hunter470

[hunter470]

Again, just reblogging based on some posts I’ve seen about the show and the direction and the show runner.

My 9-1-1 RANT

Ok, I don’t normally do these types of posts, but I can’t move on until I get some things out. These are just my thoughts about the latest episodes of 9-1-1 as well as overall comments on the Buck/Tommy relationship. These opinions are mine and are based on the countless hours of TV I’ve watched in my 54 years on this planet, as well as my knowledge of writing and how Hollywood operates. I’m not confirming that any of this is true or are the real intentions of anyone involved with the show. Just my opinions. So, you can agree with me or not. I’m not trying to persuade anyone in any way. Also, I’m not going to get into endless arguments about my opinions but feel free to comment if you want, I just don’t promise I’ll reply. 

Ok, here we go. Sorry it’s so long. Like I said earlier, I just needed to get it out. So many wasted opportunities.

If you think TM cares what the fans want, you’re seriously kidding yourself. If he did, Buddie would have been canon a long time ago. The only thing he cares about is ratings and his vision for the show, which can change at a moment’s notice with no rhyme or reason as we’ve seen. 

Although I loved Buck and Tommy together, I knew the show wouldn’t do their story justice. So, no matter what TM or OS have said, the bi story was only to garner publicity, draw in new viewers, and increase ratings especially with the show moving to a new network. There was no altruistic reason behind it so don’t kid yourself. They knew there was an audience for the story because of all the Buddie shippers. Just remember, it’s called show business, not show friends for a reason.

Do you think OS really cares about bi representation? Based on his latest comments and non-apology it’s obvious he only cares about getting the stories that garner him the most screen time and press. Seriously, read his latest interviews. He’s excited to get to have fun now. So, congrats OS, Buck gets to F around. Just shows how most, if not all, actors are ego driven no matter what they say. Sorry not sorry.

TM has commented that he doesn’t owe anyone anything. In fact, I recall him saying to Buddie fans if they don’t like it, read fanfiction. If that didn’t clue you in, then you weren’t reading the room. Kinda reminds me of another show runner…for those who watched H50 you know who I’m talking about. That’s why I don’t get heavily invested in these shows. I’ll watch but I never expect anything I like to last…especially if it has to do with gay relationships.

It says a lot that the show remained completely silent about the bullying and death threats Lou received just for playing a role he was happy to play. Again, they really didn’t care because they knew he wasn’t going to be there after episode six. What a great message for all the bullies…just keep bullying and you’ll get what you want. 

Again, reread OS’s interviews. He was doing the Hollywood double speak. Says just enough to keep you hooked with hope to get you to watch even when he knew all along it wasn’t lasting. It really was as clear as day if you go back and read what he said. 

Also, if you thought Buck was going to get into a meaningful long-term relationship, then you didn’t watch the video from the You Tuber “Call Me Chato” that TM posted on his Facebook. The video was all about characters and how they should always stay fundamentally the same with minimal development - I’m paraphrasing. However, Buck is the golden retriever, heart so big it gets broken, character who will remain on a hamster wheel and unlucky in love because that’s who he is. If he changes too much it shifts the dynamic, which only happens if the show was ending. 

If you thought the writers would do justice to a bisexual story, then you haven’t been watching the show closely. There’s been minimal Buck/Tommy relationship development on screen. Taylor got more. Viewers were lucky to get crumbs in the limited screen time Buck and Tommy got. Then, a breakup out of left field? One minute Buck is saying Tommy is it for him and he wants him to move in, and then it’s over? If he truly felt deeply for Tommy, why not fight to keep him? Why give up so easily and let him walk away? What’s the point? Also, to end it on a terrible stereotype is yet another clue. Horrible writing and another sign that TM and OS had zero investment in the relationship. The whole break up was rushed and made no sense. Essentially, it was just used to draw people in and to get Buck single and sleeping around again because that’s who he is. I for one won’t care for any of Buck’s future relationships. I mean, why would I when they never last. 

