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The boxer in rest.

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🟦The evolution of ancient #Greek sculpture can be comprehensively analyzed through a series of iconic works that reflect the development of artistic techniques and styles over time. The New York Kouros, dating to circa 600 BC, exemplifies the characteristic rigidity and stylization of early Greek art, as evidenced by its formal stance and minimal anatomical detail. By 540 BC, the Peplos Kore exhibits a progression toward a more naturalistic representation; however, it still adheres to a formally structured appearance. The Kritios Boy, created around 500 BC, signifies a pivotal transformation in the representation of the human form, introducing more realistic body proportions and initiating the suggestion of movement. Subsequent to this, the Diadoumenos, produced around 430 BC, demonstrates an enhanced sophistication in the depiction of muscle tone and posture. The dynamic composition of Hermes and the Infant Dionysus, crafted in 340 BC, further embodies a heightened sense of grace and emotional resonance. Lastly, Laocoön and His Sons, dating to either the 2nd century BC or the 1st century AD, serves as a paramount example of the intense realism and emotive expression characteristic of the #Hellenistic period.

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Demeter

Head of colossal statue of Demeter, so called "Demeter Sagalassos", Roman period, ca.110-150, marble

The Museum of Burdur, Turkey

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Apollo, Pompei, Napoli.

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Pompeian interior :

A drain pool (impluvium) was situated at the centre of the atrium, to collect rainwater draining inwards from a roof opening (compluvium) that also let in light. From the impluvium, the water was channelled into an underground cistern and could then be drawn for household purposes.

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