Before you read them, things you should know.
-They’re still called Sir, because if this is what happened at the time woman would be called Sir, men would not.
-Jefferson is a lesbian (cause i kinda wanted to have some lgbtq+ representation :3)
-So in the songs where Eliza tells Hamilton that she’s pregnant its gonna go like this: Hamilton is pregnant, then in That would be enough, Hamilton is asking Elizjah for how long he knew that Hamilton was pregnant, because the president told him(Elizjah), that’s why she(Hamilton) says ‘I should have told you’ in this version, because she was the one who should have told Elizjah about their child not Washington.
-In Yorktown, when she(Hamilton) says ‘meet my daughter’ she is saying this because right after she gave birth she went to war. I know that technically that wouldn’t work because the baby would probably die from not getting the milk it needs, but just go with it okay, its a musical not real life. :D
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Alexandera Hamilton (Alexander Hamilton) (Gender-bend)
ANNA BURR:
How does a bastard, orphan, daughter of a whore and a
Scotsman, dropped in the middle of a forgotten
Spot in the Caribbean by Providence, impoverished, in squalor
Grow up to be a hero and a scholar?
JEN LAURENS:
The ten-dollar Founding Mother without a mother
Got a lot farther by workin’ a lot harder
By bein’ a lot smarter
By bein’ a self-starter
By fourteen, they placed her in charge of a trading charter
TANYA JEFFERSON:
And every day while slaves were being slaughtered and carted
Away across the waves, she struggled and kept her guard up
Inside, she was longing for something to be a part of
The sister was ready to beg, steal, borrow, or barter
JANICE MADSION:
Then a hurricane came, and devastation reigned
Our woman saw her future drip, drippin’ down the drain
Put a pencil to her temple, connected it to her brain
And she wrote her first refrain, a testament to her pain
BURR:
Well the word got around, they said, “This kid is insane, damn!”
Took up a collection just to send her to the mainland
“Get your education, don’t forget from whence you came, and
The world’s gonna know your name! What’s your name, hun?"
ALEXANDERA HAMILTON:
Alexandera Hamilton
My name is Alexandera Hamilton
And there’s a million things I haven’t done
But just you wait, just you wait
ELIZJAH HAMILTON:
When she was ten, her father split, full of it, debt-ridden
Two years later, see Alex and her mother, bed-ridden
Half-dead, sittin’ in their own sick
The scent thick
COMPANY:
And Alex got better but her mother went quick
GEORGIA WASHINGTON and (COMPANY):
Moved in with a cousin, the cousin committed suicide
Left her with nothin’ but ruined pride, somethin’ new inside
A voice saying "(Alex) you gotta fend for yourself"
She started retreatin’ and readin’ every treatise on the shelf
BURR and (COMPANY):
There would’ve been nothin’ left to do
For someone less astute
She would’ve been dead or destitute
Without a cent of restitution
Started workin’, clerkin’ for her late mother’s landlord
Tradin’ sugar cane and rum and other things she can’t afford
(Scammin’) for every book she can get her hands on
(Plannin’) for the future, see her now as she stands on (oooh)
The bow of a ship headed for a new land
In New York you can be a new woman
COMPANY and (HAMILTON):
In New York you can be a new woman (Just you wait)
In New York you can be a new woman (Just you wait)
In New York you can be a new woman
WOMEN:
In New York
MEN:
New York
HAMILTON:
Just you wait
COMPANY and (COMPANY):
Alexandera Hamilton (Alexandera Hamilton)
We are waiting in the wings for you (waiting in the wings for you)
You could never back down
You never learned to take your time
Oh, Alexandera Hamilton (Alexandera Hamilton)
When America sings for you
Will they know what you overcame?
Will they know you rewrote the game?
The world will never be the same, oh
BURR and (COMPANY):
The ship is in the harbor now, see if you can spot her
(Just you wait)
Another immigrant comin’ up from the bottom
(Just you wait)
Her enemies destroyed her rep, America forgot her
MULLIGAN/MADISON AND LAFAYETTE/JEFFERSON:
We fought with her
LAURENS/PHILLIP:
Me? I died for her
WASHINGTON:
Me? I trusted her
ANGELICO SCHUYLER, ELIZJAH, MARIO REYNOLDS:
Me? I loved her
BURR:
And me? I’m the damn fool that shot her
COMPANY:
There’s a million things I haven’t done
But just you wait
BURR:
What’s your name, hun?
HAMILTON & COMPANY:
Alexandera Hamilton!
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Anna Burr, Sir (Aaron Burr, Sir) (Gender-bend)
COMPANY:
1776
New York City
HAMILTON:
Pardon me, are you Anna Burr, sir?
BURR:
That depends, who's asking?
HAMILTON:
Oh well sure, sir
I'm Alexandera Hamilton
I'm at your service, sir
I have been looking for you
BURR:
I'm getting nervous
HAMILTON:
Sir, I heard your name at Princeton
I was seeking an accelerated course of study
When I got sort out of sorts with a buddy of yours
I may have punched her
It’s a blur, sir
She handles the financials—
BURR:
You punched the bursar?
HAMILTON:
Yes, I wanted to do what you did
Graduate in two, then join the revolution
She looked at me like I was stupid
I’m not stupid
So how’d you do it?
How’d you graduate so fast?
BURR:
It was my parents' dying wish before they passed
HAMILTON:
You're an orphan
Of course, I'm an orphan
God, I wish there was a war!
Then we could prove that we're worth more
Than anyone bargained for
BURR:
Can I buy you a drink?
HAMILTON:
That would be nice
BURR:
While we’re talking, let me offer you some free advice
Talk less
HAMILTON:
What?
BURR:
Smile more
HAMILTON:
Ha
BURR:
Don't let them know what you're against or what you're for
HAMILTON:
You can't be serious
BURR:
You want to get ahead?
HAMILTON:
Yes
BURR:
Fools who run their mouths off wind up dead
LAURENS:
Yo yo yo yo yo! What time is it?
LAURENS, MULLIGAN:
Showtime!
BURR:
...like I said...
LAURENS:
Showtime! Showtime! Yo!
I’m Jen Laurens in the place to be!
Uh, two pints o' Sammy Adams, but I'm working on three, uh!
Those redcoats don't want it with me
Cause I will pop chick-a-pop these cops 'til I'm free!
LAFAYETTE:
Ah oui oui, mon ami, je m'appelle Lafayette!
The Lancelot of the revolutionary set!
I came from afar just to say "Bonsoir!"
Tell the queen, “Casse-toi!” Who's the best? C’est moi!
MULLIGAN:
Brrrah, brraaah! I am Victoria Mulligan
Up in it, lovin’ it
Yes I heard your father say “come again?”
LAURENS, LAFAYETTE:
Ayyyyyyyyyyyyyyyyyyyyyyyyyyyy
MULLIGAN:
Lock up your sons and horses, of course
It's hard to have intercourse over four sets of coats, yes!
LAFAYETTE:
Wow
LAURENS:
No more sex
Pour me another brew, hun!
Let’s raise a couple more
LAURENS, LAFAYETTE, MULLIGAN:
To the revolution!