Also, writers that give you a 66-year-old police sergeant and a 10 y/o boy landing a heavily damaged plane on an active freeway in LA with no prior training, and sorry playing video game flight simulators is not training, is some Sharknado level writing, which is not a compliment. Oh, and that whole story was truly the shows “jumping the shark” moment. If you don’t know what the term “jumping the shark” means, look it up and try to tell me I’m wrong. 

Not having Tommy involved in the three part premier episodes, other than a few minutes at a birthday party, was so obvious as to the show’s intent. I mean, the fake captain from Hotshots got more screen time. 

They claim they wanted someone for Buck that was connected to him and the 118 and then you don’t use the character at all. You wanted Buck off the hamster wheel? What a crock! Such a wasted opportunity.

Since it’s been confirmed episode 6 was filmed before 5, Tim’s just playing god with peoples’ feelings and crushing their hearts at this point. I mean, how do you have such a great episode (5) and a wonderful speech by Josh (6) just to break them up? Plus, having Tommy break up after six months? That man was all in, which was obvious in episode 5.

Guess it shouldn’t be a surprise that’s how TM would handle things after that horrible Tarlos breakup. At least on Lone Star we knew Rafa (Carlos) was a main cast member so there was hope. Lou was a guest star so it seems kinda final based on his interviews. Again, what was the point? They could have had Buck's bi revelation be with a random character. So, building up the Buck/Tommy relationship just to take it away was to inflict the most pain. Good job. 

Do I think the show will make Buddie canon? Who knows…one thing I do know is I wouldn’t trust them if they did. Also, even if Tommy somehow returns, I don’t trust TM with anything related to this story. Sure, hope he’s happy with ruining the show for so many people. Again, like another show runner I mentioned in item 4 above. Honestly, I can’t believe the Buddie fans have stayed for so long. That’s commitment, I guess. 

Do I think Lou should go back to 9-1-1? Hell no! He was screwed over by both TM and OS. Prove it to me otherwise. However, it’s up to him and of course, he loves acting so I wouldn’t blame him.

Finally, even though I’ve watched the show since the beginning, it no longer brings me joy. There are too many other TV shows to stick with one I no longer enjoy. So yes, I’m announcing my departure, and I don’t give an F what OS, you, or anyone else thinks about it. Not that any of this matters any way…

[hunter470]

Just putting this out there again after seeing a bunch of posts about the show this morning.

More 9-1-1 Ranting

I wish I could stop thinking about this show. I’m hoping once I get all my rants out I’ll be able to move forward. I’m definitely not watching anymore. The sad thing is I decided to drop the show after season 6. It was no longer bringing me joy. However, with the move to ABC, I gave it another shot. I still wasn’t sold but then on April 4th, which happens to be my birthday, we got the Buck/Tommy kiss and I was all in. Kinda wish now that I wouldn’t have watched those episodes. What a waste of great storytelling. Sadly, this is what happens when a show runner has no idea how to craft an overall season story and flies by the seat of his pants.

Anyway, I’m just gonna say I don’t believe or trust anyone connected to this show, especially TM. I’m sorry but that man has no idea how to write or run a show about relationships…and yes, this show is just a soap opera with firefighters. Everything is just a plot point that he thinks will be cool but has no interest or idea how to actually make it work. There’s minimal or no follow through on stories and no understanding of how time works or how people actually share things about their lives based on the latest Abby fiasco. I mean really, she was engaged to a firefighter from the 118 and then dates another firefighter from the 118 and she says nothing? SMDH

It really doesn’t matter anyway because people will continue to watch and that will be the green light for him to keep doing what he does. I wouldn’t be surprised if the ratings for this week’s episode go up. TM blows up Buck/Tommy making people feel bad for Buck and wanting to see how he handles it and poof, engagement and viewers. Exactly why he did it. TM’s all about ratings and doesn’t care how he gets them. Don’t fool yourself otherwise. It’s show business not show friends.

Oh, and don’t forget, he’s also trying to launch a spinoff so he has to prove to the network that he deserves one. Also, don’t forget, the audience is just a means to an end. That’s all. Maybe I’m cynical, but doesn’t make me wrong. They’re selling a product and need viewers to keep making money. Again, it’s show business.

