.

Your expression is perfectly blank as you dryly note, “There’s a sign out on the front, actually.”

“Oh? Really?”

“Yeah. No strays allowed.”

Soonyoung shakes his head. “Brutal,” he says, but there’s still that hint of a smile on his face.

If you strained your ears, you might hear the trace of affection in his tone. The thought of it— of Soonyoung holding any sort of fondness for you— makes you want to scream.

You manage to tamp that urge in favor of jerking your head towards the front door of the restaurant. “Out,” you repeat, your gaze briefly flickering to the CCTV in the corner of the store.

Your father would probably kill you if he found out you were turning someone away. A supposed family friend, at that. But this wasn’t just a customer, and you weren’t sure if you could still call Soonyoung a friend, and it’s been six years, damn it.

“Is that any way to treat a customer?” Soonyoung goads.

“You’re not a customer.”

“You haven’t given me the chance to be.”

“That’s because you’re not welcome here.”

“It’s pretty bad for business that—”

That wasn’t going to fly. You weren’t about to take business advice from Kwon Soonyoung of all people.

One minute, you’re behind the counter with your hands clenched into fists. The next, you’ve closed the space between you and Soonyoung. He falters as you approach, looking almost like he’s holding his breath.

It’s not a slap that greets him. Most definitely not a hug, either.

Instead, one of your hands dart out until you’ve got a firm grip on his ear.

Soonyoung is still taller than you, but he folds over at your rough tug. “Ow, ow, ow!” he screeches, his own hands flying out of his pockets in a futile attempt to either push you off or shield himself.

In his split second of indecision, you manage to haul him back over to the entrance. Because you had been manning the fort, you hadn’t even noticed that it had started to snow. The first of the year.

You don’t have the time to appreciate it. Your focus is entirely on channeling your energy to shove Soonyoung out of the restaurant. He stumbles out on the sidewalk where he rubs his offended ear with a scandalized expression on his face.

A lesser man might have snapped back, might have demanded an explanation for being manhandled so shamelessly. To your sheer annoyance, Soonyoung only laughs.

It’s a full-bodied sound, one that practically bounces off the street. He laughs, and he laughs, and he laughs, clutching at his stomach like this is the funniest thing in the world.

Remember how, earlier, you thought you might scream? Now, you truly almost do. Because the years have passed— but Soonyoung still laughs exactly the same.

You don’t stick around to find out if you do end up yelling. Instead, you march right back into the restaurant with your chin jut up in a show of confidence. You can hear him trying to choke out words between his laughing fit, something akin to, “Hey, wait—,” but you’re not about to hear him out.

Not today, not ever.

It’s the most satisfying feeling in the world, getting to slam the door in his face.

“Why did you come home?”

“I got hungry.”

“ — tried to give me business advice! Me, business advice!”

You punctuate your exclamation with a slap to your office table. Jihoon and Wonwoo are a little too familiar with your fits of passion to be surprised; Wonwoo barely looks up from his round of Block Blast, while Jihoon only shakes his head.

“Sounds like something he would do,” Jihoon offers empathetically.

You lean back into your chair, your expression contorted into one of utter frustration. The three of you rarely meet in your office, but you had called a DEFCON 1 situation in light of recent events. Jihoon and Wonwoo lounged leisurely in front of you as you ranted your heart away for the past thirty or so minutes.

“Who does he think he is?” you seethe. “Showing up here unannounced!”

Wonwoo pipes up. “It wasn’t unannounced.”

Jihoon silences Wonwoo with a warning glare. You can only glance between the two boys before Jihoon heaves out a sigh and admits, “We knew that he was coming back to visit.”

The look of betrayal on your face must be clear as day, because Wonwoo guiltily pauses his game to flash you a sheepish grin. “We met up with him— yesterday, was it?”

Yesterday. “And you didn’t tell me?!” Your voice is a little shrill and a whole lot incredulous.

Ever the pragmatic one, Jihoon quips, “You’ve always said that you want nothing to do with him. I presumed that involved knowing whether or not he was coming home.”

Damn it. Jihoon got you there.

You’re not sure what you would’ve even done, really, if you’d been given a heads up. Would you have boarded up the doors to your home? Would you have sought him out yourself in a prideful bid to maintain some twisted sort of upper hand?

You’re still mulling it over when Wonwoo delicately says, “Look at the bright side. You probably won’t run into him again.”

Jihoon attempts to distract you by getting you to talk about your most recent client— a stubborn chicken shop significantly behind on mortgage payments. You give in, if only because you want so very badly to believe in Wonwoo’s words.

You should’ve known better, really, because of course your friends would lie to you.

That’s the only thought on your mind as you keep your eyes firmly ahead and away from the smirking blonde in your peripheral vision. Already, you’re contemplating the bodily harm you’ll cause Jihoon and Wonwoo for leaving out this vital piece of information.

But you can’t be wrathful. Not in front of the kids.

The gaggle of twenty-something elementary students sit cross-legged on the floor, their gazes all trained on the newcomer. They’re whispering excitedly among themselves, so much so that Teacher Kang has to clap more than thrice to recapture their attention.

“Now, everyone,” Teacher Kang announces. “Do you remember what I said about having a very special guest for today?”

A high-pitched chorus of “Yes, Teacher Kang,” resounds throughout the auditorium.

“Very good. Can we please give a warm welcome to Teacher Kang’s friend, Soonyoung?”

Soonyoung makes his way to the front of the gaggle with an easy grin and a relaxed gait, like he belongs here. And maybe a part of him does. This was his turf once, too.

“‘Soonyoung’ is a bit long, isn’t it?” he says, speaking to both Teacher Kang and the kids in front of them. It’s a small grace that he isn’t calling you out just yet, though you wouldn’t put him past it.

“Everybody!” Soonyoung proclaims. There’s a bit of a flourish in how he moves, how he looks down at the awe-stricken kids with a bright, wide smile. He puts up one hand to his face and bends his fingers in an imitation of a paw. “You can call me Hoshi!”

The kids echo it back to him— “Teacher Hoshi!” “Hello, Mr. Hoshi!” “What’s a Hoshi?”— while Teacher Kang only smiles fondly. For your part, you keep your expression perfectly controlled, even though you’re telepathically trying to get Soonyoung to combust.

It’s one thing for him to waltz back into your life like it’s nothing. It’s another thing for him to come around and introduce himself with the pet name you used to have for him.

Suddenly, you’re teenagers again, visiting the zoo on a field trip. The two of you had tried so hard to hide from your chaperones that you were holding hands in the pockets of your winter coats. In hindsight, it had been the most obvious thing in the world.

Soonyoung had excitedly pointed out the Bengal tigers lounging in their enclosure, and you joked about how similar he looked to them. 호랑이의 시선. Horangi-ui siseon, the tiger’s gaze.

Soon after, you took to calling him Hoshi when he was on stage, when the two of you were arguing over something petty, when you wanted to be affectionate. Hoshi, let’s get ice cream today. Hoshi, take me to the library. Hoshi, I love you!

Something that was once yours alone was now everybody else’s, too. It bothers you more than you care to admit.

You’re so caught up in reminiscing that you almost miss Teacher Kang saying, “Soonyoung— er, Hoshi— is going to help us with the Christmas showcase. He’s a very popular dancer in Seoul, so we’re happy to have him here.”

The betrayal that rises up within you is sharp albeit short-lived. Teacher Kang didn’t owe you a warning the same way that, say, Jihoon or Wonwoo might’ve. But still. Any indication at all would have been nice.

One of the younger students— an absolute sweetheart by the name of Iseul— tugs at your pant leg. You lean down so she can cup her little hand over your ear.

“Do you know Mr. Hoshi?” she whispers conspiratorially.

How fitting, for a five-year-old to pose the million-won question. It’s a loaded gun of a query even though there’s technically no right or wrong answer.

Of course you knew ‘Mr. Hoshi’. Your mothers were best friends. The two of you were in the same classes. You dated him throughout high school. You knew him well, like the back of your hand.

That was before he got up and left without so much of a glance over his shoulder, though.

You give Iseul a tight-lipped smile. “I knew him once,” you answer. It’s not quite the truth, but it will have to do for now.

“Why did you come home?”

“Took a wrong turn and ended up here.”

“Are you going to ignore me the whole time, or…?”

You answer Soonyoung’s prodding by ignoring him.

The past week has been largely uneventful, sans Soonyoung’s occasional effort to poke his nose into your business. He at least had the decency to not show up at your family’s restaurant again, and whether or not he knows of your office is yet to be seen.

Your interactions with him have been largely limited to the one-hour a day that you’ve dedicated to Yangjeong Elementary School.

Yangjeong was yet another thing that the two of you shared. You were once a pig-tailed menace who outran all the boys on the playground, and Soonyoung was your snot-nosed partner-in-crime.

Planning Yangjeong’s Christmas showcase has been your yearly commitment for as long as you can remember. Even when you were off at college, you had made it a point to set aside time for it. Volunteers have come and gone throughout the past, though this year’s volunteer was undeniably one of the more annoying ones.

“You’re going to have to talk to me eventually, you know.” Soonyoung practically flops himself onto the desk in front of you, the sudden weight of him making the table creak. As you turn your face away, you catch sight of the pout beginning to form on his lips.

You almost snipe at him, something along the lines of stop that or grow up or that doesn’t work on me anymore. You hold your tongue, in favor of wordlessly getting up to move to a different chair.

Soonyoung is right. You will have to talk to him soon enough.

But as you sit as far away from him as possible, readying yourself for the day ahead, you can at least decide that today will not be that day.

Preparations for the showcase involve discussing the program with the teachers and readying the students for their performances. It’s never anything spectacular— just your run-of-the-mill rotation of tone-deaf singing and middling dances— but the town’s overzealous parents are always more than happy to indulge the show.

Today, you and Soonyoung are set to meet with Teacher Kang to discuss the showcase’s overarching theme.

The sixty-something-year-old woman had been your teacher as well, and so it’s understandable why she’s eyeing the pair of you with poorly concealed amusement. There’s a palpable tension between you and Soonyoung, though a significant majority of the awkwardness is likely from your end.

“Have the two of you not kept in touch?” Teacher Kang asks as she sets down two mugs— coffee for you, hot chocolate for Soonyoung.

“No,” the two of you say simultaneously.

Soonyoung steals an all-too obvious glance. You keep your eyes on the coffee in front of you.

Teacher Kang— bless her heart— decides not to push it. She settles in her own seat, her hands wrapped around a cup of tea.

“The principal wants all the kids to do a number. Nothing too flashy, but something that will give everyone a chance to be on stage.” The elderly teacher sips at her drink before going on. “That’s why I called you in, Soonyoung.”

“I’m the reinforcements,” he jokes.

Teacher Kang gives a short laugh in response. “Something like that.”

She turns to you, then, with that same motherly simper that you’ve never been able to say ‘no’ to. You wonder if she’s doing this on purpose— pulling all the stops to get you to agree to what she’s going to say next.

“I know your hands are going to be full with the program and the staffing,” she starts. “But you’ll work with Soonyoung, won’t you?”

What kind of person would you be if you said ‘no’? If you threw a fit and demanded for Soonyoung to be thrown out?

“Of course,” you say, the word gritted out through your teeth.

At your side, Soonyoung lets out a loud cough to disguise his grumble of ‘bullshit’. You fight the urge to kick him in the shins.

The beguiling expression on Teacher Kang’s face is merciless. At this point, she’s no longer hiding the way that she’s watching you and Soonyoung’s heatless bickering. And when she comments on it, when she says “You two haven’t changed,” you almost walk out then and there.

I’ve changed, you want to insist. He’s changed. We’re both changed; we had to.

Otherwise, it wouldn’t have been worth it. The breakup, the distance, all of it.

Soonyoung recovers before you do.

“Ah, before I forget!” He digs for something in his pants pocket, which he eventually holds out for Teacher Kang. “You asked me for this, the last time we saw each other.”

Despite yourself, you can’t help but try and crane your neck to catch sight of what had been handed over. Soonyoung catches the small shift and huffs out a laugh.

“You could just ask, you know,” he says, reaching back into his pocket.

Your protest of “I don’t—” is cut off by him shoving the same thing in your hand. Your fingers close around the calling card bearing the illustration of a tiger and a string of unfamiliar numbers.

Hoshi, A.K.A Kwon Soonyoung, it also says. Chief Executive Officer, Eye of the Tiger Dance Studio. B1, 47, Dogok-ro 27-Gil, Gangnam-Gu, Seoul.

