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MAGGIE RHEE IN THE WALKING DEAD: DEAD CITY | 1.02 “Who's There?”

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i'm having so many c.larice thoughts so like this to plot with her <3

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role reversal au edit 2 / ?

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all the women on this blog deserve the world, send tweet.

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s01 e06

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LAUREN COHAN as Maggie Rhee THE WALKING DEAD - 11x21 “Outpost 22”

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DEATH: I CAN'T FIGURE OUT WHETHER I SHOULD BE WORRIED ABOUT YOU. 'my mama used to say th'same thing,' she gussed it had something to do with her stiff upper lip. the way she rarely expressed how she was feeling, even if it might help. there were times when the facade would slip and she'd wear her emotions on her sleeve, but clarice was good at pretending. she always had been - since her father's death, since she been sent to her aunt's farm to watch the lambs go to slaughter. or maybe they were considering whether to worry about her self sacrificing nature. the way clarice would gladly take a bullet for anyone, as long as it was for the right reasons. if that was the case, clarice couldn't give him much comfort. whatever the reason, clarice glanced at the other, searching his features, though she wasn't sure what she was looking for. 'worryin' implies lookin' after. i'm not sure you really wanna take on that job,' @roseguided.

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WILL THEY EVER STOP . . . ?

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kiss roulette

inspired by the infamous "i want the k" meme by deactivated tumblr user tastcful. send 🎲 to generate a kiss! potential suggestive/nsf.w themes may appear

A kiss on the cheek

A kiss on the nose

A kiss on the forehead

A kiss to the top of the head

A firm kiss

A gentle peck

A romantic kiss

A platonic kiss

A kiss to the eyelid

A kiss along the jawline

A kiss to the neck

A kiss along the collar bone

A kiss on the chest

A kiss to the stomach

A kiss along the hips

A kiss in the rain

An upside-down "Spider-Man" kiss

A kiss while laughing

A kiss underwater

A rough kiss

WILDCARD! Dealer's choice :)

A french kiss/kiss with tongue

A kiss influenced by alcohol/other substances

A sleepy kiss

A kiss that's an accident

A kiss while one or both parties are crying

A kiss in greeting

A kiss in parting

A kiss to the back of the hand

A kiss to the palm of the hand

A kiss to the inner thigh

A kiss while someone watches

A kiss to a scar, birthmark, injury, or other marking

A kiss after a bite

A kiss against a wall

A kiss to the shoulder

A kiss to the back of the neck

A kiss while one party is carried

A tentative kiss

An impulsive kiss

A kiss out of spite

A clumsy kiss

A bloody kiss

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LAUREN COHAN as MAGGIE RHEE in THE WALKING DEAD, 11x18 “A New Deal”

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ENZO ST. CLAIR: YOU'RE A SIGHT FOR SORE EYES. 'haven't heard that in awhile,' most men clarice approached look at her with disdain, or doubt, or underestimation. if nothing else, it's refreshing - to know there was someone out there who didn't see clarice as either a threat or just a girl who had nothing to contribute to the world. there's a genuine smile that plays across her lips as she approaches enzo, hands falling into her back pockets, one eye squinted against the sun as she watches him feed one of the ranch's horses. 'thought i'd come visit, since i'm always sayin' i will,' and maybe she could use a friend more than she was letting on. @roseguided.

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WES HICKS: WHATEVER YOU'VE BEEN TOLD ABOUT ME, WHATEVER YOU'VE HEARD OR SEEN OR LISTENED TO… NONE OF IT'S TRUE. 'i don't tend to listen to rumors or gossip about other people's lives,' charlie has heard enough about her own life - her owns traumas ; the lies that were made about her to make others feel better - to understand that humans could be cruel. that a lot that came out of their mouth catered to their own entertainment and self esteem, and nothing more. charlie glances down at wes, gives him a closed mouth smile - small, but genuine. 'i don't care what everyone else is saying. i'm ready to hear your story,' @starludes.

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JUNO SUAREZ: WAIT. AFTER TENDING TO THE RECEIVER'S INJURIES, SENDER TAKES A SEAT ACROSS FOR THEM, AND PATIENTLY WAITS FOR THEM TO START EXPLAINING WHAT HAPPENED. charlie feels as if parts of her body and mind aren't present in the room. like she's floating just outside of her body, mind clouded, memory fuzzy. she wasn't usually like this. even after intense cases like the one they had just finished, charlie could keep herself together well enough. maybe she had a concussion - it wouldn't surprise her, with the way the unsub had thrown her against that wall, her head bouncing off like a ball. eyes flutter a bit as juno tends to her shallow wounds. an emt could have easily taken care of her, but juno insisted on the after care, and no one seemed as if they wanted to shoulder her wrath if they intervened. once there was no more blood on charlie's forehead or under her nose, juno leaned back, piling all the soiled supplies together before eyes land expectantly on charlie. where with most, charlie would avert eye contact for her own comfort, she's able to meet the other's without much shame. 'if you're waiting for me to say i fucked up, i did,' charlie finally murmurs, leaning back in her seat with a sigh. 'i should have been paying more attention, and he got away. surprised i even still have a job, right now,' @suarcz.

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AARON HOTCHNER: YOU'RE NOT WHAT I EXPECTED. god, charlie wished she could decipher whether that was a good thing or a bad thing. sometimes, the superior's tone didn't elude to one or the other, and charlie couldn't decide on the true meaning behind his words. was she not what he expected because she was good at her job? or was she not what he had expected because he had heard so many bad things about her that his expectations were low? either way, brows furrow a bit as charlie glances at hotch, trying and failing to read the expression on his features. 'i'm usually not, sir,' is the only response she has, hoping he doesn't take it the wrong way. @b4didea.

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'you're not, but we can pretend y'are, if y'really want to,'

@eatenlives LIKED for a LYRIC STARTER !

"It's just not my year, but I'm all good out here-"

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rage is a quiet thing ; you think that you've tamed it . . . but it's just lying in wait . . . role reversal au edit.