Nothing will change because people will keep watching and ultimately, that’s the only thing that matters to the network.

Rant over!

[hunter470]

I would like to thank BuckTommy and Lou Ferrigno Jr for kickstarting my creative juices and finally getting em to focus for more than 30 minutes in a single original idea for a novel. Dearest Lou Ferrigno Jr, you are now my muse and I will forever be in your debt and will somehow find a way to thank you if I ever become a published author like I’ve always dreamed

I love that you’re writing me this as though I am Lou 😭 👀 🧐

Hmm some secrets must remain such.

(Also, yay!! That’s awesome!!)

[hunter470]

Tim texting Lou: hey… um, hey bud! Silly little question lolz do you think you’d be available for some filming sometime soon?? Just wondering no reason!

Tim: heeeey buddy- I mean, pal! Been a couple days. Haven’t heard from you yet. Just checkin’ in. Been thinking up some things for 8b (I know, early right lmaoooo) and need to know if you have full availability.

Tim: you can literally name your price, man. Just please get back to me.

Tim: we will work around your schedule please I- we need you. You can be writer, executive producer, and even showrunner that job is up for grabs soon I think lol lol lol am I right? Please.

Tim: it’s been months we r suffering please answer me man.

Lou: …

Lou: …

Lou: Sup

[hunter470]

Scene: 9-1-1 Writer’s Room

TM: Ok team, I have the answer to our Buck problem. We know the Buddie fans won’t accept anyone as Buck’s love interest. We also know part of the audience really wants Buck with Tommy.

Writers: So, what’s your idea? If we don’t put Buck with Eddie or Tommy we run the risk of alienating some part of the audience.

TM: Well, since we have Buck exploring his sexuality and sleeping with men and women, there’s one thing I really think will be great. We have Buck deciding he likes one woman and after a few months, she gets pregnant and they decide to be together.

Writers: Isn’t that a bit cliche?

TM: Well, you’re my writing team so find a way to make it not sound cliche! This is the answer to our situation. Think about it. People will be so excited because Buck with a baby would be so cute. Daddy Buck…what’s not to love? This is perfect. The Buddies and Bucktommy fans are only a small portion of the audience. The larger part of the audience will eat it up. Plus, just because Buck is bisexual doesn’t mean he has to be with a man. I think this is the answer. I’m so glad I came up with it. Now, I want a draft of the story by end of day.

TM leaves the writers’ room.

Writers: WTF! Ok, who here thinks this is a good idea? I’m guessing nobody by your silence. It’s just one harebrained idea after another with that man. What a mess. Oh well, I guess we better get to it. Someone get drinks and snacks…it’s gonna be a long day.

[hunter470]

guys to me it's so funny that the bvddies are pissed bc we're literally doing *nothing* to piss them off?

We're just there trending our cute lil hashtag and having our silly mpreg and crashing helicopter fun

Because at the end of the day, that's what fandom should be about. Having fun with your community about these silly little blorbos you happen to love.

And I for one love that we're finding our fun after the week we collectively had

I love Bucktommy nation from the bottom of my heart ❤️

[hunter470]

Hello it’s me again! Once again asking you to write to abc and let them know how you feel. Whether it’s about biphobic writing, how you wish to see more Tommy, how you’re glad Buck is mourning the relationship, how you’re upset Gerrard (as a bigoted racist) gets a happier ending than Tommy (a lonely, gay man who spent more than half his life terrified and alone), how Gerrard’s character has been retconned, or how Tim himself does interviews that do not match what you see in the show on a weekly basis. You can vent there the same way you can on here, and you’ll feel better because the people in charge will see it!

You can also go to 911’s Facebook and Instagram and comment there too! As always, be respectful!

Link here!

[hunter470]

Here’s my imagination having fun.

TM: Let’s break up Buck and Tommy and make it really hurt. It’s gonna be great.

Writers: But, Tim, this doesn’t make sense. We’ve been laying the foundation for a long-term healthy relationship for Buck. You even brought Tommy back because of all the connections he had with the 118. You wanted Buck’s love interest to be connected so they wouldn’t be off on an island. This just feels like it’s coming out of left field.