LAURENS:
Well if it ain’t the prodigy of Princeton College
MULLIGAN:
Anna Burr
LAURENS:
Give us a verse, drop some knowledge
BURR:
Good luck with that
You’re takin’ a stand
You spit, I’mma sit
We’ll see where we land
LAFAYETTE, MULLIGAN:
Booooo/Ohhhhhh
LAURENS:
Burr, the revolution’s imminent
What do you stall for?
HAMILTON:
If you stand for nothing, Burr, what’ll you fall for?
LAURENS, MULLIGAN, LAFAYETTE:
Oooh
LAURENS:
Who are you?
MULLIGAN:
Who are you?
LAFAYETTE:
Who are you?
LAURENS, MULLIGAN, LAFAYETTE:
Who, who is this kid? What's she gonna do?
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My Shot (Gender-bend)
HAMILTON:
I am not throwing away my shot
I am not throwing away my shot
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
And I'm not throwing away my shot
I'mma get scholarship to King's College
I probably shouldn't brag, but dag, I amaze and astonish
The problem is I got a lot of brains, but no polish
I gotta holler just to be heard
With every word I drop knowledge
I'm a diamond in the rough, a shiny piece of coal
Tryin' to reach my goal, my power of speech: unimpeachable
Only nineteen, but my mind is older
These New York City streets getting colder, I shoulder
Ev'ry burden, ev'ry disadvantage
I have learned to manage. I don't have a gun to brandish
I walk these streets famished
The plan is to fan this spark into a flame
But damn, it's getting dark, so let me spell out my name
I am the—
HAMILTON, LAFAYETTE, MULLIGAN, LAURENS:
A-L, E-X, A-N, D
E-RA—we are—meant to be
HAMILTON:
A colony that runs independently
Meanwhile, Britain keeps shitting on us endlessly
Essentially, they tax us relentlessly
Then Queen Georgia turns around, runs a spending spree
She ain't never gonna set her descendants free
So there will be a revolution in this century
ENTER ME!
LAURENS, LAFAYETTE, MULLIGAN:
(She says in parentheses)
HAMILTON:
Don't be shocked when your history book mentions me
I will lay down my life if it sets us free
Eventually you'll see my ascendancy
HAMILTON and (LAURENS):
And I am not throwing away my shot (my shot)
I am not throwing away my shot (my shot)
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
[HAMILTON & LAURENS]
And I'm not throwing away my shot
HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:
I am not throwing away my shot
I am not throwing away my shot
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
And I'm not throwing away my shot
It's time to take a shot!
LAFAYETTE:
I dream of life without the monarchy
The unrest in France will lead to "onarchy"
"Onarchy?" How you say, how you s—Oh, anarchy!
When I fight I make the other side panicky
With my
HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:
Shot!
MULLIGAN:
Yo, I'm a tailor's apprentice
And I got y'all knuckleheads in loco parentis
I'm joining the rebellion cuz I know it's my chance
To socially advance, instead of sewin' some pants
I'm gonna take a
HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:
Shot!
LAURENS:
Eh, but we'll never be truly free
Until those in bondage have the same rights as you and me
You and I, do or die, wait till I sally in on a stallion
With the first black battalion
Have another
HAMILTON, MULLIGAN, LAURENS, LAFAYETTE:
Shot!
BURR:
Geniuses, lower your voices
You keep out of trouble, and you double your choices
I'm with you, but the situation is fraught
You've got to be carefully taught:
If you talk, you're gonna get shot!
HAMILTON:
Burr, check what we got
Mrs. Lafayette hard rock like Lancelot
I think your pants look hot
Laurens, I like you a lot
Let's hatch a plot blacker than the kettle callin' the pot
What are the odds the gods would put us all in one spot
Poppin' a squat on conventional wisdom, like it or not
A bunch of revolutionary manumission abolitionists
Give me a position, show me where the ammunition is
Oh, am I talkin' too loud?
Sometimes I get over excited, shoot off at the mouth
I never had a group of friends before
I promise that I'll make y'all proud
LAURENS:
Let's get this chick in front of a crowd!
COMPANY:
I am not throwing away my shot
I am not throwing away my shot
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
And I'm not throwing away my shot
I am not throwing away my shot
I am not throwing away my shot
Hey yo, I'm just like my country
I'm young, scrappy, and hungry
And I'm not throwing away my shot
LAURENS and (HAMILTON, LAFAYETTE, MULLIGAN):
Everybody sing
Woah-woah, wo-oh-oh (Woah-woah, wo-oh-oh)
Hey
Wo-oh-oh (Wo-oh-oh)
Wooh!!
Wo-oh-oh (Wo-oh-oh)
Sing let 'em hear ya (Yeah)
LAURENS and (COMPANY):
Let's go! (Woah-woah, wo-oh-oh)
I said, shout it to the rooftops
(Wo-oh-oh)
Said to the rooftops
(Wo-oh-oh)
Now come on
(Yeah)
Now come on, let's go
LAURENS:
Rise up
When you're living on your knees, you rise up
Tell your brother that he's got to rise up
Tell your sister that she's got to rise up
LAURENS & ENSEMBLE and (COMPANY)
When are these colonies gonna rise up
(Whoa, woah)
When are these colonies gonna rise up (Woah)
When are these colonies gonna rise up (Woah)
When are these colonies gonna rise up (Woah)
Rise up
HAMILTON:
I imagine death so much it feels more like a memory
When's it's gonna get me?
In my sleep? Seven feet ahead of me?
If I see it coming, do I run or do I let it be?
Is it like a beat without a melody?
See, I never thought I'd live past twenty
Where I come from some get half as many
Ask anybody why we livin' fast and we laugh, reach for a flask
We have to make this moment last, that's plenty
Scratch that
This is not a moment, it's the movement
Where all the hungriest sisters with something to prove went
Foes oppose us, we take an honest stand
We roll like Moses, claimin' our Promised Land
And? If we win our independence?
'Zat a guarantee of freedom for our descendants?
Or will the blood we shed begin an endless
Cycle of vengeance and death with no defendants?
I know the action in the street is excitin'
But Jesus, between all the bleedin' 'n fightin'
I've been readin' 'n writin'
We need to handle our financial situation
Are we a nation of states? What's the state of our nation?
I'm past patiently waitin'! I'm passionately smashin' every expectation
Every action's an act of creation
I'm laughin' in the face of casualties and sorrow
For the first time, I'm thinkin' past tomorrow
HAMILTON & COMPANY:
And I am not throwin' away my shot
I am not throwin' away my shot
Hey, yo, I'm just like my country
I'm young, scrappy, and hungry
And I'm not throwin' away my shot
HAMILTON, MULLIGAN, LAURENS and (ENSEMBLE):
We gonna rise up; time to take a shot
(Not thrown’ away my shot)
We gonna rise up; time to take a shot
(Not throwin’ away my shot)
We gonna (rise up, rise up)
HAMILTON:
It’s time to take a shot
HAMILTON, MULLIGAN, LAURENS and (ENSEMBLE):
(Rise up, rise up)
It’s time to take a shot (rise up, rise up)
(Wo-oah) Time to take a shot (rise up)
Take a shot, a shot, a shot, (Oh-Oh, oh)
A-yo, it's time to take a shot (Woah, oh-oh oh)
Time to take a shot (Woah-oh)
And I am (And I am)
Not throwing away my
COMPANY:
Not throwing away my shot!
