#jacques/alison

[pathetic-gamer]

Pentiment's Complete Bibliography, with links to some hard-to-find items:

I've seen some people post screenshots of the game's bibliography, but I hadn't found a plain text version (which would be much easier to work from), so I put together a complete typed version - citation style irregularities included lol. I checked through the full list and found that only four of the forty sources can't be found easily through a search engine. One has no English translation and I'm not even close to fluent enough in German to be able to actually translate an academic article, so I can't help there. For the other three (a museum exhibit book, a master's thesis, and portions of a primary source that has not been entirely translated into English), I tracked down links to them, which are included with their entries on the list.

If you want to read one of the journal articles but can't access it due to paywalls, try out 12ft.io or the unpaywall browser extension (works on Firefox and most chromium browsers). If there's something you have interest in reading but can't track down, let me know, and I can try to help! I'm pretty good at finding things lmao

Okay, happy reading, love you bye

Beach, Alison I. Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge Univeristy Press, 2004.

Berger, Jutta Maria. Die Geschichterder Gastfreundschaft im hochmittel alterlichen Monchtum: die Cistercienser. Akademie Verlag GmbH, 1999. [No translation found.]

Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985.

Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol 62, no. 2., 1990. pp.298-314.

Brandl, Rainer. “Art or Craft: Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-1550. The Metropolitan Museum of Art, 1986. [LINK]

Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Bercelona.” Masters Theses. Western Michigan University, 1997. [LINK]

Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol 2, no. 1-2, 2010.

de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986.

Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014.

Eco, Umberto. Baudolino. Translated by William Weaver. Mariner Books, 2003.

Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork. Jan Jose Univeristy, 2020. [LINK]

Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140

Harrington, Joel F. The Faithrul Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013.

Hertzka, Gottfired and Wighard Strehlow. Grosse Hildegard-Apotheke. Christiana-Verlag, 2017.

Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010.

Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford Univeristy Press, 2015.

Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017.

Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boudell Press, 2007.

Kieckhefer, Richard. Forbidden rites: a necromancer’s manual of the fifteenth century. Sutton, 1997.

Kuemin, Beat and B. Ann Tlusty, The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017.

Ilner, Thomas, et al. The Economy of Duerrnberg-Bei-Hallein: An Iron Age Salt-mining Center in the Austrian Alps. The Antiquaries Journal, vol 83, 2003. pp. 123-194

Lang, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008

Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2019.

Lowe, Kate. “’Representing’ Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol 17, 2007. pp. 101-128

Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv fuer Reformationsgenshichte, vol. 89, 1998. pp. 125-143.

Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol 23, no. 191. Springer, October 2021. pp. 1-27.

Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32.

Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests, and Occullt Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013.

Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissectionin Renaissance Italy.” Renaissance Quarterly, vol 47, no. 1, Spring 1994. pp. 1-33.

Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983.

Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present,vol. 150, no. 1, February 1996.

Salvador, Matteo. “The Ethiopian Age of Exploration: Prester John’s Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp.593-627.

Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli.” The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.

Throop, Priscilla. Hildegarde von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998.

Usher, Abbott Payson. “The Origins of Banking: The Brimitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4. 1934. pp.399-428.

Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Peter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp.427-501.

Wendt, Ulrich. Kultur and Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907.

Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp.751-777.

Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008.

Yardeni, Ada. The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010.

[mentaltimetraveller]

Lygia Clark, Bicho 1960 – 84 Steel Installation dimensions variable Alison Jacques, London

[woundgallery]

Dorothea Tanning, Sketch for Convolotus alchemelia (Quiet-willow window) (1 of 2), 1998, Alison Jacques Gallery

[hmasfatty]

The wonderful @batmanisagatewaydrug has put together a Book Bingo for next year and I'm really excited to give it a go. I finished 14 books this year, despite doing uni for half the year, so I think 25 next year without uni is plausible. A lot of these books are outside my current literary diet (which consists mostly of queer romance novels) but they all sound really interesting.

Full list of books and prompts below the cut. Thanks to @batmanisagatewaydrug to putting this together. Also, I am doing this over on Storygraph and I have like NO friends there so if YOU are on Storygraph come be friends with me there!

Literary Fiction: We Ride Upon Sticks by Quan Barry

Short Story Collection: Always Will Be by Mykaela Saunders

Sequel: Red Side Story by Jasper Fforde

Reread a Childhood Favourite: White Boots by Noel Streatfield

20th Century Speculative Fiction: The Ship Who Sang by Anne McCaffrey

Fantasy: The Poppy War by R.F. Kuang

Published Before 1950: The Picture of Dorian Gray by Oscar Wilde

Indie Publisher: Variations by Juliet Jacques

Graphic Novel, Comic Book, or Manga: Women, Life Freedom by Marjane Satrapi

Animal on the Cover: River of Teeth by Sarah Gailey

Set in a Country You Have Never Visited: A Murder at Malabar Hill by Sujata Massey

Science Fiction: The Ministry of Time by Kaliane Bradley

2025 Debut Author: Shoot Your Shot by Lexi LaFleur Brown

Memoir: No Friend but the Mountains by Behrouz Boochani

Read a Zine & Make a Zine

Essay Collection: Thunder Song by Sasha taqʷšəblu LaPointe

2024 Award Winner: Wild Geese by Soula Emmanuel

Nonfiction: Learn Something New: Right Story, Wrong Story by Tyson Yunkaporta

Social Justice & Activism: Another Day in the Colony by Chelsea Watego

Romance Novel: The Last Days of Lilah Goodluck by Kylie Scott

Read & Make a Recipe: Start Here by Sohla El-Waylly

Horror: Horrorstör by Grady Hendrix

Published in the Aughts (2000-2009): Fun Home: A Family Tragicomic by Alison Bechdel

Historical Fiction: In Memoriam by Alice Winn

Bookseller or Librarian Recommendation: Enchantment by Birds by Russel McGregor

[littlequeenies]

Hello!

