#not nearly informed enough

[liskantope]

The following is not meant to sum up my opinions on each side of the current hell going on in the Middle East, not even close; there's just a medium-minor point I want to make in response to the Freddie deBoer piece on it from earlier this week.

He kept the comments off for the post, but had I been able to comment I would have pointed out that his dismissing hyper-progressive, borderline-anti-Semitic pro-Hamas speech in the US as insignificant because it's just a bunch of college kids with no real power sounds exactly like all the dismissals half a decade ago about how hyper-progressive "woke insanity" is just a bunch of college kids with no real power, before it bled into the adult world and our mainstream culture. This wasn't even necessarily my favorite way to frame the rise of wokeness; I'm pointing this out because of how ironic it is that FdB loves making this exact point about the rise of wokeness and how foolish it was to initially use the "just college kids" reasoning to deem it insignificant.

FdB's main point still holds: Palestine is very much the underdog in the constant struggle with Israel not only in direct raw power but in terms of how much of the world stands with each side, and the extreme pro-Palestine stuff pales in magnitude compared to how strongly most sources of power stand by Israel. But, I think it's also not true that extreme pro-Palestine Hamas-apology only comes in the form of "the Latin Club at Cornell held a pro-Palestine rally in the quad". There has been a rising trend among progressive youth for quite a few years in supporting Palestine in a very black-and-white-thinking way that threatens more and more to veer into straight-up antisemitism, and what I've been hearing about lately gives me the impression that it's more than just a few isolated groups of university students. This surge towards extreme anti-Israel views is only going to keep accelerating, at least for the moment that this has erupted into a full war and the ideological landscape is polarizing.

Think of the fact that there are members of Congress who are openly and ardently anti-Israel (and apparently staged a disruptive protest at the capital, which I'm still under-informed on after zero mention of it came my way through my ambient social circles). I'm not sure and could be wrong on this, but it seems to me that actually having congresspersons who openly don't support Israel is a very new thing in politics that only began in the last five years. Which, again, the fact that I'm remarking on this illustrates how skewed our country has been in the direction of unwavering support of Israel, but let's also acknowledge that the youth are bringing in a new trend and it's growing and isn't just a matter of some kids being extreme because they're immature.

[foefire-flame]

Man I really wish I didnt feel bad abt sharing Leo lore outside of tumblr. It is what it is

[snowluthor]

Watching Star Trek: The Animated Series and McCoy just casually mentioned that he has a daughter. Excuse me???

[nyhti]

Them <333

The Brave and the Bold #184

[bismuthburnsblue]

Help me design a dress!

this is our fabric! (left is the product image, right is my actual piece of fabric- ruler on the left is cm, on the right is inches, to give you an idea of print scale) its the black version of the break up robe print, in a lightweight & crisp cotton. i have 4.5m (5y) so it should be enough to make most designs, though some will require consideration in the cutting- we will get to that later though. (the fabric is also narrow, i think its only 110cm wide. (its still folded in the picture))

my goal here is to make a comfy wearable dress, something pretty casual & everyday in silhouette, but i would also like if it was possible to style up for a more formal look. most of my inspiration for this project has come from 1950s dresses, because thats a style i lean towards for myself, though im not aiming for anything "true vintage" or anything. im also fond of lolita dresses, so im more than down to draw inspiration from those also!

also, the print is pretty bold compared to my usual style, so ive considered doing some kind of translucent (chiffon, tulle, mesh) overlay to tone it down so its more wearable in my wardrobe. this will entirely depend on it working with out final design, and even then, ill offer you the decision at the end! ultimately, i still want to be able to appreciate the fabric. (for sewing people: id intend to do it as a flat lining, so it sits right up against the fabric underneath, not as a complete separate layer. i find this makes it block out the design slightly less) doing this could also help with adding structure to the dress, which i already think some designs might need, considering how thin the fabric is.

ok now the brief is out of the way, onto the first decision for the dress: the shape of the skirt. if you want to vote based entirely on vibes, feel free to click away, but i have included some more writing about each option & its ups and downs in this particular project under the cut (also pictures of each style if youre not so familar with what they are!)

