lets-go-lads

[lets-go-lads]

me watching the string players play along in ELO Discovery music vids knowing full well there are no strings in those songs

[lets-go-lads]

soft hours for nineties damon <3

[lets-go-lads]

i really love this voice, guys

[lets-go-lads]

Wot r u doing papa damone

[lets-go-lads]

sOMEONE COME GET THIS 

B O Y

[lets-go-lads]

Valentine’s Day 2007

[lets-go-lads]

January 25, 1969, Apple Studios.

PAUL: [stops singing] 

JOHN: Ah.

PAUL: Aaah.

JOHN: You shook me.

PAUL: [laughs]

JOHN: You stuck another verse in there, Richard.

PAUL: You send me.

RINGO: What?

JOHN: He’s got another verse in there. You come in with the flugel.

RINGO: Alright, John.

PAUL: You only have to pick your nose in a camera and a boom is over there.

JOHN: Okay, this is your last chance.

PAUL: Now look boys. Now come on, enthuse a little!

JOHN: I can’t! I don’t even get up to my bit – you keep finishing! [laughter] Shut up, will you, or I’ll have you banned from bloody Apple if you don’t shut up.  [laughter] … Okay, Let It Be is where I come in.

[lets-go-lads]

She’s Leaving Home [Isolated Vocals]

“Even at this late date, there were still three more songs to be recorded, starting with Paul’s gentle “She’s Leaving Home.” […]

There were still two available tracks on the multitrack tape, but Paul felt strongly that he wanted certain lines doubletracked, and he also wanted the strings to remain in stereo. The only solution was to have them sing their vocals at the same time, recording each pass on a single track. […] 

The lights in the studio were turned off to set the mood; the sole source of illumination was a table lamp next to the wall. The two Beatles, lifelong friends and collaborators, sat on high stools, facing each other, studying each other’s lips intently for phrasing. Watching them, I remember thinking that John’s and Paul’s voices were so different yet so perfectly complemented each other’s, just like their personalities and approach to music-making.” — Here, There and Everywhere: My Life Recording the Music of the Beatles, Geoff Emerick

[lets-go-lads]

[lets-go-lads]

“In my life” recording session.

Paul: “John, stop holding my hand!”

[lets-go-lads]

Full offence but parents of autistic/ND kids need to stop literally insulting them to their faces

[lets-go-lads]

[lets-go-lads]

So, apparently, people with autism have really really bad emotion regulators... Like that mechanism is a wee bit broken.

An NTs emotion line will look like this :

1--2--3--4--5--6--7--8--9--10

Whilst those of us on the spectrum are more:

1--2--3--8--9--10

We have next to no middle ground for our emotions. So we're prone to outbursts or sudden euphoria.

So if you're like me and always wondered why you seem to experience emotions on such an huge scale... This may be why.

Add our difficulty in understanding our own emotions... You end up with someone who can't comprehend their own feelings at all.

[lets-go-lads]

Soup should be a human right. In the heart of every town there should be a big pot of soup and you can help yourself. And if anybody meddles with the soup... well. the answer should be obvious.

[lets-go-lads]

blizzard on their clown shit

[lets-go-lads]

interviewers: 

fans: 

the rest of the beatles: 

george harrison, leaning in so his lips touch the mic: i’m going to marry my bandmates