#threads: ricky and franklin
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{ @abevyofbirbs }
{♧} Breanna's parents had planned to have a date night tonight, though it seemed like they were unlucky enough to make this plan on a day where Breanna's trusted family members were all unable to pick her up from school and watch her until her parents came back. Walter and Dedrick were the last people he would want to leave his precious daughter with, but he couldn't cancel the reservations and Walter took it upon himself to offer to watch her. Though he couldn't help but find this suspicious, he felt as though he had run out of options...so it's Walter and Dedrick's duty to supervise his little girl.
Things have been relatively calm so far. Breanna has been undisruptive, quietly working on assignments and stringing the beads she happened to pack with her. She soon grew quite peckish and upon discovering that she didn't pack a single thing to eat, the made her way to the kitchen. Her uncles seem to be in the middle of a conversation that she just so happens to catch at the wrong moment.
"Is Delilah even my sister? How could such a beautiful, intelligent woman have a grotesquely poor taste in men? That hideous oaf isn't even worthy of being in her presence, better yet, taking her hand in marriage and producing offspring with her. His godawful genes have tainted the Abberquack bloodline. Giving him the time of day is possibly the worst decision she's ever made."
Breanna's heart crumbles in her chest upon hearing Walter's bitter words, each thing he says pounding it to smithereens. She had a feeling Walter resented her, but he had just shown her undeniable evidence to prove her right.
"Y-You hate me, don't you?"
Walter pauses, his pupils shrinking with raw fear as he desperately tries to do some damage control.
"No no, sweetheart...I just despise your father! If you had a different father, you'd have everything you've ever wanted! You wouldn't have to feel broken anymore!"
These words only add salt to the wound, Breanna's emotions intensifying with every second until she feels like she's going to explode.
"If my mother didn't have a child with my father, I wouldn't exist because that's how children work! It's clear that you don't love me for the person I am. You think I'm broken...that I have to change a significant part of my identity in order to be happy. Being who I am isn't what brings me misery—it's people like you, who seem to be offended by my very existence. I just...I f--king hate you."
Walter gasps in utter shock, frozen for a brief moment until he remembers that he's an authority figure. His arms cross while he gives his niece a disapproving glare, silently demanding her to give him an apology.
"Breanna Astrid! You ought to respect your elders!"
Walter's tactics don't work on Breanna...she knows that her actual authority figures would believe that her behavior is justified.
"Why should I respect someone who couldn't give less of a f--k about showing any to me?"
He's flabbergasted once again, floundering to defend himself and arms falling to his sides.
"Well, I...I...you're just a child!"
Now it's Breanna's turn to cross her arms and shoot a disapproving glare at Walter. Her mismatched eyes, unencumbered with her feathers clipped out of her face, now burn with pure disappointment and disgust.
"So because I'm a child, you have the God-given right to insult my beloved father right in front of me and openly show disgust for traits I happen to share with him without considering how much it might hurt me?"
"Bre-"
"It's too late to apologize. The damage has been done. You'll never be my uncle."
Walter storms out of the room, leaving Breanna and Dedrick alone...together. Her fury melts into self-consciousness, fully expecting Dedrick to take Walter's side and completely disown her. After all, Walter is the only reason Dedrick even puts up with her...right?
Unwanted tears run down her face, further tarnishing her uncle's view of her (or so she believes). She's a jerk and an idiot, the two worst things she could be. It's inevitable that Dedrick will toss her out like the hot garbage she is, despite being there for her since the day she hatched.
Dedrick isn't sentimental like that.
He probably pretended to tolerate her for all of her life.
She means nothing to him now.
"I-I know that you have no reason to care about me, Uncle Ricky...a-am I even allowed to call you that anymore? ...i-if you're going to disown me, just do it already and spare me the suspense...p-please." {♧}
#ic#breanna thread#walter thread#abevyofbirbs#{Rebellious Heartthrob} | Dedrick#((i wanted to see dedrick and breanna interact ic))#((but it turned into angst because of course it did))#((Walter probably was dragged into watching Bre hatch and might have even been offered to hold her))#((either by an amicable Franklin or Walter handing her over to him after he was done holding her))#((Bre has had plenty of opportunities to grow attached to Dedrick with Walter wanting his Ricky-kins to be apart of the family....))#((...that's probably losing their patience with him))#((if Dedrick did disown her; Bre would definitely be heartbroken))#((Dedrick might seem like a grump to everyone else but bby Bre genuinely loves him and is very attached to him...))#((...more attached than even she realizes))#((anywho; i hoped you've had a nice day! :>))
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"Be prepared for what's coming on this thread" - Many West Ham fans divided by U23 display
Following the 3-2 loss against Tottenham Hotspur, West Ham United didn’t tweet a thing for over 24 hours.
This is presumably due to the fact that they knew any post would be met with an endless stream of negative comments about Manuel Pellegrini, Roberto and the team in general, as they extended their run of games without a win to eight in all competitions.
When they did eventually come out of their brief hibernation, the admin did so with a video of the U23s’ impressive win over Aston Villa.
An impressive – win over Aston Villa for our U23s on Friday, with Holland, Lewis, Kemp and Scully getting the goals. pic.twitter.com/afeAOv56NY
— West Ham United (@WestHam) November 25, 2019
Unlike the first-team, the U23s have been in superb form this season, winning every Premier League 2 game they have played, aside from a 2-2 draw against Manchester United.
With this in mind, many Hammers fans feel that the young players should be given a chance to impress in the first-team.
Nathan Holland is among the most popular options Manuel Pellegrini should be choosing from, with it being questioned what he has to do to be included for a league game.
The video has only intensified that feeling, as it shows him getting a goal and two assists.
However, most aren’t being especially picky about who it is, as long as they see the academy products bringing something fresh to the first-team.
Can they all start against Chelsea?
— Black Swan (@simply_moore1) November 25, 2019
Be nice if they were given a chance
— Phteven Barrows (@StephenBarrows) November 25, 2019
Perhaps you could show Mr Pellegrini these video clips, as he seems unaware that this U23 team exist?
— JonnyH (@RorkesXDrift) November 25, 2019
@ExWHUemployee what have some of these boys got to do to get into the first team squad? How can Holland not even get a few minutes with the form he is in
— Rob Smith (@RCSmith91) November 25, 2019
However, there has also been the opinion given that the achievements of the U23s should not be used in order to cover up for the first-team’s shortcomings.
Whether it be through calls for Pellegrini to be sacked or condemnation of the performance against Spurs, some were keen to hold the team to account.
One fan even suggested that the U23s should be given their own Twitter account, so they weren’t used as an excuse for the seniors’ failures not to be recognised.
No comment since Saturday & Disguising Our result with the result of a team actually performing for the shirt week in week out! Be prepared for what’s coming on this thread…..
— Ricky Forrest (@rickwhufc) November 25, 2019
Make their own separate account, dont allow their achievements to be overlooked because of the dross we have as a first team and a fraud of a manager.
— Nathan Franklin (@NthnFrnkln) November 25, 2019
What about the first team – no passion no desire – #Pellegriniout
— Relegation Incoming (@HashtagDoyle) November 25, 2019
In other news, the potential sale of a veteran could see one youngster get the opportunity he has been waiting for.
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What Are The Best Tv Shows On Netflix
Best TV Shows on Netflix Right Now Scattered one of the better TV shows on Netflix are more and more of the streaming platform’s own original series. Watching TV on Netflix has gotten better and better as the support continues to add to its amazing catalog of network and cable collection, not to mention the proliferation of flashy Netflix originals. In reality, the business that spent its formative years in an effort to to see films has since become in the world’s main enabler of binge-watching. Our listing of the greatest shows on Netflix is here to help you discover the next TV series to devour, and we’ve appeared through the enormous catalog (USA only, sorry) to find these suggestions.
Breaking Bad
Creator: Vince Gilligan Stars: Bryan Cranston, Anna Gunn, Aaron Paul Giancarlo Esposito Network: AMC One of the things that created Breaking Bad one of the alltime greats was the writers did a phenomenal job introducing plot lines, complicated themes and tips, and then weaving them all together for an excessively fulfilling conclusion. It’s not an easy thing to do, especially when the display asks the audience to hold on tight until the end to see where it’s all going. In that way it’s similar to The Wire, a show that didn’t hammer its audience within the the pinnacle constantly with flashy occasions, but requested for patience as all the plot threads gradually untangled. And with Breaking Bad’s narrower focus, the stakes and emotional ties we have using the story and figures can be significantly higher.