& the propaganda for the options:

Circle skirt: you can never go wrong with a circle skirt- theyre probably my favourite to wear overall & i especially like the low bulk join to the waist as i sometimes find things with gathers dont sit as nicely on me. the way circle skirts are cut also gives them a movement that the other two methods simply cannot compete with in my eyes.

The main downside is working a circle skirt with this particular fabric. the fabric is not wide enough to cut the entire front as one, so i would either need a centre front seam or to make it a 3/4 circle skirt- something im 100% ok with, i honestly find at midi length a full circle to be too much sometimes. (there is technically the option to have full circle but rotate it so the seams are at side, but that might then mean i have to do some shenanigans with where the fastenings go). also, because the design is directional, each quarter will need to be cut so the seams end up on the bias, which makes for an Incredibly inefficient cutting layout. (again, if theres a CF seam, thatll be on the diagonal of the design, which really defeats the point of putting in the effort in the first place, to me.) i think i would be able to get all the panels i need out of the piece of fabric i have, but i think i would be a bit more limited with top options as i try to make sure to use as many of the small pieces left over as possible.

Gathered skirt: these are by far the easiest to do in terms of sewing. in my research into casual 50's dresses about 90% of all pictures i saw featured a dress with a gathered skirt (or actually, a lot seemed to have tiny pleats that give the effect of gathers, like the coral one. if we vote this way, i would be tempted to go try them as i think it might solve my bothers with gathered skirts in general)

i generally find gathered skirts less flattering on me- they add bulk at the waist and then hang straight down off the hips (when not puffed up with a petticoat) and thats generally not something i like on myself. i could improve that though by bringing more fabric in to increase the hem, and adding horsehair braid to the hem to help it swoop without additional support (again, my goal for this project is causal day dress)

this pattern uses the least fabric i think, depending on how much you put in the skirt- i think i should get a perfectly satisfactorily full skirt from this with less than 2m of fabric used. (honestly might end up too efficient- id like to use up all the fabric i have in this, and i really dont need that much for a bodice. i can see myself adding 4, even 5 widths into the skirt to use up yardage. i dont particularly see that as a problem though)

despite my reservations because of gathered skirts ive made before, for this project it does have one massive point in its favour: the fact that its still a full piece of fabric. all other styles here all cut quite significantly into the design to create their shape, while this be one panel of the fabric from edge to edge. preserving the design of this fabric is pretty high on my priority list, after all, i bought this fabric specifically because it was the OFMD break up robe print. i want whatever design i make to work with that.

Tiered skirt: for me, tiered skirts are the best of both worlds in terms of the effect they give. the fact each layer doubles means they keep some of the swish a circle skirt gives (and, i find, they tend to have more of the A-Line shape of a circle skirt too) while not being quite so consuming of fabric as you cut. i couldnt find many examples of 50's dresses with them (though i did find some) so i do feel like this style pulls more towards the style of lolita dresses & that might be reflected in the options i offer in subsequent rounds.

if you know anything about petticoats, then youll notice that this style of skirt is essentially the same construction as them (though petticoats often introduce extra layers and ruffles and.....) when ive made this style of skirt in the past i have found that it holds volume much like a petticoat does, without the need for an extra undergarment- something thats great for a casual dress!

I was thinking three tiers is the ideal number for this dress, though i could make it only two. i dont think i would make it more as, if i keep them even (which was my intention, though i am also fond of the styles that increase with each tier like my example images) then each tier will probably be 20cm wide, which is already looking like itll cut into the features of the design. i think that is the single biggest downside for this style- i wont reasonably be able to do much 'fussy cutting' either to work with the print, its simply not practical to do on this scale.

At a rough estimate, i think this is gonna use 3m of fabric in the skirt, which puts it slap bang in the middle in terms of fabric efficiency. i should have plenty enough to do it, maybe even to increase it if i want to, while still being pretty unlimited about what i do with the rest of the design.

one last thing- trim! one unique feature of this design is the opportunity to play with trim on the skirt itself. i do have some bodice ideas that play around with trim, and it would be really nice to introduce it into the skirt too, if we go that way. it could even be a fun nod to the piping on the original break up robe!!!!