TM: True, but I keep getting texts from Oliver and he wants “Buck to f**k” and I think that would be fun. I mean, he’s newly bi so he should sleep around with a bunch of people before finding the one. We can have a lot of fun with that. Just think of the possibilities.

Writers: But that goes against all the character development we’ve done for Buck over the last seven seasons. We wanted him off the hamster wheel and to get into a long term relationship. Plus, aren’t you being a bit biphobic with your statement?

TM: Nope, I like Oliver’s idea so let’s do that. Oh, and make Tommy the bad guy and don’t let any of the other characters encourage him to talk to Tommy. We can have fun with that…maybe have Buck baking to get over him or he wants to call Tommy and Eddie steals his phone. Yeah, I like that. Use it.

Writers: Are you sure? We’re gonna get a lot of pushback from the audience. We’ve all seen the overwhelmingly positive response the Buck and Tommy relationship has gotten online.

TM: That may be true, but because the audience is so invested in the relationship, it just makes it more fun when we break them up. Remember, based on our ratings, the audience will watch whatever we put out there. Besides, Tommy’s just a side character so they won’t care. They only care about Buck. Oh, and I wrote a whole scene about Tommy being engaged to Abby. Make sure to work it in. It’s genius.

Writers: Abby? As in the Abby Buck dated? That doesn’t make sense. It doesn’t fit the timeline or the previous episodes’ narrative. So, Abby was engaged to a firefighter from the 118 and then dates another firefighter from the 118 and what, it just slipped her mind? Seems like a bit of a stretch. Also, why didn’t Tommy tell anyone he worked with at the 118 that he was engaged? Wouldn’t that have helped him stay hidden from his team? Kept his secret safe?

TM: It doesn’t matter. Just retcon the timeline or ignore the timeline altogether. It’s not like anyone will notice. The audience doesn’t pay that close attention. Plus, they’ll be too upset over the breakup to care. It’s just such a great idea that I got from the fans who sent me that red string theory video. They’ll love the fact that I used it.

Writers: We’ve seen the video but that was to show how Buck and Tommy are meant to be together and not to cause problems. Won’t that upset people?

TM: I doubt it. They’ll just feel acknowledged that I used it and be grateful. The audience loves everything I do. Remember, these are the viewers who loved a bee-nado and my obvious ripoff on a 1975 airplane disaster movie. They even bought a 66 year old police sergeant and a 10 year old boy landing a heavily damaged plane on an active freeway in LA. So, it’s not like they expect reality in our stories.

One day after episode 6 airs…

ABC Executive: Tim, have you seen the number of saddened and upset viewers commenting on social media about last night’s episode?

TM: It’s amazing, right? I knew people would love it! We’re doing great things over there. You can expect this level of storytelling for the spinoff. You’re gonna love it!

Executive: I’m afraid you didn’t hear me. People are upset and saying they’ll stop watching the show. We’re even getting hundreds of feedback messages on the ABC site. People are not happy. How are you going to fix this?

TM: Don’t worry. People won’t stop watching. They’re all lemmings and love everything I write. Anyway, it will all blow over after the next episode. I threw in some Tommy crumbs that will make viewers think he’s coming back, which they’ll live off of and keep watching. Oh, and if that’s not enough, we have a scene with Buck and Jee baking that is so cute they’ll forget all about being upset over the breakup. Cute kids are the answer to everything.

Executive: 🤦🏻‍♂️

[hunter470]

ReWatching Shadowhunters! Long live Malec! This is how you do a proper LGBTQ relationship.

[hunter470]

Ok aspiring writers, do not use this show as a roadmap on how to craft good coherent stories.

In my opinion, this show has failed at a lot of the basics for a good television drama, which should includes several key writing elements:

1. **Compelling Characters**: Well-developed, multi-dimensional characters that audiences can connect with or be intrigued by. Their motivations, flaws, and development arcs are crucial. The audience needs to see themselves in the characters. Don’t create characters that audience members connect with and then throw them aside for no reason.