Sherlock
Creators: Mark Gatiss, Steven Moffat Stars: Rupert Graves, Benedict Cumberbatch Mark Gatiss Network: BBC One h-AS only to seem in the sterling monitor record of Steve Moffat to witness a showrunner godin the creating. The guiding hand behind such English hits as Press Gang and Coupling, Moffat has acquired the most attention for resuscitating Dr. Who into the Anglo Saxon ambassador of science fiction. But Moffat and frequent collaborator Mark Gatiss transcended their best work with Sherlock, the BBC drama that hi Jacks Sir Arthur Conan Doyle’s iconic sleuth into the present with awe-inspiring intelligence and type. Calling Sherlock a TV series is a tad misleading, although; the series h AS created two seasons consisting of three 90 -minute episodes each. In other words, a feature film has been averaged by the Sherlock group every 90 days since the Summer of 2010. The immaculate second period dug deeper into the psychological faultlines of Holmes, played with sterile arrogance by Benedict Cumberbatch (or as Seth Meyers mentioned on SNL, the only real man with a name mo Re preposterous than Sherlock Holmes). When the audience wasn’t trying to piece together the secret of the week, we were discovering fleeting clues to the guarded humanity of London’s best “Consulting Detective,”typically to the chagrin of longsuffering accomplice John Watson (Martin Freeman) and volatile love curiosity Irene Adler (Lara Pulver).

