capnkat88

[capnkat88]

HANAMUSA (JESSIExDELIA) MASTER POST

I probably should have started doing this forever ago but I wasn’t sure how long I was gonna stick with drawing these comics. But I guess we’re in it now! This will be continually updated~ EVERYTHING UNDER THE CUT

Keep reading

[capnkat88]

For anyone that loves FF14 and wants some art of their WoLs, check out my girl Lady Valiant! She does a great job and has reasonable prices too!

[capnkat88]

2021 lasted 5 seconds and those 5 seconds lasted 20 years that felt like only a few months i hope that clears things up

[capnkat88]

I think about this Twitter poll every day of my goddamn life

[capnkat88]

Okay so I keep seeing people unironically posting this on my timeline all the time

I just wanna clear something up about it

1)It is an undoubtedly bad drawing, yes, the rule of art is generally “it’s wrong if it looks wrong” and this clearly looks wrong 2) The person who did that draw-over doesn’t have a much better grasp of anatomy and, I’m going to assume, isn’t very familiar with what bodybuilders look like

The Liefeld drawing was referenced from this photograph of Arnold Schwarzenegger;

this is a pretty common bodybuilding pose and photography technique, to do these slight upshots to emphasize the size of the chest as much as possible. You can find a million photos of even just Arnie striking this exact pose in different situations;

The thing about competitive bodybuilders is that their dimensions are so outside the realm of what the average person is accustomed to that they can look “out of proportion” in real life. Parts of the body that can’t change size like the head and hands appear comparatively small, and the girth of limbs can make them appear shorter than they really are

(In order these guys are Ronnie Coleman, Moustafa Ismail, Daniele Seccarecci, and Jay Cutler if you want a source) side note, comments about the body type being “unattractive” aren’t necessary in this conversation, bodybuilding on this scale is a form of body modification, akin to being heavily pierced or tattooed. In other words, they aren’t doing it for you.

The problem is, if you make art referencing a body type that appears out-of-proportion to the layman and don’t fudge the scale of individual elements to make it seem stylistically balanced, it will look wrong to the audience. You can show someone a tracing of a body like this and it will more than likely appear more “wrong” to them than a version taking artistic license to enlarge the hands and feet and enlongate the limbs to something the contextually feels correct.

Honestly, it is technically possibly to fit a fairly correctly proportioned human arm behind that shield;

The wrist on a human body is about even with the groin when the arm is out straight, there’s room to fit a limb that long behind the shield. But the arm looks incorrect for a number of reasons; The chest wouldn’t appear at that angle if his far arm wasn’t wrapped around to hold his wrist like it was in the reference, the shield obscures line of his spine which causes his midriff to look massively thick, hiding the forearm behind the shield emphasizes how comparatively short the limb would feel even if the proportions were perfectly accurate, and the star on the shield causes viewers to assume at a glance that his arm is bent (if you look at the shield assuming the first point clockwise from the top is the actual top of the star it looks more in-proportion, but you have to stop and think about it so the drawing has already failed)

If you were to dump the shield and put the arms in a position that matches the way the chest is flexed, it makes a lot more sense what he was going for;

Which honestly isn’t even outside the realm of what actual human bodies can potentially look like;

I know this drawing is a long dead horse that everyone is sick of seeing beaten, but I wanted to throw this out there because hey, it’s a good example of what liberties to be mindful of taking when you work from references.

[capnkat88]

Realizing it’s not romance that I hate but overdone straight relationships with zero chemistry built on a slew of misogynistic tropes was like a huge revelation for me

[capnkat88]

[capnkat88]

this gives me some much needed hope

Middle-aged accomplishments

[capnkat88]

“My greatest fear is that I am intelligent enough to know what I want but not intelligent enough to achieve it.”

— S.Z. (via versacepromises)

[capnkat88]

#webtoon #webtoonshortstorycontest #webcomic #cat #artist https://www.instagram.com/p/B_p-BHEjAFOprNW4slIphMgwCoNi5mk-XzbcoU0/?igshid=mipduk7gzm0l

[capnkat88]

This reminded me so much of some people I know that act like this

Fenris to nobody after DAI: Everyone leaves me... what’s the point with friends if they just leave you when you’re no longer needed

Varric: I was captured, tortured and forced away

Hawke: I was forced to go into hiding and then save Varric’s ass

Isabela: I told you this would happen from the very beginning. Why are you surprised?

Anders: You hate me.

Merill: You hate me too

Sebastian: War is the only thing that matters now...