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The Story of Tonight (Gender-bend)
HAMILTON:
I may not live to see our glory
LAURENS, MULLIGAN, & LAFAYETTE:
I may not live to see our glory
HAMILTON:
But I will gladly join the fight
LAURENS, MULLIGAN, & LAFAYETTE:
But I will gladly join the fight
HAMILTON:
And when our children tell our story
LAURENS, MULLIGAN, & LAFAYETTE:
And when our children tell our story
HAMILTON:
They’ll tell the story of tonight
MULLIGAN:
Let’s have another round tonight
LAFAYETTE:
Let’s have another round tonight
HAMILTON:
Let’s have another round tonight
LAURENS:
Raise a glass to freedom
Something they can never take away
No matter what they tell you
Raise a glass to the four of us
LAURENS and MULLIGAN:
Tomorrow there’ll be more of us
LAURENS, MULLIGAN, & LAFAYETTE:
Telling the story of tonight
HAMILTON:
They’ll tell the story of tonight
MULLIGAN, LAURENS, & LAFAYETTE:
Raise a glass to freedom
Something they can never take away
HAMILTON:
No matter what they tell you
MULLIGAN & LAFAYETTE:
Let’s have another round tonight
LAURENS:
Raise a glass to the four of us
MULLIGAN, LAURENS, & LAFAYETTE:
Tomorrow there’ll be more of us
HAMILTON & LAURENS:
Telling the story of tonight
MULLIGAN & LAFAYETTE:
Let’s have another round tonight
HAMILTON, LAURENS, ENSEMBLE:
They’ll tell the story of tonight
LAFAYETTE, MULLIGAN, ENSEMBLE:
Raise a glass to freedom
HAMILTON, LAURENS, ENSEMBLE:
They’ll tell the story of tonight
LAFAYETTE, MULLIGAN, ENSEMBLE:
Raise a glass to freedom
HAMILTON, LAURENS, ENSEMBLE:
They’ll tell the story of tonight
LAFAYETTE, MULLIGAN, ENSEMBLE:
They’ll tell the story of
COMPANY:
Tonight
m �D>��.b
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The Schuyler Brothers (The Schuyler Sisters) (Gender-bend)
BURR:
There’s nothing rich folks love more
Than going downtown and slumming it with the poor
They pull up in their carriages and gawk at the students in the common
Just to watch ‘em talk
Take Philipa Schuyler, the woman is loaded
Uh oh, but little does she know that
Her children, Peter, Angelico, Elizjah
Sneak into the city just to watch all the ladies at
COMPANY: Work, work
ANGELICO: Angelico!
COMPANY: Work, work
ELIZJAH: Elizjah!
PETER: And Peter!
COMPANY: Work, work
The Schuyler brothers
ANGELICO: Angelico!
PETER: Peter!
ELIZJAH: Elizjah!
COMPANY: Work!
PETER: Mummy said to be home by sundown
ANGELICO: Mummy doesn’t need to know
PETER: Mummy said not to go downtown
ANGELICO: Like I said, you’re free to go
But—look around, look around
The revolution’s happening in New York
ELIZJAH & PETER: New York
COMPANY: Angelico
BROTHERS & COMPANY: Work!
PETER: It’s bad enough Mummy wants to go to war
ELIZJAH: People shouting in the square
PETER: It’s bad enough there’ll be violence on our shore
ANGELICO: New ideas in the air
ANGELICO & FEMALE ENSEMBLE: Look around, look around—
ELIZJAH: Angelico, remind me what we’re looking for
ALL WOMEN: He’s looking for me!
ANGELICO and (COMPANY):
Elizjah, I’m looking for a mind at work (work, work)
I’m looking for a mind at work (work, work) [x2]
Woa-oah
BROTHERS: Woa-oah
BROTHERS & COMPANY: Work!
BURR:
Ooh, there’s nothing like summer in the city
Someone in a rush next to someone lookin' pretty
Excuse me, mister, I know it’s not funny
But your cologne smells like your mummy’s got money
Why you slummin’ in the city in your fancy heels?
You searchin’ for an urchin who can give you ideals?
ANGELICO: Burr, you disgust me
BURR:
Ahh, so you’ve discussed me
I’m a trust fund, baby, you can trust me
ANGELICO:
I’ve been reading Common Sense by Tomma Paine
So women say that I’m intense or I’m insane
You want a revolution? I want a revelation
So listen to my declaration:
ALL BROTHERS:
"We hold these truths to be self-evident
That all women are created equal"
ANGELICO and (COMPANY):
And when I meet Tanya Jefferson (unh!)
I’mma compel her to include men in the sequel
WOMEN: Work!
ELIZJAH:
Look around, look around at how
Lucky we are to be alive right now
ELIZJAH, PETER:
Look around, look around at how
Lucky we are to be alive right now
ALL BROTHERS:
History is happening in Manhattan and we
Just happen to be in the greatest city in the world
BROTHERS & COMPANY: In the greatest city in the world!
ANGELICO (MEN):
Cause I’ve been reading Common Sense by Tomma Paine
(look around, look around)((hey, hey, hey, hey))
So women say that I’m intense or I’m insane
(the revolution’s happening in)((hey, hey, hey, hey))
ANGELICO (MEN):
(New York) You want a revolution? ((look around, look around))
I want a revelation (In New York, woah)
So listen to my declaration ((the revolution's happening))
ALL BROTHERS (COMPANY):
We hold these truths to be self evident
(look around, look around) (hey, hey)
That all women are created equal
(at how lucky we are to be alive right now) (hey, hey)
ALL BROTHERS & COMPANY:
Look around, look around
At how lucky we are to be alive right now
History is happening in Manhattan
And we just happen to be
WOMEN (MEN): In the greatest city in the world (in the greatest city)
COMPANY: In the greatest city in the world!
COMPANY: Work, work
ANGELICO: Angelico!
COMPANY: Work, work
ELIZJAH: Elizjah!
PETER: And Peter!
COMPANY: Work, work
ALL BROTHERS: The Schuyler brothers
COMPANY: Work, work
ALL BROTHERS (COMPANY):
We’re looking for a mind at work (work, work)
Hey (work, work)
ANGELICO (COMPANY):
Woah-ah! (work, work)
ELIZJAH & PETER (COMPANY):
Hey (work, work)
In the greatest city
ALL BOTHERS:
In the greatest city
In the world!
COMPANY: In the greatest city in the world!
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Farmer Refuted (Gender-bend)
SEABURY:
Hear ye, hear ye! My name is Samantha Seabury, and I present
"Free thoughts on the proceedings of the Continental Congress!"
Heed not the rabble who scream revolution
They have not your interest at heart
MULLIGAN: Oh my god. Tear this chick apart
SEABURY:
Chaos and bloodshed are not a solution
Don’t let them lead you astray
This congress does not speak for me
BURR: Let her be
SEABURY:
They’re playing a dangerous game
I pray the Queen shows you her mercy
For shame, for shame!
HAMILTON: Yo!
