#rising to take her place. it's an interesting and downbeat dissection of the tropes‚ exposing that while plotting was usually king for
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La tarantola dal ventre nero (Black Belly of the Tarantula, 1971)
"Yes, I've always told you to drop it, it's true. But now... you're not giving up. Not now. And I don't really care about the movie. If they're out to get you, it means the murderer is afraid of you. It means you know what you're doing. He's afraid of you."
#La tarantola dal ventre nero#black belly of the tarantula#italian cinema#giallo#1971#paolo cavara#marcello danon#lucile laks#giancarlo giannini#claudine auger#barbara bouchet#rossella falk#silvano tranquilli#barbara bach#stefania sandrelli#annabella incontrera#ezio marano#giancarlo prete#nino vingelli#eugene walter#anna saia#relatively early in the giallo canon but it's nice how this is already starting to play with the established formula; Giannini's lead would#ordinarily be a loner out of his depth or an overly confident cop‚ but instead he's a cop out of his depth‚ crippled with self doubt and#paralysed by his own dissatisfaction with his chosen profession. he does his job well and correctly but still people keep dying and still#he solves the case less through some genius epiphany of what he's been missing and more from simply being in the right place at the right#time. it lends this all a sense of helpless ennui‚ the giallo as predestined exercise. unusual too in lacking a strong female leading#character; Bouchet is introduced as the apparent audience avatar then unceremoniously killed off a few minutes in‚ with no one really#rising to take her place. it's an interesting and downbeat dissection of the tropes‚ exposing that while plotting was usually king for#these films‚ in reality (and there is a streak of realism through this film which many gialli miss) it has little impact on the people and#the lives concerned. there is a great complex qeb of intrigue going on but it ends up having nothing to do with the killer's motive
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