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The constant typing and swiping on the smartphone is an almost liturgical gesture, and it has a substantive impact on our relation to the world. I swipe away the information that does not interest me. I zoom in on the content that I like. I have the world firmly in my grip. The world has to accord with my desires. In this way, the smartphone amplifies self-referentiality. Through all my swiping, I submit the world to my needs. The world appears to me under the digital illusion of total availability.

Byung-Chul Han, Non-things: Upheaval in the Lifeworld

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Amy Weiskopf (American, 1957) - Still Life with Green Cabbages (2022)

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Sorrow, Vardges Sureniants National Gallery of Armenia (May 17, 2025)

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Ah yes my collection of images *rubs hands together like evil villain*

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Death of Paolo and Francesca, Gaetano Previati

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Lightning makes the stone transparent oil on canvas 30x40 cm 2025

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Rebecca Ness (American, 1992) - Untitled (2025)

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Jesse Fischer (Dutch, 1996) - White Socks on Wet Earth, Coming Your Way (2025)

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Gürbüz Doğan Ekşioğlu (Turkish, *1954)

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Volker Hermes (German, 1972) - Hidden Couwenbergh (2020)

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Aleksandra Waliszewska (Polish, b. 1976, Warsaw, Poland) - Bat, 2019, Painting

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René Vincent (1879–1936)

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Anj Smith (British, 1978) - This Vegetable Universe (2019-2020)

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Heeyoung Noh (South Korean, b. 1995, South Korea, based Glasgow, Scotland)Female Artists - Face 4, 2025, Paintings: Oil on Canvas

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Just did my first muscle up with a resistance band 😎

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Zoroaster Peak (1918) by Thomas Moran