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[arkodian]

This is so wholesome

[arkodian]

[arkodian]

Sir Terry Pratchett: on writing Good Omens with Neil Gaiman

I love the whole interview but this little snippet most of all:

Terry: “You can usually bet, and I’m sure Neil Gaiman would say the same thing, that, uh, if I go into a bookstore to do a signing and someone presents me with three books, the chances are that one of them is going to be a very battered copy of Good Omens; and it will smell as if it’s been dropped in parsnip soup or something in and it’s gone fluffy and crinkly around the edges and they’ll admit that it’s the fourth copy they’ve bought”.

You can never own enough Good Omens copies.

[arkodian]

Stylish ring

(via)

[arkodian]

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

[arkodian]

Guys who complain about the friendzone often don’t care about their female friends’ personal boundaries, forcing their female friends build more walls up. A good cartoon.

- submitted by Gene

[arkodian]

anyway the actual point of fandom is to inspire each other. reading each other's fics and admiring each other's art and saying wow i love this and i feel something and i want to invoke this in other people, i want to write a sentence that feels like a meteor shower, i want to paint a kiss with such tenderness it makes you ache, i want to create something that someone else somewhere will see it and think oh, i need to do that too, right now. i am embracing being a corny cunt on main to say inspiring each other is one of the things humanity is best at and one of the things fandom is built for and i think that's beautiful

[arkodian]

Day 2 in the Middle School Time Loop: you remember that last time, everyone ignored you at recess because they were talking about a TV show that you hadn’t watched. This time, you lie and say you’ve seen it. They ask you who your favorite character is, and you don’t know any of the characters, and so you’re tongue-tied. They think you’re weirder than ever, or maybe a liar, which is worse (and true).

Day 3 in the Middle School Time Loop: you tell your parents that you feel ill. They let you stay home while they’re at work. You spend the whole day watching past episodes of the TV Show.

Day 4 in the Middle School Time Loop: Recess again. The same person asks you who your favorite character is. This time, you're ready. You eagerly tell them, and supplement your reasons for liking them with solid evidence from all 4 seasons of the show. But! Tough luck: you’re now too invested. The atmosphere turns uncomfortable. They go back to ignoring you like they did on the Day 1 that you didn’t know was Day 1.

Day 5 in the Middle School Time Loop:

You decide to try a different approach and update your style. You've noticed that Ashleigh, who’s blonde and constantly surrounded by friends, always wears pink stripey sneakers. You try wearing a pink dress. Someone says it’s cute, but you know from how they say it that it isn’t the good cute.

“I thought that pink was cool,” you protest, more to the uncaring universe than to anyone in particular.

Your interlocutor shrugs. “Maybe on someone else.”

Day 6 in the Middle School Time Loop: You keep your head down, but still surprise the teachers by somehow knowing the correct answers to every spontaneous question they throw out to the class. You study the outfits of your classmates more closely. You realize that it wasn’t the color, so much as the brand that made the difference. It proves the shoes were expensive. You note down Ashleigh's sneaker brand in smudgy ink on the back of your hand, and then after school you take half a year's saved-up allowance and buy a matching pair at the mall. Your mom raises her eyebrows but doesn’t stop you.

Day 7 in the Middle School Time Loop: Today you make it to lunch before anything major goes wrong. You think that the sneakers have protected you, and stare down at them lovingly, watching the Barbie-pink plastic stripes reflect the tube lights on the ceiling as you turn your feet this way and that. But then at lunch, Ashleigh comes up, arm and arm with a friend. Her eyes are a little pink, but only a little.

“Ashleigh wanted me to tell you that she’s really hurt that you copied her sneakers,” the friend informs you, nobly, as if it would be too unpleasant for Ashleigh to have to say this herself. Her mouth is solemn but her eyes are gleeful.

“I didn’t…” You start to deny it automatically, even though it’s true. And yet, something won’t let you apologize. Doesn’t she see your imitation for what it is: the most sincere compliment you know how to bestow? This is your Hail Mary.

As you meet her eyes, you realize she does know, but this only makes her despise you more.

“I think a lot of people have these sneakers,” you stammer, in the end, and they just sniff and turn away. You go back to eating your lunch alone.

Day 8 of the Middle School Time Loop: even though you do well in every class, you must be so much more stupid than your classmates, to be missing whatever detail it is that they seem to have caught. How do they do it so quickly? Before recess, before the end of homeroom, even, they all just know. You’ve had endless chances to do this day over and yet you never seem to be able to catch up with them. Running to stand still, you’ve heard your mother say, when she’s busy at work. That’s you. Running to stand still.