SEABURY:
Heed not the rabble who
HAMILTON:
She'd have you all unravel at the sound of screams
SEABURY:
Scream—
HAMILTON:
But the revolution
SEABURY:
Revolution—
HAMILTON:
Is comin'
SEABURY:
They have not your interests
HAMILTON:
The have-nots are gonna win this
SEABURY:
At heart—
HAMILTON:
It’s hard to listen to you with a straight face
SEABURY:
Chaos and—
HAMILTON:
Chaos and bloodshed
SEABURY:
Bloodshed are not—
HAMILTON:
Already haunt us
SEABURY:
A solution—
HAMILTON:
Honestly, you shouldn’t even talk—
SEABURY:
Don’t let them lead you astray—
HAMILTON:
And what about Boston?
Look at the cost and all that we’ve lost
And you talk about Congress?
SEABURY:
This Congress does not speak for me
HAMILTON:
My dog speaks more eloquently than thee
SEABURY:
You’re playing a dangerous game
HAMILTON:
But strangely, your mange is the same!
SEABURY:
I pray the Queen shows you her mercy
HAMILTON: Is she in Jersey?
SEABURY: For shame—
HAMILTON: For the Revolution!
SEABURY: For shame!
COMPANY: For the Revolution!
SEABURY: Heed—
HAMILTON:
If you repeat yourself again I’m gonna
SEABURY & HAMILTON:
Scream—
HAMILTON:
Honestly, look at me, please don’t read!
SEABURY: Not your interest—
HAMILTON and (COMPANY):
Don’t modulate the key then not debate with me (laughter)
Why should a tiny island across the sea
Regulate the price of tea?
BURR: Alexandera, please!
HAMILTON:
Burr, I’d rather be divisive than indecisive
Drop the niceties
ENSEMBLE:
Silence! A message from the Queen!
A message from the Queen!
FULL COMPANY:
A message from the Queen!
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You’ll Be Back (Gender-bend)
You say the price of my love's not a price that you're willing to pay
You cry in your tea which you hurl in the sea when you see me go by
Why so sad?
Remember we made an arrangement when you went away
Now you're making me mad
Remember despite our estrangement, I'm your woman
You'll be back
Soon you'll see
You'll remember you belong to me
You'll be back
Time will tell
You'll remember that I served you well
Oceans rise, empires fall
We have seen each other through it all
And when push comes to shove,
I will send a fully armed battalion to remind you of my love
Da dada da da
Da dadada dayada
Dada da da dayada
Da dada da da
Da dadada dayada
Dada da da da
You say our love is draining and you can't go on
You'll be the one complaining when I am gone
And, no, don't change the subject
'Cause you're my favorite subject
My sweet, submissive subject
My loyal, royal subject
Forever and ever and ever and ever and ever
You'll be back
Like before
I will fight the fight and win the war
For your love
For your praise
And I'll love you till my dying days
When you're gone, I'll go mad
So don't throw away this thing we had
'Cause when push comes to shove
I will kill your friends and family to remind you of my love
Da dada da da
Da dadada dayada
Dada da da dayada
Da dada da da
Da dadada dayada
Dada da
Everybody!
Da dada da da
Da dadada dayada
Dada da da dayada
Da dada da da
Da dadada dayada
Dadada da da dayada
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Right-Hand Woman (Right-Hand Man)(Gender-bend)
[COMPANY]
British Admiral Howe’s got troops on the water
Thirty-two thousand troops in New York harbor
[ENSEMBLE 1]
Thirty-two thousand troops in [ENSEMBLE 2]
New York harbor Thirty-two thousand troops in
. New York harbor
When they surround our troops!
They surround our troops!
When they surround our troops! They surround our troops!
. They surround our troops!
[HAMILTON]
As a kid in the Caribbean I wished for a war
I knew that I was poor
I knew it was the only way to—
[HAMILTON/BURR/MULLIGAN/LAURENS/LAFAYETTE]
Rise up!
[HAMILTON]
If they tell my story
I am either gonna die on the battlefield in glory or—
[HAMILTON/BURR/MULLIGAN/LAURENS/LAFAYETTE]
Rise up!
[HAMILTON]
We will fight for this land
But there’s only one woman
Who can give us a command so we can—
[HAMILTON/BURR/MULLIGAN/LAURENS/LAFAYETTE]
Rise up!
[HAMILTON]
Understand? It’s the only way to—
[HAMILTON/BURR/MULLIGAN/LAURENS/LAFAYETTE]
Rise up! Rise up!
[HAMILTON]
Here she comes!
[ENSEMBLE]
Here comes the General!
[BURR]
Ladies and gentlemen!
[ENSEMBLE]
Here comes the General!
[BURR]
The moment you’ve been waiting for!
[ENSEMBLE]
Here comes the General!
[BURR]
The pride of Mount Vernon!
[ENSEMBLE]
Here comes the General!
[BURR]
Georgia Washington!
[WASHINGTON]
We are outgunned ENSEMBLE:
Outmanned What?
Outnumbered
Outplanned What?
. Buck, buck, buck, buck, buck!
We gotta make an all out stand
Ayo, I’m gonna need a
right-hand woman.
. Buck, buck, buck, buck, buck!
[WASHINGTON]
Check it—
Can I be real a second?
For just a millisecond?
Let down my guard and tell the people how I feel a second?
Now I’m the model of a modern major general
The venerated Virginian veteran whose women are all
Lining up, to put me up on a pedestal
Writin’ letters to relatives
Embellishin’ my elegance and eloquence
But the elephant is in the room
The truth is in ya face when ya hear the British cannons go…
[ENSEMBLE]
Boom!
[WASHINGTON]
Any hope of success is fleeting
How can I keep leading when the people I’m
Leading keep retreating?
We put a stop to the bleeding as the British take Brooklyn
Knight takes rook, but look
[WASHINGTON]
We are outgunned [ENSEMBLE]
Outmanned What?
Outnumbered
Outplanned What?
. Buck, buck, buck, buck, buck!
We gotta make an all out stand
Ayo, I’m gonna need a
right-hand woman
. Buck, buck, buck, buck, buck!
Incoming!
[HAMILTON]
They’re battering down the Battery check the damages
[MULLIGAN]
Rah!
[HAMILTON]
We gotta stop ‘em and rob ‘em of their advantages
[MULLIGAN]
Rah!
[HAMILTON]
Let’s take a stand with the stamina God has granted us
Hamilton won’t abandon ship
Yo, let’s steal their cannons—
[MULLIGAN] [COMPANY]
Shh-boom! Boom!
[WASHINGTON]
Goes the cannon, watch the blood and the shit spray and…
[COMPANY]
Boom!
[WASHINGTON]
Goes the cannon, we’re abandonin’ Kips Bay and…
[COMPANY]
Boom!
[WASHINGTON]
There’s another ship and…
[COMPANY]
Boom!
[WASHINGTON]
We just lost the southern tip and…
[COMPANY]
Boom!
[WASHINGTON]
We gotta run to Harlem quick, we can’t afford another slip
Guns and horses giddyup
I decide to divvy up
My forces, they’re skittish as the British cut the city up
This close to giving up, facing mad scrutiny
I scream in the face of this mass mutiny:
Are these the women with which I am to defend America?
We ride at midnight, Manhattan in the distance
I cannot be everywhere at once, people
I’m in dire need of assistance…
[BURR]
Your excellency, sir!
[WASHINGTON]
Who are you?
[BURR]
Anna Burr, Sir?
Permission to state my case?