Something else (comment): while doing my research i came across SO MANY design ideas that i could play around with. for this poll i picked the three i thought would probably work the best for this project, but i wanted an opportunity for you to yell at me if you want something different entirely. feel free to suggest anything you like, but ive included a couple images as examples of styles i saw a lot. i especially saw a lot like on the left, with gathering or ruffles off to the side, but the front panel being pretty flat. this might be real fun for some designs like shirtdresses, but im not super confident on how itd look on me. either way, feel free to form a coalition in the replies to tell me how i totally should have offered you this one particular option.

(if you vote for this but dont comment, im discounting it from the overall stats as i have no idea what design you mean! your welcome to send it in on anon if that bothers you, but either way, ill need a description :P )

[elegyofthemoon]

can someone remind me to write up my thoughts about gallagher and the enigmata later or at least compile them somewhere i want to share it but also my Goodness i am sleepy as heck today and i have work tonight 😔

[my-shields-are-down]

Apparently EW has a new cameo floating around causing waves of anxiety and speculation for 5x16/17-ish timelines.

The patches match - but that ONLY means they have the same rank, not the same job.

So much we don’t yet know about this situation - this happens in 3-4 MONTHS from now (5x16-17-18ish). Definitely a 2023 problem.

I’m gonna celebrate 2022 wins for now. ♥️

[nachtsoklein]

once again thinkin bout the thing of kurt being very chill about flings & one-night-stands but like. in regards to himself only being comfortable with thought of such with people that he. knows beyond a name. this is slightly diminished in cases of the other also not being human-passing (or passing but not being of earth), because the want for familiarity is very much tied to a fear of being seen as just an exotic novelty to add as a conversation piece with other non-mutants. he's long grown past accepting being seen as a sideshow attraction. really if given the choice he far prefers a friendship with benefits (even if the "benefit" happens only once) as opposed to a flat-out one-night-stand where he's unlikely to hear from the other ever again, & would prefer to start as friends even when the attraction is clearly mutual from the start. he needs to know to his bones he's desired beyond the "freak" factor.

[waywardsalt]

yknow a really old fic idea i still might go ahead with was a bit of a phantom hourglass/links awakening crossover where somehow marin (pre events of la) gets transported to the great sea post-ph and picked up by link and linebeck, and they have to figure out a way to get her home

[dylanconrique]

i personally think that lucy is definitely gonna be the cryer when she gets pregnant.

[ryanxross]

i dont use this word lightly but my roommate is the biggest narcissist ive ever fucking met and that is fucking saying something

[tiny-feisty-gay]

jobs will say they're disability friendly until you actually need them to be friendly about your disabilities

jobs will say they're mental health friendly until you actually have to miss work for it

jobs will say they support you taking time off until you actually do it

capitalism is a sham and employers do not and will not ever care about you, and if you're chronically ill, sucks to suck

i have an average of 1.5 absences a month and i'm tardy an average of twice a month, and somehow that's still too much.

18 absences in a year if i go at the current rate. 18. out of the 208 days total that i work (4 on, 3 off, with a 3 hour commute each direction.) 18. days. of absences. and that's too many.

and god forbid i be more than 15 minutes late.

[wheucto]

ii au where (nearly) everyone on the show is just some kind of abnormal being

[syncrovoid-presents]

Researching for my hazbin fic (A Cannibal's Guide on Living Comfortably) has also made me realize that my adoptive family (and me in relation to my birth family) actually suffer from cultural loss. And this ties to my adoptive family being half french like Alastor.

This is sort of a personal ramble about my experiences and how it relates to cultural loss. Just thoughts I've been having that's making me rethink a lot of things from my life.

(Technically I'm not but that's a whole other thing. I was found as a kid and never allowed to learn about my birth family or heritage so yeah. I'm just whatever people say I am. Means I have double the cultural loss, both from the people that raised me and my own! Yippee! <- sarcastic)

Both my parents are half french and grew up in small communities where there was very very high English vs French tensions. Both of my parents parent's decided that it would be best to give their children the easiest life they could so they raised them as English as possible.