What kind of outfits/clothing pieces were a staple in Demri Parrott's everyday wear?

Thanks so much!

Barbara Dearaujo: “Demri was a fashion nut. She loved everything vintage. Victorian style dresses, 70’s stuff, overalls and combat boots. She wore things no one else could even try to pull off without looking like a weirdo but she always seemed to make the weirdest things look cute and cool. I’m pretty sure Demri was one of the girls who started the so-called ‘Seattle Grunge Look’, for girls at least. Demri was not a rocker chick, she totally had her very own style going on that we all secretly wanted to emulate.

In the early 90’s she dressed in all kinds of crazy yet cute clothes, anything retro or vintage. She loved long dresses, skirts, tutus, overalls and Doc Martins, hand-made clothes, she never really wore jeans and t-shirts, it was always something you’d never think of wearing but looked great on her and made you wish you would thought of this type of thing but even if you had it probably wouldn’t of looked as cool on you. She had that tiny little body that looks great in clothes.

She always wore her hair really long like to her butt or longer and she had thick wavy auburn hair. It was usually knotted and dred locked here and there but knotted or not it always looked cool. She wore black nail polish and when she wore make up she used maybe some black mascara and red lips but she didn’t usually wear a lot of make up, maybe except for lipstick when she went out. She was also the first girl I met who used her lipstick to add blush to her cheeks.” [5]

[Spring 1990 - by Krista Kay]

Ryan Kalsbeck: “Layne and Dem had that full on vintage clothing styles mixed with a hippie, new grunge rock twist. Homemade glass beaded long necklaces and bracelets, funky hats, hair sticks. Dem had pink lace and satin knickers that were real and from the 1900s.”

[1992 - By Alison Dyer]

Sherri: “She would always wear the rolled up overalls with black tights. She was so cute and original. Biggest smile, she always lit up the room. Heart of gold!”

[1991 - By Ed Chalfa]

Jacque: “As to her clothing style, it was kind of hippy chick but distinctively Demri.”

[1988 - By Krista Kay]

Kathleen Austin: “Someone once told me she would show up at a club in an outfit and the next night there would be several girls copying it.

She could pull articles of clothing that no one would think to combine and she would look adorable. She once designed a skirt from boxer shorts. I saw it on paper. As far as I know, it never came to fruition.” [6]

[Ca. 1990s - ByJack Plasky]

Shawna Murphy: “I had one of her necklaces ‘Forever’. It was like black cut glass stones, three strands with a gold clasp. She wore a lot of old-timey costume jewelry.” [6]

[Ca. 1990s - By Jack Plasky]

Tracy Johnson: “She did not want to be known as the girlfriend of a rock star and did whatever the hell she pleased but was friendly and personable to everyone she met. She wanted to be a model that’s why there are so many pictures of her posing. One thing that was funny. We were in Canada (canvouver, as we called it) and Dem couldn’t find Layne and was drunk and pissed off. But she has to pee, so we stopped and she walked in this alley, many people were around, and she just squatted and peed, then pulled up her long johns with her tutu tucked in the back of it and started to walk away. She was gonna find him come hell or high water, even with the whole backside of her tutu tucked into her long johns and wearing converse, of course.

A lot of things she wore didn’t go together, like long johns with big baggy overall shorts and a frilly blouse with cowboy boots. It doesn’t make a lot of sense but you would have to know Demri to understand.” [6]

[Summer 1988 - By Randy Hauser]

Hope that helps :)

Everyone please check the book we put together with our beloved friend Ana, you can download it and read it from *here*. There's all the memories sorted by subject like style,hobbies, voice, dreams...

[exhibitionsvisited]

2025

This year I went to the following exhibitions:

17 January, Groundworks, General Practice, Lincoln

22 January, Andrew Bracey, Project Space Plus, Lincoln

6 February, Hannah Perry, Baltic, Newcastle

6 February, Frankie Ruffles, Baltic, Newcastle

6 February, Leap Then Look: Play Interact Explore, Newcastle

6 February, Mani Kambo, Baltic, Newcastle

6 February, We all came here from somewhere, Baltic, Newcastle

12 February, Alumni exhibition, Grays School of Art, Aberdeen

16 February, Melody Phelan-Clark, General Practice, Lincoln

19 February, Toil & Trouble, Project Space Plus, Lincoln

20 February, Lauren Halsey, Serpentine Gallery, London

20 February, Per Kirkeby, Michael Werner Gallery, London

20 February, Claudia Martinez Garay, Grimm, London

20 February, Autodidact, Almine Rech, London

20 February, Sophie Von Hellermann, Pilar Corrias,  London

20 February, Greg Wilson, Pilar Corrias,  London

20 February, Yves Zurstrassen, Annely Juda, London

20 February, Anthony Caro and Alan Green, Annely Juda, London

20 February, Sammi Lynch, Annely Juda, London

20 February, Mike Kelley, Hauser & Wirth, London

20 February, Martine Rosen and Sharna Osborne, Sadie Coles, London

20 February, Derrick Adams, Gagosian, London

20 February, Takashi Murakami, Gagosian, London

20 February, Last Night I Dreamt Of Manderley, Alison Jacques, London

20 February, Jake Wood Evans, Unit, London

20 February, Elizabeth Abe, Ronchini, London

20 February, Jim Hodges, Stephen Friedman Gallery, London

20 February, Thomas Ruff, David Zwirner, London

20 February, Jennifer Binnie, Richard Saltoun, London

20 February, London

20 February, Christiane Baumgartner, Cristea Roberts Gallery, London

20 February, New Contemporaries, ICALondon

20 February, Teresa Pągowska, Thaddaeus Ropac, London

20 February, Ron Mueck, Thaddaeus Ropac, London

20 February, On Paper, Max Hetzler, London

21 February, Louise Giovanelli, Hepworth, Wakefield

21 February, Forbidden Territories, Hepworth, Wakefield

21 February, A Living Collection, Hepworth, Wakefield

21 February, Mary Griffiths, Stanley and Audrey Gallery, Leeds

21 February, Boris Maas, Stanley and Audrey Gallery, Leeds

21 February, John Hoyland, Henry Moore Institute, Leeds

21 February, The Traumatic Surreal, Henry Moore Institute, Leeds

4 March, These Mad Hybrids, Millennium Gallery, Sheffield

4 March, John Hoyland, Millennium Gallery, Sheffield

4 March, Shadow and Void: Buddha, esea contemporary, Manchester

4 March, Myriad, Oceans Apart, Manchester

4 March, Friends, Family and Other Animals, Manchester Art Gallery

4 March, Lowry and Valette, Manchester Art Gallery

4 March, Room to Breathe, Manchester Art Gallery

4 March, Home, Land and Sea, Manchester Art Gallery

4 March, Out of the Crate, Manchester Art Gallery

4 March, Taking Stock, Manchester Art Gallery

4 March, Climate Justice, Manchester Art Gallery

4 March, Crossing the Borders Manchester Art Gallery

4 March, What's New? Manchester Art Gallery

4 March, Chapters in Change, Manchester Central Library

4 March, Archives+, Manchester Central Library

4 March, Imran Perretta, Home, Manchester

4 March, Bobby Realms, Home, Manchester

4 March, Ten Artists aten Years, Home, Manchester

7 March, Lustratio, General Practice,Lincoln

8 March, Paul Nova, Phillida Reid, London

8 March, Yi To, Project Native Informant, London

8 March, Alice Neel, Victoria Miro Gallery, London

8 March, Place Revisited, Modern Art, London

8 March, Citra Sasmita, Barbican, London

8 March, Noah Davis, Barbican, London

8 March, Hyangmok Baik, Beers Contemporary, London

8 March, Tom Hardwick-Allan, South Parade, London

8 March, Lee Edwards , Domobaal, London

8 March, Ensemble, The Perimeter, London

8 March, Amedeo Polazzo, Herald St., London

8 March, Honk if your Jesus, Paul Stolper, London

8 March, Jeff Wall Production, Hot Wheels, London

8 March, Hany Armanious, Phillida Reid, London

8 March, Peter Hujar, Peter Hujar, London

8 March, Daiga Grantina, Emalin, London

8 March, Regions, Hales gallery, London

8 March, Rose Finn-Kelcey, Kate MacGarry, London

8 March, Yay, to have a mouth!, Roe Easton, London

8 March, Scaffolding, Herald St., London

8 March, James Welling and Bernd & Hiller Becher, Maureen Paley, London

8 March, Erin M. Riley, Mother’s TankStation, London

8 March, Medusa, Union, London

8 March, David Burrows, IMT, London

8 March, Germaine Kruip, The Approach, London

8 March, Sophie Bueno-Boutellier, The Approach, London

8 March, Alex Margo Arden, Auto Italia, London

8 March, Gavin Byars and Jeff McMillan, Handel St. Projects, London

9 March, Mike Kelley, Tate Modern, London

9 March, Anthony McCall, Tate Modern, London

9 March, Helen Chadwick, Tate Modern, London

9 March, Mire Lee, Tate Modern, London

15 March, Fathom, Kelham Island Museum, Sheffield

15 March, Rhea Store, Site Gallery, Sheffield

15 March, Julia McKinley, Gloam, Sheffield

15 March, Jammboree, Bloc Projects, Sheffield

15 March, The Ruskin Collection: Capturing Colour, Millennium Gallery, Sheffield

22 March, Approximity, Corset, Newark

25 March, Re-Posted, Project Space Plus, Lincoln

25 March, Nathan Baxter, General Practice, Lincoln

1st April, Leonard Hurzlmeier, Oliver Marsden, Jordy Kerwick, Vigo Gallery, London