Dear White People
Creator: Justin Simien Stars:: Logan Browning, Brandon P. Giancarlo Esposito, Bell, DeRon Horton, Antoinette Robertson Ashley Blaine Featherson Network: Netflix Based on creator Justin Simien’s 2014 indie, Netflix’s unique series—narrated by Breaking Negative and Better Call Saul’s Giancarlo Esposito—replicates the pungent humor of the movie without ever see-ming stale, or static: Its knives are sharp, and they’re pointed in every path. Though its primary goal is white privilege, in forms both egregious (black-face events) and mundane (calls to finish “divisive”politics), Expensive White People, established on the campus of a fictional Ivyleague university, is even funnier when it turns to the information on the black students’ individual and ideological choices, transforming the the idea of the “problematic fave,”from the McRib to The Cosby Present into the engine of its own entertaining, incisive comedy.

The Fall
Creator: Allan Cubitt Stars: Gillian Anderson, Jamie Dornan, Valene Kane, SéalinÃn Brennan Bronagh Taggart Sarah Beattie Network: BBC Let it be known that before he was Christian Grey, Jamie Dornan proved his performing chops and charisma as a disturbingly undisturbable murderer in this superb psychological thriller. Dornan’s mild mannered husband, father and grief counselor (!) is on the list of most terrifying onscreen serial killers in recent memory. Paul Spector is a stalker, as exacting and methodical as his eventual pursuer. Enter Gillian Anderson’s Stella Gibson, a British detective superintendent called to Belfast to look into a spate of gruesome murders. As the cat-and-mouse sport intensifies, Anderson’s characterization is its own triumph: analytical, uncompromising, reserved, but brazenly sexual on her own terms, completely unfazed by the politicking and dick-swinging of her male colleagues. That we know the identification of the killer from the show’s first frames, but can’t t-AKE our eyes off the screen is a testament to the stealth creep with which The Fall operates.