Day 9 of the Middle School Time Loop: you pretend to be sick again, and you realize that if you want to, you can pretend to be sick every day. It's easy to convince your parents: you look tired and unhappy, your eyes small within their dark circles, like some underground creature. You stop watching that TV Show that you never really wanted to watch in the first place, and instead dream your way through all your favourite childhood movies. Disney, Pixar, Studio Ghibli. You retreat into jewel-colored landscapes, where everyone is magical or beautiful or at least funny, and the heroes always win in the end.

Day 10 of the Middle School Time Loop: You notice that most of the Pixar heroes, the Disney princesses look more like Ashleigh than you. Long hair. Pale eyes. Button noses. And all of them, so thin.

Day 11 of the Middle School Time Loop: you go to school, but you don’t talk to anyone. You don’t even answer your name at roll call. Your teacher asks you if anything is wrong at school, or at home perhaps. You shake your head, but that evening you hear your father taking a call. You shrug off his worry: it’ll be forgotten tomorrow anyway.

Day 12 of the Middle School Time Loop: an unexpected development: your apathy almost seems to make your classmates like you more. When you say, truthfully, that you don’t care much for the TV Show that eternally dominates the recess chatter, some people look impressed. They ask you what you think is better. But you’re wise and don’t admit to liking anything. "Mysterious," someone says appreciatively.

At the end of recess, the girl who told you off for copying Ashleigh nudges you. “Hey. Look, Robert has an Up shirt. Kind of cute, that he’s still into that stuff, right?”

You know that it’s not the good cute.

You stare at her coldly. “The shirt just has a dog on it. It doesn't say he's from Up. So you must have liked the movie enough to remember him.”

She flushes scarlet, and hurries to catch up with Ashleigh, throwing you a dirty look. Robert glances at you gratefully but you don’t return his smile. He won’t remember that you did this for him. Anyway, you didn't, really. Do it for him, that is.

Day 13 of the Middle School Time Loop: You tell your parents you’re sick again. Today, you watch the second tier of Studio Ghibli movies, the ones that your parents always say, self-consciously, that you’ll find dull. Only Yesterday, Princess Kaguya, When Marnie Was There. You’re only a few minutes into Marnie when there’s a line that pulls you up short:

“In this world, there’s an invisible magic circle. There’s inside and outside. These people are inside. And I’m outside.”

The relief that washes over you is so profound that you almost cry, and then, when the movie's over, you do cry. Ugly sobs that make you sound like a toddler throwing a tantrum at the mall, that make your head pound with a dehydration headache. But behind the tears, there's relief. There it is, the truth that you were searching for, through all these do-overs. There’s an invisible magic circle. Of course there is.

But here’s the thing about circles: the inside is small. The outside is scary, and lonely, but it’s huge: huger than you could ever have imagined before you turned around and looked.

When your dad gets home, he asks if you’re feeling better. “Much,” you say, and it’s true.

Day ?? of the Middle School Time Loop: Sometimes you go to school, but ditch class and go to the library or the playground and do your own thing even if teachers yell at you. Sometimes you wander around the neighborhood. Sometimes you ask your parents crazy things, like to take you to work with them, or to the beach, or to DisneyWorld. Sometimes they say no. A surprising amount of times, they say yes. You wonder if maybe they’re trapped in a time loop too.

Sometimes you sit quietly in other classrooms than the one you’re meant to be in, until they shoo you out or even send you to the principal. (He finds you baffling. You feel a deep, slightly mournful affection for him, like you would for an very old and tired dog). It’s surprising, the amount of different things that are getting taught in one school in one day. It takes you a long time to work your way through them all.

You watch a frog getting dissected a few times before you start to feel bad and don’t go back to that classroom again. Your favorite class to crash is art, because the teacher always clocks that you’re not meant to be there but smiles and lets you stay anyway. When you meet her eyes, it feels like you’re sharing a secret.

Day One-Hundred And Something of the Middle School ...Wait.

At some point, time started moving again, and you didn’t even realize it.

For so long, the reprimands you received about your future seemed so empty, so laughable. There was no future. Only a more- or less-bearable present. But now, your classmates remember the unhinged things that you do; now, your teachers’ and parents’ worries about the future have the full juggernaut weight of reality behind them.

You thought that you’d be more terrified. For so long, you’ve dreaded this forward momentum. No loading screen, no mini-games, just one single, awful, pulsating life. But things are different now. Time’s moving again, and here you are, so far outside the invisible magic circle that you’re not even sure that you'd be able to see it any more. You can still feel its power, but faintly, like the pull between two magnets when they're an arm's length apart. Easy to ignore.

