#movingimage

[art-action]

🌈 Open call, last days 📣 Just a few days left before the deadline of the call for entries for the next Rencontres Internationales Paris/Berlin. Final deadline: 19 June inclusive, 11.59pm Pacific Time. New cinema and contemporary art ⚡️ film, video, multimedia All info 🔥 https://art-action.org/call Please share!

Image from "Aasivissuit" by Jasper Coppes, programmed as part of the Rencontres Internationales Paris/Berlin 2021.

[crossststudios]

Work by Haley Williams, in "CROSS SECTION", 8 Feb 2007.

[snapshotspeirs]

Another interview that seems relatively achievable despite my lack of experience.

In this interview with David Bowie I like the consistent changing shots and I suspect that the B-roll is being used to cover up the cuts of footage to make it flow more naturally.

[superdeelucas]

Autumn Stream·Mountain·Waterfall

[louisthomsonhnd2a]

I am pleasantly pleased with the outcome of my video. The multiple scenes being put together in different orders as well as the fast paced nature of each frame I feel really adds to the overall suspense of the work. The use of silhouette also adds a clear sense of mystery while the use of only the colour red allows for consistency but importantly a sense of danger to come across to the viewer.

Target Market

I feel that the clear horror aspect of the video would mean it would best be targeted at those who have an affinity for this particular genre, especially young adults. Because of the shorter length of the video, I feel like it would be best viewed as a reel on instagram. This way it would also reach the highest amount of people because of social medias massive influence on young adults.

[annegart]

At the end of 2023 we celebrate film festivals that awarded our 1st projects BEST in CATEGORY ! Thank you festival teams for your encouragement and support! https://filmfreeway.com/BuzzViciousIntFilmFestival https://filmfreeway.com/GoldenSparrowInternationalFilmFestival https://filmfreeway.com/EasternEuropeInternationalMovieAwards

[kelseycraigphotography]

test post

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[heidijphillips]

Valley of Light | 65 minutes | 2023

Across the seasons, two siblings explore and grow in an idyllic but abandoned landscape. A scientist observes the changes with impassive concern. Later, one sibling returns to piece together the remnants of her heritage.

[seashorepics]

 🎬 Lights, Camera, History!

The Evolution of Film: From Flickers to Franchises 📚 Introduction: Why Film History Matters Film isn’t just entertainment—it’s a mirror of society, a tool of innovation, and a global language. For film students and buffs alike, understanding its history is essential to appreciating its artistry and impact. The Evolution of Film: From Flickers to Franchises📚 Introduction: Why Film History…

[art-action]

🌐 Open call, last reminder 🚨 A few hours left to submit your film, video and multimedia works to the next Rencontres Internationales Paris/Berlin. New cinema and contemporary art ⚡️ ⏳ Final deadline: 19 June 2025, 11.59pm Pacific Time. 📌 All info on https://art-action.org/call

Image from "Night Life" by Matthew Garrison, programmed as part of the Rencontres Internationales Paris/Berlin 2022.

[crossststudios]

Work by Veronica Manchego, in "CROSS SECTION", 8 Feb 2007.

[snapshotspeirs]

I would love to emulate an interview like this

https://youtu.be/wmPGBlxOUbo?si=4DSZ1tboc20QLN7N

Considering the time constraints I have I won't have nearly as much time I'd need to plan the shoot as well as this or have the time ill need to edit like this as ill need to also teach myself how to do that as i go along. I'd love to have shots of Twig working away on their art and cut back to the interview. The workspace they have at GSA is very small so massive establishing shots won't work. It'll have to be more closer since they share half of a small cubicle with another artist and I don't want their work to be confused for Twigs.

[gyamfieric]

some other days....

 ‘Kɔηsεt Pāti’, a project curated by Abbey IT-A (@itaabbey) at the former Marvels Mini Golf Course (next to Mmofra Place), Dzorwulu – Accra, Ghana.

🎡Kɔηsεt Pāti playfully misinterprets what is meant by the “moving image” with an exhibition strategy that transposes the audio-visual aspirations of two films between the virtual space of a screen and literal space. Ghanaian artist, Eric Gyamfi’s @certainwindsfromthesouth (2023), an adaptation of Ama Ata Aidoo’s short story. A call. A response is heard in voice and score from British Ghanaian artist, Larry Achiampong’s film ‘Relic 2’ (2019), courtesy of the British Council Collection. The strategy involves a purpose-built screening area designed, constructed, and engineered to rotate, in collaboration with a hybrid group of practitioners: Adwoa Amoah (@adwoaaaaaaa), Ato Annan (@anima.axolotl), Ahenkan Yeboah (@yeboah_ahenkan_richard), Gershon Gidisu (@gershongidisu), Afrane Akwasi Bediako (@afranemakof), Joshua Afoakwa (@joshfoaks), Emmanuel Kwasi Nyavor, Ebenezer Asiamah, Isaac Gyamfi A. (@igyamfi6studio) and Abraham Tettey (@master_ab). It is activated with high school learners through free screenings and workshops facilitated in collaboration with Jeff Atuobi (@yawatuobi). Kɔηsεt Pāti is hosted by the Foundation for Contemporary Art (FCA)-Ghana (@fca_Ghana) and Mmofra Foundation (@mmofrafoundation). The project duration is 20th February to 15th March 2025. Schedules: follow link