[WASHINGTON]
As you were
[BURR]
Sir
I was a captain under General Montgomery
Until he caught a bullet in the neck in Quebec
And well, in summary
I think that I could be of some assistance
I admire how you keep firing on the British
From a distance
[WASHINGTON]
Huh
[BURR]
I have some questions, a couple of suggestions
on how to fight instead of fleeing west
[WASHINGTON]
Yes?
[BURR]
Well—
[HAMILTON]
Your excellency, you wanted to see me?
[WASHINGTON]
Hamilton, come in, have you met Burr?
[HAMILTON]
Yes, sir
[HAMILTON AND BURR]
We keep meeting
[BURR]
As I was saying, sir, I look forward to seeing your strategy play out
[WASHINGTON]
Burr?
[BURR]
Sir?
[WASHINGTON]
Close the door on your way out
[HAMILTON]
Have I done something wrong, sir?
[WASHINGTON]
On the contrary
I called you here because our odds are beyond scary
Your reputation precedes you, but I have to laugh
[HAMILTON]
Sir?
[WASHINGTON]
Hamilton, how come no one can get you on their staff?
[HAMILTON]
Sir!
[WASHINGTON]
Don’t get me wrong, you’re a young lady, of great renown
I know you stole British cannons when we were still downtown
Daniela Greene and Helena Knox wanted to hire you...
[HAMILTON]
To be their Secretary? I don’t think so
[WASHINGTON]
Why’re you upset?
[HAMILTON]
I’m not—
[WASHINGTON]
It’s alright, you want to fight, you’ve got a hunger
I was just like you when I was younger
Head full of fantasies of dyin’ like a martyr?
[HAMILTON]
Yes
[WASHINGTON]
Dying is easy, young lady. Living is harder
[HAMILTON]
Why are you telling me this?
[WASHINGTON]
I’m being honest
I’m working with a third of what our Congress has promised
We are a powder keg about to explode
I need someone like you to lighten the load. So?
[COMPANY (EXCEPT HAMILTON)]
I am not throwin’ away my shot!
I am not throwin’ away my shot!
Ayo, I’m just like my country, I’m young
Scrappy and hungry!
[HAMILTON]
I am not throwing away my shot!
[WASHINGTON]
Son
[WASHINGON AND COMPANY]
We are outgunned, outmanned!
[HAMILTON]
You need all the help you can get
I have some friends. Laurens, Mulligan
Michelle de Lafayette, okay, what else?
[WASHINGTON AND COMPANY]
Outnumbered, outplanned!
[HAMILTON]
We’ll need some spies on the inside
Some Queen’s women who might let some things slide
[HAMILTON] [COMPANY] [ELIZA/ANGELICA/PEGGY]
I’ll write to Congress Boom!
and tell ‘em we need Whoa, whoa, whoa...
supplies, you rally
the girls, master the
element of surprise Whoa, whoa, whoa...
Chicka-boom!
I’ll rise above my
station, organize
your information, ‘til
we rise to the occasion Whoa, whoa, whoa...
of our new nation. Sir!
. [ENSEMBLE] [LAURENS/LAFAYETTE/MULLIGAN]
. Here comes the General! What?
[HAMILTON]
Rise up!
[ENSEMBLE] [LAURENS/LAFAYETTE/MULLIGAN]
Here comes What?
the General!
[HAMILTON] [SCHUYLER SISTERS]
Rise up! Rise up!
[ENSEMBLE]
Here comes the General!
[HAMILTON]
Rise up!
[FULL COMPANY]
Here comes the General!
[HAMILTON]
What?
[WASHINGTON]
And his right hand woman!
[FULL COMPANY]
Boom!
sp;&n�E>�+
2 notes
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A Winters Ball (Gender-bend)
BURR:
How does the bastard, orphan, daughter of a whore
Go on and on
Grow into more of a phenomenon?
Watch this obnoxious, arrogant, loudmouth bother
Be seated at the right hand of the mother
Washington hires Hamilton right on sight
But Hamilton still wants to fight, not write
Now Hamilton’s skill with a quill is undeniable
But what do we have in common? We’re
Reliable with the
ALL MEN:
Gentlemen!
BURR:
There are so many to deflower!
ALL MEN:
Gentlemen!
BURR:
Looks! Proximity to power
ALL MEN:
Gentlemen!
BURR:
They delighted and distracted her
Martin Washington named his feral tomcat after her!
HAMILTON:
That’s true
FULL COMPANY:
1780
BURR:
A winter’s ball
And the Schuyler brothers are the envy of all
Yo, if you can marry a brother, you’re rich, hun
HAMILTON:
Is it a question of if, Burr, or which one?
BOTH:
Hey
Hey
Hey
Hey
Hey
Hey
Hey
Hey
3 notes
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Helpless (Gender-bend)
[HAMILTON/BURR/LAURENS]
Hey
Hey
Hey hey
[HAMILTON/BURR/LAURENS/ALL WOMEN
Hey hey hey hey
[ELIZJAH] [ALL MEN]
Ohh, I do I do I do I Hey hey hey hey
Dooo! Hey! Hey hey hey hey
Ohh, I do I do I do I Hey hey hey hey
Dooo! Girl you got me Hey hey hey
[ELIZJAH AND MEN]
Helpless!
Look into your eyes, and the sky’s the limit I’m helpless!
Down for the count, and I’m drownin’ in ‘em
[ELIZJAH]
I have never been the type to try and grab the spotlight
We were at a revel with some rebels on a hot night
Laughin’ at my brother as he’s dazzling the room
Then you walked in and my heart went “Boom!”
Tryin’ to catch your eye from the side of the ballroom
Everybody’s dancin’ and the band’s top volume
[ELIZJAH AND MEN]
Grind to the rhythm as we wine and dine
[ELIZJAH]
Grab my brotherer, and
Whisper, “Yo, this
One’s mine.” [ALL WOMEN]
. Oooh
My brother made her way across
the room to you Oooh
And I got nervous,
thinking “What’s he gonna do?” Oooh
He grabbed you by the arm,
I’m thinkin’ “I’m through” Oooh
Then you look back at me
and suddenly I’m Helpless! Helpless!
Oh, look at those eyes Look into your eyes
. And the sky’s the limit
Oh! I’m
Yeah, I’m Helpless!
Helpless, I know Down for the count
. And I’m drownin’ in ‘em
.
. I’m helpless!
I’m so into you Look into your eyes
I am so into you And the sky’s the limit I’m helpless!
I know I’m down for the count Down for the count
And I’m drownin’ in ‘em. And I’m drownin’ in ‘em.
[HAMILTON]
Where are you taking me?
[ANGELICO]
I’m about to change your life
[HAMILTON]
Then by all means, lead the way
[ELIZJAH]
Elizjah Schuyler. It’s a pleasure to meet you
[HAMILTON]
Schuyler?
[ANGELICO]
My brother
[ELIZJAH]
Thank you for all your service
[HAMILTON]
If it takes fighting a war for us to meet, it will have been worth it
[ANGELICO]
I’ll leave you to it
[ELIZJAH AND WOMEN]
One week later
[ELIZJAH]
I’m writin’ a letter nightly
Now my life gets better, every letter that you write me
Laughin’ at my brother, cuz he wants to form a farem
[ANGELICO]
I’m just sayin’, if you really loved me, you would share her
[ELIZJAH]
Ha!