“Are you ready?” Robert says, catching your eye over the kitchen table. He comes here first thing so you can get the bus together. At some point, during the time loop, you started to seek him out. He was outside the circle, too, you realized. But even more importantly, not once, on any of those grimly looping days, did you see him try and push someone else out to make a space for himself. In this crab bucket, that’s something that counts for a lot.

“Our final day of middle school,” he sighs, half to himself. “Never thought I’d see it.”

"Me either," you reply, getting up to put on your talismanic pink sneakers. They’re scuffed and dirty after years of wear, and certainly Ashley would never be caught dead in them these days. Maybe that’s what you should have told her, all those loops ago: that no imitation, let alone one as unskilled as yours, can ever be perfect, and that indeed the very imperfection renders it an original work in its own right. Time and thought and human care transforms even the most diligent copy into something else entirely.

But you’ve been through enough time loops to know that that sort of explanation wouldn’t go over very well.

[arkodian]

Why bother arguing in support of trans people if you’re not trans?

very simple concept called believing in human rights

[arkodian]

Neil Banged out his tunes today, on a train you have the comfort and relaxation to bang out your own tunes

[arkodian]

It's a 2-man Con

Listen, I think I know a thing.

When Aziraphale comes back from talking to the Metatron and is telling Crowley about being an angel, we've all heard the theory that he's speaking code, trying to ask for help. The more I look at that scene, the more that theory tracks.

Maybe less well-known is the theory that Crowley didn't miss a damn thing, he's answering in his own code. And again, the more I look at that scene, the more this also tracks.

(When my husband, annoyingly observant beloved partner that he is, saw the second season for the first time, he said, "That whole thing was a show for the Metatron. They have a plan. Crowley slipped something to Aziraphale when he kissed him." And I said, "Nah." But now I think he's right, and damn if he isn't smug.)

I'm gonna try to break down what I think they're saying here, because it takes just a hot minute to piece it together. I've been thinking this over for a couple of months now. I think I have most of it. I just don't know when Crowley puts whatever he's handing to Aziraphale in his own mouth. I need more eagle-y eyes, it seems.

First, Aziraphale comes back from his talk. He's pensive as he crosses the road, and anxious when he starts talking, and mouths "I need help!" as he's talking. He's acting like he does when he lies to the other angels, and once it's seen "I need help!" is pretty clear.

He does the whole thing about telling Crowley he could appoint him as an angel, like old times, but even nicer. It's all very uptight and not positive at all. My interpretation? "The Metatron is here, I think he knows we're up to something, we have to go to Heaven right now and put things right before he really does something awful to one or both of us. The time to spring the plan is NOW."

Crowley stares at him. At first it seems like he's staring in disbelief, but if you really look at his face, he's listening, hard, and interpreting as fast as he can:

He asks Aziraphale if he told the Metatron where he could stick it, then. My interpretation? "The plan has changed. I can't go with you to Heaven. You'll have to go alone."

Then Crowley starts his confession -- "We've spent our existence pretending we aren't."

Aziraphale looks at him -- not with shock, or surprise, or love, or hope, but with a "Why are you doing this now?" face. Not "Why did you wait til now to tell me, you love me, oh, I love you too!" But "Why are you telling me SOMETHING I ALREADY KNOW while our ENEMY IS LISTENING??" :

He's confused, but also listening and interpreting. What I'm hearing/seeing: I don't think this is a love confession from our demon. I think they are both well aware they love one another. They can't say it in so many words, and it's a secret from Heaven and Hell, but it's not a secret between them. I'm hearing Crowley set the scene. "The Metatron either wants us together in Heaven under control, or separated. I have things I have to do here or the plan won't work, so we'll have to separate. We need to make it look good. I do love you."

I don't think Aziraphale likes this change of plan. And Crowley can't detail why the plan has changed, not with the Metatron listening. So Aziraphale insists, come with me. The plan we had will work. Do it my way. Crowley says, "You can't leave this book shop." It's easy to interpret that as "You can't leave me," but I don't think it's that. He's saying something about the book shop being safe, or even that he can't leave without whatever they've hidden in the book shop. (I THINK THEY HID SOMETHING IN THE BOOK SHOP!) Aziraphale says, "Nothing lasts forever." I hear him saying the book shop is no longer safe, and they have to move/take whatever they've hidden and they can't speak freely there anymore.