https://doodle.com/sign-up-sheet/participate/33d06630-8c84-4575-94e1-a6eb579e7ed7/select

https://doodle.com/sign-up-sheet/participate/1dd2aac3-326e-481f-a0fd-e496ac00f26d/select

______ This first iteration is developed through Art Exchange: Moving Image, a curatorial development programme for curators from Sub-Saharan Africa organised by LUX (@luxmovingimage), Yinka Shonibare Foundation (@yinkashonibarefoundation), and Guest Artists Space Foundation (@gasfoundation), delivered in partnership with the British Council (@britisharts) Artwork: Abbey IT-A, Isaac Gyamfi A., feoisugly (@feoisugly)

______ #konsetpaati#konsetpaati2025#abbeyita#fcaghana#mmofrafoundation#britishcouncil#artexchangemovingimage#luxmovingimage#yinkashonibarefoundation#gasfoundation#movingimage#certainwindsfromthesouth#ericgyamfi#larryachiampong#filmscreenings#workshops#arteducation

[louisthomsonhnd2a]

Moving Image - BTS & Lighting Set ups

[annegart]

At the end of 2023 we celebrate film festivals that awarded our 1st projects BEST in CATEGORY ! Thank you festival teams for your encouragement and support! https://filmfreeway.com/HalicarnassusFilmFestival https://filmfreeway.com/ParisCinemaAwards https://filmfreeway.com/MedusaFilmFestival

[likelyyouththing]

Video Streaming Software Market Trends, Statistics, Size, Share, Regional Analysis

The Video Streaming Software Market is projected to grow from USD 13.3 billion in 2024 to USD 29.7 billion by 2029 at a CAGR of 17.5% during the forecast period. This growth is primarily driven by the increasing penetration of mobile devices and internet users, fueling the demand for video streaming software.

Download PDF Brochure: https://www.marketsandmarkets.com/pdfdownloadNew.asp?id=181135120 

Key Growth Factors

Connected Devices Segment: The other devices segment within the connected devices category is expected to grow at the highest CAGR during the forecast period. This segment includes voice-activated devices, home theatres, and in-car entertainment systems. The integration of smart speakers, virtual assistants, and in-car entertainment systems has revolutionized how users access and consume video content, contributing significantly to the market growth.

Streaming Type: Video-on-Demand (VOD): The video-on-demand segment holds the largest market share during the forecast period. VOD streaming has transformed entertainment consumption patterns, driven by the proliferation of high-speed internet and widespread adoption of smartphones and smart TVs. Major players in the VOD market, such as Netflix, Amazon Prime Video, Disney+, Hulu, and HBO Max, offer diverse content libraries, fueling market expansion. The rise of niche streaming services and technological advancements in streaming devices have further supported the growth of VOD streaming.

Regional Insights: Asia Pacific Growth

The Asia Pacific region is projected to experience the highest CAGR in the video streaming software market during the forecast period. This growth is attributed to the region's high population, increasing number of mobile devices, and diverse demand for content genres. The transition from traditional to online TV viewership is accelerating, supported by telecom companies, 5G technology, and the shift towards cost-effective ad-based subscription models. The region's entertainment market is expected to grow significantly, providing ample opportunities for both international and local streaming platform providers.

Get More Info : https://www.prnewswire.com/news-releases/video-streaming-software-market-worth-29-7-billion-by-2029---exclusive-report-by-marketsandmarkets-302152580.html 

Key Market Players: 

Major players in the video streaming software market include IBM (US), Brightcove (US), Kaltura (US), Edgio (US), Vimeo (US), Agile Content (Spain), Haivision (Canada), Panopto (US), Enghouse (Canada), Akamai (US), Netgem Group (France), Dailymotion (France), Hive Streaming (Sweden), Blue Billywig (Netherlands), JW Player (US), Wowza (US), Vbrick (US), movingimage (Germany), Vidizmo (US), Kollective Technology (US), Dacast (US), MediaPlatform (US), CONTOUS TECH (US), VIXY (Netherlands), uStudio (US), Vidyard (Canada), SproutVideo (US), Castr (Canada), and Muvi (US).

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