“So you know where to find me,” he says with the world’s most obnoxious smirk.

“Why did you come home?”

“I forgot something.”

“From six years ago?”

“From six years ago.”

Everybody thought that you and Soonyoung were a foregone conclusion.

It had been your stereotypical small town romance. You were kids together and then you were teenagers together. Some might have blamed it on forced proximity, but you like to think that the attraction and affection was real. That it wasn’t a matter of not having any other choice.

You had chosen Soonyoung happily. He had chosen you right back.

After an awkward dance of ‘will-they-won’t-they,’ the two of you started dating in your freshman year of high school. It was the type of thing that had everybody— your respective families, your mutual friends— breathing a sigh of relief. Something akin to finally.

For nearly four years, Soonyoung was it for you.

He was the one walking you home, the one you messed around with behind the library building. The two of you shared nearly every first that mattered. Every first that a high schooler could afford, anyway.

First date.

First kiss.

And, so it goes— first heartbreak.

Soonyoung had worn his heart on his sleeve; it was abundantly clear to everyone what he cared about. Two things in particular defined him: You, and dancing.

If you really tried, you can still remember the first time that Soonyoung had choreographed a dance himself. He had been young, scrappy, hungry— all the qualities that made it possible for him to tear up the stage and leave the rest of you in awe.

He went on to be president of your school’s modern dance club. He went on to compete, both in groups and by himself, and win.

You picked up on it, too, if only to indulge him. The two of you had your fair share of semi-viral dance covers and podium finishes at local contests. It was yet another testament to your partnership, to what everyone presumed would spell out endgame.

Except you only loved to dance, while Soonyoung lived for it.

“Come with me,” he had invited you the night before your high school graduation.

The two of you were supposed to be in bed, but your phone buzzed underneath your pillow and you couldn’t resist one last act of rebellion. You climbed out your window and met up with Soonyoung at your typical halfway point— the derelict playground the two of you have long since grown out of.

“To where?” you asked, your sandaled feet dragging through the sand beneath the swing. Uncharacteristically, Soonyoung hadn’t kicked off at all, instead opting to remain still.

His fingers had been tightly clenched around the rusting chain of the dated swing. You remember that much. In hindsight, he looked nervous.

There is a timeline where he might have proposed to you that night, might have asked for an early hand in marriage, with how on edge he was acting.

But, instead, you had prompted, “Have you finally decided on a uni?”

A beat.

His voice— soft and vulnerable— broke the silence of the February evening. “I’m not going to uni.”

You should have stopped swinging, then. Should have ground to a halt and grabbed Soonyoung by the shoulders. Should have called him crazy, insane.

Maybe you should have asked him to reconsider. That might have changed things.

Except you only kept on pushing. Back, forth. Back, forth. Like this was just a normal conversation and not a relationship-defining, life-altering moment for the two of you.

“I’m going to Seoul,” he elaborated, desperate to fill your silence. “I’m going to try and be a dancer. You— you could, too.”

Your answer was immediate. “I’m not as good as you.”

“You are,” he argued. A muscle in his jaw jumped, then. You’d known him for long enough to recognize his little tells and ticks, and that had been one of them. An indicator of a lie.

“I’m not.” You kept swinging, kept your face angled away from your boyfriend who was slipping through your fingers. “I’m going to uni, Soonyoung.”

“But—”

“But what?”

You’ll never admit this, but you had been cruel back then. You know that now.

There are things you would have done differently. You wouldn’t have snapped. You would have looked at him.

You were young, though, and angry. Your heart had been shattering in your chest and the only thing you could do was go back and forth on that creaking swing as Soonyoung tried to get through to you.

It hadn’t been that much of a surprise. Soonyoung’s general disinterest in college applications— and his constant rumblings about city life— had given you some idea of what his plans might be.

You just thought you would be more involved in it. That you wouldn’t be simply handed the decision, as if it were something you would have to accept.

Young, angry, and selfish to boot.

“Nothing.” Soonyoung eventually said. His words sounded like a concession, like some form of twisted acceptance. “You’ll go to uni.”

“And you’ll go to Seoul.”

In your peripheral vision, you had seen Soonyoung tilt his head away as if trying to hide his face from you. Six years is a long time ago. You can’t tell if he had cried, or maybe you’ve chosen to erase that from your memory.

“I’ll go,” Soonyoung repeated, an edge of defeat in his tone.

You swung, and swung, and swung, like it was the only thing keeping you tethered.

Back, forth. Back, forth.

The quiet had stretched, giving you a chance, an opportunity. To convince him otherwise. To change your own mind.

But—

“And I’ll stay,” you had responded.

That’s the thing about endings: They’re susceptible to change.

The first civil words you utter to Soonyoung are “Yeah, I think the kids will enjoy Santa Claus Is Coming to Town.”

He’d been spewing out prospects for the showcase’s group dance, though each idea had to be delicately shot down by Teacher Kang. Jingle Bell Rock? Performed three years ago. Baby, It’s Cold Outside? Perhaps not the most appropriate for children.

You can see from a mile away, the signs of Soonyoung’s growing frustration— the downturn of his lips, the furrow of his brows. When he recommends the Maria Carey classic, you throw him a bone. Just to try and wipe that look off his face.

You immediately regret your kindness, because Soonyoung’s head whips around and he looks at you with the most disbelieving, wide-eyed expression. You return the overreaction with a half-hearted glare.

“What?” you ask defensively.

“It’s—” He pauses, his eyes flicking to Teacher Kang. “Nothing, nothing.”

His jaw ticks. All that time apart and he’s still never learned how to get better at lying.

You don’t have to poke and prod to know what’s coming. Once your little meeting draws to a close— Teacher Kang eventually agreeing with Santa Claus Is Coming to Town— Soonyoung makes a beeline for your side, his excitement barely concealed.

“Is the world ending?” he asks you.

You attempt to shoulder past him, but he only follows you out of the classroom, sticking to your side. “You said we would have to talk eventually,” you point out. “Here’s your ‘eventually’. Don’t be too happy about it.”

“But I am happy about it,” he responds, his tone almost like that of a whining puppy. “Not too much. Just an appropriate amount.”

So help me, God.

You keep your gaze ahead as you walk out of the school. Soonyoung matches your pace, humming underneath his breath. You better watch out, you better not cry. You better not pout, I’m tellin’ you why.

Once the two of you are out the front doors of the school, you’re greeted to a light dusting of snow on Namyangju’s sidewalks.

“So,” Soonyoung says casually as you pull out your phone to check the weather for the rest of the day. “You don’t work full-time at your parents’ restaurant, do you?”

Involuntarily, a derisive snort of laughter escapes you. “Small talk? Really?”

There’s a boyish grin on Soonyoung’s face. “Gotta take advantage of you being chatty,” he shoots back, which only prompts you to shake your head.

You could ignore him, like you always have. You probably should. That had always been Soonyoung’s style.

Give him an inch and he’ll take a mile.

And yet—

“No,” you grumble, your eyes still absentmindedly scanning your weather app. “I only work at the restaurant part-time.”

“The rest of the time?”

“I didn’t realize this was going to be a talk show.”

“Haven’t you heard? I’m primetime’s most charming host—”

“Law. I work at a law firm.”

The answer is ripped from you in a bid to avoid Soonyoung’s theatrics, and you find yourself blinking with mild surprise, like you hadn’t prepared to divulge the detail at all. Soonyoung notices, and his lips curl in a smug smirk.

“I know,” he says simply. “Jihoon told me.”

You make a mental note to berate your mutual friend as you exasperatedly say, “Why did you ask, then?”

“Because I wanted to hear it from you.”

Soonyoung lets his words hang, linger, before he goes on. It’s just four words, what he utters next, but it still threatens to tilt your world on its axis.

“I’m proud of you,” he says, like it’s the most natural thing in the world.

You’ve heard your fair share of the platitude throughout the years. From Jihoon and Wonwoo, when you first got into law school. From your parents, when you passed the bar exam. From Teacher Kang, every December, when the Christmas showcase is pulled off.

This is something entirely different. This has you shoving your phone back into your bag, just to hide the way your hand had begun to twitch at the words.

“You can’t say stuff like that to your ex,” you snap.

Soonyoung’s answer comes without a moment’s hesitation. “Why? Being exes doesn’t take away the fact that I’m proud of you.”

Too much, too much, too much. It’s too much for your pride, your emotions, your heart. You wish you could take this for what it is— a compliment, some kindness— but the history goes deep, and the words feel like a scab being picked.

You do what you do best. You turn on your heel and begin to walk away.

Thankfully, Soonyoung doesn’t follow you. But he’s nothing if not vexatious, so he squeezes in a sing-song cry of “Byeee, attorney!” as you leave.

You quicken your pace just a little bit more.

Jihoon has the tendency to look like a kicked puppy when he’s being told off.

He doesn’t pout, no, but the expression on his face is a close thing as you give him grief over telling Soonyoung about you. Wonwoo, stuck in the middle as per usual, only calmly cuts into his lunch.

“Why did you have to tell Soonyoung about my work, huh?” you demand as you slice a little too forcefully into your bulgogi. “Giving him free ammunition or something?”

Jihoon finally gets a word in edgewise. “It’s because he asks about you,” he deadpans.

The thought of it is so insane that you bark out a laugh. The retort— bullshit!— is right on the tip of your tongue, but it dies out when Wonwoo bobs his head up and down.

Wonwoo has always been the less likely of the two to lie to you. You’re still a bit baffled even as the bespectacled man confirms, “Yeah. He asks me, too.”

“Asks what?”

“How you’re doing.” Wonwoo is so nonchalant about the whole affair that you’re tempted to call him out, too, but the lack of teasing in his tone gives you some sense of where his head is at. “What you’re up to. Stuff like that.”

Kwon Soonyoung has kept tabs on you.

In the years that you’ve tried to bury the memory of your friendship, of your relationship, Kwon Soonyoung has kept tabs.

“He—” You clear your throat when your voice comes out a little more high-pitched than usual. If Jihoon and Wonwoo notice, they mercifully don’t call you out.

You manage, “He could have just reached out to me.”

Jihoon, who had taken advantage of the reprieve to shovel some spoonfuls of rice into his mouth, swallows hard before speaking.

“Would you have answered?” he inquires, one eyebrow arched upward.

The truth— rarely plain, never simple— lies in a single, two-lettered word. No. No, you probably wouldn’t have answered. And even though you want to defend yourself, to claim otherwise, both Jihoon and Wonwoo would only do what you had wanted to do earlier. Call bullshit.

You let out a groan of defeat, slumping forward until your forehead has planted on the table in front of you.

“No further questions, Your Honor,” Wonwoo chirps, and though you can’t see him, you can already imagine the smirk that he’s sporting.

“Why did you come home?”

“I thought there would be a high school reunion. I think I got the date wrong.”

The abundance of existing routines for Santa Claus Is Coming to Town makes it somewhat easier for you and Soonyoung to dumb it down for the kids.

You spend the next week keeping the students in line as Soonyoung teaches them how to shimmy, how to slide, how to do jazz hands. Every so often, you catch him at a loss— like when one of the younger boys tries to eat a crayon, or when the kids go into a scream-filled debate about the existence of Santa Claus.

These are things you’re used to. These are things you can handle.

Taking the crayons away or assuring the kids that Santa Claus is real is far, far easier than being in forced proximity with the one that got away. You’re reminded of that, now, as Soonyoung taps out for a breather and you sub in to go over the routine with the kids once more.

They’re more prone to listening to you, and so you easily get one run of the song down without a hitch. In the years that you’ve voluntarily choreographed for the showcase, you’ve never thought too much about the technicalities of your skill. You danced well enough to teach, to pull off a decent, child-appropriate routine. That had been enough.

But with the scrutinizing eyes of dance studio CEO ‘Hoshi’ following your every move, you feel that simmer of competitiveness in your stomach.

After three more runs of the number with the children, you let them go. As you go to catch your breath over one of the auditorium’s bleachers, you’re surprised by a hand holding out a Cool Blue Raspberry Gatorade.

“Is this still your poison?” Soonyoung asks with a hint of amusement as he settles into the space next to you.

You don’t answer. Briefly, your mind goes to those days— the salsa competitions, the random play dance events. How Soonyoung’s backpack always had his Game Boy Color, a change of clothes, and a blue Gatorade. The last one, always for you.

You uncork the drink, tilt your head back, and take a long swig. It’s as close to a confirmation that you’re going to give him.

The two of you sit in silence as the children begin to file out of the auditorium. Once the only two of you are left, Soonyoung speaks up, the words far too quiet in the otherwise empty room.