Aveline: I literally haven’t moved an inch for the last 10 years. You can come visit anytime

Fenris: I’m so alone :(

[capnkat88]

Dungeon Master Appreciation Award / Journals and Stickers

Of Fate And Fortune on Etsy

[capnkat88]

The Body Shapes of the World’s Best Athletes Compared Side By Side

[capnkat88]

Looking for Something? (Mobile)

Anatomy:

Arms

Breasts

Body Types

Feet

Female

Hands

Heads -Ears -Expressions -Eyes -Facial -Hair -Mouths and Lips -Noses -Tears

Humans

Legs

Male

Muscles

Pelvis

Proportions

Shoulders

Torso

Animals:

Anatomy

Antlers

Beaks

Behaviour

Ears

Facial

Feathers

Fur

Hooves

Horns

Insects

Legs

Paws

Talons

Teeth

Wings

Backgrounds:

Cityscape

Indoors

Organic

Perspective

Quick BGs

Simplistic

Brushes:

Photoshop

Paint tool SAI

Design:

Buildings

Character Design

Clothing

Environments

Folds

Heights

Maps

Names

Sketching

Skin Tones

Drawing and Colouring:

Canvas Size

Colour Palettes

Colour Theory

Comics

Composition

Lighting

Lineart

Painting

Quick Tricks

Shading

Traditional

Fantasy:

Armor

Archery

Horns

Mythical Animals

Mythology

Power Ups

Weapons

Wings

For the Artist:

Copyright

File Types

Exercises

Portfolio

Reminders

Tablets

Tips and Advice

Tools

Languages:

ASL

Ancient

French

German

Grammar

Italian

Japanese

Korean

Morse

Spanish

Misc:

Animation

Commissions

Cosplay

Crafts

Life

Master Lists

Psychological

Resources

School

Writing

Nature:

Blood

Clouds

Fire

Flowers

Grass

Landscapes

Lightning

Metal

Plants

Rocks

Space

Trees

Water

Wood

Poses:

Angles

Animals

Draw Your X

Humans

Movement

Multiple Persons

Programs:

Clip Studio Paint

Krita

Paint Tool SAI

Photoshop

Etc

World Building:

Buildings

Culture

History

Historical Clothing

Video

Links

[capnkat88]

[capnkat88]

Some Photoshop Tips

I’ve been getting quite a few asks about the process for the patterns in my stylized artworks, so I decided to put together a couple of tips regarding them. 

Firstly, what you need are

—  CUSTOM BRUSHES  —

Most of the patterns I use are custom brushes I made, such as those:

For the longest time I was convinced making brushes must be super extra complicated. I was super extra wrong. All you need to start is a transparent canvas (2500px x 2500px max):

This will be your brush tip. When you’re satisfied how it looks, click Ctrl+A to select the whole canvas and go to ‘define brush preset’ under the edit menu

You will be asked to name your new glorious creation. Choose something that describes it well, so you can easily find it between all the ‘asfsfgdgd’ brushes you’ve created to be only used once

This is it. Look at it, you have just created a photoshop brush. First time i did I felt like I was cheated my whole life. IT’S SO EASY WHY HASN’T ANYONE TOLD ME 

Time to edit the Good Boi to be more random, so it can be used as a Cool Fancy Pattern. Go into brush settings and change whatever you’d like. Here’s a list of what I do for patterns:

- under Shape Dynamics, I increase Size Jitter and Angle jitter by 5%-15% 

- under Brush Tip Shape, I increase spacing by a shitload. Sometimes it’s like 150%, the point is to get the initial brush tip we painted to be visible.

- If I want it to look random and noisy, I enable the Dual Brush option, which acts like another brush was put on top of the one we’ve created. You can adjust all of the Dual Brush options (Size, Spacing, Scatter, Count) as you wish to get a very nice random brush to smear on your  backgrounds

The result is as above. You can follow the same steps to create whatever brush you need: evenly spaced dots that look like you painted them by hand, geometric pattern to fill the background, a line of perfectly drawn XDs and so on. 

BUT WAIT, THERE’S MORE

—  PATHS  —

But what if you want to get lots of circles made of tiny dots? Or you need rows of triangles for your cool background? Photoshop can do all of that for you, thanks to the magic of paths.

Typically, paths window can be found right next to Layers:

Draw whatever path you want, the Shape Tool has quite a bit of options. Remember, paths are completely different from brush strokes and they won’t show up in the navigator. To move a path around, click A to enable path selection tool. You can use Ctrl+T to transform it, and if you move a path while pressing Alt it will be duplicated.

Now, pick a brush you wish really was in place of that path you’ve drawn and go to layers, then choose the layer you want it to be drawn on. Then, click this tiny circle under the Paths window:

Then witness the magic of photoshop doing the drawing for you while you wonder how tf have you managed to forget about this option for the past 2 years 

You can combine special brushes and paths for all sorts of cool effects. I mostly use them in backgrounds for my cards, but you can do whatever you want with them.

I hope that answers the questions for all of the people who were sending me inquires about the patterns. If you have any questions regarding this or any other Photoshop matter feel free to message me, I’m always up for complaining about how great and terrible Photoshop is C’:

[capnkat88]

Friendly reminder to all working artists or (especially) aspiring artists.

If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:

1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.

2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job. 

If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well. 

Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?

No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.

People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.

If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.

Protect yourself, because no one else will. Protect yourself, because no one else will. There are people lining up around the block to exploit you. Protect yourself because no one else will.