#the issue isn't the character shouldn't have had anything bad happen it's the writer should work on stronger characterization

[rubiatinctorum]

Every now and then on the internet I see a new crowd of people talking about the traits in ocs they don't like and they can be sorted basically into the same categories as always.

the exact same physical traits people associated with the 2000s to early 2010s era zeitgeist of the 21st century "Mary Sue"

whatever's been a trendy motif for the last few years specifically

defining conflict in the character's backstory

Conversations like these will go in circles forever with people who care about characters as designs with bio sheets and not for storytelling, yet each new batch of people talks like they're having an unpopular or revolutionary thought for going "... hm if i can say, heterochromia and grief make bad characters actually." When really it's just that nobody involved is making much more than a bio sheet so nobody involved gets to see if these details would have been used well in an actual story.

[thewolfmanslayer]

Honestly the amount of people who say artists and writers should do stuff for free, or try to rip them off on comissions still royally piss me off.

I think the worst part of it is the entitlement, I dont want to make this too much about generations but a lot of commissioners are millenial/Gen z's who grew up on the "steal and pirate everything" mentality, take everything that you can because no one else is going to hand it to you. which I can get behind, when you are screwing over MULTI BILLION DOLLAR COMPANIES. NOT THE STRUGGLING ARTISTS AND WRITERS who are trying to keep food on the table as desperately as you probably are!

It's simple, you wouldn't walk into a restaurant, order food and tell the server "sorry I don't have any money, but I've got like a few thousand followers on social media, I can get your name out there, get the restaurant some exposure" NO! They don't need "exposure" they need you to pay the damn bill!

On top of that, most of these artists and writers ALREADY HAVE FOLLOWINGS. They already have thousands of people following them, waiting for the chance to get a commission, who are willing to pay for said commission, they don't need "exposure" when they're already out there! He'll even the artists and writers with a few hundred don't need it, they'll get more followers as time goes by, their skill alone will see to it.

And what is with people trying to get free art and writing? It's not going to work! You can't harass someone until they cave, trust me, you'll be long since blocked before you even have the opportunity. I don't do comissions, online anyways, but my own friends and family, people who actually know me STILL PAY ME whenever they ask for me to do art for them because they KNOW it takes TIME AND EFFORT.

How many times do we need to have this discussion???? Like when is it going to finally click that people who need to pay their bills just as much as you do AREN'T going to do this shit for free!?

Here's the thing about art and writing, that you've heard a billion times but still aren't getting; IT. TAKES. TIME. AND. EFFORT. TO. GET. DONE. the art isn't going to magically appear and the writing isn't going to suddenly write itself, if either were so convenient YOU WOULDNT BE ASKING AN ARTIST OR WRITER IN THE FIRST PLACE!

Look at that, you see that? The first picture I did back in 2012-13, the picture beside it? I did that TWO YEARS AGO. I didn't suddenly know exactly what to do, or had anything close to a god given talent for drawing (I'm not that talented). The first picture WAS THE ABSOLUTE BEST I COULD DO AT THE TIME THAT I MADE IT. In the time between these two drawings I admittedly took a break from art, but then I got back into it four years ago. EVEN STILL that was four YEARS of starting over from the basics, relearning everything, learning new things, wanting to actually improve my art.

Which, guess what, DID NOT HAPPEN OVER NIGHT. It was HOURS UPON HOURS of my limited free time as an adult drawing over and over and over and over again, every single goddamn day to get to the point that I was able to make that redraw look as good as it does in comparison. He'll, my art now puts them both to shame! Because I spent the time improving my quality!!

Now look at these artists doing comissions, they've probably put EVEN MORE of their time to get that good! They've put in LITERAL YEARS of sweat, blood, tears, frustrations and dedicated hardwork. Some did the same as me, self teaching and lots of practice, others probably had to go to school, which definitely wasn't cheap. But all of us put in that time and effort TO REACH THESE POINTS. Of being better artists, developing our styles, getting faster at drawing.

And maybe you think that this is super easy, right? That I or every other artist can just fire some art off and boom its good and done in like an hour?

FUCK. NO.

