#still open to some ships

[shrews-art]

A bond made of fire and spider webs

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[puppetmaster13u]

Because it is Mermay:

Originally did this art for one of @radiance1 prompts/story ideas, which also gives an idea of colors so.

[downsteepy]

hi it's me !!! i've decided to completely overhaul the way i do commissions, and i've even added .. quite a lot LMFAO. the biggest change is i now offer half + full bodies as opposed to only busts (growth) and i've added reference sheets.

i forgot to mention this on the actual sheet, so i'll clarify here: you can ask about backgrounds, however i'm still not very good at them :') backgrounds will (probably) be an extra $10 though

again, as per usual, commissions are done through ko-fi, and i'd appreciate you reading through my commission info carrd! if there's anything you're unsure of, please feel free to dm me for questions/clarifications!

extra examples in higher quality can be viewed in my art tag as well :)

EDIT: NEW COMM TYPE!!

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.

[sieglinde-freud]

i love lucisev in any flavor its given to me but in particular i really enjoy 1) lucisev thats been together since pre going back in time and dont even remember when they “happened” theyve just always been a forever constant and comfort without having to label it or eachother until they dont have it anymore (being separated post time jump) and 2) lucisev that has never happened and its been a pining disastrous mess for years on both ends but then selena leaves for nohr and when laslow and odin ask what she’s holding herself back for she doesnt answer but they already know. when they come back home, selena searches everywhere for her and sometimes, she’s too late. lucina’s already packed up and left the world behind, and for what? no one really knows. but sometimes, she finds her again, but it’s been so long and lucina’s not sure they can go back to being the same way they used to be, not after feeling hurt and betrayed by severa’s sudden departure. but things like this take time, and selena is finally at a place in her life where she can decidedly say she has all of the time in the world.

[bamsara]

i think my patreons are the best tbh im out here fighting demons, brain damage, car broke, cost of living, price inflation, printer errors, delivery mishaps, rapid onset of media brainrot, inconsistant art style, isolation, the toils and tribulations of living in the rural south, social obligations with financial cost requirement, a cat that actively breaks into plastic bins to chew on stickers and burn out

i am constantly slipping on a bannana peel and patreons are just

[snail-noodle]

lloyd casually telling his new wife gf about his past and all the trauma he most definitely gained throughout the years

[anonimea1y]

since we're in 2025 now and the most popular crk ship rn is toxic yaoi and one of the newest cookies is from the st. pastry order can we pleaaaase talk about pastryvelvet now?

[dykedvonte]

I never even considered that parallel, that Anya would have an ignorance to (or at least, vain hope against) Jimmy abusing Curly with his meds. Because they're friends, because she hopes he wouldn't be as callous with Curly as he is with her, because Curly even said himself "I know him." Incorporating that into my world view.

I don't think Anya thinks Jimmy is a good man, but I do believe she would think he'd be reasonable enough not to raise tensions in a situation this bad. She genuinely wants to believe that in their worst moment Jimmy won't be a monster.

Everything has gone wrong. Curly is gravely injured and she is doing everything she can to keep him clinging to life, despite believing he caused this. Swansea has relapsed and is constantly arguing with Jimmy. Daisuke is trying to stay positive but in a way it just reminds everyone of how hopeless it all is. And to top it all off Jimmy is defiantly losing it with all he's trying to do and the responsibility he can't handle.

Anya wants to believe that no matter how angry, how bad and awful he could get with her, he'd at the very least show decency to one person who tried to show some semblance of care to everyone. The one person that always stuck by his side. The person who confided in him and maybe told him how he was struggling instead of her. I don't think it's guilt but she regrets not prying more with Curly, making him admit what's wrong because it was her responsibility to help and she gave him the okay. I like to think even if she never realized Curly didn't crash the ship, Jimmy was the real reason or a big part of why he did and is why she tried to keep Curly from him in death.

It's Curly's worse moment and she's hoping Jimmy will be less of a monster for it. She knows she's hoping on what would basically be a miracle but it's the only thing she has left keeping her going.