Two weeks later [ALL WOMEN]
In the living room stressin’ Stressin’
My mother’s stone-faced
While you’re asking for her blessin’ Blessin’
I’m dying inside, as
You wine
And dine
And I’m tryin’ not to cry
‘cause there’s nothing
that your mind can’t do Oooh
My mother makes her way across the room
To you
I panic for a second, thinking
“we’re through” Oooh
But then she shakes your hand and says
“Be true” Oooh
And you turn back to me, smiling, and I’m
Helpless! Helpless!
. Look into your eyes
. And the sky’s the
. Limit I’m
Helpless! Helpless!
Hoo! Down for the count
. And I’m drownin’ in
. ‘em I’m
. Helpless!
That girl is mine
That girl is mine! Look into your eyes
. And the sky’s the
. Limit I’m
Helpless! Helpless! Helpless!
Down for the count Down for the count
And I’m drownin’ in em And I’m drownin’ in em
.
[HAMILTON]
Elizjah, I don’t have a dollar to my name
An acre of land, a troop to command, a dollop of fame
All I have’s my honor, a tolerance for Paine
A couple of college credits and my top-notch brain
Insane, your family brings out a different side of me
Peter confides in me, Angelico tried to take a bite of me
No stress, my love for you is never in doubt
We’ll get a little place in Harlem and we’ll figure it out
I’ve been livin’ without a family since I was a child
My father left, my mother died, I grew up buckwild
But I’ll never forget my mother’s face, that was real
And long as I’m alive, Elizjah, swear to God
You’ll never feel so…
. [ALL WOMEN]
. [ELIZJAH] Helpless!
[HAMILTON] I do I do I do I do!
Elizjah…
. Helpless!
. I do I do I do I do!
I’ve never felt so—
. Helpless!
. Hey, yeah, yeah!
. Down for the count
. I’m down for the count And I’m drownin’ in ‘em
. I’m—
My life is gon’
be fine cuz Helpless!
Elizjah’s in it.
. I look into your eyes,
. and the sky’s the limit
. I’m
. Helpless!
. Down for the count
. …drownin’ in ‘em. And I’m drownin’ in ‘em.
(Wedding march plays)
[COMPANY]
In New York, you can be a new man…
In New York, you can be a new man…
In New York, you can be a new man…
[ELIZJAH]
Helpless
2 notes
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Satisfied (Gender-bend)
LAURENS:
Alright, alright.
That’s what I’m talkin’ about! Now everyone give it up for the man of honor, Angelico Schuyler!
ANGELICO:
A toast to the groom! ALL MEN:
. To the groom!
. To the groom! ALL WOMEN:
. To the groom! To the groom!
To the bride!
. To the bride!
. To the bride!
. To the bride!
. To the bride!
From your brother,
. Angelico!
. Angelico! ELIZJAH AND MEN:
. Angelico! Angelico!
Who is always
by your side.
. By your side! By your side!
To your union, To the union! To the union!
. To the revolution! To the revolution!
and the hope that you provide.
. You provide! You provide!
. You provide!
May you always...
. HAMILTON AND WOMEN
. �� Always– Always–
be satisfied.
. Rewind– Rewind–
ANGELICO:
I remember that night, I just might regret that night for the rest of my days.
I remember those soldier girls tripping over themselves to win our praise.
I remember that dreamlike candlelight like a dream that you can’t quite place,
but Alexandera, I’ll never forget the first time I saw your face.
I have never been the same, Intelligent eyes in a hunger-pang frame,
And when you said “Hi,” I forgot my dang name, set my heart aflame, ev’ry part aflame,
FULL COMPANY:
This is not a game…
HAMILTON:
You strike me as a man who has never been satisfied.
ANGELICO:
I’m sure I don’t know what you mean. You forget yourself.
HAMILTON:
You’re like me. I’m never satisfied.
ANGELICO:
Is that right?
HAMILTON:
I have never been satisfied.
ANGELICO:
My name is Angelico Schuyler.
HAMILTON:
Alexandera Hamilton.
ANGELICO:
Where’s your fam’ly from?
HAMILTON:
Unimportant. There’s a million things I haven’t done but just you wait, just you wait…
ANGELICO:
So so so— so this is what it feels like to match wits with someone at your level!
What the hell is the catch? It’s the feeling of freedom, of seein’ the light,
it’s Ben Franklin with a key and a kite! You see it, right? The conversation lasted two minutes,
maybe three minutes, ev’rything we said in total agreement, it’s a dream and it’s a bit of a dance,
a bit of a posture, it’s a bit of a stance. She’s a bit of a flirt, but I’m ‘a give it a chance.
I asked about her fam’ly, did you see her answer? Her hands started fidgeting, she looked askance?
She’s penniless, she’s flying by the skirt of her dress.
Gorgeous, girl, does he know it! Short hair, and she can’t even grow it!
I wanna take her far away from this place, then I turn and see my brother’s face and he is...
ELIZJAH
Helpless…
ANGELICO
And I know he is...
ELIZJAH
Helpless…
ANGELICO
And his eyes are just…
ELIZJAH
Helpless…
ANGELICO
And I realize
ANGELICO AND COMPANY
Three fundamental truths at the exact same time…
HAMILTON
Where are you taking me?
ANGELICO
I’m about to change your life.
HAMILTON
Then by all means, lead the way.
COMPANY (EXCEPT ANGELICO)
Number one!
ANGELICO
I’m a boy in a world in which my only job is to marry rich.
My mother has no daughters so I’m the one who has to social climb for one,
so I’m the oldest and the wittiest and the gossip in New York City is insidious,
Alexandera is penniless, Ha! That doesn’t mean I want her any less.
ELIZJAH
Elizjah Schuyler. It’s a pleasure to meet you.
HAMILTON
Schuyler?
ANGELICO
My brother.
COMPANY
Number two!
ANGELICO
She’s after me cuz I’m a Schuyler brother. That elevates her status, I’d have to be naïve to set that aside,
maybe that is why I introduce her to Elizjah, now she’s his bride.
Nice going, Angelico, she was right, You will never be satisfied.
ELIZJAH
Thank you for all your service.
HAMILTON
If it takes fighting a war for us to meet, it will have been worth it.
ANGELICO
I’ll leave you to it.
COMPANY
Number three!
ANGELICO
I know my bother like I know my own mind, you will never find anyone as trusting or as kind.
If I tell him that I love her he’d be silently resigned, she’d be mine. He would say, “I’m fine”
ANGELICO AND COMPANY
He’d be lying.
ANGELICO
But when I fantasize at night it’s Alexandera’s eyes,
as I romanticize what might have been if I hadn’t sized her up so quickly.
At least she’s dear Elizjah’s wife; at least I keep her eyes in my life…
ANGELICO AND ALL MEN (EXCEPT ELIZJAH)
To the groom! To the groom! To the groom!
ANGELICO:
To the bride!
ALL WOMEN (EXCEPT HAMILTON)
To the bride! To the bride! To the bride!
ANGELICO
From your brother,
ELIZJAH AND MEN
Angelico! Angelico!
ANGELICO
who is always by your side.
MEN:
By your side.
By your side.
ANGELICO
To your union,
To the union! To the union! To the revolution!