Even now it takes me several hours a day OVER MANY DAYS to make something exceptionally good! It doesn't matter how good an artist is, it still. Takes. Time.

Maybe the issue is that you don't understand how much actually goes into art, let me break it down for you, the steps that most people follow to finish ONE drawing.

-Rough draft: general character outline, get a feel for what I want to draw.

-Rough sketch: I start doing a bit of pencil to start filling in details like mouth, nose, eyes, hair, clothes. Ect.

-Penciling: I go over the rough sketch and clean everything up, maybe do some editing, this is when you can start making out all the details.

-Ink: I trace over the finished pencil with a pen tool and actually have the line art, everything looks clean, presentable, it actually looks like a character now. I'll spend time editing this and possibly redoing the inking many times over to get to a point where I like it.

-Flat color: I decide on which colors to use for skin tone, clothes accessories. Ect.

-Shading/highlights: I figure out where my light source is and how strong it is, I then apply the correct amount of lighting and shadows to the color to give it depth, I also have determine the texture of skin, clothes and accessories to make everything look real and natural.

-Blending: I smooth out the shading and highlights so that it looks more natural and isn't too hard (noticeable difference between color) so that it looks as natural as possible.

-Finish: I go over last minute details, finish any editing or corrections that need to be done. Once it's good I call it a day.

Each process is longer in length then the previous, with the exception of the final editing (as long as everything looks good) and even the rough draft can take some time. Over all this is SEVERAL HOURS of work for a SINGLE DRAWING.

So is it sinking in yet? How much is put into doing even a single character drawing? God forbid if its done with background. This isn't a "scratch a pen around and be done with it in ten minutes" kinda deal, no, this is SEVERAL HOURS OF SOMEONES LIFE BEING PUT INTO THIS

And if you still have the AUDACITY to try and wrangle free art from an artist then there's no helping you, you're just a selfish piece of shit, no question and I want nothing to do with you.

Someone might say "But I got free art/writing from.-" look I don't give a shit if someone did something for you THAT ONE TIME, these other artists and writers? Totally seperate and different people. You're one freebie experience does not, and should not apply to other artists and writers.

"But what if I really want this commission but don't have the money right now?" Well, that's tough shit. Save up and properly commission them when you can, it's not their problem.

"But what if I'm in a really bad financial situation and really want it?" That sucks, and I'm sorry, but again, not their problem. Chances are this is their only source of income and they need to make money so that they don't end up in a similar situation.

"They have a gift! They should share it!" What kind of cheap ass- LOOK, just because someone is talented or really good at something does not automatically obligate them to do anything for total strangers in anyway shape or form. These are living, breathing people, the same as you. They need to eat, they need to pay rent/mortgages, they need to pay vet bills, send their kids to college, do their taxes and everything else that YOU YOURSELF need to do. Asking anyone to spend their time doing something for free, when that something is how THEY ARE SURVIVING is beyond asinine. Not only that, this obviously isn't a hobby to them, it is very clearly THEIR JOB. Would you want to do a job where you didn't get paid at all? Doing a shit ton of work for absolutely nothing? No? Didn't think so.

"It shouldn't be about the money!" Well unfortunately, as with almost every other job, it is. We live in a world where we desperately need to make money in order to survive. That's the painful fact of the matter. If money never had to be an issue ever again then this would be a very different story. But it's not, plain and simple as can be.

Look, these people are just like you, artists and writers who are just trying to get by in a shitty ass world, using the one thing they have that let's them have an income. Leave them be, don't try and trick them, guilt them, or cuss them out when you don't get your way. Either properly comission or leave them the hell alone, plain and simple.

[mdhwrites]

🦝 Got tired of Amity's "awesome gf" filter on her so much and I was thinking if her character still had any personal motivations, hypothetically speaking (although it SHOULDN'T BE), what do you think those would be to fit with the current events?

