#// the way i just wrote nonsense.

[limonjarritos]

VINCE IS SO DOWN BAD FOR RODY OH MY GOD??? LITERALLY KILLS HIS EX GIRLFRIEND TO MAKE HIM HAPPY???? THEYVE KNOWN EACH OTHER LESS THAN A WEEK??????

LITERALLY LIKE- MY MAN FELL HARD AND INSANELY. LIKE WHO DOES THAT? I wouldn't have it any other way. Just the way that as soon as Rody came into his life he was like 'I need this man to be so whole-y mine.'

When I was playing the game my pet theory was that he fell for Rody's brand of love, for how he loved Manon (he did say that he spoke of Manon when they first met) and Rody's personality.

(read more because I am so annoying about this game vv)

Something something, how Rody loves so intensely to the detriment of himself (Manon told him to stop giving, to for once in his life realise that he needed to take care of him self and be stable. He can't just account for the other person's needs <- barely know her but I get why Rody was head over heels). How Rody's love is similar to his cooking, burning, burning himself, burning and oh so overwhelming. And I do think Vince wanted the feel of that burn for himself, wanted to feel the warmth and devotion of which he had been so devoid of. To understand what it was he was lacking. How love and cooking go hand in hand in the story, how Vince's dishes were devoid of love, how he can't taste. How Rody's love surely would be strong enough, would be the missing ingredient to allow him to finally taste something. (Also lack of taste going hand in hand with what looks like depression of some sort, or perhaps just apathy for life. How bland his own life may be. How such a love, such a person could perhaps bring some taste to his life.) Vince seems to have killed Manon as a form of trying to show Rody a similar type of love. Giving him something, giving him a meal made out of Rody's own love. A gift since he couldn't give his own brand of love in a way that matters, couldn't give it without showing his own brand of devotion. I do think he 100% had an underlying jealousy and hatred of Manon, how Rody was still stuck up on her. How she never once mentioned Rody when her and Vince dated (though outside of Vince's pov I'm pretty sure Manon was just doing the healthy normal thing by not mentioning an ex?? but Vince is soooo gone) which is obviously a sin (he doesn't seem to take kindly to people who are mean to Rody. Such as the article and Rody's old college classmate) and proof she wasn't deserving enough of Rody's love. But alas she was still a gift and show of love to Rody.

On the personality topic (thought I forgot about that did you?), Rody is such a brash and kind person. A perfect foil for Vincent's more stoic nature. Rody willing to try and befriend Vincent, running into the kitchen to talk to him. He showed a bit of said love to Vince by trying to befriend him and how could Vince not want more? (why wouldn't Vince try to reciprocate in his own way. Make him happy) I mean he seems pretty feared by his cooks, and the people at the party have mentioned that Vince is pretty ruthless, not at all a person many wish to get to know. But Rody is willing to, yet Vince wants his undivided attention...

Okay wow this has gone on way too long uhh I'm 100% open to further discussion especially if I forgot something! And I haven't really looked too much into the game past playing it, so any reveals the creator may have given I'm mostly unaware of and would love to be informed of more!

Anyways tiny Vincent attack!

[stephantom]

I don’t know what I feel, but loki creating and holding together Yggdrasil after centuries of time-looping and failure and loneliness was not on my bingo card, and it did make me smile sadly in a “yeah wow I guess this could be it” way. Idk cheers I guess

[all-or-nothing-baby]

I LOVE IT WHEN CHARACTERS IN FICS YOU'RE WRITING END UP TAKING YOU PLACES YOU HAVE ZERO HAND IN

e.g. i'm currently writing a buddie wip and the boys are getting drunk on tequila and eddie just posed the question to buck: which star wars characters would we both be? and now theyre going about making their comparisons in ways that show what each of them loves about the other and i'm tapping away at the keyboard, incredulous, like oh my GOD THIS IS GOLD while at the same time thinking OH MAN HOW IS HE COMING UP WITH THIS SHIT? IT'S PERFECT! bc seriously, honestly and truthfully, I HAD NO IDEA THEY WERE GOING TO END UP HERE and they're having an absolute blast omg like sooo much fun yet it's also brilliant bc it's the most incredible way for them to express their feelings (somewhat repressed; it's the #pining part of the fic) for one another and just how on earth did they even get here when they were discussing dead wives only moments ago? like how? THEY ARE WORDS ON MY PAGE BUT THEY ARE AUTONOMOUS like wtf?!—

and okay this maybe got away from me a little bit but i think i'm just in trying to convey HOW COMPLETELY AWESOME IT IS WHEN CHARACTERS GENUINELY BEGIN NARRATING THEIR OWN STORIES AND YOU, THE WRITER, ARE LEFT SIMPLY NODDING YOUR HEAD PROFUSELY AND JUST VERY GRATEFUL THAT YOU'RE ALLOWED TO TAG ALONG FOR THE RIDE

like. i just think it's rad af

[starzwithapen]

