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Costume design by Jacqueline West for Princess Irulan in Dune 2.
West said they were inspired by "how the nuns' habits framed their face." This allowed Irulan to have certain aspects of the Bene Gesserits "without giving her the shape." Likely inspired by Julien Dossena's 2020-21 Fall/Winter Paco Rabanne Collection (last pic)
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Professor.E Clothing: enveiling the enigmatic lore of 15th-17th century discovery period through Borique and Rococo Styles
Professor.E, is a fashion brand hailing from Taiwan. Professor.E seamlessly blends modern trends with avant-garde style, placing great importance on traditional craftsmanship and the use of handmade fabrics in its production. But what really sets Professor.E apart from the rest is its focus on showcasing cultural elements from around the world in its designs, resulting in a truly unique brand style.


Established in 2017, Professor.E has already gained a reputation for its mysterious and enigmatic identity, presented only through a masked persona. Professor.E sets they lore on discovery period between 15th an 17th century, inspiring on Borique and Rococo styles.
“The team was given an imaginative boundary to examine and explore the culture of the period, from Baroque and Rococo styles of painting to architecture, the scientific discoveries of astronomy and geography, as well as reflecting on the colonial conflicts and exotic fantasies of the mainstream Western vision.” -Ken Rao Professor E. Team Member

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Hajime Sorayama: Superrealism and the Allure of Feminine Robots
Japanese illustrator known, for his precisely detailed, erotic portrayals of feminine robots. He describes his highly detailed style as “superrealism”, which he says :
“It deals with the technical issue of how close one can get to one’s object.” — Sorayama
Sorayama’s work centers upon an on-going pursuit for beauty regarding the human body and the machine, which has continued to receive high international recognition. His signature work the “Sexy Robot” series had served to establish his world-wide reputation. Sorayama’s depictions integrate the aesthetic beauty of the female body into the context of the robot.


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