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bemusedlybespectacled · 27 minutes
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new favourite hobby, stitching dumb shit onto pretty fabric
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Lil Nas X did a cover of Jolene and Dolly Parton responded to it on twitter
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[ID: Screenshots of two tweets. The first one is by Dolly Parton and it says "I was so excited when someone told me that Lil Nas X had done my song #Jolene. I had to find it and listen to it immediately…and it's really good. Of course, I love him anyway. I was surprised and I'm honored and flattered. I hope he does good for both of us. Thank you @LilNasX". The second tweet is Lil Nas X responding to the Dolly Parton tweet by simply saying "HOLY SHIT" in all caps. End of ID.]
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Mechanical snencils
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"why not use the for you page?" I dunno, why would you spend time picking paint colors for your walls instead of just having someone come in and paint them a random color? why make a playlist or listen to a specific album when you could just leave your entire music library on shuffle forever? why bother even thinking about what you like when you could just have someone else decide what you like for you?
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A strange alien doctor stands near the unconscious body of Padme Amidala. “It appears she has lost the will to live.” A older man with a limp hobbles closer with the aid of a cane. “That’s the dumbest thing I’ve ever heard,” says Dr. Gregory House.
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HE NEVER GOT TO CONFESS HIS LOVE FOR HIS DEAD BROTHER'S WIFE/FELLOW CHEESE SMUGGLER
I finally watched Con O'Neill's episode of Midsomer Murders and I am genuinely not ok about the Cheese Man
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bemusedlybespectacled · 11 hours
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My favourite Parker episode has always been The Inside Job, y'know why? It's not just what Parker does, but rather what the others do FOR Parker.
Parker has 4 safe houses in the city, but Nate and Sophie know her well enough to know where she actually stays when she's away from the team
Parker's security code. Do you understand the level of trust someone like Parker will have to have to use their name as her security code? To the place that's her own personal sanctuary? Sophie EARNED that level of trust.
'The Sterenko can't be cracked-' 'Can you do it?' 'Nate, it can't be-' 'For Parker. Can you do it for Parker?'
This. Just this.
'I made her. I trained her, and I released her into the world.' 'She was broken! She needed you!'
This stood out so loud to me, because it's not Hardison or Sophie (the more emotionally intelligent ones of the team) saying it. Because it's NATE. It's Nate, the man who couldn't say I Love You to Sophie for so long. The man who got so caught up in his son's death that every job involving kids or medical malpractice he nearly went out of line. NATE, who pushes and pushes and is ruthless and so cold at times.
It's Nate protesting for Parker, standing up FOR Parker, and y'know why? Because Parker doesn't know what she got deprived of. Parker doesn't feel that loss because you can't grieve something you aren't even aware you could've had. But Nate does. Nate saw her injustice and loss of childhood and spoke up, KNOWING she'll never know about him defending her.
'Hardison I screwed up.' 'We're already here mama.'
Do you understand the level of trust and vulnerability it requires for her to say those words? She's never gotten anyone's help after a screwup, she's had to take care of herself on her own. And there's Hardison, right there, not upset, not angry, not disappointed. A right straight - I'm here and we'll get you out.
'Let's get our girl home.'
Do I even need to say anything.
'It's not what we do, we don't get involved!' 'No, that's what YOU do!'
Parker is not Archie Leach's protege anymore. She's Parker. She's the greatest thief in the world. She's the one person to get the entire Leverage Inc breathing down your neck to save her. She has a family who got her back. She has a life and friends and people who may not understand her always but will always support her and be there for her, no matter what, without changing any aspect of her or forcing her to change either. And she saves people, because that's what they do.
'It's your play Parker.'
The explicit trust Nate displays in her. For someone like Nate with control issues and need to be the guy calling the shots, this is practically an all out notice saying 'she's my people, she's my family, I trust her with my life, more than that I trust her with my family and our jobs.'
'No.' 'What do you mean no? This isn't time for crazy, Parker! Come on!' 'No! I need to go back. I need to put the vial back.'
Do you understand what it feels to have someone like Parker, who is practically a ghost and the prospect of getting stuck somewhere is unthinkable, to refuse an escape route? And that too because she wants to help people and not be used to hurt them? In the face of someone who brought her up to only steal? Now that's growth.
Now this is a callback, but when Sophie and Nate first enter her safehouse, Sophie says something that foreshadows the ending. She says 'Look at this. It's methodical. This could be one of your plans, Nate.'
This is a personal choice, but god it's so good when authors and writers and creators give you hints and foreshadow and reward your intuition at the end, rather than changing endings for shock value. Because Hardison isn't ruthless, Eliot isn't striving for control, and Sophie is dramatic, not clinical. None of it would have been worth it unless it went to Parker, which it did.
Man, this fucking show I swear.
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bemusedlybespectacled · 11 hours
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sry just gathering data
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bemusedlybespectacled · 12 hours
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bemusedlybespectacled · 12 hours
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bemusedlybespectacled · 13 hours
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western cat twitters are like “HoOman” and japanese cat twitters are like “Today I will consider the state of things.”
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bemusedlybespectacled · 13 hours
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1930s “i’m the guy that” pinbacks, part 2
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bemusedlybespectacled · 14 hours
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the first complaynts are coming in: jess thinks my rimes are but a sin. she canot see the meme’s apeel. the bredlik love she does not feel.
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bemusedlybespectacled · 14 hours
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most important thing to remember about being a woman is if youre married you have to go under the covers with your husband and laugh cutely and play wrestle so when you die to progress the narrative he can remember it in slow motion montages
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