[scatterpatter]

So I’m new to megaman fandom and I’m not familiar with what you can and can’t ship can you tell me a bit about how the shipping works with the robot masters?

Anon this is a FASCINATING question and I'm actually super flattered you went to me for this- This is actually a really interesting question with a lot of nuance so like- I'm gonna give you the short answer with the widely accepted "you can't ship these", and under that I'll give a more detailed overview of how shipping tends to work and the nuances of robot relationships!

Disclaimer: I'm only going to talk about the Megaman Classic series. While I've dipped into the other Megaman series (like X, Battle Network, etc), I don't know enough about them to speak about them. Also! I only got into Megaman in 2023 so like- I of course can only speak for my OWN experience in fandom, I cannot speak for the fandom as a whole, and I don't have the fandom experience that someone who's been here much longer would have. Fandom evolves so I can only speak for what I've seen being in this fandom in the 2020s and whatever art/fics/etc I've found from years prior!

So the short answer is: Megaman Classic is full of mostly fictional robots. Ship whatever you want, don't let anyone tell you can/can't do. That being SAID, there are a few ships that are widely considered massive no-nos in the Megaman Classic fandom:

Mega/Rock x Roll, Mega/Rock x Proto/Blues, Roll x Proto/Blues, or any romantic variation of the three are widely considered no-nos due to most Classic media explicitly stating they're siblings, making those ships incestuous. ESPECIALLY Mega/Rock and Proto/Blues, I don't think there's a single Classic media that doesn't explicitly state they're brothers.

Dr. Light x any of Mega/Rock, Roll, and/or Proto/Blues is also considered a massive no due to Dr. Light being explicitly their father (or their father figure) in pretty much all Classic media as well, making it incestuous

Dr. Wily and/or Dr. Cossack x any of Mega/Rock, Roll, and or Proto/Blues is considered problematic too, but to a slightly lesser extent. It doesn't have the same incestuous undertones as the ships above, but considering Dr. Light is almost always considered their father, and Wily and Cossack are Light's colleagues... It'd be like having a relationship with your parent's best friend- not illegal, but widely considered creepy and weird.

You can ship any of these if you really want to, buuuut most people in the fandom will likely find you creepy and block you if you do, myself included.

As for any other ships- pretty much anything is on the table for what you can ship! Just employ the "don't be Fucking Weird" rule with it- I'll explain below in a bit more detail as to what the "don't be Fucking Weird" rule means but I think it's pretty self explanatory

ALRIGHT NUANCE OF ROBOT RELATIONSHIPS INFODUMP TIME

So the biggest thing about Megaman Classic is like. There are multiple different medias portraying the events of 20XX and they're all VASTLY different from each other. They will portray the robots with completely different relationships, ages, and personalities as each other.

I had QUITE the time early on in this fandom trying to figure out a consistent "age order" of the mm1 bots

(spoiler: There Is No Consistency)

A good example of this is: in Powered Up, Cutman is written as very child-like with a sibling-like relationship with most of the mm1 bots. In Ruby Spears, however, Cutman is written with an adult personality, and has no familial relationships with anyone.

So the question becomes: Alright, all of the DLN were created by Dr. Light. Does that make them siblings? Does that make any DLN x DLN incest? And the answer is- not really, no. Having the same parents and being raised from childhood in the same household is not the same as being a machine built by the same creator.

A good example showing this is that, while Powered Up implies a sibling-like relationship with the mm1 bots and Rock+Roll+Blues, the Archie Comics made Iceman a crush on Roll. Archie!Ice isn't incestuous, he just doesn't have a sibling relationship with Rock and Roll in that universe.

The Archie Comics will also have the Wily bots sometimes refer to themselves as "brothers". This could be interpreted as being sibling-like, or more of a "brothers in arms" relationship you might find in military squadrons.

Then you have, say, Fully Charged- where bots like Ice, Cut, Elec, etc aren't even built by the same guy. They're completely not related whatsoever.