For me, based on the little that we had in S1 progressing to the present, I think it should be her realizing the ill intent of the emperor and the coven system on her own, not just because it's bad twoards Luz and that somehow affects her too, (we didn't even had a transition of that come to think of it). If I'd have to give her goal to fit with the present I'd say she would want to change/abolish the laws and indoctrination left by Belos. She wanted to be in the emperor's coven (not buying that her parents wanted that) and had the ex EC head as her teacher (Lilith), she had affiliations, I don't think it would've been hard to make a connection and give her an eye opener. Based on her toxic environment and past, I always thought she'd have the character trait of seeking freedom or justice.

Like Willow's drive to protect the ones close to her, or Hunter wanting to discover/find himself, (or Luz's wish to be accepted but I have issues with that one that I'll ask later)

I hate that it feels ooc to give Amity any priorities outside/besides Luz. It shouldn't be like this Ugh

Any thoughts?

fears the Luz question It's just annoying being lit on fire but I won't censor myself for it. Just that the first time I made my opinion clear on Luz's 'desire', I managed to piss of EVERYONE. -_-

I also have to point out just how many retcons or things the show did that you have to make to give Amity… Anything. It's genuinely just sad and someone today made me realize "Oh, yeah, the canon lesbian does kind of just get reduced to "I have a girlfriend" which is usually not great on the representation scale…" But I could be blowing smoke out of my ass with that one. Just your question itself kind of points out how hard the show has worked to define Amity honestly not by what she's interested in but what parts of her past she refutes.

Main problem with that is nothing replaces it. Even your claims make you have to ignore how she treats the coven system in general. After all, I phrase it as "Her deciding not to go to college" because that's the importance she puts on it. That it might disappoint people but it isn't some life altering, capital punishment level crime that she is committing with this choice. Worse yet, how it's framed and it being Odalia's dream actually takes away from her goal? in Reaching Out.

Because Reaching Out in theory is the closest that the show comes to giving Amity a motivation beyond Luz. Her want to connect with her dad has nothing to do with Luz after all. Now, by the end of the season, and even in that episode, you can see the hand of the plot and the writers forcing this to happen to setup for later and it's handled pretty poorly if you ask me, but it is technically there and so it must be discussed.

So… What does Amity want from her father? She claims it's to connect with him but that's a really nebulous thing and somehow she treats beating a tournament that Alador questionably remembers winning or caring about would somehow be as momentous as JOINING THE EMPEROR'S COVEN. No, sorry, it's actually made out to be somehow a greater achievement despite the EC supposedly being for the best of the best and kind of guarantying a good future for you, at least if you believe fucking anything Lilith said in Covention. If you tried to take these Stormtroopers ever seriously instead of only listening to the S2 assassination that happens to them.

So connection is viable but it feels week. Her motivation more towards the end seems to be recognition. And I say recognition, not being understood, for a reason. She literally just wants her dad to see her, go "Do whatever you want," and then… Profit? Because if she actually cared about his opinion or what he thought of her… Anything else in that episode would have mattered? Bare minimum, the FUCKING COVENS. But she throws that away easily and rejects any real form of affection.

Honestly, one could make a claim that her desire there is a want to be proven as superior to her parents. Superior to her past. That would honestly fit a lot more with her rejection of her father, of anything they care about, etc. like that but because the show wants Alador to be a good guy for… I guess a better answer to the Abomatons (something that goes nowhere really. At all. And everything to do with Alador's 'redemption' is S2B so you really can't blame the shortening for the lack of any plan or point) and that's about it. So Amity had to want to be closer to him but none of her actions reflect this.

Which just leaves us back with Luz. Hell, the desire to prove she's better than her past… Could be her trying to say that she is truly the person she needed to change herself to be to be with Luz. That would actually be half compelling because it'd bring out her worst traits pre-Luz in an attempt to prove how great a girlfriend she is, handle some actually interesting themes with how focused on Luz she is and how sole minded obsession is bad but…

We don't get any of that. We just get told that Amity wants to be close to her dad because it's her dad, even if they haven't been close for years and she should actively resent her parents, especially now for both trying to kill Luz and the childhood trauma of losing her best friend because of them. And that's without anything else she may resent them for for the years between those two things.

