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Why I’m Excited for “Crisis On Infinite Earths”

With the premier of the “Crisis On Infinite Earths” fast approaching, I recently began to reflect on why I’m so excited for it. Sure, I’m an avid Superman and DC comics fan and Crisis is an iconic story, but it’s more than that.

If you were to ask me “When did you know you were a Superman fan?” I would say, “Somewhere between 7 and 8 years old when my upstairs neighbor gave me his copy of The Death of Superman trade paperback.” Of course, at that age, I didn’t know what a “trade paperback” was. To me, it was a comic book; and like so many other children have done with their favorite comics, books, and toys, I carried it everywhere and read it to the point that I nearly had it memorized. I still have it. It’s beat to hell; but it’s bagged, boarded and stored in a safe place.

My copies of The Death of Superman TPBs. The one on the left I took everywhere with me when I was a boy. 

If you asked me when I became a serious Superman fan and collector I would tell you “My 14th birthday, February 2000.”

My Aunt Susan gave me the Superman Masterpiece Collection for my birthday that year. The set came with a reprinted copy of Superman #1 (printed to the exact specifications of the comic books of that era), a hardcover book chronicling Superman’s Golden Age, and a limited edition statue designed by Alex Ross, made available only with that set.

I still have that, too. It’s a little worn along the edges and corners, but otherwise in excellent shape. I keep it on top of my bookcase. It’s one of my favorite pieces of memorabilia.

Even then, as much as I enjoyed comic books, I only saw them as a form of escapism; another way to keep people entertained. With explosions, science fiction, action, adventure, and romance; it was the modern version of the Greek mythology stories I read as a boy. They were a great way to keep myself entertained but not much else.

That perception changed when shortly after I graduated high school in 2004. I had received, among many other gifts, Barnes and Noble gift cards at my graduation party; and when I redeemed them, there were only two books I had my eye on:

Crisis On Infinite Earths (1985) and Kingdom Come (1996)

Crisis on Infinite Earths brought a new perception to these fictional characters that I had never before considered. There was depth, drama, and serious world-ending – in this case universe-ending – stakes. Universes were literally obliterated from existence , beloved characters were killed off, and the DC Universe was never the same again.

George Perez even introduced a character, Pariah, whose sole purpose was to witness the destruction of every universe, particularly every Earth, with no way to warn or save anyone. I even remember my jaw dropping at the beginning of the story when Earth 3, the home of the Crime Syndicate of Amerika – evil alternate versions of the Justice League, kicked off the story by being destroyed.

Crisis on Infinite Earths saw the teaming up of characters of the same name from different Earths with similar, but still different, backstories and abilities. The Superman of Earth 2, for example, was the Golden Age Superman; who’s abilities are limited to that of early Superman stories, “faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound.” While the Earth 1 Superman was the modern incarnation with all of the abilities we are familiar with today, namely flight.

What made Crisis so successful, however, wasn’t just that there were variations of the same characters fighting side-by-side to save the multiverse from being wiped from existence, but that no one is safe. One of the most iconic covers of all-time is Crisis on Infinite Earths #7.

Cover of Crisis On Infinite Earths #7. 

That basic design, a hero holding the body of a partner/friend/lover, has been used all throughout comic books; but Crisis on Infinite Earths #7 remains iconic not just because it features the world’s most powerful hero holding the dead body of his cousin, who’s abilities are nearly equal to his, reduced to a groveling mess, but because it was proof that absolutely no one was safe. By issue 7, everyone knew the stakes, and the heat was on.

What made Supergirl’s death so memorable and iconic, however, wasn’t just that she died in battle, but that she sacrificed herself, knowing what she was doing would kill her.

Following Crisis, DC rebooted the entire universe and in that reboot, they intended the Superman to be the last Kryptonian rather than the last son. So rather than letting Supergirl become another faceless casualty, she received a hero’s  farewell by protecting her cousin - the entire reason she was sent to Earth in the first place.

The death of Kara Zor-El.

The story didn’t slow down there, either, the following issue saw the death of Barry Allen, A.K.A. The Flash. While the cover isn’t nearly as iconic as the previous, Barry’s death is because it, again, involves self-sacrifice.

Cover of Crisis On Infinite Earths #8.

Throughout the story, Barry’s “ghost” would occasionally pop up, looking less and less ghastly each time; and that was finally explained in issue #8 when Barry ran to create a speed vortex that would draw power from the weapon designed to destroy Earth. The power became too much for his body to handle and he literally ran backwards in time until he disintegrated and became the very lightning bolt that gave him his abilities.

The Death of Barry Allen.

