#eventually i'll do a masterpost of buffy... posts

[tuiyla]

Ranking Once More, With Feeling songs

Eyyyy let’s go. Separating songs that were part of a medley, for the most part. Going out to @rachelberryy​​!

Not part of the ranking:

The Mustard: wouldn’t feel fair or necessary to include it in the list. Still, as well executed as the rest of them and a fun La La Land feel wayyyy before La La Land actually happened.

Bunnies: I find Anya to be ridiculously delightful, including the bunny running gag and this was a shocking but funny and appreciated interruption in the middle of I’ve Got a Theory. The rock opera was a fun genre to bring in and yeah, Anya’s just cool.

The Parking Ticket: again not necessary to include in the actual ranking but a fun background (foreground) moment. Man it really reminded me that basically all of these songs have a CXG “equivalent”.

Dawn’s Ballet: fully instrumental so excluded for that reason. But eyyy, Zach Woodlee! Even if we don’t see his face. Again proving that playing around with genres and committing fully to the musical episode is fun.

14. Dawn’s Lament

Despite technically ranking last I actually really like this short song. The fact that it’s so short is the only reason it’s so low but even in just two lines of lyrics I think it sums up Dawn’s angst and, well, lament really well and makes me wish she got a full feature. It’s my understanding that Michelle Trachtenberg asked not to sing too much so that’s understandable. But yeah, I think it’s good that she had this much, especially because, as I understand, despite Dawn’s behaviour being understandable she gets a lot of shit from the fandom.

13. What You Feel (+reprise)

Nothing against Hinton Battle who of course does an amazing job but the real strength of this episode is revelations about our beloved characters, not the monster of the week song. Not that this number isn’t as fun as the rest of the episode but it simply can’t compare to main cast’s solos, duets, and group numbers. The reprise shouting out the episode title is extra fun, though.

Best part: ironically in many ways, Dawn’s parts. Particularly “see, my sister’s the Slayer”

12. Something to Sing About

I feel like a lot would consider ranking this so low criminal. And in a way I do wish it could be higher but musically, I just don’t much vibe with it. I understand and appreciate the sentiment behind it, it’s a powerful scene and includes the big revelation about Buffy having been in heaven. The backup bit is amusing and Alyson Hannigan acts her butt off in the background as the reveal is going on but I simply can’t put it higher when I know this won’t be the song I listen to the most. I much, much prefer Buffy’s other solo. It’s also just, a bit long oops.

Best part: Musically, the beginning, but thematically probably Spike’s ending verse.

11. Where Do We Go From Here

I’m not sure how to justify ranking this above the previous one. I guess I’m just a sucker for group numbers and I think it has the appropriate balance of drama and levity. It feels a bit funky that Sweet leaves and yet they sing this afterward but whatever.

Best part: Giles’ solo line: The battle's done and we kind of won

10. Coda

As you’ll see further down this list I love a good reprise and this mash-up of Buffy and Spike songs only to culminate in the first step towards their relationship, it’s really chef’s kiss. Very very brief and closes by going back to the previous song but still, a good coda.

9. I’ll Never Tell

This is pure fun for Anya and Xander and a great performance. Harsher in hindsight, now that I’ve seen Xander leave Anya at the altar. But I keep being a sucker for Anya shenanigans in particular and this was very fun as that. I don’t care for all the lines but I appreciate all the effort that went into this number in particular.

Best part: His eyes are beady!

8. If We’re Together

It’s heartfelt and maybe a bit cheesy but hey, I love cheese and the power of love, found family and all that. It fits BtVS to have something like this, it simultaneously makes fun of the show and also emphasizes that yeah, this is the strength of the Scoobies. I also enjoy the double meaning behind Buffy’s what does it matter lines. We support our girl in her depression era.

Best part: Hey, I’ve died twice

7. I’ve Got a Theory

This is just that quintessential first group number with the lighter tone and everyone involved. It feels different enough to separate from If We’re Together and slightly ranking above it for the fun factor, including Xander’s ramble about witches. Points for being the song with the most Willow in it

Best part: Honestly, Xander’s ramble.