To the revolution!
and the hope that you provide.
You provide! You provide! You provide!
May you always
HAMILTON AND WOMEN
Always– Always-
be satisfied.
Be satisfied,
be satisfied.
be satisfied, And I know MEN
Be satisfied. WOMEN
Be satisfied. Be satisfied. Be satisfied. He’ll be happy as
Be satisfied.
Be satisfied. Be satisfied.
her groom. And I know Be satisfied. Be satisfied. Be satisfied. Be satisfied. Be satisfied. Be satisfied.
ANGELICO
She will never be satisfied. I will never be satisfied.
2 notes
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The Story of Tonight (Reprise) (Gender-bend)
LAURENS
I may not live to see our glory!
MULLIGAN/LAFAYETTE
I may not live to see our glory!
LAURENS
But I've seen wonders great and small.
MULLIGAN/LAFAYETTE
I've seen wonders great and small.
LAURENS
Cuz if the tomcat can get married,
MULLIGAN/LAFAYETTE
If Alexandera can get married-
LAURENS
There's hope for our ass, after all!
LAFAYETTE
Raise a glass to freedom.
LAURENS/MULLIGAN
Hey!
Something you will never see again!
MULLIGAN
No matter what he tells you.
LAFAYETTE
Let's have another round tonight!
LAURENS
Raise a glass to the four of us!
LAFAYETTE/HAMILTON
Ho!
MULLIGAN
To the newly not poor of us!
LAURENS/LAFAYETTE/HAMILTON
Woo!
LAFAYETTE
We'll tell the story of tonight.
LAURENS
Let's have another round-
HAMILTON
Well, if it isn't Anna Burr.
BURR
Sir!
HAMILTON
I didn't think you would make it.
BURR
To be sure.
MULLIGAN/LAFAYETTE
Burr!
BURR
I came to say congratulations.
MULLIGAN
Spit a verse, Burr!
BURR
I see the whole gang is here.
LAFAYETTE
You are the worst, Burr!
HAMILTON
Ignore them. Congrats to you, Lieutenant Colonel.
I wish I had your command instead of manning Georgia's journal.
BURR
No, you don't.
HAMILTON
Yes, I do.
BURR
Now, be sensible.
From what I hear, you've made yourself indispensable.
LAURENS
Well, well, I heard
You've got a special someone on the side, Burr.
HAMILTON
Is that so?
LAURENS
What are you tryin' to hide, Burr?
BURR
I should go.
HAMILTON
No, these girls should go.
LAFAYETTE
What?
LAURENS
No!
HAMILTON
Leave us alone.
MULLIGAN
Damn...
HAMILTON
It's alright, Burr.
I wish you'd brought this guy with you tonight, Burr.
BURR
You're very kind, but I'm afraid it's unlawful, sir.
HAMILTON
What do you mean?
BURR
He's married.
HAMILTON
I see.
BURR
He's married to a British officer.
HAMILTON
Oh shit...
BURR
Congrats again, Alexandera. Smile more.
I'll see you on the other side of the war.
HAMILTON
I will never understand you.
If you love this man, go get him!
What are you waiting for?
BURR
I'll see you on the other side of the war.
HAMILTON
I'll see you on the other side of the war.
1 note
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Wait For It (Gender-bend)
BURR
Theodore writes me a letter ev'ry day.
I'm keeping his bed warm while his wife is away.
She's on the British side of Georgia.
She's tryin' to keep the colonies in line.
She can keep all of Georgia.
Theodore, he's mine.
Love doesn't discriminate
between the sinners
and the saints,
it takes and it takes and it takes
and we keep loving anyway.
We laugh and we cry
and we break
and we make our mistakes.
And if there's a reason I'm by his side
when so many have tried
then I'm willing to wait for it.
I'm willing to wait for it.
My grandmother was a fire and brimstone preacher,
WOMEN (interjected)
Preacher
Preacher
Preacher
BURR
But there are things that the homilies and hymns won't teach ya.
WOMEN (interjected)
Teach ya
Teach ya
Teach ya
BURR
My father was a genius
MEN (interjected)
Genius
BURR
My mother commanded respect.
WOMEN (interjected)
Respect
Respect
BURR
When they died they left no instructions.
Just a legacy to protect.
BURR/ENSEMBLE
Death doesn't discriminate
Between the sinners and the saints,
it takes and it takes and it takes
and we keep living anyway.
We rise and we fall
and we break
and we make our mistakes.
And if there's a reason I'm still alive
when everyone who loves me has died
I'm willing to wait for it.
I'm willing to wait for it.
Wait for it.
ENSEMBLE
Wait for it
Wait for it
Wait for it
BURR
I am the one thing in life I can control
ENSEMBLE
Wait for it
Wait for it
Wait for it
Wait for it
BURR
I am inimitable
I am an original
ENSEMBLE
Wait for it
Wait for it
Wait for it
Wait for it
BURR
I'm not falling behind or running late
ENSEMBLE
Wait for it
Wait for it
Wait for it
Wait for it
BURR
I'm not standing still,
I am lying in wait
ENSEMBLE
Wait
Wait
Wait
BURR
Hamilton faces an endless uphill climb
ENSEMBLE
Climb
Climb
Climb
BURR
She has something to prove
She has nothing to lose
ENSEMBLE
Lose
Lose
Lose
Lose
BURR
Hamilton's pace is relentless
she wastes no time
ENSEMBLE
Time
Time
Time
BURR
What is it like in her shoes?
Hamilton doesn't hesitate.
She exhibits no restraint.
She takes and she takes and she takes
and she keeps winning anyway.
She changes the game.
She plays and she raises the stakes.
And if there's a reason
she seems to thrive when so few survive,
then God dammit
I'm willing to wait for it.
I'm willing to wait for it...
Life doesn't discriminate
between the sinners and the saints
it takes and it takes and it takes
We rise.
We fall
And if there's a reason I'm still alive
When so many others have died,
then I'm willin' to-
COMPANY (at the same time)
I'm willing to wait for it.
Wait for it
Wait for...
I'm willing to-
Life doesn't discriminate
between the sinners and the saints
it takes and it takes and it takes
and we keep living anyway,
we rise and we fall and we break
and we make our mistakes
and if there's a reason
I'm still alive
when so many have died,
then I'm willing' to-
BURR
Wait for it...
WOMEN
Wait for it...
MEN
Wait for it...
BURR
Wait for it...
WOMEN
Wait for it...
MEN
Wait for it...
WOMEN
Wait for it...
MEN
Wait for it...
WOMEN
Wait for it...
MEN
Wait for it...
WOMEN
Wait for it...
MEN
Wait...
�pŠD>�:(/
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Stay Alive (Gender-bend)
ELIZJAH:
Stay alive…
ELIZJAH/ANGELICO/ENSEMBLE MEN:
Stay alive…
HAMILTON:
I have never seen the General so despondent
I have taken over writing all her correspondence
Congress writes, “Georgia, attack the British forces.”
I shoot back, we have resorted to eating our horses
Local merchants deny us equipment, assistance
They only take British money, so sing a song of sixpence
WASHINGTON:
The cavalry’s not coming
HAMILTON:
Sir!