1st April, Alison Watt, Levy Goran Dayan, London

1st April, Auras, Levy Goran Dayan, London

1st April, Matters of Materiality, J D Malay, London

1st April, Elger Esser, Flowers, London

1st April, Maeve Gilmore, Alison Jacques, London

1st April, Yves Dana Citadelle, Waddington Custot, London

1st April, Ann Rothenstein, Stephen Friedman, ondon

1st April, David Goldbatt and Clive van den Berg, Goodman Gallery, London

1st April, Monitor, Royal Academy, London

1st April, Painting in the Round, Nahmad Projects

1st April, Simon Periton, Sadie Coles HQ, London

1st April, Dada Khanyisa, Sadie Coles HQ, London

1st April, A place for Modernism, Pilar Corrias, London

1st April, Marine One, Bomb Factory, London

1st April, Ellie Niblick, Bomb Factory, London

1st April, Eileen Itzel Mena and Jemila ISA, Bonanle Contemporary, London

1st April, Siena: The Rise of Painting, 1300 ‒1350, National Gallery, London

1st April, Fiona Banner, Frith Street Gallery, London

1st April, Alvaro Barrington, Sadie Coles HQ, London

1st April, Hessam Samavatian, Ab-Anbar Gallery, London  

1st April, Magdalena Skupinska, Maximillian William, London

1st April, Paranoid Style, Josh Lilley Gallery, London

1st April, Tarot: Origins and Afterlives, Warburg Institute, London

1st April, Astonishing Things: The Drawings of Victor Hugo, Royal Academy, London

