Not to make everything about Destiel but If in the first DeanCas reunion scene Dean doesn't grab Castiel by the lapels of his trenchcoat and say: "I love you too, you stupid son of a bitch" then what's even the point of the revival
when you realize cas never got a chance to see dean mourn him. to see what his death did to dean. how it broke him completely. SHATTERED. he never saw dean's utter despair. anger. complete hopelessness. he only ever saw dean's joy when he came back. and so cas figured that his death simply didn't affect dean all that much. that dean could be happy with Cas gone. that Dean could go on. Move on. cas never understood that this joy, this hope, this smile on dean's face after he came back was ONLY BECAUSE HE CAME BACK. CAME BACK TO DEAN.
I will absolutely never be normal about the fact that Jensen had to literally fight for Dean to die standing. Like, he had to FIGHT for it. The man wasn't allowed to have any say in the ending of the character he played for 15 years!!! He had to accept Dean dying. He had to accept the rusty rebar. "Take it or leave it" they told him. And he literally had to fight for Dean to at least die standing, head up high.
if i am evil. i create character A, who indulges often. always eating, always fucking. but time and time again reveal that he is not hungry. he is not lustful. he performs hunger and doesnt truly feel it. he performs sexuality and doesnt truly feel it. and for fifteen years he performs indulgence into desire he doesnt feel. i create character B, who does not indulge. never eating, never fucking. but time and time again reveal that he IS hungry. he is lustful. he denies hunger but feels it deeply. he denies sexuality but feels it deeply. and for fifteen years he refuses to indulge in the desire he feels. and then. in the final season. allow character A to finally desire something. allow character B to confess his desire. and then kill them both before either is able to really indulge in something they truly desire. if i am evil. i do this.
"You know, we know what it is, what’s going on. We don’t talk about it. The actors don’t, Jensen and I don’t. But we’re all perfectly aware of how the relationship is, the writers are completely aware of how it’s being written. It may be unspoken but that doesn’t mean it’s not there or not true."
~Misha Collins
"Ok, we know what the subtext is, bury it a little bit. [...] Mainly because all the other aspects of that story tell us that. Show us that, actually. That's the whole thing. Show us, not tell us.”
~Ben Edlund
THEY WERE ALL PERFECTLY AWARE OF WHAT THEY WERE DOING. AND HOW THIS RELATIONSHIP WAS WRITTEN. AND DEAN AND CAS' RELATIONSHIP WAS WRITTEN AS A LOVE STORY.
Rob: We got this question that we’ve been avoiding because it’s a lot of words. When Castiel is talking to Dean in a truck about being human, the line that was aired is a different line that the script reads.
Ben Edlund: Sure.
Rob: So the line that aired is, Castiel says “I used to belong to much better club and now I’m powerless, I’m hapless , I’m hopeless, I mean, why the hell not bury myself in women and in decadence, right? It’s the end, baby, that’s what decadence is for. Why not bang a few gongs before the lights go out. But then, that’s just how I roll.” But the script reads “But instead we become this. The only thing, I think, we have left, Dean and me, is each other. If Dean says it’s time to get out in the blaze of glory, win or loose, so be it. I’m in, but then, that’s just how I roll.” It’s just an interesting little difference.
Rich: Well somebody had to rewrite that, right?
Ben Edlund: Sure, I mean, like that was either a rewrite based on a note or something that- it’s possible that there was a shift in language that came from a pass through Kripke. To me that feels like a rewrite based on “ Ok, we know what the subtext is, bury is a little bit.”
Rob: Gotcha.
Ben Edlund: Because, you know, it’s more interesting to know that an then have language kind of be less to the core. I mean, maybe not, sometimes you really want to go to that core. But it didn’t seem necessary in that moment because look at the larger context. This guy is still hanging around. He’s going on a mission. And previously in the prior scene when he’s kind of like, when we used the word insouciant for the first and last time in Supernatural’s history. I believe, unless it gets quoted later in 15 seasons and I missed that. At that point he is totally ride or die with Dean. He’s basically “You say we a going on a suicide mission and there’s no hope or whatever” and Dean’s going “Yes, that’s what I’m saying” and he goes “Okay, let me go get the truck.” And so, in a sense, it was like- I would’ve done the same thing today. If that makes sense. Looking at the whole.
Rob: I like the idea of burying it more and not serving it on a platter. Letting people-
Ben Edlund: Mainly because all the other aspects of that story tell us that. Show us that, actually. That’s the whole thing. Show us, not tell us. I’ve heard that at some kind of seminar.
-Supernatural Then and Now podcast. BONUS CLIP: Ben Edlund Talks
Talking about why this scene was rewritten/cut. Says he would get notes saying they know what the subtext is, bury it, use language less to the core but he wants to go straight to the core. Says its still clear Castiel is totally ride or die by Dean. He has to show it not tell it.
You were not crazy, folks, and I need to lie down.
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