But that would have taken thought and a real plan for the Blight Family and outside of Odalia, rapid onset character change out of nowhere seems to be genetic. So… shrug

Oh, and for your personal motivation for her… I question it because of the cast, Amity has the biggest reason to need the largest proof that the Coven system is bad. Her family in general is the closest to the Emperor and the most committed to his causes, even if it's because of profit. They're also the happiest under the system. It would also be reasonable for an intelligent girl like Amity to say "Eda was a wild witch and Lilith turned traitor. It sucks he almost killed both of them but that is the risks they took with the crimes they committed and I'm not ready to take those risks myself." This is why her dismissal of the coven system is SO GALLING to me because it was RIGHT FUCKING THERE for good story telling and conflict and a good question about what a couple has to do when their trajectories in life take them inherently different places.

BUT NOPE! FUCK THAT! Amity drops the coven system as easily as one drops a hot fucking potato! And all the potential she had in the first season dies alongside it so that… So that it becomes hard to even enjoy S1 Amity without just thinking she's a lie. A well crafted, pretty lie but a lie nonetheless.

And it's hard to find motivation from a lie.

[daddyissuesducks]

Im not going to tag this on anything but I really do just need to breakdown for myself why I'm not enjoying this show at the point I'm at in it.

So my GF and I have been watching the vampire diaries because it's a show that means a lot to them and I genuinely did really enjoy it. Mostly because I found it genuinely well written and engaging. I liked the characters, I cared about their relationships, but I'm half way through season 4 and honestly these last few episodes have been such a massive downgrade in quality. The plot is so convoluted that I myself, a new viewer, am having to explain why the fuck anything that is happening on screen makes sense to my girlfriend who's a long time fan. And that's not on her. I absolutely understand why it's confusing as fuck because if you miss like 2 line of dialogue or don't remember a random legend told as back ground filler 6 episodes ago it makes literally no sense. I'm surviving on a meta writers instinct of hearing that legend and going "oh that guy's giving villian energy, that's gonna be the plot" and putting the pieces together through a writer's lense of what makes the most sense to write dramatically which isn't how you should be expecting an audience to view your show. It makes me historically very good at predicting twists which you shouldn't want your audience to be. The other plot of the love triangle was really really interesting for the first couple of episodes but since the sire twist has become almost unwatchable. I liked the love triangle this season because it was literally Elana at a transitional stage in her life choosing what kind of person she wanted to be. Each love interest represented a different kind of life she could live and she had to chose that. But now it is the literal opposite. But I can deal with bad plots as long as the characters are interesting and

Elana: has literally had all her agency removed by magic despite her drive and agency being what made her an interesting protagonist in the first place. She bucked the trend of a love triangle hinge in that she was active in her decisions. I felt like I had a really clear idea of her inner thoughts and motivations. But now she has literally had all her agency but her love for a man removed by the plot

Stephan: was interesting at the start of the season. I like when he shows his flaws and his stubborn resistance against letting Elana break his moral system to the point of nearly killing her was interesting. It showed a flaw. He was appealing because he respected her choices as a human but as a vampire, he can't because he is terrified she will end up like him. It's the issue with empathy and empathy one of his major traits as a vampire is going to be heightened and so is it's downsides. He is putting himself in her shoes but not realising that his own bias' effect how he believes she's going to behave. But then it turns out he's right and she should have just been able to do what he said but couldn't because plot, fundamentally less interesting. He is now serving the only purpose of sulking that she dared to sleep with the person she was obviously going to sleep with when they broke up. I get that her sleeping with his brother is bad but like, my guy you knew. You literally said you couldn't be with her because she had feeling for him. And I'm getting less vibes of "I'm mad my ex slept with my brother because it's my brother and feels shitty" and more "I'm mad Elana is having sex with anyone but me even though we broke up" which is very much not how he behaves. Idk, I fell of team Stephan with the bridge incident, the fact they ever dated after that point is honestly insane imo. I get he was a ripper at that point but given how that's a metaphor for addiction, I don't buy it. It is possible absolutely to love an addict and they deserve that love but you have to put boundaries down. If your alcoholic boyfriend threatens to kill you while drunk, makes you fully believe they're going to do it, before saying sorry lol I was never really going to, you fucking leave. Yes the alcohol made them do it but you get out and maybe try and make sure they're getting a different kind of help if you can when you do. I don't mind the plot having her date him again, people are complicated and so are emotions in relationships like that, but it should realise that when he did that he stopped being the good choice.