“You really are good, you know.”

It takes you a beat too long to realize that he’s talking about your dancing. If the two of you were on better terms, you might have teased him about that night on the playground, many years ago, when he had fibbed about you being as good of a dancer as he is.

As it is, you can only respond with an equally soft, “Thanks.”

Being the bigger person lasts for all of fifty seconds, though, because Soonyoung’s next words prickle.

“Could’ve been much bigger.”

“Excuse me?”

He freezes, an oh shit type of expression crossing his face. Even so, he doubles down. “I'm just saying,” he starts, his tone growing slightly more defensive. “You could have done much more—”

Your words are cold as your fingers close tighter around the half-empty bottle of Gatorade. “Am I not doing much where I am right now?”

“You’re twisting my words,” he shoots back.

“Those are exactly your words,” you fume.

It’s an old wound, one that Soonyoung poked with something sharp the second he returned home and made his presence known. You’ve done everything you can to ignore it, to keep the ache and the bitterness at bay, but you can’t help the way that it rises in your throat like bile. Something acidic, and foul, and unwelcome.

You get to your feet, leaving the offered Gatorade on the bleacher. “Sorry not all of us moved to the city and had a big break, Kwon,” you say as you begin to gather your things.

“Jesus Christ.” Soonyoung’s cuss is punctuated with a laugh, but it’s not like any of the laughs you’re used to from him. The sound is annoyed, pained. Almost hurt, even, though you try not to dwell on that.

Your relationship, your breakup, is an old wound that hasn’t completely healed. It’s been on the edge of festering ever since you lost contact with him.

And, now, as you leave him stewing in his emotions, you figure that it’s only going to fester some more.

Back then, the two of you had dubbed each other The Great Pretenders.

Dating in high school required a certain level of delicadeza. While your relationship was largely accepted and acknowledged, there were still a number of things you had to hide from your families and friends. Tear-stained faces after petty arguments. Hickies under the collars of your school uniforms.

It’s been years, but The Great Pretenders makes a reappearance when the pair of you have to face Teacher Kang the next day.

It goes unspoken that whatever the hell is going on between you two shouldn’t affect the showcase, shouldn’t be obvious to anyone that matters. And so the two of you update her on the kids’ progress, and sip the warm drinks that she offers, without any indication of having had a spat.

The check-in winds to a close after a couple of polite exchanges. Teacher Kang seems pleased with preparations so far, though she looks even more happy about you and Soonyoung’s perceived civility, which damn near bowls you over.

“By the way, Soonyoung,” Teacher Kang says conversationally as the three of you pack up for the afternoon. “How’s the studio?”

“All good.” He pauses, like he realized he hadn’t given that sufficient of an answer. “We’re usually busy around this time of year, but I have one of my staff keeping watch while I’m here. I plan to head back once the holiday season is over.”

You should’ve seen it coming, but something beneath your rib cage still twinges at the thought. You ignore the feeling in favor of shouldering your backpack.

“You shouldn’t wait so long before coming back again,” Teacher Kang half-jokes.

Soonyoung’s chuckle— a dry, unconvincing huff of ha-ha— is chased with the cool delivery of “I’ll try to make it a more regular thing.”

In the corner of your eye, you catch what Teacher Kang misses. The most imperceptible tick in Soonyoung’s jaw.

Liar, you think. Liar, liar, liar.

You and Soonyoung had mastered the art of pretending, sure, but you could never quite get away from each other.

“Why did you come home?”

“I’d forgotten the sound of my mother’s voice.”

“Oh.”

“Yeah.”

The snow returns with a vengeance.

It’s that time of winter where the streets are blanketed with white, where the sleet and rain makes conditions horrendous. You have no choice but to soldier through the soft hail as you make your way to the school, which you’re committed to reach come rain or shine.

Except when you get to the front doors, you’re greeted by a bemused-looking Soonyoung.

You pat down your snow-clad clothes as you look him up and down. “Where are you going?”

He answers your question with one of his own. “Haven’t you heard?” He holds up his phone. “Practice is cancelled today. Everybody’s snowed in.”

You were rarely the type to walk and text, so your phone has been sitting pretty in your pocket this whole time. When you go to check it, you find messages from Teacher Kang. Canceling showcase preparations in lieu of the weather. Stay safe and dry.

“I just found out myself,” Soonyoung says delicately.

Ah. That explained why he was the only other person around.

Disgruntled, you glance at your surroundings. There’s barely anyone present, and the snow is only seeming to fall heavier with each passing minute. You’d be lucky to get a cab at this rate—

“Or I could just drive you.”

You jump a bit. At what point had you started saying that last thought out loud?

“That’s not necessary,” you start to say, but Soonyoung is already fishing for his car keys in his jacket pocket.

“I know you hate my ass,” he responds bluntly. “But that hatred isn’t worth freezing to death over, no?”

His face is turned away from you, so there’s no way for you to tell what expression he’s sporting. It’s a small grace. Even though you dread the thought of being stuck in a small space with nothing but your thoughts and an old ghost to keep your company, you do hate the prospect of hypothermia even more.

That’s how you end up in the passenger seat of Soonyoung’s beat-up Hyundai Pony, which stutters and bucks every time he has to take a turn. It’s the very same car that you both learned to drive in, though it’s looking significantly worse for wear.

While nostalgia has proven to be a bitch, you can’t resist the jab on the tip of your tongue. “Jesus,” you breathe, your fingers tightening around your seatbelt as Soonyoung barely makes a corner. “I can’t believe this thing’s still alive.”

“That makes two of us,” he quips with a grimace.

Once the car miraculously makes its way past a snowed-out road, Soonyoung notes, “Remember when my dad first taught us how to get through rain?”

The memory brings the flicker of a smile to your face. “You were so scared you might run a squirrel over,” you say.

“You swore up and down that you’d never drive on a wet road,” Soonyoung shoots back.

“I still don’t,” you respond, glancing out the window for the lack of a better thing to look at. “I ask my dad to drive whenever it’s raining.”

Soonyoung’s next words make you pause. “Your dad hated me,” he huffs.

You let out a snort of laughter. “That’s not true. He really liked you.”

“He always left the room whenever I came in,” Soonyoung argues.

“He wanted to give us privacy.” You can’t help the sigh that slides past your lips, the sound edged with annoyance. “Really, you’ve got to stop blaming other people for why we didn’t work out.”

The words hang heavy in the din of the car. You wonder, for a second, if you’d been too callous, but there’s something like a rueful smile that tugs at Soonyoung’s face.

“Sorry. Coping mechanism,” he responds, and you don’t push any further.

An awkward couple of moments follow. Unfortunately for you, Soonyoung has never learned the art of tact— always pushing it just a little bit, right to the point where the tension is drawn like a rubber band.

“You know, my mom has been asking about you,” Soonyoung says conversationally as he turns into your neighborhood. “Says I should invite you over for lunch.”

Your grasp on the seatbelt is white-knuckled. It wasn’t like you were actively avoiding the Kwons; you were perfectly polite when you saw them in public, when you ran into them in the supermarket or at church. But it’s been years since you last stepped foot in their house, and for obvious reasons, too.

“I’m not ready for that,” you answer tersely.

Soonyoung is either oblivious to your agitation or ignorant of it. Regardless of which, he goes on, “I said the same thing. I guess she still thinks—”

“Let’s not go there.” Your tone is just cutting enough to give Soonyoung pause, to have him stammer to a halt as he pulls to a stop in front of your house. “I’m hot having this conversation with you, Soonyoung.”

He doesn’t apologize, though he does back down. “Right,” he mumbles as he parks. “Right.”

You unbuckle your seatbelt, careful to keep your gaze trained away from Soonyoung. “Thanks for the ride.”

Soonyoung is graciously quiet as you step out of his car, though that lasts for all of ten seconds— just enough for you to almost close the door on him— when he speaks up.

“Hey. For the record,” he starts, leaning over the center console to get in the last word. “I don’t blame anyone else for our breakup. I know whose fault it is.”

You raise an eyebrow. He throws you an infuriating grin before reaching over to pull the door close himself.

Soonyoung peels away, once again leaving you with more questions than answers.

“Why did you come home?”

“It’s cold in the city, during the winter.”

You and Soonyoung find yourselves doubling your efforts as the date of the showcase looms.

You spend more of your time with Teacher Kang. You extend a little more patience to the kids. You dance— dance the routines, dance with Soonyoung, dance around the truth.

But when the elephant in the room is as big as it is, ignorance is not an option. And Soonyoung never did learn how to keep his mouth shut.

It’s late in the evening, the two of you having pulled extra hours to work on decor. You’d felt like it was going a little too well with the way that the two of you were uncharacteristically cordial throughout the afternoon. But of course that was too good to be true, because just as you were packing up for the night, Soonyoung had to go and say—

“Are you happy here?”

You freeze midway into packing away the multi-colored, Christmas tree-shaped banners. That familiar flash of frustration, that inkling that he’s looking down on you, rises up again.

“Why wouldn’t I be?” you say, and he’s immediately prickly.

“It’s nothing.” He shoves some of the props behind the stage, hasty in his pursuit to end the conversation as fast as possible. “Forget I said anything.”

“Come on,” you bristle. All the while, you’re also putting things back in place— your movements just a little more forceful than necessary. “Spit it out. You started it.”

“I was just asking.”

“You’re never ‘just asking’. Go on, say it.”

“You—”

The two of you are glaring at each other, now, your face red and Soonyoung’s fists balled at his side. When you speak, it’s with a tone that could cut through ice.

“Just because I chose to stay,” you say. “It doesn’t mean my dreams are smaller than yours.”

Soonyoung looks dumbstruck. His voice is impossibly tight; his words, reverberating in the otherwise empty hall.

“I wasn’t going to say your dreams are small. It’s just… We—” He backtracks, like the pronoun had been a scalding slip of the tongue. “You could’ve sold out auditoriums.”

Your answer is immediate, if not a little strained.

“A sold out auditorium doesn’t matter if the one person you want isn’t at the recital,” you say. “Some people find happiness right where they are, and this is mine.”

And that’s always been the crux of it, hasn’t it? Soonyoung has tried to make a name for himself in cities, in rooms full of people cheering his name. His definition of success was only achievable in quantity, in scale. Yours was different, and he could never really quite accept that.

There’s a moment where Soonyoung doesn’t say anything, just looks at you with a pinched expression on his face. He opens his mouth like he might say something—

“Oi! You two!”

You and Soonyoung jump, the tension that had been simmering between you two disappearing at the interruption. The school’s ancient janitor lingers by the door, squinting at you two.

“Whaddya think yer still doin’ here?” the old man croaks, wielding his broom in a fashion that still makes you recoil. “It’s past curfew! Geddout!”

Never mind the fact you and Soonyoung were now in your late twenties and long out of high school. The two of you still cower and meekly mumble, “Sorry, Mr. Cho.”

It’s snowing again when the two of you step out. Soonyoung’s face is set in stone as he mumbles, “Get in my car.”

Right. Like that was going to happen.

With a wordless huff, you begin to march in the opposite direction to him. “Hey,” he calls out. “Where are you going?”

“Home!”

“In this— hey, it’s snowing!”

“That’s what happens during the winter!”

You’d be a little more conscious about having a screaming match in the streets if it wasn’t nearly midnight. Something about the incessant snowfall and the cloak of darkness gives you just a little more courage to speak your mind, to toe that line that the two of you have so haphazardly drawn.

Soonyoung marches after you, his own misgivings about the weather momentarily forgotten. He’s raring to fight, and it shows in the way he stomps through the snow like an overgrown child.

“So that’s it, then?” he hollers from a couple of paces behind you. “You’re just going to stay here for the rest of your life, playing it safe? Work at the family restaurant because of filial piety? Marry— I don’t fucking know— guy-next-door Joshua Hong, and have babies, and—”

“What is your problem?!” you snap, rounding on Soonyoung. He skids to a halt, stopping himself from completely barreling into you. “Why are you acting like you know me?”

“Because I do!” His voice cracks on the last word. “I know you!”

“No, you don’t.”

“I know you very well.”

“From what? Jihoon and Wonwoo’s stories?” There’s a muscle straining in your neck from the way you’ve raised your voice, but you can’t find it in yourself to back down. “Think that’s enough to fill a six-year gap?”

That seems to get Soonyoung. “You never reached out to me! Not once!” he seethes.

“Well, neither did you!”

“I didn’t think—” His breath catches. He pushes on. “I didn’t think you’d want to hear from me.”