2. **Engaging Plot**: A strong, coherent storyline that captures viewers' attention. This includes a clear structure with rising action, climax, and resolution, often incorporating twists and turns. Follow through is key. You have to make it make sense. Story beats are important. It’s not enough to just string together a bunch of ideas that sound good on paper with no plan. Have a plan on how you will move things forward.

3. **Conflict**: Central conflicts drive the narrative forward. These can be internal (within a character) or external (between characters or against societal issues). Conflict is essential but conflict for the sake of conflict with no resolution is wasting your audience’s time. Viewers want closure and leaving them to wonder what happened or why didn’t the character do this or that is confusing and frustrating.

4. **Themes**: Exploring universal themes like love, betrayal, morality, and redemption adds depth and resonates with viewers on a personal level. Find a way to connect to your viewers. If you want to tell a compelling LGBTQ story then don’t use stereotypes that will alienate your audience.

5. **Dialogue**: Natural, engaging dialogue that reflects the characters' personalities and advances the plot. Good dialogue can also reveal relationships and tensions between characters. Use dialogue that makes sense for the character. Having a character making random comments out of character is confusing.

6. **Pacing**: A well-measured rhythm that maintains audience interest, balancing moments of high tension with quieter, reflective scenes.

7. **Setting**: A well-defined world that supports the story, whether it's realistic or fantastical. The setting can significantly influence the mood and tone of the drama.

8. **Character Development**: Characters should evolve over time, reflecting their experiences and the events of the story. This growth or decline can be a focal point of the narrative. Having a character stagnate or continually make the same bad choices is the kiss of death and boring. The audience wants to see progress.

9. **Subplots**: Secondary storylines that complement the main plot can enrich the narrative and provide additional layers to character relationships and themes. Don’t leave your characters out on their own island. Find a way to bring them together to share their lives and experiences. No one wants to watch two characters on their own with no interaction with the other key people in their lives.

10. **Visual Storytelling**: While primarily written, good television dramas consider how visual elements—such as cinematography, lighting, and editing—enhance the storytelling.

These elements work together to create a captivating and emotionally resonant viewing experience.

Anyway, just my two cents. Take it or leave it.

Happy writing!

[hunter470]

It's about Diversity Quota

Continuing these specs (link) (link), I just come to a realization that: it looks like there is a queer diversity quota for TV shows. Like, one show could only have 1 representative of each queer group as main characters. For example:

Lone Star:

Queer couple: Tarlos

Gay/lesbian: TK (since Carlos is TK's partner, it could be considered as within quota)

Bi/trans: Paul

9‐1-1:

Queer couple: Henren

Gay/lesbian: Henrietta (since Karen is Henrietta's partner, it could be considered as within quota)

Bi/trans: Buck

This is probably why Buddie will never be canon, and why Tevan has to break up. Because the one quota for queer couple on the show is already filled by Henren.

If that's true, it supports the spec that Tevan is only a tool to draw new audience. Tevan is never meant to have a happily ever after, and Buddie will never be canon.

Is there any TV shows out there which have more than one queer couple as main characters?

[hunter470]

Petition for 911 to just stop interviews. Stop them. Shut up. Let us watch the episodes. Don’t tell us your thoughts as an actor or showrunner. I don’t care what your intentions were. Write better instead of feeling the need to send actors out to rehash what just happened. Show your work instead of having to explain it and hush!

[hunter470]

DONOVAN ROCKER S.W.A.T 6x11 - "ATONEMENT"

[hunter470]

My Feedback to ABC

Well, I submitted my feedback to ABC. Not sure it will do any good, but it felt good to do it. I did try to be as respectful as possible. No sense in acting like a child.

I am writing to express my deep disappointment and sadness regarding the recent decision to end the relationship between Buck and Tommy on 9-1-1. As a 54-year-old gay man and a long-time viewer, I have invested not only my time but also my emotions in this narrative. I feel profoundly betrayed and misled by the writers and producers who have championed this relationship, only to discard it in such a dismissive manner.

From the onset, this relationship was presented as a groundbreaking portrayal of a mature LGBTQ partnership. It was a representation I thought we all craved and deserved. However, the decision to end it, coupled with the reliance on outdated stereotypes about both gay and bisexual individuals, is not only disheartening but damaging. We have fought hard for visibility and acceptance, and perpetuating these harmful stereotypes does nothing but hinder our progress as a community.