Daemon: honestly he's still fine but he's not allowed to do anything but pine over the siring and love triangle. He's not carrying enough plot for him to save it

Tyler: honestly bores me a little. I liked him when his plot was just him and Caroline but he leans way way too much on toxic masculity for me to be invested. I do not care about wolf pack power dynamics I'm sorry, I just don't. I don't feel the stakes. I just feel like half my time is spent watching people fight over their egos. Werewolves are an interesting concept but I get so turned off them by pack dynamic plots. It doesn't help that his actor is pretty terrible too

Tyler's wolf girl friend: performance is very flat imho

Ric: I love him but dead

Jenna: love her but dead

Carol: love her but dead

Bonnie's grandma: love her but dead

Anna: love her but dead

Lexi: love her but dead

Rose: love her but dead

Meredith: written out

Everyone on the council but the cop: dead

The sheriff: oink oink

Elijah: my blorbo but absent

Katherine: facinating but absent

Bonnie: relegated to literally just a macguffin. I hate this for her. In the Jenny Nicholson video she mentions this being a big problema ndnfor the first 3 seasons I didn't believe her but she was completely right and I hate it. Bonnie is a deeply interesting character with interesting relationships with the main cast but she's not even close with any of them anymore.

Caroline: I loved her so much but shes just mostly doing the dull love triangle plot and isn't getting to be anything beyond a bitchy best friend sterotype, which was what she started as an initial refution of

Matt: I do not care about him basically at all. Any affection I had for him was killed by him fucking kidnapping Elana and getting her killed.

Jeremy: I don't care as much about him as I do Elana but also a victim of a plot based removal of agency. This is a theme and I hate it

Shane: i just don't find him an engaging villian I'm sorry. I don't understand him enough to.

April: she's ok, I just don't feel like I know her enough beyond dead dad and sweet

Klaus: I do like him. But I like Klaus when he's not supposed to be intimidating me because he can't do it. If Klaus is acting like a charmer or a snot nosed kid ruler having a tantrum he works amazingly. If he is being treated like the big scary unpredictable villian I don't like him anywhere near as much.

Kol: annoying and boring. The worst original by like 10 miles

Rebekah: literally the only reason I'm still watching. She is my baby, she is my darling sweet cheese. She deserves all the love and attention in the world and she can kill, torture, and maim as much as she needs to get it. I'm glad she's undaggered so she can save this show.

[an-idiot-but-a-bit-more-refined]

I was laying in bed thinking of something and this made me laugh  for like a split second, then I got mad and then I started crying a little because, I imagined that I was a lecturer and I had to teach a group of Baby Swen about why their new fandom home was the way it was.

Me: Hello Babies, Mommy's back!

Student in the back: Sweet! Evil Queen references.. Umm, professor, I have a question.

Me: Yes?

Student: Why are our fandom grandmothers, mothers and aunts against Eddie and Adam writing Swan Queen?

Me, sighing gently: Darling, we're not against them writing it, but we have our reservations on the way they ARE writing it and most likely would attempt to write it.

Student in the back seems confused. Pauses slightly before nodding. I write down a topic that blankets the class discussion. "Swan Queen". BABY SWENS WHISPER AND SNICKER WITH EXCITEMENT, but I sigh once again. Someone notices

Student: Professor?

Me: Yes?

Student: What's the matter?

Me, slightly conflicted to do said discussion, but I feel it is needed.

Me: The issue the fandom is facing my dear younglings has to do with an ever running war on Tropes, Tokenism, Sexism and just all around 'fandom fuckery' as we've coined it. Some of you- rather, most of you may be familiar with how savagely Swen are dogged for wanting something that represents this current day and age. Be it a fairy tale that's never been told, or simple recognition in a way that does not make us feel as though we've been given a half-assed story that's tossed after it's done what writers and show runners believe it's supposed to...no-no, Your home- THIS home is a home that has to fight for the equality so that the younger generation may reap the benefits of the fight. Now, this may sound tragic- or seem catty, but I assure you, Swen are not known to be such. We like to leave that to...what was that other group's name, again?