Amy TV Show
The Office (U.K., U.S.)
Creators: Ricky Gervais, Stephen Merchant; U.S. edition developed by Greg Daniels Stars: U.K.: Ricky Gervais, Martin Freeman, Mackenzie Crook, Lucy Davis, Oliver Chris, Patrick Baladi, Stacey Roca, Ralph Ineson, Stirling Gallacher; U.S.: Steve Carell B, John Krasinski, Rainn Wilson, Jenna Fischer. J. Novak, Oscar Nunez, Brian Baumgartner, Angel A Kinsey, Ed Helms, Creed Bratton, Phyllis Smith, Leslie David Baker, Kate Flannery, Mindy Kaling Networks: BBC, NBC Ricky Gervais’ immortal Brit-Com deserves full marks for establishing this comedy franchise that killed the laugh monitor and introduced us to a hilarious bunch of paper-pushing mopes. Defying expectations that it could pale in comparison, NBC’s Workplace became an institution unto it self. While displaying much more heart in relation to the gang could muster in old England at its best, the American model was just as awkward as its predecessor.

Parks and Recreation
Creators: Greg Daniels Stars: Rashida Jones, Amy Poehler, Nick Offerman, Aziz Ansari, Adam Scott, Rob Low-E, Chris Pratt, Aubrey Plaza Network: NBC Recreation and Parks began its run as a relatively common mirror of The Off Ice, but in its third-season, the student became the master. As it’s fleshed-out with oddballs and unusual metropolis quirks, Pawnee has become the greatest tv town since Springfield. Today, the present flourished this yr with a few of the most unique and interesting figures in comedy. With one of the one of the biggest creating staffs of any present, Re Creation and Parks is only got better with time.

30 Rock
Creator: Tina Fey Stars: Judah Friedlander, Tina Fey, Alec Baldwin Jane Krakowski, Jack McBrayer, Scott Adsit Network: NBC The religious successor to Arrested Development, 3 Rock succeeded where its competition failed by mainly ignoring the real process of making a television show and instead focusing on the life span of one one person responsible of the procedure, played by display creator Tina Fey. 30 Rock never loses track of its own focus and generates a remarkably deep character for the its circus to spin around. But Fey’s perhaps not the only one that makes the sequence. Consistently spot-on performances by Tracy Morgan—whether frequenting strip clubs or a werewolf bar mitzvah—and Alec Baldwin’s evil plans for microwave-tele-vision programming produce an ideal le Vel of chaos for the show’s writers to unravel every week. 30 Rock doesn’t have intricate themes or a deep concept, but that stuff would be in the way of its own goal: having probably one of the most of the most regularly funny shows on Television. Suffice to say, it succeeded.

Arrested Development
Creator: Mitch Hurwitz Stars: Ron Howard, Jason Bateman, Will Arnett, Portia de Rossi, Tony Hale, David Cross, Michael Cera, Jeffrey Tambor, Jessica Walter, Alia Shawkat Networks: Fox, Netflix Mitch Hurwitz’ sit-com about a “wealthy family who lost every thing and the one son who'd no choice except to keep them all together”packed an entire lot of awesome into three short seasons. How much awesome? Well, there was the chicken dance, for starters. And Franklin’s “It’s Maybe Not Simple Being White.”There was Ron Howard’s place-on narration, and Tobias Funke’s Blue Man ambitions. There was Mrs. Featherbottom and Charlize Theron as Rita, Michael Bluth’s mentally challenged love curiosity. Not with every loose thread tying s O flawlessly in to another act h AS a story line that is comic been therefore perfectly built, since Seinfeld. Arrested Development took self-referencing post modernism to an intense that was absurdist, jumping shark but that was the level. They even induced the initial shark-jumper—Henry Winkler—as the family lawyer. When he was changed, normally, it was by Scott Baio. All of the Bluth family members was one of the better characters on tele-vision, and Jason Bateman performed a man that is straight that is brilliant to all of them. And after years of rumors, the present came ultimately back to Netflix for a fourth season—different in both construction and tone, but nevertheless, a gift to enthusiasts who'd to say goodbye to the Bluths alltoo so-on.