“That’s a bullshit excuse and you know it.”

“What’s your excuse, then?” he shoots back. “Come on. I’m dying to hear it.”

What’s your excuse, he’s asking. Why haven’t you reached out? If you were so angry and upset about the radio silence, why did you do nothing about it?

Several answers occur to you at once. There was Soonyoung’s own flimsy reasoning. I didn’t think you’d want to hear from me.

There was something close to the truth, something a little too vulnerable to be spoken out loud. I was mad at you. I hated you for a bit. I think I still hate you even now.

There was the whisper of something treacherous, something damning. I was scared that I would only end up asking for you to come back.

None of those words come out. You stay standing across from Soonyoung in the wake of his challenge, your face flushed, your gaze narrow. He glares right back at you, unyielding in his pride and his pain.

The silence stretches. It becomes an answer in itself.

“Exactly,” Soonyoung says with a heavy exhale. There’s a spark of flint in his eyes, a flicker of something that could almost be likened to hurt. “It takes two people to break up. You always seem to forget that.”

As he begins to stalk away, you’re overcome with that feeling again. That heavy weight in your chest, put there whenever you know he got the last word, whenever he turned out to be right. Soonyoung has only taken about three steps away before you’re bending down and cupping some snow in your hands.

The hastily-made snowball hits Soonyoung on the back of his head. It splatters against his hair, leaving tiny, glistening flakes tangled in his blonde strands.

He freezes, but only for a moment. In the blink of an eye, Soonyoung is already crouching down to retaliate. He’s quicker and much more savage, and his revenge soars through the end to land squarely in your chest.

You stagger backward, the gasp catching in your throat. Oh, it’s on.

What ensues is the most ruthless snowball fight that your small town has seen. Snowballs are hurled with reckless abandon, the ice crystals getting everywhere from your clothes to your socks. Neither of you even bother to try and hide from the onslaught. The two of you take each other’s attacks, every hit punctuated with heatless insults that have simmered too long.

“You never called—” Soonyoung screeches, sending a cold sphere against your shoulder.

“You didn’t visit—” you shriek as you shape ammunition in your gloved hands.

“You deleted every photo of me off your Facebook—” A snowball to your side.

“You talked to Jihoon and Wonwoo, but not me—” Another square hit to Soonyoung’s chest, sending a puff of powdery snow up into his face.

“Coward!”

“Asshole!”

It feels like hours before the two of you let up.

The two of you are covered in snow from head to toe; your chests heaving from exertion, your cheeks ruddy from the cold. The heat of the exchange leaves you both puffing breaths that cloud the air between you.

There’s a hint of something in your stances. Something that feels like it belongs to another time— before the breakup, before the distance.

Quietly, Soonyoung starts to laugh.

His hands are on his hips and his head is tilted back. The flakes catch on his eyelashes, his hair, but he keeps his face upturned to the sky as he laughs, and laughs, and laughs.

That old, familiar sound. The one that warms you up from the inside, whether or not you care to admit it. You’re doubled over, your hands on your knees, as you watch him look more and more like the boy you loved and lost.

“I hate you,” you choke out, though a corner of your mouth has twitched upward.

He doesn’t even look at you as he responds.

“Yeah,” he breathes. “Missed you, too.”

“Why did you come home?”

“Am I not allowed to?”

“Soonyoung says you two kissed and made up.”

You shoot Jihoon an unamused glare.

From across you, he raises his hand in a defensive gesture. “I didn’t believe him, of course,” he insists, though you don’t miss the way he and Wonwoo try to discreetly exchange money under the table.

Wonwoo catches your suspicious expression and gives you an apologetic grin in return.

“Made a bet,” he says.

“You two suck,” you groan.

Your three’s weekly lunch has gone mostly swimmingly up to the point that Jihoon had brought up Soonyoung. Now, though, with the topic broached, neither of your friends see the need to be discreet about it.

“I do wonder why Soonie decided to come home now, after all these years,” Wonwoo muses aloud, toying with his chopsticks as he speaks. “Seems a bit out of the blue, doesn’t it?”

“He came home because Teacher Kang asked him,” you point out.

One of Jihoon’s eyebrows cocks upward. “Teacher Kang has asked him every year for the past couple of years,” he says. “So it’s not just that, I’m sure.”

Wonwoo chimes in with, “Must be something real important, then.”

Jihoon nearly smirks. “Or someone.”

What feels like your nth groan of the evening escapes you. “Put a sock in it, you two,” you grumble, drawing snickers from your friends.

Jihoon mouths something to Wonwoo. You can’t make it out for certain, but it looks suspiciously like a wordless grumble of Bet’s still on.

Civility is a rare thing to share with Soonyoung.

With the showcase mere days away, it’s a welcome development. At least it’s easier for the two of you to iron out the chinks in the routines, to ensure the program is up to par with the school’s standards.

But with civility comes an even more fragile thing— hope.

It’s in the way Soonyoung will hold open doors for you or haul the heavier props on your behalf, much to your chagrin and to Teacher Kang’s amusement.

It’s in the way Soonyoung starts to make small talk about everything from your day job to your parents, never minding much that he’s the one who has to carry half the conversations.

It’s in the way Soonyoung tries to make you laugh, and how, one afternoon, he finally succeeds.

You can’t even remember what it was. Some terrible joke about the kids, maybe. All you know is that a snort of laughter had slid out of you, the sound not quite the derisive giggles you’d been giving him the past couple of weeks.

You’re still chuckling when you see Soonyoung’s face.

Immediately, you sober up. “What?” you ask, because he’s staring at you with his jaw slack and his eyes slightly wide.

He tries to rearrange his expression into something more acceptable; it’s too late, given that you’ve already caught him. Soonyoung may have not always been honest, but he was expressive.

You glare at him, indicating that he’s not about to escape, and he huffs out a defeated sigh.

“It’s just— I forgot, okay?”

“Forgot what?”

“How good happiness looks on you.”

Who the hell says something like that on a random Thursday?

Soonyoung still has that vaguely dazed look in his eyes, even though you’ve begun to stare at him like he’s insane. As he walks away to go and refill his water bottle, he nearly collides with one of the auditorium’s poles, drawing raucous laughter from the kids.

You shush them, the tips of your ears beginning to flame.

“Why did you come home?”

“It was about time.”

It’s nothing short of a miracle, how you, Jihoon, Soonyoung, and Wonwoo all end up at the same table at Taco Joe’s.

Jihoon had been the one who proposed the idea. So casually, too, like he was readying himself for one of your infamous tirades or a flurry of your punches. Soonyoung wants to grab drinks with all of us.

To Jihoon and Wonwoo’s surprise, you had only responded with, “When?”

Neither boys want to look a gift horse in the mouth, so they’re extra careful in playing their cards right. Wonwoo vows to be the designated driver. Jihoon holds back on making any jokes about the whole affair. And, Soonyoung— well, he’s just happy to be there.

“This place really hasn’t changed, huh?” Soonyoung snickers as he sips at his beer.

There’s not a lot of bars to choose from in your small town, making Taco Joe’s something of an institution. Its low lights, Top 50’s playlist, and cheap drinks attract more of the mid-twenties crowd, though there had been a time in your teenage years when you’d all tried and failed to sneak in.

“Joe threatened to ban us for life when we first stepped foot in here,” Jihoon reminisces.

Wonwoo pushes his glasses up his face by the bridge of his nose. “Worse,” he says. “He said he would tell our parents.”

Simultaneously, the four of you shudder. A small smile tugs at your lips as you extend your cocktail for the boys to cheers with.

“To vindication,” you announce.

There’s a ripple of laughter among your friends.

“Vindication,” they echo, clinking their bottles and glasses with yours.

A part of you is suspicious at how pleasant the night is going. The conversation is easy, if not a little on the safe side. The drinks are good. The music is more often a hit instead of a miss. It’s shaping up to be a decent evening, though there are a handful of interruptions here and there.

Kwon Soonyoung is a bit of a local celebrity, after all.

Everybody and their mother knows about his swanky dance studio in the city, about the idols and celebrities he’s met in his line of work. Every so often, someone will stop by to greet him, to exchange a word or two with him.

Soonyoung is perfectly amicable to all of them. His smile, practiced; his words, cool and smooth. After the fourth or so person has come up to say hello to the Hoshi, Jihoon voices out what you’ve all been thinking.

“It’s so exhausting hanging out with you,” Jihoon says dryly.

Soonyoung giggles mid-swig of his alcohol. “Can’t help it.” He fakes a tired sigh, his shoulders rising in a shrug. “Everybody wants a piece of me.”

“I’ll tear you to pieces if anyone else comes up to us,” Wonwoo warns.

Your gaze flicks over Wonwoo’s shoulder, towards someone approaching your corner table. “Get those claws ready, Wonu,” you say.

When Joshua Hong saunters up to your group’s table, though, his greeting for Soonyoung is cursory at best.

“Nice to see you back, Kwon,” the man says politely before turning his attention to you. “Hey, you.”

You straighten in your seat. Jihoon and Wonwoo exchange a look. Soonyoung’s eyes narrow ever so slightly as he gives a grumbled ‘hello’ to Joshua’s lackluster greeting.

It’s apparent that Joshua isn’t there for him, because Joshua is instead smiling at you. “Hey,” you respond in kind. “What’s up?”

Joshua had been an upperclassman during your school days, part of the infamous trio featuring troublemaker Yoon Jeonghan and varsity captain Choi Seungcheol. But Joshua was more on the mild side, known for his volunteer work at the local choir. He wasn’t any less unattainable, though, and you’re reminded of why Soonyoung so callously threw his name out during your more recent spat.

Prior to dating Soonyoung, you did have a raging crush on Joshua, after all. You’re briefly reminded of it as he flashes you a warm smile. “I was hoping I could buy you a drink,” he says. “For… you know.”

There’s absolutely nothing coy in Joshua’s words. He’s not suggestive, not trying to come on to you. All the same, the three boys at your table react like Joshua had just proposed.

Jihoon bites back a grin. Wonwoo cocks his head to one side. Soonyoung shoots back a quarter of his beer.

For… you know, Joshua is saying, and you know exactly what he means even though the rest aren’t privy to it. You’re already getting to your feet before you can register it. “Yeah,” you say, nodding towards the bar. “Let’s go.”

None of your friends say a thing as you step away with Joshua, but you can feel their eyes on your back. You know you’re going to get hell for it later— but, for now, you focus on the small talk that Joshua has to offer.

He lets you pick out your cocktail of choice. As the bartender goes to make it, Joshua smiles down at you. There had been a time where you might’ve keened over at the sight of it; now, though, it only makes your heart flutter a bit.

His voice is just loud enough to be heard over the thumping music, but low enough that it’s just for the two of you.

“Thank you for your help,” he says. “Really. You’re a life-saver.”

Your expression softens underneath the lights of the bar. “How’s your dad?”

Joshua’s smile is a little tight, but not any less sincere. “Better,” he responds. “It’s rough, of course, but he’s coping.”

Earlier in the year, Joshua’s father had been one of your firm’s clients. It had been a lot more challenging than you thought, working with someone you personally knew. The arduous process had involved unsecured debts, scarred credit scores, and seized collaterals, but you were ultimately able to help the Hongs in closing down their music school.

“I’m glad.” You pause, as if realizing that’s not quite the right thing to say. “I’m not glad about what happened—”

Joshua’s laughter cuts through your tirade. Your shoulders ease when you realize it’s not a particularly mean laugh. More of an amused sound at your panic.

“Don’t worry, I get it,” he reassures as the bartender slides your drinks to you. Joshua gives the other man a nod and a mumbled promise of tipping later.

“I don’t want to keep you,” Joshua says. “Just wanted to show my appreciation.”

“You didn’t have to.” Your fingers wrap around the drink he brought you. “But thank you, anyway.”

Joshua nods, grins. The lines are clear as day. He’s not flirting, not trying to get in your pants or anything. The drink is exactly that: A show of gratitude. Nothing more, nothing less.

Some old version of you might have been disappointed. Tonight, you are only oddly relieved. The two of you talk a little more— about things that are neither here nor there— before Joshua lets you go.

Upon your return to your table, you’re greeted with a sight for sore eyes.

Somehow, in the fifteen or so minutes that you were gone, Soonyoung had already shot back his first bottle of beer. As you slide back into your seat next to Wonwoo, your bespectacled friend quietly divulges, “That’s his third one.”

“Third?” You glance toward Soonyoung, your eyebrows raised quizzically. “Are you trying to get alcohol poisoning or something?”