Student with all the smart ass comments whom I adore: Crap tainted Swan!

Me: Yes, them.

I begin to write down a few categories and immediately hands go up.

Student: Professor, what exactly do you mean when you say- they will fuck it up?

Me: Precisely what I wrote. The Swan Queen fandom is not fond of being lied to, deceived or played for fools my young one. We know as well as anyone that 'pushing' is a thing for two overly hetero-normative men who run to Captain Swan with open arms and away from Swan Queen with eyes shut and ears deafened, will somehow manage to mess up a perfectly good story to tell.

Student somewhere in the corner: And when you say they'll make it more difficult- what does that mean?

Me: It means that Our ladies are difficult apart- NOT together and yet the writers seem to bring that as some valid way to deter the pairing. They believe by forcing these characters to appear as though they'd be difficult together would make it hard for them to have a lasting relationship. Trying to deter someone by creating this aura that they simply can't be around one another long enough before they become snarky and catty for all the wrong reasons is absolute bull. If anything- we have proof of countless times they have preferred to be with one another simply because it was obvious of the safety they felt. The care and concern they felt.

Student: Oh, so you mean like- Regina's stubborn and sassy and sarcastic when she and Emma are apart and when they work together, she's still sassy and sarcastic it's just in reference to everyone else and not Emma... it's like they're trying to make you think that Regina can't stand being around Emma when the only time we see the real Regina is when she's with Emma-or Henry-

Me, highly impressed: -exactly!

Another student in the front raises their hand: So, that ties into your next point of it being predictable doesn't it?

Me: It does. Have you all seen the consistent template that's written for a queer character?

They all nod and someone with a good bit of brains stands up to go on a miniature rant.

Student: Yeah, I have and it sucks. There's always the one gay character- (he manages to say with an eye roll.) But then there's all these other 'templates' that are stereotypical. Like if they do marry Emma off to Hook and she magically realizes she doesn't love him or that she's gay, they use Regina and it becomes that thing where the lesbian or in Regina's case- the bisexual, quote on quote 'turns' the straight housewife and she realizes she never needed a man; just some good love.. Or one of them dies- or in their case, both of them apparently.. isn't that what was happening in season six?

Someone whispers, Lexa deserved better and puts up a fist. Other students nod at the other baby Swen and agree.

Student who laughs sarcastically all the time: Or how about this one, She realizes she's not gay either after a bunch of passionate nights with Regina and then she goes back to.. the one handed wonder.. God, don't let her get pregnant-

Other Student yells in pain: -DEAR GOD, PLEASE DON'T GIVE ME IMAGES OF ANOTHER WHINY VERSION OF HOOK! But let's not forget the ones who argue all the time and can't keep a stable relationship and are secretive and all that other junk the L Word made beyond obvious.And if that's not bad enough, they both get beards and are tortured for seasons with men they have no chemistry with and these are women who have chemistry with brick walls and can't even make that shit work-

Me: -Alright.. alright, focus. Yes, these are the templates I'm referring to. But let us not forget the ones that gay male characters also go through.

Someone snorts because they only have one template for gay males.

Student: You mean they're difficult and mysterious and cute little twinks who get thrown with other cute twinks or big buff guys with daddy issues and bam- magical ending?

Me: Correct..moving on.. The third points says-

I'm interrupted as they all say it together

Students: Tokenism!

Me: This is just the TV way of saying affirmative action.. Fanciful in meaning isn't it?

Student: It's trash!

Me: Yes, I do suppose it is... however, would someone like to express why the word tokenism still would apply to Swan Queen?

Hands immediately go up.