So with how different each media is, and how there isn't a series-wide consensus on robot relationships (aside from the immediate Light Family) let alone robot ages, what is and isn't okay to ship?

And the answer is... well, that's going to be up to how the individual interprets their own events of Megaman Classic. And this is where we get into the "don't be Fucking Weird" rule.

For example: In my "AU" (I say AU, it's just my interp of how I portray the events of Classic), I use the term "linemate" a lot. A linemate is a fandom-coined term meaning relationship between a "line" of robot masters (DLN 003-OO8 aka the mm1 bots are the line of "Firsts", DWN 009-016 aka the mm2 bots are the "Seconds" line, etc) that isn't familial, but DOES connect the fact that being built together establishes their own relationship. The closest human equivalent to this would be, like, somewhere between roommates and a military squad: you're stuck with each other, and have to work together whether you like it or not.

Going beyond linemates, in my AU I have that any relationships beyond linemates are up to the individual pair/group to decide what they want their relationship to be. So my mm1 bots decided their relationships with each other are familial, while the mm2 bots are more like coworkers, etc.

So, my Fire and Elec consider each other brothers, so it would be Fucking Weird if I shipped my Fire and Elec after establishing that, since it'd be basically incest. Now, another artist can come along and say "Hey, my Fire and Elec aren't siblings, and I ship them", and that's perfectly fine! I may even reblog FireElec art because it's not MY Fire and Elec! It all comes down to how you portray them. I think this venn diagram explains my thoughts on it pretty well:

The same goes for robot ages. Rock/Megaman is especially weird because like... some canon media will portray him like a child, but others will make him much older, so it rides that line on what's considered Fucking Weird or not. For this, I say just follow how you interpret the characters. Like, I've seen people ship Megaman x Quickman before, and that's usually fine. Just employ the "Don't be Fucking Weird rule"- if you ship Mega and Quick and you portray them as roughly the same age, that's perfectly fine. If your Mega is a child and your Quick is an adult though, that's Fucking Weird- don't be Fucking Weird.

The robots are portrayed VASTLY differently across the different Classic medias, so there's no "this is okay and this isn't" for most ships. It's going to depend on how you interpret Classic and how you wish to present your own takes on the characters!

I hope this makes sense. I'm arospec and ace and so I love looking at shipping through an analytical lens a lot, and Megaman Classic is fascinating for that kind of stuff. Aside from the Light Family, there are very few types of relationships that are consistent across most medias, so it really comes down to your own interpretation of that kind of thing.

[wickmitz]

what do you think mitzi’s type in men is?

hmm, this is a fun little ask! especially since her love interests, on a surface level, couldn’t be more different. we have :

zib : former long term boyfriend but not quite … they were very loose with labels, as we know from outside information and the way zib lives life in general. but despite this, whatever feelings fostered between them were intense ; enough so for him to stick around years later, resigned to a chained down lifestyle simply because he doesn’t want to leave mitzi. he’s very loyal in that sense! even if it’s not a conventional type of loyalty. we know that before bitterness seeped inbetween their bond that zib took good care of her, while also being a complete mess of a person ; someone perpetually scared whenever physical conflict is concerned and being a musically inclined man who very much treats himself as a free spirit, with a morbid philosophy and feel towards life. he’s got a major tortured artist aesthetic!! is a little gripped by melancholy and nostalgia … zib is a lot of things, and ambitious is surprisingly one of the many puzzle pieces that make up dorian zibowski.

atlas : ruthless gangster, has an eerie presence that frightens even the people closest to him. he is prone to a more quiet disposition ; never speaking and always a blot of unremarkable grey. but he is an opportunist! someone who can manage a business and take advantage of shortcuts and loopholes to become even more successful … basically he is wealthy and uses his assets well. but all of this is done with a manner of distance, leaving even those closest to him never having the full picture of who he was. it’s also worth noting that mitzi and him had eventual problems, which caused her to seperate. also perhaps has a heart of some kind, but whatever love he possesses is hidden under layers of blood and mystery.

