in batman 2022 bruce wayne's parents were killed in 2001 he would have been like 10? i think. the black parade was released in 2006 when he would have been ambiguously high school aged and obviously very emo and unpopular. what i'm saying here is that i think battinson heard the lyrics "when i was a young boy my father took me into the city to see a marching band he said son when you grow up will you be the savior of the broken, the beaten, and the damned" and decided to become batman then and there.
God there's nothing that i hate more in my life than when people that never read a comic book in their life start commenting on shit that happens in the comics without actually knowing what their talking about.
And this only happens when it revealed that some character is queer. Supergirl literally has weird romance with her horse and it's not a problem, but suddenly when Tim and Jon come out everyone is a comic expert
Everyone is tweeting about "gay Clark Kent" and how the "woke agenda got to superman" and they look so fucking stupid.
Clark Kent isn't bi, his son is. But even if Clark was bi, why would it matter to those people when they obviously don't read the comics??
My special talent is assuming our friendship is a burden on you and you dread hearing from me. So then I stop talking to you to ease the load and ruin what we had
all queer history on here is just US-American or maybe sometimes some UK history as well and it makes me sad that there’s so little information about other countries’ queer history on here :(
This generally means setting a character up to deserve one thing and then giving them the exact opposite.
Kill a character off before they can achieve their goal.
Let the bad guy get an extremely important win.
Set up a coup against a tyrannical king. The coup fails miserably.
Don’t always give characters closure.
(Excluding the end of the book, obviously)
A beloved friend dies in battle and there’s no time to mourn him.
A random tryst between two main characters is not (or cannot be) brought up again.
A character suddenly loses their job or can otherwise no longer keep up their old routine
Make it the main character’s fault sometimes.
And not in an “imposter syndrome” way. Make your MC do something bad, and make the blame they shoulder for it heavy and tangible.
MC must choose the lesser of two evils.
MC kills someone they believe to be a bad guy, only to later discover the bad guy was a different person altogether.
Rejection is a powerful tool.
People generally want to be understood, and if you can make a character think they are Known, and then rip that away from them with a rejection (romantic or platonic) people will empathize with it.
MC is finally accepting the Thing They Must Do/Become, and their love interest decides that that’s not a path they want to be on and breaks up with them
MC makes a decision they believe is right, everyone around them thinks they chose wrong.
MC finds kinship with someone Like Them, at long last, but that person later discovers that there is some inherent aspect of MC that they wholly reject. (Perhaps it was MC’s fault that their family member died, they have important religious differences, or WERE THE BAD GUY ALL ALONG!)
On the flipside, make your main character keep going.
Push them beyond what they are capable of, and then push them farther. Make them want something so deeply that they are willing to do literally anything to get it. Give them passion and drive and grit and more of that than they have fear.
“But what if my MC is quiet and meek?” Even better. They want something so deeply that every single moment they push themselves toward it is a moment spent outside their comfort zone. What must that do to a person?
Obviously, don’t do all of these things, or the story can begin to feel tedious or overly dramatic, and make sure that every decision you make is informed by your plot first and foremost.
Also remember that the things that make us sad, angry, or otherwise emotional as readers are the same things that make us feel that way in our day-to-day lives. Creating an empathetic main character is the foundation for all of the above tips.