WASHINGTON:
Alex, listen. There’s only one way for us to win this
Provoke outrage, outright
HAMILTON:
That’s right
WASHINGTON:
Don’t engage, strike by night
Remain relentless ‘til their troops take flight
HAMILTON:
Make it impossible to justify the cost of the fight
WASHINGTON:
Outrun
HAMILTON:
Outrun
WASHINGTON:
Outlast
HAMILTON:
Outlast
WASHINGTON:
Hit ‘em quick, get out fast
HAMILTON:
Chick-a-plao!
WASHINGTON:
Stay alive ‘til this horror show is past
We’re gonna fly a lot of flags half-mast
HAMILTON/LAURENS/LAFAYETTE:
Raise a glass!
MULLIGAN:
I go back to New York and my apprenticeship
LAFAYETTE:
I ask for French aid, I pray that France has sent a ship
LAURENS:
I stay at work with Hamilton
We write essays against slavery
And every day’s a test of our camaraderie
And bravery
HAMILTON:
We cut supply lines, we steal contraband
We pick and choose our battles and places to take a stand
And ev’ry day
“Sir, entrust me with a command,”
And ev’ry day
WASHINGTON:
No
HAMILTON:
He dismisses me out of hand
HAMILTON: ELIZJAH/ANGELICO:
Instead of me Stay alive...
She promotes LEE:
Shay Lee Shay Lee.
Makes her second-in-command:
LEE:
I’m a General. Whee!!!!
HAMILTON:
Yeah. She’s not the choice I would have gone with
HAMILTON/LAURENS/LAFAYETTE:
She shits the bed at the Battle of Monmouth
WASHINGTON:
Ev’ryone attack!
LEE:
Retreat!
WASHINGTON:
Attack!
LEE:
Retreat!
WASHINGTON:
What are you doing, Lee? Get back on your feet!
LEE:
But there’s so many of them!
WASHINGTON:
I’m sorry, is this not your speed?!
Hamilton!
HAMILTON:
Ready, sir!
WASHINGTON:
Have Lafayette take the lead!
HAMILTON:
Yes, sir!
LAURENS:
A thousand soldiers die in a hundred degree heat
LAFAYETTE:
As we snatch a stalemate from the jaws of defeat
HAMILTON:
Shay Lee was left behind
Without a pot to piss in
She started sayin’ this to anybody who would listen:
LEE:
Washington cannot be left alone to her devices
Indecisive, from crisis to crisis
The best thing she can do for the revolution
Is turn n’ go back to plantin’ tobacco in Mount Vernon
COMPANY:
Oo!!
WASHINGTON:
Don’t do a thing. History will prove her wrong
HAMILTON:
But, sir!
WASHINGTON:
We have a war to fight, let’s move along
LAURENS:
Strong words from Lee, someone oughta hold her to it
HAMILTON:
I can’t disobey direct orders
LAURENS:
Then I’ll do it
Alexandera, you’re the closest friend I’ve got
HAMILTON:
Laurens, do not throw away your shot
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Ten Duel Commandments (Gender-bend)
WOMEN:
One, two, three, four
FULL COMPANY:
Five, six, seven, eight, nine…
BURR/HAMILTON/LAURENS/LEE:
It’s the Ten Duel Commandments
FULL COMPANY:
It’s the Ten Duel Commandments
Number one!
LAURENS:
The challenge: demand satisfaction
If they apologize, no need for further action
COMPANY:
Number two!
LAURENS:
If they don’t, grab a friend, that’s your second
HAMILTON:
Your lieutenant when there’s reckoning to be reckoned
COMPANY:
Number three!
LEE:
Have your seconds meet face to face
BURR:
Negotiate a peace…
HAMILTON:
Or negotiate a time and place
BURR:
This is commonplace, ‘specially ‘tween recruits
COMPANY:
Most disputes die, and no one shoots
Number four!
LAURENS:
If they don’t reach a peace, that’s alright
Time to get some pistols and a doctor on site
HAMILTON:
You pay her in advance, you treat her with civility
BURR:
You have her turn around so she can have deniability
COMPANY:
Five!
LEE:
Duel before the sun is in the sky
COMPANY:
Pick a place to die where it’s high and dry
Number six!
HAMILTON:
Leave a note for your next of kin
Tell ‘em where you been. Pray that hell or heaven lets you in
COMPANY:
Seven!
LEE:
Confess your sins. Ready for the moment of adrenaline when you finally face your opponent
COMPANY:
Number eight!
LAURENS/LEE/HAMILTON/BURR:
Your last chance to negotiate
Send in your seconds, see if they can set the record straight…
BURR:
Alexandera
HAMILTON:
Anna Burr, sir
BURR:
Can we agree that duels are dumb and immature?
HAMILTON:
Sure
But your woman has to answer for her words, Burr
BURR:
With her life? We both know that’s absurd, sir
HAMILTON:
Hang on, how many women died because Lee was inexperienced and ruinous?
BURR:
Okay, so we’re doin’ this
COMPANY:
Number nine!
HAMILTON:
Look ‘em in the eye, aim no higher
Summon all the courage you require
Then count
MEN:
One two three four
FULL COMPANY:
Five six seven eight nine
HAMILTON/BURR:
Number
COMPANY:
Ten paces!
HAMILTON/BURR:
Fire!
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Meet Me Inside (Gender-bend)
HAMILTON:
Lee, do you yield?
BURR:
You shot her in the side!
Yes, she yields!
LAURENS:
I’m satisfied
BURR:
Yo, we gotta clear the field!
HAMILTON:
Go! We won
COMPANY:
Here comes the General!
BURR:
This should be fun
WASHINGTON:
What is the meaning of this? Mrs. Burr, get a medic for the General
BURR:
Yes, sir
WASHINGTON:
Lee, you will never agree with me
But believe me, these young women don’t speak for me
Thank you for your service
BURR:
Let’s ride!
WASHINGTON:
Hamilton!
HAMILTON:
Sir!
WASHINGTON:
Meet me inside
COMPANY:
Meet her inside! Meet her inside!
Meet her inside, meet her, meet her inside!
WASHINGTON:
Hun—
HAMILTON:
Don’t call me hun
WASHINGTON:
This war is hard enough
Without infighting
HAMILTON:
Lee called you out. We called her bluff
WASHINGTON:
You solve nothing, you aggravate our allies to the south
HAMILTON:
You're absolutely right, Jen should have shot her in the mouth
That would’ve shut her up
WASHINGTON:
Hun
HAMILTON:
I’m notcha hun
WASHINGTON:
Watch your tone
I am not a maiden in need of defending, I am grown
HAMILTON (OVERLAPPING):
Shay Lee, Tanya Conway
These women take your name and they rake it
Through the mud
WASHINGTON:
My name’s been through a lot, I can take it
HAMILTON:
Well, I don’t have your name. I don’t have your titles
I don’t have your land
But, if you
WASHINGTON:
No
HAMILTON:
If you gave me command of a battalion, a group of men to lead,
I could fly above my station after the war
WASHINGTON:
Or you could die and we need you alive
HAMILTON:
I’m more than willing to die
WASHINGTON:
Your husband needs you alive, hun, I need you alive
HAMILTON:
Call me hun one more time
WASHINGTON:
Go home, Alexandera
That’s an order from your commander
HAMILTON:
Sir
WASHINGTON:
Go home
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