6. Under Your Spell

I kinda wish I could rank this higher. And it is good! It begins a new tier on our list and there’s much to appreciate. Amber Benson’s voice (even though I would prefer more chest voice but shhh okay okay) and the fairy tale vibes, and just the fact that the big love song went to the lesbian couple. The sentiment is lovely even with the darker undertone of Willow’s literal spell from the previous episode, but more on that in a bit. It feels apt to give Tara, usually a quiet and reserved ch a solo in the musical episode to express her feelings fully. I’m in awe that this was on television in 2001 and was quite shocked that they went there at the end lol. What do you know, they sure had the cojones and I appreciate that.

Best part: as cheesy as it is, the willow tree line

5. Rest in Peace

I debated putting this below Under Your Spell but I gotta appreciate the rock vibes, the angst, and the sheer over the top poetry of it. It’s really the perfect song for Spike and as much as I think the metaphors and puns are over the top, again it just fits him. Plus, I have to admit, it’s just more fun to listen to than Tara’s solo (still with love to her of course). God Spike would make such a dramatic lesbian.

Best part: If my heart could beat it would break my chest

4. Standing

Anthony Stewart Head really went for it and this song was perfect for both his voice and Giles’ character. I do think the sentiment felt a bit, hmm, off, but that’s a convo for another day. Giles’ fatherly love for Buffy is the very DNA of this series and him realizing that he has to let Buffy go, just after getting her back, hits all the right emotional places. If we had to let go of ASH, as a main cast member at least, this was as good a sendoff as we could get. Also curious that this is the only song that seems to be in just once of the characters’ head? Whatever, it’s musical logic.

Best part: the way he delivers Wish I could slay your demons

3. Under Your Spell/Standing Reprise

Ohh okay, so yeah I love an apt reprise and this mashup was incredibly powerful. Under Your Spell gains its darker meaning as Tara realizes what the audience had known and to parallel her sense of betrayal and, though it will take her another episode to truly admit, realization with Giles’ is so cool. To parallel a young woman’s queer love for her girlfriend with a middle aged man’s for his daughter figure. For both to realize, albeit for vastly different reasons, that they can’t be the ones helping their loved ones anymore. For Giles, it’s to help Buffy grow. For Tara, it’s the realization that she can’t, even inadvertently, continue enabling Willow. It’s such a cool thematic concept and executed beautifully musically, and cinematically as we see the shot of Buffy and Willow talking, ignorant the difficult decisions their loved ones are making. Well done, show.

Best part: Wish I could stay (but they can’t. and doesn’t that just break your heart?)

2. Walk Through the Fire

Here we go, the best group number of the bunch even though the other ones all have their strengths. It combines so many excellent parts. Buffy’s depression, even Going Through the Motions making a brief return. The Scoobies’ realization that yeah, they should help. Spike’s own realization that he’ll always come back to Buffy’s aid. The ‘villain’ parts. ASH once again delivering his solo bits very well, particularly the Dawn line. Beady-eyes is right, we’re needed! It combines funny and deep and heartfelt and really, that sums up the show well. Plus yeah, the small reprises.

Best part: I think this line's mostly filler. Pls, that’s too funny.

1. Going Through the Motions

Okay listen at first I was like, can I? Can I actually rank this first? But why not. What an excellent song to start us off with. A few minutes into the episode and this already had me so hyped. The composition, the flow, how fun the demons are in this, Buffy’s attitude, SMG’s voice to be honest. The fact that this is her I want song! The very first song! This is just such a fun and yet meaningful song. It’s funny how SMG turns inexplicably British in it (heaRt has an R, surely) but I don’t care, she does a great job and this song really embodies my love for season 6 Buffy. So good!

Best part: How can I repay...? Whatever. This was SO funny. The rhymes throughout the episode can be a little too simple but when they work they just work.

So that would be the list, hope I didn’t shock and upset anybody. I knew going into this that people heralded Buffy’s musical episode as not only an OG but one of the, if not the ultimate best and you know what, yeah. And if anything it really proved to me that jukebox musicals are not where it’s at - if you’re gonna do a musical, put your whole pussy into it. Write those original songs! Make them relate to the characters and reveal interesting things about them. That’s the whole point and it’s why, though the villain song was fun, others were far superior. Not that I didn’t love this series before but Once More, With Feeling well and truly cemented my love for BtVS.