1st April, Tim Stoner, Pace, London

1st April, Ceilia Paul, Hazlitt Holland-Hibbert, London

1st April, Richard Long and David Nash, Cristea Roberts Gallery, London

1st April, Richard Serra, Cristea Roberts Gallery, London

1st April, Ella Kruglyanskaya, Thomas Dane, London

1st April, Alia Ahmad, White Cube, London

1st April, On Ugliness: Medieval and Contemporary, Skarstedt Gallery, London

1st April, John Chamberlain, Timothy Taylor Gallery, London

1st April, Jacqueline Poncelet, Richard Saltoun, London

1st April, Carroll Dunham, Galerie Max Hetzler, London

1st April, Dada Khanyisa, Sadie Coles, London

1st April, Tom Wesselmann, Almine Rech, London

1st April, JR, Perrotin, London 

1st April, Teresa Margolles, The Forth Plinth, London

1st April, Mickalene Thomas, Hayward Gallery   London

1st April, Linder, Hayward Gallery, London

1st April, Epoh Beech, 11 Avenue Studios, London

11th April, Dave Eccles, General Practice, Lincoln

11th April, Art for the People, Usher Gallery, Lincoln

11th April, Tinashe Chipawe, Project Space Plus, Lincoln

13th April, Laura Ellen Bacon, Yorkshire Sculpture Park

13th April, Felicity Aylieff, Yorkshire Sculpture Park

13th April, Russell Wilson, Yorkshire Sculpture Park

13th April, Tony Wade, Yorkshire Sculpture Park

13th April, Bharti Kher, Yorkshire Sculpture Park

13th April, Damien Hurst, Yorkshire Sculpture Park

17 April, Chila Kumari Singh Burman, Imperial War Museum North, Salford

17 April, Poppies, Imperial War Museum North, Salford

17 April, Modern Life, The Lowry, Salford

17 April, Wild, Manchester Museum

17 April, Women in Revolt, Whitworth Gallery, Manchester

17 April, J M W Turner, Whitworth Gallery, Manchester

17 April, Matgorzara Nirga-Tas, Whitworth Gallery, Manchester

17 April, Exchanges, Whitworth Gallery, Manchester

18 April, Can't Pay, Won't Pay, People's History Museum, Manchester

18 April, Tom Motley, The Horsefall, Manchester

25 April, Liz Drees, Pierre Street Gallery, Hull

25 April, Studio Burke, General Practice, Lincoln

27 April, Art in The Barn, Dodington Hall

6th May, A Show with No Name, Project Space Plus, Lincoln

8 May, Lost in the Woods, Hartsholme Park, Lincoln

8 May, Mulch, Liquorice Park, Lincoln

8 May, Find Us in the West, West End, Lincoln

8 May, Disorder of Service, Southside, Lincoln

9 May, Queen of Luxuria, General Practice, Lincoln

14 May, Drawing for Animation, Nicola de Haye Building, Lincoln

14 May, Groundworks, Project Space Plus, Lincoln

16 May,Passion on Paper, Christ Church Picture House, Oxford

16 May, Barbara Steveni, Modern Art Oxford, Oxford

16 May, Anselm Keifer, Ashmolean, Oxford

30 May, Grays Degree Shows, Grays School of Art, Aberdeen

2 May, Resonance, Staffordshire University, Stoke on Trent

5 June, Kate Genever, General Practice, Lincoln

6 June, Everything is Fine (Art), Project Space Plus and studios, Lincoln

9 June, Marina Tabassun, Serpentine Gallery, London

9 June, Grayson Perry, The Wallace Collection, London

9 June, Leigh Bowery, Tate Modern, London

9 June, Gathering Ground, Tate Modern, London

9 June, Daria Martin, Tate Modern, London

9 June, Alberto Giacometti, Tate Modern, London

9 June Tate Modern, Maria Magdalena Campis-Pojs and Neil Leonard, London

9 June, Performer and Participant, Tate Modern, London

10 June, Matouš Háša & David Weishaar, DSC Gallery, Prague

10 June, DSC Depository, DSC Gallery, Prague

13th June, Miloš Cvach and Sophie Curtil, Museum Kampa, Prague

13th June, František Kupka, Museum Kampa, Prague

13th June, Stanislav Kolíbal, Museum Kampa, Prague

13th June, Iván Argote, Galerie Rudolfinum, Prague

12th June, Women Artists 1300–1900, Waldstein Riding School, Prague

13th June, Anna-Eva Bergman & Hans Hartung, Kunsthalle Praha, Prague

13th June, Kristyna and Marek Milde, Kunsthalle Praha, Prague

13th June, Mark Dion, Kunsthalle Praha, Prague

13th June, Mário Birmon, Karpuchina Gallery, Prague

13th June, Around the Clock: The Factory Effect, Pragovka Gallery, Prague

13th June, Vladimíra Večeřová, Pragovka Gallery, Prague

13th June, Petra Navrátilová, Pragovka Gallery, Prague

14 June, Permanent Collection, Lobkowizc Palace

14 June, Permanent Collection, Prague Castle Gallery

14 June, Old Masters 1, Schwarzenberg Palace, Prague

14 June, Hieronymous Cock, Schwarzenberg Palace, Prague

13 June, Old Masters 2, Sternberg Palace, Prague

14 June, Picasso Braque Miro, Gallerie Miro, Prague

14 June, Matyáš Maláč, Polansky Gallery, Prague

14 June, Nela Britanakova, Galerie AVU, Prague

14 June, Art of the Long Century, Veletezni Palace, Prague

14 June, Sculpture 1796-1918, Praha 7, Veletezni Palace, Prague

14 June, First Czechoslovak Republic, Veletezni Palace, Prague

14 June, Architecture For All, Veletezni Palace, Prague

14 June, End of the Black and White Era, Veletezni Palace, Prague

14 June, Sekal Studio, Veletezni Palace, Prague

14 June,Atlas, Veletezni Palace, Prague

14 June, Denise Langrova & Alex Sihelsk, Veletezni Palace, Prague

14 June, Katerina Zak Konvalinova & Jiri Zak, Veletezni Palace, Prague

14 June, Vystava Pokrqcuje, Veletezni Palace, Prague

14 June, Eva Kotatkova, Veletezni Palace, Prague

15 June, Ithell Coloquhoun, Tate Britain, London

15 June, Edward Burra, Tate Britain, London

15 June, Ed Atkins, Tate Britain, London

15 June, Artists International Association : the first decade, Tate Britain, London

15 June, Richard Hamilton and Marcel aduchamp, Tate Britain, London

15 June, Hylozoic/Desires, Tate Britain, London

15 June Richard Wright, Camden Art Centre,London

17 June, Caroline Walker, Hepworth, Wakefield

17 June, Helen Chadwick, Hepworth, Wakefield

17 June, Elizabeth Fritsch, Hepworth, Wakefield

17 June,From to Dust, Henry Moore Institute

17 June, Roger Ackling Henry Moore Institute

17 June, Sarah Casey, Henry Moore Institute

17 June, Helen Chadwick, Leeds Art Gallery

17 June, Portrayals of Women, Leeds Art Gallery

17 June, To improvise a Mountain, Leeds Art Gallery

17 June, An Axis of Modernism, Leeds Art Gallery

17 June, Object – Space – Time: John Tunnard amidst the English Modernists, Leeds Art Gallery

19 June, Last Forever, the Still is Nothing, General Practice, Lincoln

20 June, Your Ears Later Will Know to Listen, Nottingham Contemporary

20 June, Nigel Hurlstone, Djanogly Gallery, Nottingham