Student: Well, if we're being honest here, We already got it once before and we don't even know what the deal is with that story anymore...Swen fears that tokenism can still be a thing for Swan Queen because Eddie and Adam only attempt Swan Mills episodes when their ratings drop and as that becomes a case, so does the question of will they just do Swan Queen to stay on the air and never explore it the way they should... We've been hearing of season seven being the final season and our worry is no longer that they will fuck it up. Quite frankly we don't even want them to write it anymore, we'll take it off their hands and make our own show out of it. The problem arises when they create the asinine plan to use it as a last minute crutch to 'go out with a bang' or something. Like, What if this season completely tanks it and season seven is in fact the last season,right? They get the plan, Hmm maybe we should do Swan Queen in the last episode and that'll justify all of the crap we've put these people through, just to say they did something some grande and amazing thing for us, when in reality, they were trying to save their shitty revenue.

Student directly adjacent: Can I add on to that?

Other student nods.

Student: It really is sad though when we were willing to settle for anything- any sort of thing, just to know we were being heard no matter how much we fought- no matter how much our fandom grandmothers have fought. I think deep down, a lot of us know they just won't do it, like they really won't and even if they do, the luxury of it has just faded. The luxury of it would have faded and they'll try to force it to be overly gooey and 'loving' or cutesy when that's not what we asked for. We asked for a story that was true to life and very much so a proper representation for us all. We asked for a story that proved that strong women can work together and fall in love with one another. That they go through ups and downs and doubts and sticking things out and believing in one another and all of the other good things we've seen.... If we get it, if we are blessed enough to have Swan Queen- We'll be happy, but we'll be tired. We'll be exhausted and still disappointed that it had to come to this for us to be heard... I don't think we'll ever be as happy as we were the first day in season one when they met, if only because of the pain and heartbreak and the amount of horrible things that have been said to us just seems to, hit too many nails in our coffins. The fight will never be over, and we have accepted that, but I think everyone's getting tired of having to fight for something that shouldn't even be in question... and it's not to say we've lost our drive or we're losing hope. We're just done with trying to tell men who clearly don't understand that this is a revolution that needs to happen. This is a change that needs to be seen.. we're done trying to prove something we have too much evidence for to still be called delusional and reaching and all those other things. Everyone's tired of watching some forced 'chemistry' dictate how women should be treated and seen in this world. We're tired of seeing people be criminalized and denied a second chance at a love that won't leave or die on them i.e Regina.. We're done and we are tired of feeling like what we watch is what it will always be- nothing but a dream, an illusion... A fucking fairytale.

Silence encompasses the room and everyone thinks on it. (I legit cried when I thought about this part, so I'm sorry)

Me: We are tired, young ones.. we are, but we fight for us and we fight for you until it's over. We march for us and we march for you until we die and you are right, we have not lost hope.. we've just lost that many damns to give on speaking to a group of people who choose not to understand.... And maybe it is true, maybe we truly won't be fulfilled even if they do give us what we asked for.. what we've pleaded for.. and maybe it will make it all seem like it was in vain and maybe we will feel like we've accomplished nothing because we had to force hand for them to cave or pressure them... your grandmothers, mothers and aunts for this fandom realized many things.. we will not force anyone to give us anything. We will peacefully protest the injustice, but if we are not given what we rightly deserve.... we move on from trying with them and you know what we do? We make a world of our own. Eddie and Adam didn't give Swan Queen life... we did, and you did. They didn't see what we saw. They didn't understand it and they clearly didn't want any part of it, but the dream lives on. The reality lives on- the world keep spinning and life goes on and guess what, so will the memory of Swan Queen....Now I need you all to say this last point with me..together we will do this..

Even if nothing happens. Even if your words fall on deaf ears to some, remember the many that you have made hear you. Remember the many who sat with you and held your hands and kept you together...when things fall away and the glamour goes goodbye, remember your reality, your worth and yourself in all of this- Remember YOUR fight.. Through all things, every hard moment and every distressing situation.. for every negative message- comes ten thousand positive soldiers. Fight on and keep hope..

When you open your mouth and words come out and you say "May I have your attention please?" Remember that those who listen are those who wish to hear.... Remember that your fight is a plea to be heard and someone will listen.. remember that actions and words are one and you fuel them. Remember that when the world around you dies- you are to flourish and bring light back to it... remember that you fight for you just as you fight for me and I do the same... remember from now until the end of time that you've done your part in this world and if it never happens... still, keep hope, because maybe, just maybe...one day it will

With Love, Megan