Orange is the New Black
Creator: Jenji Kohan Stars: Taylor Schilling, Laura Prepon. Harney, Michelle Hurst, Kate Mulgrew Network: Netflix Orange is the New Black is completely suited for the Netflix shipping program, if only as it might have been agonizing to wait a week for a new episode. But there’s more; the construct felt cinematic and compared to your average show, and I couldn’t help but feel that the all-at once release airplane freed the creators to make some thing less episodic and more free-flowing. Taylor Schilling stars as Piper Chapman, a woman living a content contemporary existence when her past rears up abruptly to tackle her from behind; 10 years earlier in the day, she was briefly a drug mule for her lover Alex Vause (the the wonderful Laura Prepon), and when Vause needed to plea her sentence down, she threw in the towel Piper. The story is based on the real-life events of Piper Kerman, whose e-book of the same title was the inspiration, but the truth is that the screen version is miles better. Schilling is the engine that drives the plot, and her odd blend of normal serenity combined with together with the growing rage and desperation in the late turn her life has taken strikes the perfect tone for a lifetime inside the women’s jail. Within the first few episodes, jail is treated like an almost-quirky novelty she’ll have to experience for 15 months, along with the wisest option director Jenji Kohan made (and there are many) was to heighten the stakes so that what starts as an off kilter journey quickly assumes the severe proportions prison lifestyle demands. And as fantastic as Prepon and Schilling are together, the cast is therefore universally outstanding that it almost beggars belief. You can find too many characters who make gold making use of their constrained display time to mention individually, but suffice it to say that there’s enough comedy, pathos and tragedy here for several exhibits. The reality that they fit therefore effectively into one makes OITNB a triumph .

Unbreakable Kimmy Schmidt
Creators: Tina Fey Stars: Sara Chase, Ellie Kemper, Tituss Burgess, Jane Karkowski, Carol Kane, Lauren Adams Network: Netflix NBC has made any number of mistakes over the years, but few greater than shelving Tina Fey and Robert Carlock’s 3-0 Rock follow up, before punting it over to Netflix. Unbreakable Kimmy Schmidt wound-up becoming one of the highlights of a great year for TV comedy. The fast-paced and flip sit com showcased breakout performances by Office vet Ellie Kemper as the titular former “mole woman”attempting to make it on on her behalf own in New York, and Tituss Burgess as her flamboyant and put-upon room mate, Titus Andromedon. (NBC has recently tri Ed to make it up to Kemper for dropping the ball on this by planting her in the guest host chair at Today—too little, also late, peacock peddlers.) Throughout the first season’s run, some writers and critics seemed deadset on finding some kind of flaw to pounce on using the present, zeroing in on the way in which the minority characters are re-presented. This may be a wild generalization, but I feel this was an organic reaction to perhaps one of the most of the most feminist sitcoms ever produced. Kimmy Schmidt is definitely upsetting the natural purchase of your network sit com that is typical. The show’s titular character is defining her li Fe on her own conditions and by her own standards. For many reason that still freaks out some people so they dismiss it or find some way to poke holes in the automobile for that idea. That is what makes the prospect of a second time so exciting. As the show can go in a myriad of directions that are different, so too can Kimmy Schmidt. Now that she has put the awful time in the bunker to mattress, she is able to face a brand new day with enthusiastic embrace of life-experience mindset, and that smile. Sorry nit pickers and network executives; Kimmy Schmidt will make it after all.

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