Soonyoung only flashes you a grin before taking another swig. He ignores your question in favor of chatting Jihoon’s ear off; the latter throws you a bemused look before going back to his conversation with Soonyoung.

You huff out a sigh as you go to nurse the cocktail that Joshua got you.

“I wonder what’s gotten into him,” Wonwoo says, his tone just a little too smug for his own good.

You shoot him a sideways glare. He sinks his teeth into his lower lip, hiding his blooming smile behind a sip of his soda.

As the night wears on, you begin to feel that familiar buzz in your system. The telltale signs of your tipsiness leave you pleasantly sated— your laughter a little less restrained, your brain a lot more empty. So when Soonyoung leans across the table to yell at you, “Let’s dance!”, your first instinct is not to say Fuck off.

The words that come out instead are “To what song?”

Soonyoung is already standing up and moving around the table to get to your side. An intoxicated Jihoon and sober Wonwoo only watch on, spectators to this impending dumpster fire, as Soonyoung reaches out to tug you out of your seat.

“Any song,” he breathes. His face is flushed a deep shade of red, but his eyes are as bright as ever. “Anything you want.”

There’s a right thing to do in this situation.

The right thing to do would be to let Soonyoung down politely. To tell him no, you’re not interested in dancing. You’re happy to drink with him and your friends, but you’re not about to indulge him with the thing that once made the two of you so close. You don’t think your heart can take it.

But you’re two cocktails in. The music is good. And Soonyoung is looking at you with that absolutely incandescent expression, faring not any better than you in the game of sobriety. How could you deny him?

You let him pull you to your feet. His hand stays wrapped around your wrist as he drags you out onto the dance floor, as he leans over to the DJ and yells, “Do you have any GD?!”

The current track transitions into the unmistakable beats of Good Boy. Soonyoung’s face lights up like a firework.

You’re drunk enough to laugh at him, with him, as you easily fall into the decade-old dance routine. No matter how long it’s been, it seems like your body still remembers every step, every hand movement.

You’re drunk enough to not care that Wonwoo is not-so discreetly filming the two of you, that Jihoon is wearing a knowing smirk. Come tomorrow, your friends will have a lot to say about this moment. But, right now, it’s all inconsequential.

You’re drunk enough to dance. To dance in a way that isn’t simply for Christmas showcase purposes. To dance and remember why you loved it so much in the first place.

To dance with the boy who got you into it in the first place.

Good Boy spins into Home Sweet Home, then Fantastic Baby, then Gee. You and Soonyoung dance through it all. Honestly, you’re no longer built for this the same way that you once were, and you’re certainly not up to par with Soonyoung.

His drunkenness does nothing to dampen his energy or his dancing skills. He moves across the floor with the practiced ease of a professional, putting everyone to shame without even trying. His toothy smile never leaves his face as the two of you swing and pop and glide.

By the time the DJ starts to play more modern pop, you call for a time-out. Soonyoung stumbles after you and the two of you collapse onto a nearby couch, boneless from the non-stop dancing.

Wonwoo is off to one side, chatting with a girl, while Jihoon is nowhere to be found. You wouldn’t hold it past the latter to be on a smoke break of some sorts; nights out always tended to drain him, after all.

“Insane,” Soonyoung croaks out. Blonde strands of his hair stick to his face due to sweat. You resist the urge to fix it.

“I haven’t danced like that in ages,” you say, rolling your shoulders to fight off the growing ache in your body.

Soonyoung tries to laugh. The sound comes out more like a wheeze. His next words are mumbled in between attempts to catch his breath. “You’re good, babe.”

Come Back Home is thumping through the speakers. You try to focus on that instead of Soonyoung’s Freudian slip; you fail miserably, and it must show on your face because Soonyoung sucks in some air through his teeth.

“Sorry.” He’s laughing, but the sound is a bit rough around the edges. “Moment of weakness.”

A beat. “Wanna dance some more?” he prompts.

Whether it’s a desperate bid to run from his words or a sincere offer by a man who simply lives to dance, you don’t question it. “Yeah,” you say a little too quickly. “Let’s dance.”

You dance until you feel like your feet are going to fall off. Soonyoung matches your pace, never missing a beat. When he needs to take a break, he drinks some more— an endless cycle of dance floor shenanigans and drawn-out sips of beer.

It’s probably why he’s swaying by the time that you’re all calling it a night. Wonwoo and Jihoon flank Soonyoung on either side, the blonde still somehow having the tenacity to chatter while dragging his feet. He’s talking out of his ass about one thing or another, like music these days “not being as good as the OGs,” and you can sense Wonwoo’s exasperation over the whole thing.

“Living in Seoul has done absolutely nothing for your tolerance,” Wonwoo grumbles, prompting Soonyoung to go into a long-winded rant about the cultural differences in drinking culture.

The relief on Wonwoo’s face is palpable as he shoves Soonyoung into the backseat of his car.

Jihoon gives a nod of his own. “You’ll be good to drive?” he asks Wonwoo.

“Didn’t drink a drop,” Wonwoo chirps. “You?”

“Sobered up, like, two hours ago,” Jihoon says wryly. He gives you a vicious side eye— wordlessly blaming you for not being able to go home any earlier, since he was your designated driver— and you raise your shoulders in a half-shrug.

“You were the one who invited me out to drink.” Your voice is hoarse from all the alcohol, from the physical exertion of non-stop dancing.

You’re somehow lucid enough to register that Soonyoung is calling for you. There’s a slight pout on his face, like he’s upset to be missing out on the conversation. He’s bracing himself against the frame of the car door, his legs swung over the seat, as you gingerly approach.

“What?” you ask.

This close, you can smell his faint cologne, mingling with the scent of alcohol and sweat.

This close, you can see the way his eyes are slightly unfocused; his mouth, still bearing the hint of a glowing smile.

“You—” he croaks out.

His gaze darts to your lips. It’s a blink-and-you’ll-miss-it moment. You don’t miss it.

Your breath stills in your chest, and Soonyoung is looking up at your face like he’s searching for something. Denial? Reciprocity?

He must not have found what he was looking for, because the words he grumbles are, “I’m going to hurl.”

Wonwoo’s panicked shriek cuts through the otherwise quiet parking lot.

“Not in my fucking car, asswipe!”

Soonyoung’s hangover the next day is comical.

You can’t help but snicker as he rolls up to the showcase’s dry run with shades over his eyes and a large cup of coffee in his shaking hands.

“You suck,” he hisses to you as he slides on to the bench next to you. Teacher Kang is busy heralding the students, getting them into their costumes and places, so the two of you have a minute alone before the hubbub strikes up.

“You’re the one who can’t hold down his alcohol,” you respond, eyeing his slumped form with amusement.

Soonyoung mumbles some incoherent cusses, his free hand reaching up to rub at his temples.

“God, my last memory was Hong coming up to the table,” he grouses.

You’re reminded of the inordinate amount of alcohol he downed in your brief absence. I wonder what’s gotten into him, Wonwoo had said.

“That clears,” you say sympathetically.

There’s a moment’s pause before Soonyoung tentatively asks, “Did the two of you ever…?”

You don’t immediately register what he’s asking about Joshua. When it hits you, though, you find a startled laugh sliding past your lips. Because there’s Wonwoo’s answer, even though you don’t recognize it then and there.

“Hong? No, no.” For reasons you can’t quite explain, you feel compelled to tack on, “I haven’t really had the time to date.”

“Oh.” It kills you, how Soonyoung almost sounds relieved. “Me, too. I mean— me neither.”

“Ah.”

“Running a dance studio is a lot of work.”

“Right.”

“And I’m sure— law school, right? That was a lot of work, too.”

“Right, yeah.”

It’s a stilted conversation, one heavy in its implications. The real things that the two of you want to say, want to address, linger on the surface, but neither of you seem to want to break that ice.

You settle, instead, for this moment. For the negligible distance between the two of you on the bleachers and how it closes, slow but steady, like the ticking hands of a clock.

Your shoulder just barely presses against Soonyoung’s.

Neither of you move away.

“Why did you come home?”

“Because I love you, and I miss you.”

“You’re lying.”

“Only one of those is a lie, actually.”

You’ve always liked being front of house during the showcase.

You’re a familiar face to the parents of the children, to the community members who attended the event every year. Their warmth is a welcome reprieve from your nerves.

You make small talk. You usher people to their seats. You try not to wonder where the hell Kwon Soonyoung is.

Despite having his calling card, you haven’t deigned to reach out. It’s tucked away in a drawer at home; you don’t quite know what to do with it. Maybe you’ll actually save his number one of these days.

You’re entertaining the thought when you feel a hand at your elbow. The smiling face of Iseul’s mother— the pompous but well-meaning Mrs. Hwang— greets you.

“There’s no need for that,” she says with a chuckle as you fold into a bow. You don’t miss the way she nonetheless preens at your formalities. It’s why you keep up with it.

You let her link your arms and, out of instinct, you begin to lead her to one of the free seats in the auditorium. “Are you excited for this year’s show, Mrs. Hwang?” you ask conversationally.

“You know it,” she answers. “Iseul has been talking non-stop about her performance, but she refuses to tell me what song to expect!”

You’d recognize Mrs. Hwang’s baiting tendencies from a mile away. With a curt giggle, you tell her, “You’ll find out soon enough, Mrs. Hwang. I promise it’ll be worth the suspense.”

The older woman gives you a disapproving frown, but it smooths out as she seems to realize a change in topic. The auditorium is notably a little more packed this year, enough to have the volunteers bringing out additional Monobloc chairs.

“I guess people want to see what the Kwon boy has done to the showcase, hm?” she notes, speaking into existence the fact that you’ve neglected to acknowledge so far.

Surprisingly, you don’t feel bitter about it. People were showing up to assess Soonyoung’s choreography, to bask in the product of his labor. There’s a twinge of something in your chest. It could almost be mistaken for pride.

Mrs. Hwang tacks on, “Mighty shame.”

That throws you off. “Pardon?”

She doesn’t respond immediately, her eyes zeroing in on an empty chair by the front of the stage. She practically drags you there as she continues, “It’s really so unfortunate. The whole thing about his dance studio tanking.”

The whole thing about his dance studio tanking.

What the hell was she talking about?

The universe, once again, had to be messing with you. You’re convinced this is some skit. Some buildup to a joke.

But the punch line never comes, and you end up admitting, “I don’t think I’ve heard about that yet, Mrs. Hwang.”

Your voice is surprisingly even for someone whose world was closing in. If Mrs. Hwang can sense the trepidation in your demeanor, she makes no indication of it. You’re grateful for her obliviousness, even, because she only keeps talking as she settles into her seat.

“My girls are always talking about it,” she says, referring to the group of forty-something-year-old women who like to gather and gossip in the town’s sole Italian restaurant. “That’s why he’s back. Couldn’t hack it out there.”

When she glances up at you with a scrutinizing expression, you just know you’re not going to like what she says next. You’re proven right when she says, “We thought he’d ask for your help, actually. Isn’t liquidation your specialty?”

You can’t be bothered to correct the woman over the technicalities. You give her a tight smile, a nod of your head, a polite ‘goodbye’ as you take your leave.

There are much more pressing matters, you think to yourself, as you go to greet more guests, make sure the music is all queued up, check in on the host’s script.

You didn’t spend over a month preparing for tonight only to lose yourself before it’s even begun. You refuse to let the new piece of information trip you up, even though it has your heart acting like a caged animal underneath your ribs.

The showcase goes by without a hitch. The children are more than phenomenal; they’re perfect.

The audience is enamored. The teachers are overjoyed.

You want nothing more than to go home and tear up Soonyoung’s calling card.

As the showcase wraps up to enthusiastic applause, Teacher Kang snatches the microphone from the host for one last announcement.

“This wouldn’t have been possible without two of our very tireless volunteers,” she says, and— from backstage— you wince. Before you know it, you’re being pushed out onto the stage.

Soonyoung exits from the other stage wing.

He’s managed to evade you the entire showcase, and now you realize why. In his arms, he holds a monstrous bouquet. Yellow acacias, striped carnations, bunch-flowered daffodils. Your first thought is how expensive it might have been, to find out-of-season blooms in the thick of winter.

Your second thought is that you want to hurl, but that’s neither here nor there.

As Soonyoung strides in from the other side of the stage to meet you in the middle, he sees it. He sees the hint of trepidation underneath your practiced grin, sees the way your eyes flash momentarily. His own grin drops ever so slightly.

But the two of you are in an auditorium, on a stage in front of Namyangju’s best and brightest. Neither of you can afford to give voice to what you feel.