wick : well-to-do bore, and i say this with all the love in the world for wick! but compared to previous paramours he’s rather clean and talkative … there is a constant earnestness to him that bleeds out, an honesty and a more conventional sort of kindness. he doesn’t hide behind smoke and mirrors and there’s never really a front he puts up around mitzi -- or his investors for that matter, hence why he’s treated as an ‘outsider’ so to speak. he is an alcoholic who loathes the details of his job but is more than passionate about the job itself and makes this everyone’s problem … he is a little helpless, in the sense he’d die without someone there to make sure he functions … and is, like zib, perpetually afraid of conflict. can be a little wishywashy and can come across as uncaring due to his cheeky tone … but he’s loyal and caring, with a hobby for the unusual ( bugs and rocks lol ) as well as being able to look past the gossip mill and see the actual mitzi may as he knows her, someone who’s going through a rough time and is either too kind or classy to be a brutal killer. he is hypocritical, a little snobby, and rather forward with mitzi too. kind of a flirt when he wants to be!

something that immediately stands out to me when looking at this lineup is that mitzi doesn’t enjoy a violent man. i don’t think she loathes someone who can so brutally or clinically remove others from this earth, but if she were to go for someone they’d usually be sweeter in a sense. it meshes well with her old personality and kinder heart, perhaps brings it out in her, and that sort of levity and breeziness is more enjoyable than, say, being fully aware of the dangers that lurk around every corner because the man you’re beside is prone to bringing it. she also enjoys more talkative types, someone who’s less quiet and demure and serious, and is keen on her men having a hobby they care deeply for ; some sort of long term goal to work towards doesn’t hurt either. and because of some scenes in the comic, i’m a firm believer that mitzi wants someone who can make her smile or laugh with ease, whether because they’re ridiculous by nature or genuinely funny! she has a sort of funny bone herself, enamored with gallow’s humor and darker jokes, so having someone who either a.) reacts hilariously in the face of her jokes or b.) who can return that energy with teasing or their own brand of silly is desirable. everyone could use a good laugh or two, a sense of joy injected into the bustling life they all live, and this all ties back to mitzi being more drawn towards the less stuffy types of men.

so atlas seems to be an outlier when it comes to her type in many ways, hence the later problems they apparently had in their relationship even if she did love him dearly. but, of course, atlas did have something very appealing to her that zib had failed to give, which she rather fondly recalls in the comic page vestige. whether zib likes acknowledging it or not, mitzi wasn’t as gungho about their normad life as he was … or, at the very least, when she lived another life besides that one, she realized she had a preference! and atlas gave her that path, that knowledge that she wanted something else, and seemingly for the very first time in her life … she felt like a proper lady, a feeling that clearly meant a lot to her. it wasn’t just the dresses or the wealth, it was the constant eye of atlas who could have any dame he wanted, but fancied her his wife regardless. it was having someone so respectable looking, dressed well and groomed well, being able to see her as something other than a sweating, exposed girl in a bawdy dress. atlas’s seemingly polite treatment towards mitzi was enough to garner her affections in spite of everything else, so i think she enjoys that now in others, ; folks who treat her as though she’s a woman in high society, men who don’t gawk at her or make lewd remarks immediately … she probably prefers the courting process now and the quaint dates ( that she doesn’t pay for, mind you ) that come along with it. she just -- likes mutual respect, i think. and who doesn’t? she’s been through a lot to get to where she is now, even if it’s a bad predicament, and she’d like for that to amount to something. some sort of acknowledgment, some kind of recognition.