Crisis On Infinite Earths upped the ante in comic book storytelling. It showed that just because the characters aren’t real doesn’t mean they’re immortal and, more importantly, it shows that we can feel connected to them just like we get with a character in our favorite TV show. When I finished reading Crisis I began to take a deeper look at comic book characters and was able to identify what made each character great and different in their own way. Sure, Batman has the money, gadgets, and the car - but it doesn’t mean he won’t long for his parents anytime he sees Superman with Jonathan and Martha. There is much more to comic books than colorful costumes and wacky villains; and it was Crisis On Infinite Earths that helped me realize that.

After Crisis, I picked up Kingdom Come.

Wow.

Let me say that again.

Wow.

Putting aside the writing for now. The art alone is enough to sell the book. Alex Ross is a legend, and his art speaks for itself. I had only ever seen his work in single images, not in comic book panels and I was in awe with how well everything seamlessly flowed together. To this day, Alex Ross’ work in Kingdom Come is among my favorites and will always hold a very special place in my heart.

Now. The story.

Mark Waid could walk into a convention and my heart would stop.

He ranks among some of the very best comic book writers and when you read Kingdom Come, you’ll see why.

Like Crisis On Infinite Earths, Kingdom Come opened my eyes in comic book storytelling that I had never before considered; this time with politics. In my last YouTube video, I talked about how comic books have always been, in some way, political. As children we don’t notice it as much but when we grow, mature, and begin to notice how the world works, we finally become aware of topics we were blissfully unaware of as children. Politics in comic books is one of them.

With Kingdom Come the politics covers not only generational gaps between yesterday’s heroes and the story’s current heroes, but we also see the government get involved out of fear of the destruction the two groups of heroes could cause should they not resolve their differences. Within that narrative was the conflict occurring among the primary characters. Superman and Wonder Woman, while working together, did not see eye-to-eye, Batman wanted nothing to do with their efforts while (shockingly) assembling his own team in accordance with his own plan that involved Lex Luthor and other classic supervillains, and a brainwashed demigod as the wildcard.

Most of all, the story portrayed a war and how the biggest victims aren’t those fighting in it, but those they claim to be fighting for; the unintended casualties. Sure, we feel for the casualties of the war, but it wasn’t until an enraged Superman nearly brought the roof down on the government who did what they did not out of malice, but fear.

Superman nearly loses control in Kingdom Come #4. 

Kingdom Come is easily one of the most powerful stories I have ever read and remains in my top 3 favorite stories. It’s one that I would recommend to anyone, even if they aren’t a comic book fan. Hell, the first Superman shirt I ever bought for myself was Kingdom Come.

I need to get a new one.

Then there’s Brandon Routh.

Routh (rhymes with “south”) was cast to play Superman in 2006’s Superman Returns. While the movie itself was a bit of a disappointment and divisive amongst fans, Routh’s performance as the Man of Steel was not.

Brandon Routh as Superman in 2006’s Superman Returns. 

I was 18 and in my first semester of college when the news of Routh’s casting hit. I was excited. Excited that he was an unknown actor. Excited that he was young and that a franchise could be built around him, excited that he grew up a Superman fan, excited that – like me – he grew up in a part of the country where Superman’s values are ingrained in everyday life. I was truly excited, even if other Superman fans weren’t.

Brandon Routh received, in my opinion, an unfair amount of criticism when he was cast, when pictures of him in the suit were released, when trailers were released, when the movie was released, and even to this day. Honestly, I feel fans and critics weren’t willing to give him a fair chance because he wasn’t Christopher Reeve and was compared to Reeve before the first picture of him in the suit was released. I was one of those fans who tirelessly defended him on the internet. I was insulted by fans, my family was insulted, called names, I was even accused of not being a “real Superman fan” because I was giving the movie my support. I was young, though, and didn’t realize then how pointless it was to argue over the internet; so I kept at it.

I was so excited for the movie I ordered my ticket for opening day the day tickets went on sale. I set out the Superman shirt I wanted to wear to the movie, drove an hour and a half from Limon, CO to Denver to see it, and arrived early to make sure I got a good seat. I had waited my entire life to see Superman on the silver screen and nothing was going to stop me from making it the best experience possible.

I’ll be honest. I enjoyed the movie. I was a bit underwhelmed because I had hoped for more action sequences and felt the story could have been stronger; but that didn’t stop me from walking out of the theater with a smile on my face, seeing it a second time, or looking forward to what the sequel had in store. Hell, at the time Superman Returns came out, I was an aspiring actor and I DREAMED of being cast as John Corben, also known as Metallo, in the Superman Returns sequel and going blow-to-blow with Routh’s Superman.

Ultimately, I think the premise had more to do with my excitement than anything else. I loved – LOVED ­– the idea of Superman being gone for 5 years and returning to a different world; especially with everything the world had been dealing with between 2000-2006.

From Superman Returns. The date of the article is March 3, 2000. 

What if we had Superman on 9/11? What would have been different? How many lives would have saved? Would he have stopped the second plane from hitting the south tower? Would he have prevented it altogether? There was so much that could have been done with that premise that, I feel, was left on the table.