Soonyoung hands you the bouquet. You nod in acknowledgement.

The two of you instinctively reach for each other’s hands.

You hadn’t noticed that the crowd had gotten to their feet. A standing ovation. It feels like an echo of the past, a cruel reminder of an alternate universe.

Even so, your smile never wavers. Neither does Soonyoung’s. He raises your hand. The two of you take a bow.

The Great Pretenders put on their best show yet.

“What was that?”

A part of you is surprised that Soonyoung found you. The moment the showcase officially concluded, you were booking it out of the auditorium before he could even get a word in edgewise. Gracefully, the dozens of people hounding him for photos and small talk let you widen the gap.

Still, he caught up. Just as you were passing by the godforsaken playground that had witnessed the ending of it all. Oh, the universe and its jokes.

Soonyoung is red-faced, like you’d embarrassed him somehow despite the convincing act you both put on. Your fingers tighten around the bouquet he gave you.

“What was that?” he repeats, and what little restraint you had left snaps.

“Why did you come home?” you ask point blank.

“Teacher Kang—”

“Don’t,” you snipe. “Teacher Kang asked you last year. And the year before that. Why did you come home now, Soonyoung?”

The question hangs heavy in the early December evening. You and Soonyoung are staring at each other, mere paces away from the swing set where the two of you made your choices.

He doesn’t answer right away, so you prompt him with, “Is it because of me?”

Soonyoung misinterprets the question. You can see the way his eyes light up, the way his lips part like he’s just about to say something of consequence.

You almost feel guilty about the next words that tear out of you. “You’re going bankrupt,” you say, and the hope on his face fizzles out like a popped lightbulb.

“Who told you—” he chokes out.

“So it’s true?”

Kwon Soonyoung is struck dumb.

Soonyoung, whose mouth ran faster than his brain. Soonyoung, who was full of quick quips and witty remarks.

Soonyoung, who is now staring at you like you’ve told him the world was about to end.

You contemplate throwing his bouquet in his face. It will make for a dramatic, pretty picture— the petals falling onto the soft snow, the fuck you loud despite being unspoken. For now, you only clutch the arrangement closer to your chest like it's a lifeline.

“And here I thought—” Your breath hitches on a scoff, the puff of air visible in the chill. “I was a fool who thought you came back for me.”

The truth cuts. Your laugh bitterly as you go on, “I guess you still did, though, huh? Because you need me. What? Were you hoping to avail of cheap services, Kwon?”

“That’s not—”

“That’s exactly it!” Your tone is shrill. Soonyoung always did bring out the worst in you. “You were away for six years, and now you’ve come crawling back—”

“Do you think I wanted to fail?”

Soonyoung’s voice rises, his frustration bubbling over to match yours.

“I starved out there,” he bites out. “Ate cup noodles for a year so the studio could afford rent for one more month. Sold half of my stuff so I could pay my employees. It was so hard.”

The way Soonyoung’s voice breaks on the last word makes something in your heart clench. For a moment, you think it might be pity, but you kill the feeling as soon as it tries to make itself known.

You don’t want to pity Soonyoung, which is both an insult and a grace.

“Why didn’t you say anything?” you ask instead, even though a part of you already knows the answer.

A sound that’s almost like a delirious laugh escapes him. “Not when I was the one who made it out,” he responds.

You never realized how much you’d prefer Soonyoung’s cocky, self-assured self over this version of him. This boy— man— who is defeated and resigned. Even in your anger, there is a small part of you that wants to do something to wipe that look off his face.

“I made it out,” he repeats wearily, like it’s taking everything in him to face the truth of being Namyangju’s failing poster boy.

He continues, “I gave up everything to be there. I gave up you.”

Your grip on the bouquet tightens. There’s a faint prickle behind your eyes, but you refuse to let those tears fall. “You did that like it was easy,” you mumble, your voice just loud enough to carry.

Soonyoung meets your gaze. He looks like he’s on the verge of sobbing himself, but his tone brokers no arguments.

“It wasn’t,” he says.

And that was that.

You’ve never been able to stand not having the last word. You clear your throat, attempting to speak through the lump forming there. “Yeah, well,” you say shakily. “You’re not the only one who lost something.”

It’s a shitty comparison and you know it. Soonyoung’s sacrifices dwarf yours. You weren’t the one who moved away, who bore the weight of an entire city’s pride.

Thankfully, Soonyoung doesn’t call you out on it. He only takes a sharp exhale and turns his gaze away, his eyes fixed on the swings.

When he speaks, his voice is quiet. Almost like the words are an afterthought. “For the record— that night?” he says. You don’t have to ask for clarification. You know exactly which night he’s talking about.

“I was hoping you’d change my mind,” he confesses.

A physical blow to the chest would have hurt less. You stagger, but you try to mask it like you’re taking a step back. Like you’re walking away, even as your eyes never leave Soonyoung’s face.

“And I was hoping I’d be worth staying for,” you say with a humorless laugh, the distance between the two of you growing, growing, growing.

Your parting words are the proverbial nail on the coffin: “I guess we both didn’t get what we wanted.”

“Why did you come home?”

“I didn’t know where else to go.”

For once, Jihoon and Wonwoo have nothing to say.

No wisecrack. No jab. No exchange of money in some backhanded bet.

They listen as you recount the salient points of the argument. You keep the personal stuff out of your own retelling, focusing only on the broad strokes. The biggest concern lies in one nagging question.

“Did you know?” you ask, your hands bracing the table in front of you.

“No,” Jihoon says immediately.

Wonwoo chimes in with a quiet “Me neither.”

You know these boys. You’ve seen them lie to their parents about their homework, lie to their girlfriends about where they were.

They’re not lying now. You know that much.

A shaky exhale escapes you. It’s been three days since the fight and you’ve yet to run into Soonyoung. You wouldn’t hold it past him to avoid you, either by steering clear from the places you frequent or getting on the first bus back to Seoul.

“When he asked about how you were doing,” Jihoon says gruffly. “I thought it was just— yearning or some shit.”

“Me, too,” Wonwoo adds.

Yearning or shit. The words almost make you laugh.

The pinched expression on your face prompts Wonwoo to ask, “Are you upset?”

‘Upset’ feels like too light of a term to describe the maelstrom of emotions within you. There are facts: You wish you had known. You could have afforded to be kinder. You are afraid that you will never stop being angry.

You answer Wonwoo’s question with a mumbled, “Would it be cliché to say that I’m just disappointed?”

“Ah.” His face is thoughtful, understanding. “Because you expected something from him.”

“That’s not it,” you say dryly.

It is.

The three of you lapse into contemplative silence. Jihoon breaks it after a couple of moments, his tone soft and serious.

“I know it’s shitty,” he says. “But I do hope that he’s okay.”

That would be the mature thing to do. Even Wonwoo is nodding his agreement, willing to set aside his own gripes in favor of well wishing.

You can’t bring yourself to do the same. The platitude sticks in your throat until you feel like it will suffocate you.

Soonyoung has an alibi for not showing up to Teacher Kang’s post-processing session.

You’re grateful that the elderly woman doesn’t go on about the details of his absence. She mentions something about him being busy with the holidays, and you take it in stride.

You try not to picture the way his jaw might’ve twitched before sending out the text, before lying to get away.

“Everybody loved the show,” Teacher Kang gushes. “I’m so proud of you, dear. I really do hope we can have Soonyoung on board more often.”

An offhand joke of “we’ll probably be seeing a lot more of him in the near future” crosses your mind, but you hold it back. You may be calloused, but you’re not heartless.

You nod. You agree with Teacher Kang. You hold it together, up until you’re halfway out the door and she calls you back for one last word.

“You know,” she starts. “I remember the two of you when you were kids.”

You’d been dreading this— the inevitable trip down memory lane. You thought you had escaped it, but now you’re facing it with one of the world’s fakest smiles.

“That was a long time ago,” you say.

“It was.” There’s a glimmer in Teacher Kang’s eye. Something unbearably tender. “Soonyoung always made you smile a certain way. You’ve started smiling like that again. It’s nice to see.”

You don’t know how you manage to laugh it off, to bid Teacher Kang goodbye and make your way back to your car. Your hands are shaking as you slide into the driver’s seat of your car.

The school’s parking lot is gracefully empty. It’s a good thing, because then no one can hear you as you fold in half and screech.

You scream until your voice goes hoarse, until the windows shake.

You scream until you can’t hear the way your chest is caving in on your heart.

Your theory of running into everyone but Soonyoung is proven when you’re sooner to cross paths with Mama Kwon.

Your carts nearly collide in the pasta aisle of the grocery store. You’re already bowing, apologizing profusely, when you realize that you recognize the woman holding a can of pesto.

She says your name with the fondness that could rival your own mother’s. It takes everything in you not to bolt at the sound of it.

“What a coincidence,” she says with a tinkling laugh.

You know in your heart of hearts that it’s exactly that. A coincidence. Still, you can’t help but think some higher power is out to get you. Call it karmic justice.

“How have you been, Mrs. Kwon?” you ask, feeling the slight nip of not addressing the woman as you typically might.

She notices too, if her slightly furrowed brow is any indication. She manages to rearrange her expression into something more neutral as she answers.

“You know how the holidays are,” she says, wielding her pesto bottle in an absentminded gesture. “It’s a full house!”

That stings.

You’ve heard from your mother how the past couple of years, Mama Kwon would complain about her household feeling empty during the holidays. The seat at the dining table stayed vacant for the son that refused to come home.

You don’t know how much she knows about the state of the dance studio, so you decide to play it safe. “I’m sure it is,” you say.

The small talk is tearing you up from the inside, but you don’t want to be rude. Don’t want to be a stranger to the woman who once cared for you so deeply— who probably still cares for you, if you really thought of it.

The question is out of you before you can hold it back. “Are you with Soonyoung?”

What would you even do with that information? Would you have booked it if she said ‘yes, he’s right around the corner’? Would you have cried if she revealed that he headed back to the city?

You’re not sure.

Here’s what happens instead: A sigh nearly breaks out of you when Mama Kwon responds, “He’s in the next shop over, getting some repairs for the car. We’re meeting at Italianni's for lunch.”

Still here, a small voice murmurs in the back of your mind. Hasn’t left for Seoul just yet.

You shake the thought away as Mama Kwon delicately prompts, “Would you like to join us?”

Mama Kwon is probably not inviting you solely out of politeness. She’s making the offer because she wants you to be there. She wants you to be at the same table as her family, sharing a pizza and whatever the restaurant’s special for the day is. She wants you to sit next to Soonyoung and play nice, even though you currently can’t stomach the thought of being anywhere near him.

For some reason, it makes you want to cry.

To lose somebody in a breakup is painful, yes. To lose all the things that came with it— like the family that you might have learned to love yourself?

A different type of ache all together.

Your smile is so painfully fake, almost hurting the edges of your mouth, as you try to let her down gently. “I wouldn’t want to impose,” you say. “But thank you for thinking of me.”

For once, The Great Pretenders is met with negative reviews.

Then again, nothing ever really escaped Mama Kwon’s scrutinizing gaze. She surveys your expression and purses her lips. You can practically see the way that the cogs turn in her brain, as if trying to decide on the response that will do the least amount of damage.

It doesn’t matter how gentle she tries to be. The words that she eventually extends still hurt like a bitch.

“He still talks about you a lot,” she muses.

Oh.

“Oh?”

“Nothing bad,” Mama Kwon says quickly. She laughs again, smiling very much like how her son might.

“Just—” She leans in. Your body autonomously mimics the action.

You’re reminded of being younger, of when she’d do the exact same thing to whisper you some ‘secret’. I got Soonyoung new shoes for Christmas. The car side mirror is busted because of me. I packed you extra of those choco pies you like.

Today, she whispers, “I think he came home for you.”

“Why did you come home?”

“I had a nightmare that I visited and I couldn’t recognize a thing. All the street names were different. The buildings were new. I kept running, trying to look for something familiar, and I just— I was just lost. And that sucked. This was mine once. You know?”

“It still is.”

“You don’t have to lie to me. It isn’t anymore. It hasn’t been for a long time.”

“You know, I really have missed your mother’s cooking.”

You smile ruefully at Soonyoung’s words.

He’s digging heartily into your mother’s signature kimchi jjigae, and you have half the mind to tell him to close his mouth as he chews. Instead, you let him devour the dish.

It had taken a little bit of masterminding to pull this off. Maybe it would’ve been easier to send Soonyoung a text of Let’s meet up, but your blasted pride was one of the last things you had left. You’d be damned if you were going to give that away, too.