Crowley replies, "No I suppose it doesn't. Good luck." He's gotten that much, but he is still set on his "We need to fake a break up because I can't go with you."

Aziraphale still doesn't like that. "Come back! I need you!" He's scared. Whatever he has to do in Heaven is big, and scary, and he needs and wants Crowley with him. He does not want to go into the mouth of danger alone.

This is when we get, "No nightingales." What I'm hearing? ESPECIALLY since if you listen, you can hear a LARK sing as Crowley goes out the door? It's the line from Romeo and Juliet, by Shakespeare, whose plays they both enjoy, though Crowley prefers the funny ones. "It's too late, that's a lark singing the dawn, not a nightingale singing to the night, we have to part. Our happy ending isn't yet."

Then the kiss. I do not believe this is their first kiss. I don't believe they've allowed themselves many, maybe not even more than one, but I do think they've kissed before. I'm not sure when, but I suspect 1941. (Season 3, come ON!!)

And when they part, Aziraphale stops himself from saying "I love you," and instead says, "I forgive you." I'm hearing so many things in that "I forgive you." I forgive you for leaving me on my own, I forgive you for hurting my feelings like this, I forgive you for changing the plan without telling me, I forgive you because you are forgivable whatever anyone else says, I forgive you because that's what I said when we split up at the bandstand and everything was okay in the end and I hope hope hope that everything will be okay in the end this time too.

Crowley says, "Don't bother." I'm hearing, "yeah, I hope it's all okay, too. Wish me fuckin luck. My part will be hard, too."

And as Crowley leaves, Aziraphale mouths, "No." And we hear a lark sing. A lark, singing to the dawn, and so fair Romeo must away.

Just because the break up is a ruse, doesn't mean it doesn't hurt and isn't hard. It has to look real, and so it's going to feel real, too. Ouch. :'(

And then Aziraphale touches his lips. Not once, but twice. My bad, he only touches his lips once. The first long second is pure emotion. "Why now, I hate this, I want that so badly and I can't have it."

After that, though --

After he pulls himself together a bit, he has a bulge in his cheek. He shifts his jaw to move whatever he has in his mouth to his lips, and then his first two fingers go stiff for a moment as he palms something right before he takes his hand away.

And then, this.

Edit to add: someone on Facebook asked me why a kiss to pass whatever Crowley gave to Aziraphale, why not palm it or drop it in his pocket?

My answers: 1. The kiss is a message. "We're still good, I still love you, I still want this." 2. The item is too important to be dropped in a pocket and hopefully found later. 3. The Metatron is paying WAY too close attention, and will definitely see them touch hands. Seeing a kiss and the angel rejecting the demon, though? Well, the demon forced that kiss on him, the angel didn't want it. Clearly the demon thinks this relationship is different than it is. It's a bigger gesture that sells the ruse. 4. Houdini's wife used to pass him the keys to his cuffs with a kiss before the show. This is a message that magic-loving Aziraphale WILL understand: here are the keys to your cuffs, sneaked to you by your beloved in plain sight.

That's it. That's what I got so far. I still have questions.

What did Crowley pass to Aziraphale? What's the plan? Why did it change? What does Crowley need to do that he can't go to Heaven again?

[arkodian]

Part 1 of doodles for HOUND OF THE BASKERVILLES which is a whole ass novel with so many excellent scenes I need to draw I will be stuck on this for weeks. Holmes is showering Watson with compliments in the beginning for SOME REASONNNN and I can’t stand it

(pt 2) (pt 3) (pt 4)(pt 5) (pt 6) (pt 7)

(This is part of the Watson’s sketchbook series)

[arkodian]

« The Sun »

idk silly late night doodle of the boi

[arkodian]

To understand what's going on here, know these things:

OpenAI is the company that makes ChatGPT

A spider is a kind of bot that autonomously crawls the web and sucks up web pages

robots.txt is a standard text file that most web sites use to inform spiders whether or not they have permission to crawl the site; basically a No Trespassing sign for robots

OpenAI's spider is ignoring robots.txt (very rude!)

the web.sp.am site is a research honeypot created to trap ill-behaved spiders, consisting of billions of nonsense garbage pages that look like real content to a dumb robot

OpenAI is training its newest ChatGPT model using this incredibly lame content, having consumed over 3 million pages and counting...

It's absurd and horrifying at the same time.

[arkodian]

REPOST : Roman stylus 70AD, in comon vanacular translates into “i went into the city and all i bought you was this lousy pen” , link and full translation in the comments [640 x 320]

[arkodian]

Guards! Guards!