20 June, Material Worlds, Djanogly Gallery, Nottingham

20 June, NAE Open 2025, New Art Exchange, Nottingham

20 June, Through Our Eyes, New Art Exchange, Nottingham

20 June, Satch Hoyt, Beam, Nottingham

20 June,,Matthew Arthur Williams, Primary, Nottingham

24 June, In Plain Sight, Luxembourg & co, London

24 June, Leonardo Drew, Goodman Gallery, London

24 June, Mark Manders, Modern Art, London

24 June, Jan Fabre, Mucciacca Gallery, London

24 June, Visual Symphonies, Nahmad Projects, London

24 June, Simon Lehner, Edel Assanti, London

24 June, Lonnie Holley, Edel Assanti, London

24 June, Jacob Hashimoto, Ronchini, London

24 June, The Protagonist, Belmacz Gallery, London

24 June, Gregor Hildebrandt, Almine Rech, London

24 June, Matthias Franz, Grimm, London

24 June, Rudolf Stingel, Gagosian, London

24 June, Vik Muniz, Ben Brown Fine Arts, London

24 June, Tadashi Kawamata, Annely Juda, London

24 June, Jungjin Lee, Huxley-Parlour Maddox, London

24 June, Emily Kam Kngwarray, Pace, London

24 June, Philippe Parreno, Pilar Corrias, London

24 June, Michaela Yearwood-Dan, Hauser & Wirth, London

24 June, Figure+Ground, Hauser & Wirth, London

24 June, Mia Faithfull:, Carl Kostyál, London

24 June, Ragna Bley ,Pilar Corrias, London

24 June, Ugo Rondinone, Sadie Coles HQ Kingly St, London

24 June, Patrick Caulfield, Bernard Jacobson Gallery,  London

24 June, Cornelia Parker ,Frith Street Gallery, London

24 June, Renato Leotta, Sprovieri, London

24 June, Victor Ehikhamenor, Pippy Houldsworth, London

24 June, Jennifer Bartlett, Pippy Houldsworth, London

24 June, Jaune Quick-to-See Smith, Stephen Friedman Gallery, London

24 June, Liza Giles, Flowers, London

24 June, Bernar Venet, Waddington Custot, London

24 June, Virginia Chihota, Felix Shumba, Tiwani Contemporary, London

24 June, Carol Rhodes, Alison Jacques, London

24 June, Bona de Mandiargues, Alison Jacques, London

24 June, Keith Grant, The Redfern Gallery, London

24 June, Derek Boshier, Gazelli Art House, London

24 June, Megan Rooney, Thaddaeus Ropac, London

24 June, Potential Colour, Galerie Max Hetzler, London

24 June, Gala Porras-Kim, Sprüth Magers, London

24 June, Mira Lee, Sprüth Magers, London

24 June, Joe Bradley, David Zwirner, London

24 June, Anna Perach, Richard Saltoun, London

24 June, Paul Thek, Thomas Dane, London

24 June, Jimmy Robert, Thomas Dane, London

24 June, David Hockney, Hazlitt Holland-Hibbert,  London

24 June, Tau Lewis, Sadie Coles HQ, London

24 June, A garment, a pin, a seam, a shield, Phillida Reid, London

24 June, Medium, Paul Stolper Gallery, London

24 June, Nicole Wermers, Herald St Gallery, London

24 June, Future Relics, Union Pacific, London

24 June, Holder Up, Maximillian William, London

24 June, Simon Lehner, Edel Assanti, London

24 June, Lonnie Holley, Edel Assanti, London

24 June, Derrick Guild & Volker Hermes, James Freeman Gallery, London

24 June, Myriam Mihindou, Phillida Reid, London

24 June, Donal Moloney, Corner7, London

26 June, A Nice Way to End the Year, Project Space Plus, Lincoln

[worldsandemanations]

Robert Mapplethorpe , Poppy, 1988 (via Alison Jacques , via @Artnet )

[la-semillera]

LENORE TAWNEY & PUREZA CANELO

Vuelvo a creer en el verbo, en las primeras cosas aprendidas solos. Vuelvo a crecer sobre la silla de mimbre que me aguanta, resignada y moldeable a mi camino. Quiero decir, que vuelvo a decir vuelvo, minutos después, son años ya, de haber confesado lo contrario. Estoy pensando en nuestras charlas, cierro mi mesa, te llevo la contraria con poco aburrimiento, mientras cargo mi pluma disimulando. Sueno mi nariz, la nariz que es molesta cuando las gafas me van hundiendo los ojos a través de los años. Lo abro todo. Todo lo cierro. Del cielo no me cae ni la ceniza adivinada, los proyectos, ni el testimonio de que han pasado ya muchos veranos idénticos, río, gazpacho de mamá, ni siquiera los billetes de Metro aguardan su destino en el suelo, se pierden antes. Pero a pesar de esto, vuelvo a creer en el camino, para minutos después, creer que vuelvo y el verbo me mueve a través de la gramática, la que vamos dibujando. La gramática, eso que odio cuando es un libro aunque sea una de las armas más reales aprendidas por la vida, y la de más peso: el verbo. Yo espero los pinceles de Luis. Aguántame tú, y espérame, en la palabra.

_ Pureza Canelo.

_ Lenore Tawney, Untitled, (India ink on graph paper), 1964 [Alison Jacques, London. © Lenore G. Tawney Foundation, New York, NY].

[tarakaybee]

A rare opinion post from me that's about a book!

Yahtzee Croshaw (of Zero Punctuation, and now Fully Ramblomatic) recently released the third instillment in the Jacques McKeown saga, Will Leave the Galaxy for Good. I re-read the first book last year and listened the audiobook of the latter two back to back upon the release of the third. I really enjoy Yahtzee's comedy reviews, but an issue with these books and most of his others is that, despite being british myself, I'm really not a fan of the british comedy style where the main character is rude and bad things happen to him, and the side characters are annoying idiots who bad things also happen to, I find it relentlessly negative and this particular trilogy is that comedy style in spades, I like Yahtzee's comedy in his reviews but a main character who has a non-stop monologue of put-downs is exhausting.

I'm just starting to listen to Differently Morphous now, between this and Jam, I think the Yahtzee-voice characters are more tolerable when they're not the point of view characters because I immediately rooted for Alison far more in the two chapters she's been in than Not-McKeown by virtue of the fact that she feels like a character and not just an author stand-in who speaks exclusively in clever put-downs. The premise of this series, being about the evils of political correctness, put me off a bit, but I decided to give it the benefit of the doubt.

[woundgallery]

Hannah Wilke, Untitled, 1960s, pastel and graphite on card, 11 × 15 cm. Courtesy: Alison Jacques Gallery, London and Hannah Wilke

[corwood]

Ana Mendieta, Untitled, (detail), (from a set of 6 black and white photographs), 1973 [Alison Jacques, London. © The Estate of Ana Mendieta Collection / ARS, New York]

[drzito]

Las 242 peliculas que he visto en 2023 (parte 1)

Tarzan y su compañera (Cedric Gibbons, 1934).