You enlisted Jihoon and Wonwoo’s help in orchestrating this, in convincing Soonyoung that he could sneak into your family restaurant undetected. Sure, the blonde had been more than a little miffed when his friends ditched him and left him with you, though his irritation was short-lived in the face of the food he had been craving for God-knows-how-long.

“Maybe that’s because you’ve only been eating shin ramyun,” you point out.

Soonyoung barely looks up from his bowl as he shovels more food into his mouth. “Low blow,” he says in between bites.

You wince. “Sorry.”

“You’re not really sorry.”

“No, I am.”

That drags Soonyoung’s attention away from his stew.

His guarded expression slots right back into place, like he’s realizing you have some ulterior motive beyond feeding him. He rests his spoon against his bowl and leans back into his chair. With one eyebrow raised, he says, “This feels a lot like the lead-in to a breakup.”

A bark of laughter escapes you. Of course Soonyoung would make a joke like that.

You reach into your pocket until you’ve found what you’re looking for. Wordlessly, you slide it across the table until it’s resting by Soonyoung’s hand.

“I’ll give you a discount,” you tell him. “But only, like, fifteen percent. Anything more than that is just pushing it.”

Your calling card stares up at him. It bears your name along with your firm’s address, your phone number, and your title. Consumer bankruptcy lawyer.

Even now, Soonyoung can’t help but be expressive. His wide eyes are fixed on the card you’ve laid out. For a moment, your offer hangs in precious balance, but you don’t have a single urge to take it back. It’s entirely, wholly for Soonyoung to take.

He asks the question that you know is coming. “Why are you doing this?” he says, his words like a raw nerve.

You almost smile. Almost.

In the past week that you’ve mulled it over, you’ve reached at least a dozen different answers.

Because Jihoon and Wonwoo worry about you.

Because it’s the right thing to do.

Because Teacher Kang talks about you like you hung the stars and the moon.

Because I owe you one.

Because I don’t want you to let Mama Kwon down.

Because I’ve missed you, and I want you to be happy, even if that happiness has nothing to do with me.

The answer that eventually, finally comes to you is none of the above.

You simply say, “Because you’re my favorite ex.”

The call asking for your help never comes.

A couple of days after that lunch, you find something on your desk. Your calling card.

If it weren’t for one small thing, you would’ve thought that it was a stray card of yours that you’d forgotten. But then you catch sight of a doodle in one corner right before you’re about to tuck the card away in your closet.

A crude drawing of a tiger, with crescent-shaped eyes and a toothy smile.

You instantly know what it means. Sure enough, you hear from Jihoon that same evening.

Kwon Soonyoung has left as quietly as he arrived.

There is relief. There is regret. How you feel ultimately doesn’t matter, because you knew it would always come to this— a choice being made.

He left. You stayed.

The world spins madly on.

The last of the snow is melting on an unassuming Tuesday afternoon when your phone pings in your pocket. You fish it out to find two texts from an unknown number. The first is a link to a news article.

You’re suspicious, but curiosity always did kill the cat. The article loads and fills your screen.

Eye of the Tiger Dance Studio To Start Offering Child-Friendly Dance Lessons

By: Xu Minghao

SEOUL, South Korea – Eye of the Tiger Dance Studio, founded by renowned choreographer and performer Kwon Soonyoung, better known as HOSHI, is expanding its mission to inspire a new generation of dancers. The studio announced it will officially begin offering child-friendly dance lessons following a successful pilot program last month.

Parents and young aspiring dancers can look forward to the official launch of child-friendly lessons early next year. According to HOSHI, the initiative aims to “nurture the joy of dance from an early age and build a foundation for self-expression and confidence.”

The studio piloted its first all-children dance classes in January, offering a creative and supportive environment for young dancers to explore movement. The program’s success has led to an upcoming showcase featuring the children at the KB Art Hall in Gangnam.

HOSHI, celebrated for his innovative choreography and passion for dance, revealed the inspiration behind this new direction.

“There was a time I felt lost, like I had lost my purpose for dance,” HOSHI shared, reflecting on a challenging period in his career. “I was going through the motions, using dance as a way to distract myself from everything else, rather than embracing it as a part of who I am.”

“But I realized something important recently,” he goes on. “Dance shouldn’t be an escape or a vacation. It should be a homecoming.”

And that’s exactly what they hope to do with their upcoming showcase. Details on the event can be found here.

The second text bears only a couple of words, but it changes the ending of everything.

There’s only one seat that will matter in that auditorium, it reads.

Please make sure it’s not empty.

“Why did you come home?”

“Home had you.”

#winterwithyoucollab #svthub #mansaenetwork #soonyoung x reader #hoshi x reader #svt x reader #seventeen x reader #soonyoung imagines #hoshi imagines #soonyoung fic #hoshi fic #soonyoung angst #hoshi angst #svt fic #seventeen fic #( <3 here it is! my love my light the fruit of my labor etc. )#( annotations/editing are imminent. but for now know i was insaneee over this )#(💎) page: svt #(🥡) notebook

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thatscarletflycatcher · 8 months ago

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Annotated Editions: the case of Jane Austen's Persuasion

The other day I made a post about my poor opinion of David Shepard's annotated editions of Jane Austen's novels, specially in terms of how much praise they get in the Austen fandom. That last qualifier is important, because while in general I do think they aren't great in a vacuum, it's specifically the place of honor they get in fandom that makes my judgement harsher; not because popular=bad, but because, well, if you claim to be excellent, you should be excellent.

So I'm gonna try here to compare three annotated editions: Shepard's, Norton Critical, and Oxford World's Classics.

Let's begin with the introductions/prefaces. Prefaces are complicated, because for the most part there is a tradition in this sort of literature to treat them as a free space for an essay, basically fulfilling the role of an afterword, instead of working as an introduction, as a summary of the historical, biographical, anthropological, artistic, etc, clues that will facilitate and enrich the comprehension of the text by the reader.

How goes Shepard about his introduction to Persuasion?

There's a brief note to the reader before the preface itself explaining what kind of notes he has added to the text; so far so good.

The preface itself is roughly divided in the following sections:

a biographical sketch of Jane Austen (5-10%)

comments on the spot Persuasion occupies popularity wise in the list of Austen novels, followed by, as Shepard's argument for why it is so;

An in-depth comparative analysis of the whole plot and main characters of the novel, with other Austen novels, pointing "pros" and "cons." (90-95%)

A comment on how he thinks Austen's style would have been moving forward, disagreeing with Virginia Woolf.

The first section is useful to contextualize the work, but the second is basically spoilers + Shepard's opinions on the novel and on the novel as compared to other Austen novels; this latter part is of little or none usefulness to the reader, and even its quality as an essay has several very weak, "sloppy" points. For example, the assertion that Persuasion, like the rest of Austen's novels is a romance; not only because many would disagree, but because a good introduction would include a discussion of the genre of the novel, and for an Austen novel the discussion and explanation of the nature and tensions of romance, bildungsroman and comedy of manners is VERY important. Another weak point is the blank assertion that Austen never wrote a scene between two men alone, which is false). Another notorious absence in this introduction is the historical setting of Persuasion; it is a rarity between Austen novels in how relevant the Napoleonic Wars are for the plot and how firmly they date the narrative. Tied to this are considerations of class, and the meaning of the navy as a symbol of meritocracy and Austen's special relation to it through her family... none of which are even mentioned in this preface.

How does the Norton Critical Edition by Patricia Meyer Spacks tackle the same part?

When did Austen write the novel and when was it published.

Brief summary of currents of opinion on tone and theme of the novel.

A discussion of traditional views on the "femininity" of Persuasion.

Critical evaluation of this in relation to contemporary analysis of the ethical and the political in Austen and the novel.

Her own interpretation of the novel as an ethical study on the concept of self-love.

A brief note on the choices made for the presentation of the final text.

I do think, even by this brief summary, one can uncontroversially say this is a better preface. While it still lacks the practicality of information that is mentioned rather than explained about the context of the novel, its use of spoilers is sparse and isolated rather than extensive. No supporting references to other novels are made (which I think is a good thing, because those involve a certain requirement of familiarity for the reader), and while the personal interpretation of the editor is presented, it is not an opinion on why Persuasion is popular, but a reference, a way for the reader to organize and approach the text of the novel.

Now on to Oxford World's Classics, introduction and notes by Deidre Shauna Lynch.

Napoleon and the briefest historical context he provides for the novel

An analysis of Persuasion's uniqueness in the Austen canon through the character of Anne

The permanence/change break through the changed roles of houses and the predominance of travel in comparison to previous novels

The role of memory and with this a tieback to continue elaborating on the historical context of the Napoleonic Wars in England and the cultural change it brought in the understanding of History

Persuasion as a sequel-like novel, for which a main interpretative key is that of History and Memory

A stronger attention on aging and disability

The interrelation between war history and social history in the novel, and the time frame of the events

More elaboration on the theme of past and present and personal history, with a contrast between Sir Walter's reading of the baronetage and Anne's reading of the newspapers

An interpretation of Persuasion as commentary on Sir Walter Scott's restoration plots; Wentworth and Mr. Elliot as two forms of return of the past.

An analysis of The ConversationTM between Anne and Harville still on the theme of personal history.

A comparison between the two endings of the novel

The assertion that the novel isn't melancholy and nostalgic in the end, but open to the future

This introduction is much more meandering and essay-like than the Norton one, and in that way much closer to Shepard's, in its use of spoilers and commentary on a text the reader is unfamiliar with. It's definitely not a GoodTM introduction as introduction, but it still includes mentions of important historical context and keys to reading the text; and its commentary provides references not only to other authors writing at the time, such as Scott and Wordsworth, but of more contemporary sources as well. There is some poliphony to it beyond a mention in passing to Virginia Woolf.

Besides that, it's also worth mentioning that the volume includes a brief biography of Austen and a chronology of her life elsewhere, a full note on the text editorial choices, a selection of bibliography for further reading, and three context appendixes on rank and social status, dancing, and Austen's relationship with the navy. As much as I'd think those appendixes should have taken the place of preface and the preface a place of afterword, the information to the reader has been included.

In terms of this kind of extra, Shepard has included a chronology of the novel, maps, and pictures in his notes, which are features the other editions don't have that might be of interest; but he has not provided good contexts like the Oxford edition does, either in the introduction or as appendixes; or pieces of solid, well researched essays and contextual texts like Norton does. Both Oxford and Norton include the cancelled chapters in an annex; he doesn't.

Someone would reasonably argue that Shepard chose to include all contextual information in the notes, and here is where personal opinion comes across the strongest: I think he does it that way, not for the reader's convenience, but for the padding of the notes and to inflate the value of his role as an editor. The addition of titles to the chapters of the novel, and the repetition of notes and information serve, in my opinion, the same end. In my opinion, there is a substantial difference between providing someone contextual information before they engage with something, and giving it as the something unfolds. Your first experience of a soccer match would be entirely different if someone told you the rules of the game, the stakes of the particular match, etc, before you get to the stadium than if they were to feed them to you during the match; and I think the former is a much more satisfying and rich experience.

So, notes!

Shepard's editions have lots and lots of notes. For example, for Chapter I of Persuasion he makes 65 notes, against 9 of Norton and 15 of Oxford. A first impression would say "oh, that's a really nice lot of info!" until you stop to think if this is really such a heavy text that it requires a note every 40 words on average. That's almost two notes on the extension of this paragraph alone. Let's dig a bit more to see where are the differences in selection.

Norton's, as you might have guessed now, tend to be editions heavy on the commentary side through essays and articles, and so notes are minimal and sparse. The notes on this chapter are on "baronetage", "patents", "creations", "Dugdale", "worsting", "chaise and four", "Tattersal's", "black ribbons", and "alineable". None of the notes go over a line. Oxford includes all these, and adds "High Sheriff", "exertions of loyalty", "duodecimo", "heir presumptive", "awful legacy", "dear daughter's sake", "every ball", and "his agent". Listing all the Shepard notes would be exhausting, so let's try some general classification of the notes that aren't the ones above:

3 geographical notes that amount to "this is a place in England, see map", which are easily understood in context.

14 glossary notes which usefulness/necessity is very variable. Awful and town are very reasonable notes; one wonders the necessity of notes on bloom and independence which are easily understood by context.