To this day, I believe that instead of being a continuation of the Christopher Reeve films (a decision I supported at the time) I think Superman Returns should have featured a young Superman who fled back to Krypton when he heard the rumor it might still be there. Jason should have been Lois and Richard’s child, Martha should have died while Superman was away, Lex Luthor or Cadmus Labs (both?) should have been trying to clone their own Superman that would turn into Bizarro, Superman should have spent less time pining over his lost love with Lois, and I have always, and firmly, believed there should have been a scene of Clark sitting alone in the Daily Planet film room, glasses in hand and tears in his eyes, watching footage of the September 11th terrorist attacks. Those elements would not only have given Superman Returns a stronger story, it would have made him much more relatable to the casual moviegoer and still would have provided plenty of action for fans.

Despite all of that. I still enjoyed the movie. I enjoyed it so much that when it was available for pre-order on Amazon, I bought the Two-Disc Special Edition.

I still have it.

 When Routh made an appearance at Rose City Comic Con in 2018, I made damn sure I met him.

He signed my copy of the Superman Returns comic book adaptation and I’m still geeking out about it.

Of everything I enjoyed in Superman Returns, the plane sequence, the bank robbery, Kevin Spacey’s Lex Luthor, Superman flying around saving the city; if I had to pick one thing that I enjoyed the most in the film, it would be Routh himself. While his portrayal of Clark Kent was clearly inspired by Christopher Reeve, his Superman is where he shined. He stood tall, walked and spoke with confidence, and could intimidate someone by his presence alone – until he smiled that warm Superman smile and said something that would calm even the most nervous person like he did with an upset Lois Lane on the roof of the Daily Planet.

“Will I see you around?”

“I’m always around.” 

Because Superman Returns didn’t fare as well in the box office as the studio had hoped, the sequel never happened and that was the end of Routh’s tenure as Superman. I was disappointed, but I understood. It’s a business. Making money comes first and Superman Returns, while profitable, didn’t make nearly enough.

Time marches on and we got more comic book adaptations. Smallville continued for another 5 seasons, ending its run after season 10 and inspiring a spin-off series about the Green Arrow, inspired by Justin Hartley’s popularity of the character in Smallville. Arrow, set apart from the Smallville series, came out swinging and quickly rose in popularity. Then in season 2, came future superheroes as recurring characters: Barry Allen, played by Grant Gustin, and Ray Palmer, played by Brandon Routh.

I was SO excited to see Routh back in the comic book medium. The only thing that would have made me happier was if they brought him back to play Superman; but alas, I knew it didn’t fit with Arrow’s reality.

Routh’s performance as Ray Palmer was different than I expected. Ray always came off as a serious character in the stories I read, not as the “Aw shucks” kind of person Routh portrays him as. It made sense, though. Stephen Amell’s Oliver Queen had enough serious to go around for everyone; there needed to be a lighthearted superhero to balance that – like Superman is to Batman.

It worked too! Routh became popular on the show and before too long, was starring alongside other actors who portrayed those lesser known heroes in Legends of Tomorrow. As the Arrowverse continued to up the ante and bring in other shows and characters, so did the expectations; and like the comics the shows are based on, annual crossovers became a thing.

They started small with the first 2 being two-parters with The Flash and Arrow, then expanded across all four shows for Invasion! and Crisis on Earth X, dropped to a 3-parter with Elseworlds while also setting up the Batwoman series, to an epic five-part series based on one of the most iconic stories of all time that showed me how serious comic book storytelling could be.

Then there’s Brandon Routh.

Not only is he returning to play Superman, he’s playing the Kingdom Come Superman! 

I can’t take it anymore. Seriously.

The first actor I ever saw play Superman in theaters – the first Superman actor I have ever met in person, is playing the version of Superman that helped me realize the kind of message that comic books can tell, in an adaptation of an iconic story that showed how serious a comic book can get. Both of those stories, Kingdom Come and Crisis On Infinite Earths, made me into a comic book fan. Not just a Superman fan, but a comic book fan.

Now I have another comic book that I need to get signed by Routh the next time he visits the Pacific Northwest:

It’s gonna happen – and I’ll be sure to get a picture with him while wearing a Kingdom Come Superman shirt.

Fans can always remember what made them fans of their fandom. Crisis on Infinite Earths and Kingdom Come is that for me. Add the casting of Brandon Routh as Superman in Superman Returns shortly after reading those two iconic stories, and It was a done deal for me.

Seeing all of these impactful moments that helped mold my fandom being rolled together like this is, to say the least, emotional. Never in my life did I expect to see any type of live action adaptation of Kingdom Come or Crisis On Infinite Earths; and I certainly never imagined I’d see Brandon Routh play Superman again. It really is a fanboy’s dream come true.

The only thing that could make it better, for me anyway, would be if Routh’s final line as Superman is his best line as Superman:

“I’m always around.”