2. El fantasma y la Sra Muir (Joseph L Mankiewicz, 1947)

3. Odio entre hermanos (Joseph L Mankiewicz, 1949)

4. Testigo accidental (Richard Fleischer, 1952)

5. El rastro de la pantera (William A Wellman, 1954)

6. El tigre dormido (Joseph Losey, 1954)

7. El quinteto de la muerte (Alexander McKendrick, 1955)

8. 40 pistolas (Samuel Fuller, 1957)

9. La maldición de Frankenstein (Terence Fisher, 1957)

10. Ocho horas de terror (Seijun Suzuki, 1957)

11. The Trollenberg terror (Quentin Lawrence, 1958)

12. La Venganza (Juan Antonio Bardem, 1958)

13. Un golpe de gracia (Jack Arnold, 1959)

14. A todo riesgo (Claude Sautet, 1960)

15. La evasion (Jacques Becker, 1960)

16. El sabor del miedo (Seth Holt, 1961)

17. Detective bureau 2 3. Go to hell bastards! (Seijun Suzuki, 1963)

18. The white tiger tattoo (Seijun Suzuki, 1965)

19. A traves del huracan (Monte Hellman, 1966)

20. El Tiroteo (Monte Hellman, 1966)

21. La soltera retozona (Silvio Narizzano, 1966)

22. Dimension 5 (Franklin Adreon, 1966)

23. Los Productores (Mel Brooks, 1967)

24. Un hombre (Martin Ritt, 1967)

25. Sebastian (David Greene, 1968)

26. El Bastardo (Duccio Tessari, 1968)

27. El lagarto negro (Kinji Fukasaku, 1968)

28. La louve solitaire (Edouard Logereau, 1968)

29. Aquel dia frio en el parque (Robert Altman, 1969)

30. Corazones en fuga (Michael Powell, 1969)

31. La bestia ciega (Yasuzo Masumura, 1969).

32. El bosque del lobo (Pedro Olea, 1970)

33. El grito del fantasma (Gordon Hessler, 1970)

34. Drácula y las mellizas (John Hough, 1971).

35. ¡Que viene Valdez! (Edwin Sherin, 1971)

36. Sangre en la tumba de la momia (Seth Holt, 1971)

37. El Otro (Robert Mulligan, 1972)

38. Hermanas (Brian de Palma, 1972)

39. Imagenes (Robert Altman, 1972)

40. Morgiana (Juraj Herz, 1972)

41. El ataque de los muertos sin ojos (Amando de Ossorio, 1973)

42. El programa final (Robert Fuest, 1973)

43. Flor de santidad (Adolfo Marsillach, 1973)

44. Lemora, un cuento sobrenatural (Richard Blackburn, 1973)

45. Messiah of Evil (Willard Huyck y Gloria Katz, 1973)

46. Una vela para el diablo (Eugenio Martin, 1973).

47. Daguerrotipos (Agnes Varda, 1975)

48. La noche de las gaviotas (Armando de Ossorio, 1975)

49. Picnic en Hanging Rock (Peter Weir, 1975)

50. El otro Sr Klein (Joseph Losey, 1976)

51. Terror al anochecer (Charles B Pierce, 1976)

52. El desafio del bufalo blanco (J Lee Thompson, 1977)

53. Largo fin de semana (Colin Eggleston, 1978)

54. El grito (Jerzy Skolimowski, 1978)

55. Los ojos del bosque (John Hough, 1980)

56. Alison’s birthday (Ian Coughlan, 1981)

57. Muertos y enterrados (Gary Sherman, 1981)

58. Wilczyca (Marek Piestrak, 1983)

59. En compañia de lobos (Neil Jordan, 1984).

60. Sangre Facil (Joel Coen, 1984)

61. Sole survivor: Unico superviviente (Thom Eberhardt, 1984)

62. Tasio (Montxo Armendariz, 1984)

63. El tren del infierno (Andréi Konchalovski, 1985)

64. El corazon del angel (Alan Parker, 1987)

65. Jovenes Ocultos (Joel Schumacher, 1987)

66. La chaqueta metalica (Stanley Kubrick, 1987)

67. El fluir de las lagrimas (Won Kar Wai, 1988)

68. Ensalada de gemelas (Jim Abrahams, 1988)

69. Kadaicha, la piedra de la muerte (James Bogle, 1988)

70. Pacto de Sangre (Stan Winston, 1988)

71. Avalon (Barry Levinson, 1990).

72. Misery (Rob Reiner, 1990)

73. La Teranyina (Antoni Verdaguer, 1990)

74. La Tutora (William Friedkin, 1990)

75. Morir Todavia (Kenneth Branagh, 1990)

76. La jungla de cristal 2 (Renny Harlin, 1990)

77. Solo en casa (Chris Columbus, 1990)

78. Alien 3 (David Fincher, 1992)

79. Mi novia es un zombi (Michele Soavi, 1994)

80. Nadja (Michael Almereyda, 1994)

81. Esto (no) es un secuestro (Ted Demme, 1994)

82. Dos Policias Rebeldes (Michael Bay, 1995)

83. El demonio vestido de azul (Carl Franklin, 1995)

84. Heat (Michael Mann, 1995)

85. Jovenes y brujas (Andrew Fleming, 1996)

86. Agarrame esos fantasmas (Peter Jackson, 1996)

87. Herbert's Hippopotamus: Marcuse and Revolution in Paradise (Paul Alexander Juutilainen, 1996).

88. La Roca (Michael Bay, 1996)

89. Tierra (Julio Medem, 1996)

90. 99.9. La frecuencia del terror (Agusti Villaronga, 1997)