This theme of usefulness extends to the rest of the general notes. That stillborns were not uncommon during Jane Austen's era, or that Austen's fabricated entry of the baronetage actually does look like an entry of the baronetage is trivial and not necessary for the understanding of the text at all. That lady Russell is the widow of a knight is something that the text will state the following chapter, and that knights ranked below baronets will be heavily implied there too. The explanation of what an old country family is literally reads as redundant. Many notes are like this: information that is trivial, explained further on in the text or easily understood through context. This is specially the case of notes like the one saying that cousin marriage wasn't illegal, that people of high status spent a lot of money showing it off, and that rich people also went into debt.

There are useful notes, but when you trim them down to the actually pertinent and useful, there aren't many more than the ones included in the Oxford edition.

Now let me take a look at some of the notes shared between Shepard and Oxford:

On patents/creations:

Shepard:

The book listed families in order of receipt of the title. Thus Sir Walter would first see the earliest patents (i.e., grants conferring the baronetcy); there would be only a “limited remnant” of them because most early baronetcies had expired by this point due to the death of all possible heirs. Sir Walter could only know this by consulting another book such as Dugdale (see note 9) and comparing its list of all baronetcies with the entries in his baronetage, for the latter would show only existing titles—that he has done this indicates how obsessed he is with the matter. This carefully acquired knowledge arouses Sir Walter to admiration for himself as the holder of a surviving baronetcy. He would later come to the many pages showing the creations, or new titles, of the last (i.e., eighteenth) century and feel contempt for their relative newness (his came from 1660; see note 12).

Oxford:

limited remnant of the earliest patents: a title was also referred to as a patent: ‘a writ conferring some exclusive right or privilege’ (Johnson). Sir Walter regrets the passing away of the families whose titles date back to the seventeenth century. James I had created the title of baronet in 1611 and had used the financial support he obtained from the baronets he created to fund his army in Northern Ireland. endless creations of the last century: Sir Walter’s contempt for the low-born recipients of the new titles that the government had distributed would extend to those who, like the commander of the Fleet, Lord Nelson (the son of a mere country clergyman), had recently been rewarded with newly created peerages for their war service.

Oxford omits information that will be said explicitly later on in the text (that the Elliot baronetcy dates from 1660), and in its place includes a very relevant example of a new patent to show why Sir Walter looks with contempt upon new creations, rather than simply repeating what the text says.

High sheriff:

Shepard:

The High Sheriff (often simply called sheriff) was, after the Lord Lieutenant, the leading official in a county, responsible for the execution of the laws. He served for one year. The position, usually held by a member of the gentry, carried great prestige and would be a source of family pride.

Oxford:

the chief representative of the Crown in county government, the High Sheriff presided over parliamentary elections and the administration of justice. Holders of the office (which is now a mainly ceremonial one) were chosen annually from among the principal land-owners of the county.

While Shepard gives me something I can gleam from the text itself (the social importance of the title) Oxford tells me what his job entailed.

The note on duodecimo is an interesting case, where technically Shepard's information is more complete, but he spreads it in such a way as to pad his note count and extension. He simply notes that it is a small book, and refers to a note on books on chapter X:

“Large” could refer to thickness but is more likely to refer to length and width. At this time books came in widely varying sizes. The principal ones were folios, in which a standard sheet of paper was folded in two to make the pages, quartos, in which the paper was folded into quarters, octavos, in which the paper was folded into eight pieces, and duodecimos, in which the paper was folded into twelve pieces. Thus the length and width of a duodecimo would be one-sixth those of a folio. The type of book would influence its size. Popular books, especially novels, tended to come in smaller sizes, while serious, scholarly ones were usually larger. Thus the size of Charles Hayter’s books helps spur the Musgroves’ worries about excessive studying. They might be naturally inclined to such worries, not seeming bookish at all themselves.

What's the reference for this note specifically? "and having been found on the occasion by Mr. Musgrove with some large books before him, Mr. and Mrs. Musgrove were sure all could not be right, and talked, with grave faces, of his studying himself to death." Clearly the natural place of this note is on "duodecimo" in chapter I, but by this strategy Shepard not only manages to make two notes out of where there should be only one, but inserts notes visually in chapters in such a way as to make it appear like he has lots and lots of substantial, erudite explanations to make all the time. This strategy he repeats a lot through the text.

It's these habits of trickery, of padding and puffing up that I find intellectually dishonest, and rather inexcusable in a man who is an academic and must know better. I have also accused him of sloppiness. Perhaps I could have been more charitable and say that Shepard is a Historian by profession, and the things that touch on the literary and the philosophical, his references are much more scarce and lacking, not particularly well researched (in contrast with his historical notes). I mentioned how despite being relatively similar in tone and aim, the contrast between Shepard and Oxford showed that the Oxford annotator was familiar with literary authors in ways Shepard wasn't. This reflects in notes as well. For example:

Pinny

Shepard:

Charmouth is another coastal town (see note 8, for a description). Up Lyme sits atop the ascent next to Lyme, and offers views of the town and sea. Pinny is a spot a little west of Lyme. (For locations, see map.)

Oxford:

Many readers encountering this description of the scenery of Pinny, just west of Lyme, have detected an echo of the poet Samuel Taylor Coleridge’s ‘Kubla Khan’ (composed 1798; published 1816). See lines 12-13: ‘But oh! that deep romantic chasm which slanted | Down the green hill athwart a cedar n cover. . . .’ The romance of the landscape is the product of a series of landslides, which have carried into Pinny Bay some of the cliff paths on which Austen must have walked during her stay in Lyme.

Marmion and The Lady of the Lake/Giaour and The Bride of Abydos

Shepard:

These are two long narrative poems by Walter Scott. In contrast to the above poets, Scott immediately achieved great popularity. The two poems cited here, his most widely read, were among the best sellers of the age—and in this age, poetry generally outsold novels, at least until Scott’s own novels appeared. Both poems are stories of love and war, set in sixteenth-century Scotland; a critical element of Romanticism was fascination with the past, especially the medieval past, and Scott was central to fostering this sentiment. Jane Austen mentions each of these poems in her letters. These are two narrative poems by Lord Byron, the other highly popular poet of the time. Both are tragic love stories set in the Middle East; fascination with foreign lands, especially ones regarded as highly exotic, was another feature of Romanticism.

Oxford:

The first two titles refer to long narrative poems, romances of medieval times, published by Sir Walter Scott in 1808 and 1810; the third and fourth refer to ‘Turkish tales’ published by rival poet Lord Byron in 1813. The poets’ representations of warrior heroes committing doughty deeds in picturesque settings probably contributed to their wartime popularity. Still, the notes that Byron appended to his poems adopt a more cynical view of their heroes’ sabre-rattling than do the poems themselves, in ways that distinguish their account of heroism from Persuasion’s, idealistic view of its chivalric war hero. Anne and Benwick prove themselves faithful observers of the literary scene when they attempt to adjudicate between Scott and Byron (an attempt they resume on p. 90). Similar efforts at a comparative evaluation of the decade’s two most commercially successful poets are pursued in William Hazlitt’s The Spirit of the Age (1825) and the anonymous A Discourse on the Comparative Merits of Scott and Byron (1824).

Our best moralists

Shepard:

These could refer to a wide array of works, especially from earlier years. The eighteenth century, whose spirit Jane Austen exudes in many respects, was characterized by a general preference for prose and an emphasis on greater rationalism than the Romantic period. Moral essays, frequently supported by observations on life and contemporary mores, were popular throughout the century. Collections of letters, often highly polished, also appeared. Finally, biography developed as a significant genre, and it, like much of the prose of the time, often had a moralizing tone, pointing out lessons and presenting examples of virtuous behavior.

The difficulty in following precepts of patience and resignation had been a popular theme of many writers, especially when discussing the influential philosophy of Stoicism, which counseled rational indifference to the ills of life. Similarly, as in all ages, many who preached virtue did not always live up to their preaching. One of the most influential prose moralists of the eighteenth century, and a favorite author of Jane Austen’s, Samuel Johnson, addresses this point in one of his essays (The Rambler, #14). He writes that “for many reasons a man writes much better than he lives.” But he argues, “Nothing is more unjust, however common, than to charge with hypocrisy him that expresses zeal for those virtues, which he neglects to practice; since he may be sincerely convinced of the advantages of conquering his passions, without having yet obtained the victory.” Rather, he claims that such a man should be commended for attempting to impart to others some of his own, possibly hard-earned, wisdom. From this perspective, Anne’s counsel to Captain Benwick, which does certainly come from her own extensive experience, would represent a valuable and benevolent service to him, whatever her own failings in achieving patience or self-control.

Oxford:

The texts Anne prescribes to Benwick would very probably include works by Samuel Johnson. Throughout the second half of the eighteenth century readers made an almost medicinal use of the essay series The Rambler (first published 1750-2), in which Johnson treats such topics as the dangers of solitude and the necessity of resignation in the face of loss. Johnson’s biographer James Boswell claimed of The Rambler that ‘In no writings whatever can be found . . . more that can brace and invigorate every manly and noble sentiment’ ( Life ofJohnson, ed. R. W. Chapman (Oxford: Oxford University Press, 1983), 154).

Here I would note that the much longer two-notes reference of Shepard sits between vague and repetitive, and that in my opinion both sin by omission of Shaftesbury (Anthony Ashley Cooper).

Dark blue seas

Shepard:

Byron’s The Corsair, a work Jane Austen mentions reading in a letter (March 5, 1814), begins with the lines, “O’er the glad waters of the dark blue sea, / Our thoughts as boundless, and our souls as free.”

Oxford:

Benwick and Anne perhaps recall the second canto of Childe Harold's Pilgrimage (1812). Its description of the hero’s voyage from Greece and of the ‘little warlike world within’ (ii. 154) he enters when he boards the ship certainly glamorizes nautical life: ‘He that has sail’d upon the dark blue sea, | Has view’d at times, I ween, a full fair sight’ (ii. 145-6). They may also be remembering the lines that open The Corsair (1814), a description of the freedom that the poem’s pirates enjoy as outlaws: ‘O’er the glad waters of the dark blue sea, | Our thoughts as boundless and our souls as free’. In a letter of 1814 Austen sounds jaded about the Byronic heroes, such as Harold and Conrad the Corsair, who enthuse Captain Benwick: ‘I have read the Corsair, mended my petticoat, & have nothing else to do’ ( Letters , 257).

'eleven with its silver sounds’

Shepard:

The origin of this phrase, which seems, based on the quotation marks, to be from a particular text, has never been identified for certain. One commentator, Patricia Meyer Spacks, suggests the phrase may allude to a line in The Rape of the Lock by Alexander Pope, a poet Jane Austen certainly knew well: “And the pressed watch returned a silver sound.” The phrase does not represent a literal description of the operation of the clock, for the component parts of a clock were made of other metals than silver, usually brass or steel. Clocks were standard parts of a home, designed for elegant appearance as well as utility.

Oxford:

The literary allusion has not been traced. In 1921 Herbert Grierson conjectured that Austen was here misremembering the description of the coquette’s morning rituals that Alexander Pope gives in The Rape of the Lock (1712): ‘Thrice rung the Bell, the Slipper knock’d the Ground, | And the press’d Watch return’d a silver Sound’ (i. 17-18).

Note how here Shepard is crediting Meyer Spacks, but does not reference where (the Norton Critical Edition), whereas the Oxford annotation traces the conjecture to what appears to be its original proponent.

The pen has been in their hands

Shepard:

At this time there had been moves to improve the quality of women’s education, but it still was inferior to men’s, especially at the higher levels—no universities admitted women. As for books, while women had come to constitute a substantial portion of those who wrote novels, men dominated virtually all other fields of literary endeavor.

Oxford:

even as she has Anne object to examples from books, Austen echoes the precedents set by figures in the literary tradition who have previously commented on men’s monopoly of the written word. Anne sounds like the Wife of Bath in Geoffrey Chaucer’s Canterbury Tales , who is exasperated by male clerics’ representations of women, and, closer to Austen’s time, like Richard Steele’s character Arietta, who recounts the story of Inkle, the mercenary Englishman, and Yarico, the native woman of Jamaica whom Inkle betrays, so as to counter her male visitor’s trite examples of female inconstancy. Arietta observes, ‘You Men are Writers, and can represent us Women as Unbecoming as you please in your Works, while we are unable to return the Injury’ (.Spectator, 11 (13 Mar. 17 n)).

I'm not saying that necessarily Shepard's notes should be absolutely excellent in every single way and aspect in order for it to be a serviceable/good annotated edition; but all the things I have mentioned above make them appear to me thoroughly undeserving of being considered excellent, above the rest, or definitive.

#Jane Austen #Persuasion #annotated editions

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