Moreover, I am upset by the statements made by the showrunner during his interviews, which now feel like empty promises and blatant lies. The narrative arc that was promised has not only been abandoned but has been replaced with a narrative that feels disrespectful to the complexities of LGBTQ relationships. It is hard to reconcile the excitement I felt about this representation with the reality of how it has unfolded.

Additionally, I must address the recent biphobic comments made by the actor involved in this relationship. Such statements are not only flippant but also contribute to the ongoing stigma that bisexual individuals face. This lack of understanding and sensitivity is disappointing, especially from someone in a position of influence.

As a consequence of these events, I will no longer be watching 9-1-1 or any future spinoffs associated with it. I believe it is crucial to hold creators accountable for their portrayals of our community, and I can no longer trust that the stories being told will reflect the authenticity and respect that LGBTQ relationships deserve.

Thank you for your time and consideration. I hope you will take this feedback seriously and recognize the impact that your decisions have on viewers like myself.

[hunter470]

More 9-1-1 Ranting

I wish I could stop thinking about this show. I’m hoping once I get all my rants out I’ll be able to move forward. I’m definitely not watching anymore. The sad thing is I decided to drop the show after season 6. It was no longer bringing me joy. However, with the move to ABC, I gave it another shot. I still wasn’t sold but then on April 4th, which happens to be my birthday, we got the Buck/Tommy kiss and I was all in. Kinda wish now that I wouldn’t have watched those episodes. What a waste of great storytelling. Sadly, this is what happens when a show runner has no idea how to craft an overall season story and flies by the seat of his pants.

Anyway, I’m just gonna say I don’t believe or trust anyone connected to this show, especially TM. I’m sorry but that man has no idea how to write or run a show about relationships…and yes, this show is just a soap opera with firefighters. Everything is just a plot point that he thinks will be cool but has no interest or idea how to actually make it work. There’s minimal or no follow through on stories and no understanding of how time works or how people actually share things about their lives based on the latest Abby fiasco. I mean really, she was engaged to a firefighter from the 118 and then dates another firefighter from the 118 and she says nothing? SMDH

It really doesn’t matter anyway because people will continue to watch and that will be the green light for him to keep doing what he does. I wouldn’t be surprised if the ratings for this week’s episode go up. TM blows up Buck/Tommy making people feel bad for Buck and wanting to see how he handles it and poof, engagement and viewers. Exactly why he did it. TM’s all about ratings and doesn’t care how he gets them. Don’t fool yourself otherwise. It’s show business not show friends.

Oh, and don’t forget, he’s also trying to launch a spinoff so he has to prove to the network that he deserves one. Also, don’t forget, the audience is just a means to an end. That’s all. Maybe I’m cynical, but doesn’t make me wrong. They’re selling a product and need viewers to keep making money. Again, it’s show business.

Nothing will change because people will keep watching and ultimately, that’s the only thing that matters to the network.

Rant over!

[hunter470]

This!!!

since 911 has chosen the "firsts don't last" lane, here's some other firsts that clearly need to be ended for the sake of "seeing what they like":

Henren. First marriage, clearly they need to divorce and fuck around to see what they like, because firsts don't last.

Bathena. Bobby is Athena's first white dude, Athena is Bobby's first black woman. clearly they need to divorce and fuck around to see what they like, because firsts don't last.

Madney. First marriage for Chim, first non-white man for Maddie. clearly they need to divorce and fuck around to see what they like, because firsts don't last.

that's how this works, right? right?

oh and let's not forget everyone's favourite fanon ship: buddie. it'll be Eddie's first gay relationship, so clearly he needs to dump Buck and fuck around to see what he likes because firsts don't last, right.

[hunter470]

Someone has definitely suggested this before but you know. I think we SHOULD see Buck going out to clubs and meeting people, maybe even making out with a few. After awhile he realizes that, despite how good making out might feel, he has no desire to bed anyone because the only one he wants walked away because he was scared of being hurt.