however, it’s worth mentioning that her views on romance and all that it entails have been warped since the death of her husband. such a loss would change how anyone approaches their dating life, if they were to even have one afterwards … after all, mitzi’s whole problem is that she doesn’t want to move on from atlas and has thus completely romanticized him in her head, to the point that she earnestly believes she’ll be miserable forever without his presence. any problems she had with atlas have long since been erased by her tortured mind, leaving her with a profound misery she’s wallowing in. i think she believes herself as incapble of romantic or sexual inclinations nowdays, leading her to view the advances made towards wick as a necessary ‘evil’ for the sake of atlas may and little else -- when she genuinely does like sedgewick to a degree, and wouldn’t go on dates or kiss a man unless some part of her honestly wanted to do so. ( i also think she was attracted to wick somewhat even while married to atlas, but that’s besides the point ) so this is all a rather complicated affair! she is vulnerable and weak, is too aware of herself and the criminal underbelly squeezing in closer … add this on top of her still heavily grieving and having no one she feels she can talk to, you have someone who is rather changed. mitzi is so far removed from herself and who she truly is, or was, that there’s no doubt it’s affected her type ; now she’ll settle for anyone if they’ll just help her, and even then she’d be dispassionate if romantic entanglement of any kind was involved in that relationship. it’s not something she wants right now, and honestly, it all seems scary and daunting … besides atlas, zib was the only other man she’s ever loved enough to stay around for, so she’s never faced a loss like this before. has kept zib throughout all the turmoil and changes -- so this is, as far as we know, her first major loss where it concerns matters of the heart. it’s not shocking she’s so messed up after it, especially given how fresh it all still is. all of this rambling is to say that mitzi’s a little more stingy and cagey then she used to be about love or sex, and she has a lot of inner battles to face before she can fall for someone and be sure about it. needs to thaw, i think, and she would require patience and understanding from anyone who actually wanted to be with her. mitzi could move on with time ( i do not think she’s the type of widow who’d never date again! ) but it would take quite some time to do so. well, in a world where she’s allowed / is able to heal anyway!

while her type would probably remain the same, i could see her wanting a serious relationship more than she did prior to the death of her husband. has no energy for the loopholes, or the rationalizations, or the fickle nature that can grip someone’s heart. she has matured in a lot of ways since her band days and would take comfort in frivolous things like labels and promises of a future, together, as lovers. while what she had with zib was nice and is cherished alongside the freedom to do as she pleased while on the road with the band, i don’t think she misses it. having the stability and assurance of an actual relationship, with all the hardships that come with it, would be better suited for her. as long as she’s treated like an equal of course! i don’t think she’d be keen on her partner hiding anything from her, even if it’s meant to protect her, due to where that put mitzi when atlas was killed. she’d rather know and be disgusted, or worried, or scared than to not know about something at all until it’s too late … again. naturally patience and compassion would also be of importance, as would the usual things she loves like loyalty and a passion for something in life. and while never required, she’d be happy if the person possessed even a singular musical bone in their body! she still thinks artists, particularly musicans, are sexy after all … likes the angst and brooding that comes with it, the slight flare towards the dramatics … as long as they can handle mitzi in her pitiful entirety and do, to some degree, care deeply for her and will compromise … i think she could find some happiness wherever. bonus points if she can live comfortably for the rest of her days too, lord knows she’s tired of the constant battle of hucking and bargaining.

but yeah! mitzi’s love life is vast and complex and i definitely see her as someone who is more flexible in type than other people are. though there are similarities between her suitors if you really look! anyway, i hope i was able to briefly touch upon this subject because my shipping brain loved your question and kinda went into overdrive, alas. tldr ; her ideal type is wick sable. sorry. once wick learns an instrument the wedding is back on!! … i’m kidding lol. well, mostly <3

[camillahect]

if i was any closer, i could be lost—no more than i was or than i want to be

[lovebandit42069]

Ma! Get the hose! They're kissing again!

MORE ricklaus art for @wulfums because I want to get back into doing fullbody ship art/wanted to see if I could do something that could work as a pagedoll sort of thing (and I love ricklaus, great ship)

(He/Him pronouns only for Rick please) (Minors and Proship please do not interact)

[fereldanwench]

dusting off the ol' nomad AU :3

⚠️ do not reupload or edit my shots without my permission ⚠️

[shinysteph]

Is this a safe space to say I liked the bnha epilogue and didn't see anything wrong with it? 🧍🏻‍♂️it was just a fun little bonus chapter I honestly don't know why people are upset about it

Anyway I love Shouto and I hope he enjoys his bowl and chopstick making classes