91. Fallen (Gregory Hoblit, 1998)

92. Un plan sencillo (Sam Raimi, 1998)

93. El halcon ingles (Steven Soderbergh, 1999).

94. Ilusiones de un mentiroso (Peter Kassovitz. 1999)

95. Flores de otro mundo (Iciar Bollain, 1999)

96. Ravenous (Antonia Bird, 1999)

97. Wisconsin Death Trip (James Marsh, 1999)

98. Dagon: La secta del mar (Stuart Gordon, 2001)

99. Escalofrio (Bill Paxton, 2001)

100. Dracula: Pages from a Virgin's Diary (Guy Maddin, 2002)

101. 2 hermanas (Jee-Woon Kim, 2003)

102. Dos policias rebeldes II (Michael Bay, 2003)

103. Los Angeles Play Itself (Thom Andersen, 2003)

104. El reportero: La leyenda de Ron Burgundy (Adam McKay, 2004)

105. El Septimo Dia (Carlos Saura, 2004)

106. La vida que te espera (Manuel Gutierrez Aragon, 2004)

107. Los Edukadores (Hans Weingartner, 2004)

108. Misteriosa obsesion (Joseph Ruben, 2004)

109. Yo, Robot (Alex Proyas, 2004)

110. Hostel (Eli Roth, 2005)

111. Wolf Creek (Greg McLean, 2005)

112. Bajo cero (Frank Marshall, 2006)

113. El Inadaptado (Jens Lien, 2006)

114. Sheitan (Kim Chapiron, 2006)

115. The last winter (Larry Fessenden, 2006)

116. 30 dias de oscuridad (David Slade, 2007)

117. Borderland. Al otro lado de la frontera (Zev Berman, 2007)

118. Diarios de la calle (Richard LaGravenese, 2007)

119. Frontera(s) (Xavier Gens, 2007)

120. Hostel 2 (Eli Roth, 2007)

121. Water Lilies (Celine Sciamma, 2007)

[artistsonthelam]

Part 3 of my favorites from Tuesday’s Art Basel Hong Kong VIP Preview:

1 - Oh hey 周星馳 (a.k.a. Stephen Chow). Chow Chun Fai, The Mad Monk “I want these immortals to get off their high horses and experience the mortal world”, Gallery EXIT.

2 - OG readers of my blog may remember my 2012 Miami Beach post praising this artist and gallery. Atsushi Kaga, Ukiyo-e, mother’s tankstation.

3 - Sheila Hicks, Batons de Parole (Talking Sticks), Alison Jacques.

4 - Like I said, I like cute things. Detail, Shoko Nakazawa, Kaikai Kiki.

5 - The waves are made of fishhooks! Yoan Capote, Island (Voragine) and Endless Sea (Requiem), Ben Brown.

// (c) Jenny Lam 2024

[stillsuchathing]

Emma Amos

'Through such paintings, American writer bell hooks observes, “freedom of expression is made more inclusive…In this free world, identities are not static but always changing.'

[songstring]

książki zaczęte/czytane/przeczytane w roku szkolnym 24/25

roberto bolano - 2666

danil kharms - today i wrote nothing

benjamin labatut - straszliwa zieleń

pascal quignard - the roving shadows

jack spicer - my vocabulary did this to me

elfriede jelinek - winterreise

kenzaburo oe - death by water

anne carson - men in the off hours

djuna barnes - ostępy nocy

alain badiou - etyka

vladimir nabokov - lolita

julia kristeva - the powers of horror

georges didi-huberman - strategie obrazów

bertolt brecht - war primer

frederico garcia lorca - poet in new york

gilles deleuze, claire parnet - dialogi

felix guattari - chaosmoza

gilles deleuze - desert island and other texts

alison bechdel - fun home

alison bechdel - are you my mother?

vinciane despret - wszystko dla naszych umarłych

michał paweł markowski - nieobliczalne

eliza kącka - wczoraj byłaś zła na zielono

emilia dłużewska - jak płakać w miejscach publicznych

georges didi-huberman - obrazy mimo wszystko

slavoj zizek - lacan: przewodnik krytyki politycznej

torrey peters - detransition, baby

hal schrieve - vivian's ghost

george lakoff - metaphors we live by

kognitywne podstawy języka i językoznawstwa

kognitywizm w poetyce i stylistyce

paul b preciado - apartment on uranus

rosalind krauss - picasso papers

rosalind krauss - the optical unconscious

thomas köck - trylogia klimatyczna

richard siken - crush

anne carson - red doc

jacques lacan - écrits

iga dzieciuchowicz - teatr rodzina patologiczna

ewelina figarska - jestem małą muszką owocówką, przyleciałam na ciebie popatrzeć

anne carson - beauty of the husband

roland barthes - ziarno głosu

slavoj zizek - druga śmierć opery

allen carr - easy way to stop smoking

hunter s thompson - lęk i odraza w las vegas

roberto bolaño - the unknown university

rosi braidotti - po człowieku

simone weil - lectures on philosophy

tomasz mann - czarodziejska góra

william s burroughs - queer

matthew levi stevens - the magical universe of william s burroughs

william s. boroughs - last journals

justin torres - blackouts

[itslegribou]

Alison Wright dans la première saison de Snowpiercer, série télévisée créée par Josh Friedman et Graeme Mason en 2020 d'après Le Transperceneige, bande dessinée de Jacques Lob et Jean-Marc Rochette (1984).