They weren't allowed to learn french and were punished if they tried (both by family and the community. It was a lot worse where my mother grew up), and weren't allowed to continue any traditions, songs, or anything culturally French. Assimilation was the best chance at a future, but meant that they lost all ties to culture that wasn't acceptably English/colonial.

They were born a long time ago, so this was during the era of corporal punishment in school, my mother wasn't allowed to wear pants, my father was punished repeatedly for using his left hand, etc. They were also forced into churches because that's what The Good English Do, even though neither are religious now nor would they have been forced to if the hatred against the french hadn't been so strong.

The small town my mom grew up in had a segregated neighbourhood for the french, and her family fought to cut all ties. Her mother was french but was forced to only speak English and cut all ties to her family.

I don't know as much for my father, but it was his father that refused to teach or share anything French because of the hardships he went through growing up (he also ran away and lied about his age to fight in the war too young, so he likely faced heavy trauma too)

While neither of my parents are half english, they were able to pass as english at the expense of their cultural identity and connection to their family. I've spoken to my mother about it and she says white culture is genocide, but I don't know if she realizes how it hurt her too (not to say the french did nothing wrong. They were colonialists and took part in genocide as well)

It's weird to realize. I was put in french immersion and while my french isn't great, I've realized that my parents did that to give me the only opportunity I could have to learn about their lost culture. They learned a bit from me and would use french words and sometimes share translation quirks their parents had caused by learning english after french.

I grew up thinking that because I don't know anyone I'm related to that i had no culture. I've realized that part of the reason it feels that way is because anything non-English was forced out of people. The more you could pass as english the heavier the assimilation is. To join the oppressors is to sacrifice culture, history, and family, but that's a choice both my parents parent's made and it's one we all struggle with.

As far as I go, I don't know my precise ancestry, but I do know my birth grandparents fled from a country that was dealing with fighting for independence and a highly struggling economy. I'm not supposed to know that or know anything more, but from what I can guess and based on what people have said I look like (closest thing I got) my ancestors dealt with fighting against being colonized for centuries, their culture and history actively being destroyed and demonized, and the language borderline dead because of it (isnt the british imperialism great? <- sarcasm). A bit over a century ago it would have been the cause of much prejudice and hatred, but like my adoptive parents parent's they traded culture for assimilation.

It's.... weird. There's not much I can change nor not much I can do with this information movie forwards. It has helped me connect my experiences more with that of cultural loss, especially those felt by others who don't know any birth family. Because I pass as white (I do not know my genetics, so I'd rather say that than call myself white. Especially because what ancestry I do know I have weren't historically called white and faced discrimination by white folks) I previously thought these experiences could not apply to me.

As a side note, I do hold the belief that orphans like me, or others that lacked any family for much of their lives are part of a "hidden" minority. I faced a lot of extra difficulties, social pushback, and was treated worse than my peers because I am an orphan, as did different foster siblings I had over the years. Adoption means either never speaking about my life to pass as "normal" or speak about it and face the consequences. Every person's experiences are different when it comes to this, but it really changed the expectations adults had on me and forced me to be more mature, resilient, perfectionistic and less reactive to my peers. The expectation was if you acted bad you didn't appreciate having a home and therefore didn't deserve it. What others kids could get away with can be what loses your home when you grow up an orphan.

Anywho, circling back to my fic I'll be adding some elements of my experiences in there too. Not as the main focus, mind you, but some of the struggles of adapting/assimilating to the majority to avoid discrimination will be present (as well as some French (more focused on Creole French history. It was something a few of my french teachers focused a lot on) ). Just background info, I'm as of yet undecided on how much of a character study it will all be, but if it does go into it more then these themes will be present

[existential-dread-in-the-am]

I love your blog!!! You're hilarious in your little notes. Your posts are always of varied interests and it always leaves me wondering just how much you must know and love and it's amazing. Idk, it's just so refreshing to come across. I love it!!

Ahsjdkkfkg thank you!! You are so nice I can't take this!

[moonmoonthecrabking]

i should come up with more constance and ricky analysis. like there's nothing up there but. they're great characters i want to write more of them based on the text.