Dawn Dory is that one lesbian homo-erotic relationship you have with your best friend that ends terribly because you got too attached and she has commitment issues and "doesn't like you that way" despite treating you like a girlfriend the past 3 years and she dips out on you except they're both like . Grown ass women

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[scarletiswailing347]

discliamer since i havent really done that for these kinds of posts and i feel like this one is worded in a more demanding way than i usually do: any post of mine regarding what the ccs "should" do is less me actually wanting them to do what i say and more me speculating on the kinds of actions that they could take, not cause i think im smart or tactical or anything but because this is my idea of what fun is

im watching the tower vod rn and i think the only real way to deal with minute and jumper at this point in the server is to. not

like it probs wont be satisfying to the PlayersTM considering the kind of ppl they are (proactive, confrontational, plays along with the spirit of the server, self-focused morals) but considering the kind of ppl minute and jumper are (reactive, avoidant, prioritizes survival even if it means not great content, normative morals) i think its the only real way to engage with them when it comes to this kind of recursive conflict

like everytime they confront one another it keeps circling back to this moral debate regarding the ethics of killing ppl on fucking Lifesteal of all things and i highly doubt its ever gonna stop (at least for this season) considering none of the new members have really been traumatized the lifesteal way, i dont mean regular smp trauma like war and betrayal and all that jazz cause theyve already got that, i mean Lifesteal trauma: the realization that everything is a cycle, that good and evil doesnt matter, that feeling of hope shattering over and over again, that realization that in the grand scheme of things your ideals dont matter and the only thing you can truly hope for in the server are teammates and allies that wont backstab you, and that even then thats a tall order

so back to Not dealing with jumpertech, i dont mean forgetting what they did, i mean actively avoiding them, acting irrationally scared of them even when theyre being civil, fully putting them in the role of big scary villains, basically still putting what they did at the very forefront but acting like its an insurmountable trauma, planting doubt in their status as heroes, continually being the aggressors just cements in their minds that yes they are the heroes and that yes they are doing the good things

like whether the PlayersTM like it or not this is an unstoppable force vs immovable object kind of situation except the unstoppable force has more to lose by virtue of having a goal that can easily be tided by the immovable object

and i do think they can pull it off, they can lose a fight and lose so much that it breaks their spirit, like jumpertech have both been in kings, they both know how determined at least zam and mapicc are, surely it would be really offputting to see someone youre so used to seeing never giving up to do just that

[crimeronan]

very pleased that i haven't gotten any comment pushback on ao3 about AU camila referring to hunter as being in love with luz / being her wolfmate. i know it's because 99% of the readership follows me here and has seen me talk about their dynamic ten thousand times already but. i also like the idea of the average reader being like "honestly..... it would be weird if camila DIDN'T think he's in love with her."

[awesometothe3rd]

[note-boom]

Just noticed that the DoA arc is when we really started leaning into the Bungo and Stray and Dogs part of the Bungo Stray Dogs title. Big spoilers ahead, but...

My breakdown of it?

Bungo (I believe this just means literary) - Sigma and the Book

Stray - ADA guys displaced from their homes, the PM sorta scattered due to vampirism, Aya also kind of lost at the airport, most of the groups just thrown around and separated

Dogs - The Hunting Dogs literally being called dogs in their name

Do I have any big point with this? Not really...it was just something fun that randomly hit me

[elisedonut]

sudden itch to write a rare pair fic thats not Percy related

but like

the last time I did that it ended up becoming my top fic and lead to me deciding that you know... actually I hate that ship just out of spite so i'm not sure how good of an idea it is

maybe if i try like femslash or something super super rare with side characters or something

[spacecasehobbit]

.

[cleromancy]

tim and dick stans be fucking normal about the other character challenge oh my god

[bijoumikhawal]

ughhhh

[duskterrace]

🥚 what's the strangest dream you've had?

" the strangest one i've had was . . . i guess around seven ? watched an american cartoon called courage the cowardly dog for the first time with my dad and it spurred a series of these weird reoccurring lucid dreams. one of them was where this monster chases me around my primary school screaming 'return the slab' at me. chased me up and down the halls, in and out classrooms, the works. the . . .what . . . third time i had this dream ? i hid in the bathroom stall but when i thought the coast was clear and came out, i'm suddenly falling from the sky in the middle of this tornado and the monster is trying to reach out to me but i didn't grab his hand at first because i was scared. he takes off what was apparently a monster mask and it's scar from lion king and for some reason that got me to trust him more ? the dream cuts out when i grab his paw but when it continues, we're eating school lunch together and we somehow became best friends after that. "

[rex101111]

every time More Than Human gets an update i get a flashback to middle school where i just spent every day after school on ff.net, its like the ONE fic from back that era that’s like only getting updates but is getting a decent amount of attention.

AND also kinda holds up. kinda at least.

[starberry-skies]

hey google. what's a good birthday gift to give to someone who you haven't talked to in months and also they're halfway across the world and also i can't ship it to them. so yeah just over text. thanks i'll check back in 15-17 minutes at 350 degrees