frog - jinshi x reader (Spoiler Warning for Chapter 63 of the manga)
"hng." Jinshi whimpers, face flushed as you freeze.
It's a frog. You fucking swear it's a frog. You didn't just accidentally grab and squeeze Jinshi, a fucking eunuch's, dick. You did not. You are hallucinating. That was the frog that jumped on you and knocked you off balance— nOT Jinshi's dick or whatever. He shouldn't even have one!
"Sorry." You sit up, legs still straddling Jinshi as you get off of his chest. "I saw a frog and fell."
Jinshi sits up with you, face flushed in embarrassment as you pray you can play stupid out of this one. It was hard enough that he literally witnessed you hurl a rock at the assassin with eerie precision, but you would rather die than have to die with Jinshi because you found out he wasn't a eunuch.
Every day your loyalty is tested when around this man.
"That makes this way easier." Jinshi sighs, grabbing you by the shoulder as you tense up to lean back from him. "I have a confession to make. I—"
"I think I killed the frog." You mumble, face pale. You're acting. You have to. You are not following Jinshi to the grave and cleaning up the aftermath of his ass getting someone pregnant.
"No, listen, that wasn't—"
"Oh my god, I'm not gonna make it to heaven." You mumble again, staring at your hand before wiping it on your chest. "Master Jinshi, I'm going to hell."
"No, that wasn't—"
"I'm going to hell because I crushed a frog..." You mumble.
Jinshi gets fed up with your acting, pushing you backward into the dirt as he cages you in, lifting your leg as he presses his clothed erection into you. You yelp, trying to crawl away, but he holds you in place, eyes staring through yours to your soul as you shake underneath him. Playing stupid didn't work this time.
"That was not a frog," and he rolls his hips against yours for emphasis, watching as you mentally restrain yourself from moaning. God, since when were you this lewd?! "Stop playing stupid, pretty one. You gave it a good squeeze too."
You freeze up as he lowers himself ever so slowly, and you blurt your thoughts out before you can think of what the best choice is at the moment.
"I am not having my first kiss on the dirt in a cave!" You cry, praying that it's enough. Seriously, you aren't following Jinshi to the grave. He may be hot, and women may throw themselves at him and men turn gay for him and nations go to war for him but you are not following him to the grave. Your loyalty does not lay that strong. You don't want to die just yet.
Jinshi leans in anyway, lips brushing yours as a bark sounds above you as you call back, and you sigh in relief when you hear Maomao's voice.
You're saved. Oh heavens, you're saved.
911 notes
·
View notes
the way hozier titles a song "i, carrion (icarian)" where he sings about the self-destructive idea of sacrificing himself by flying into sun to save his relationship, and compares himself to 'carrion', the decaying flesh of animals, often a word used for roadkill. to then go and write a song called "abstract (psychopomp)" about how holding an animal whilst it dies mirrors the mercy of ending a failing relationship, similar to a 'psychopomp' - a deliverer of death. and we watch as hozier turns from 'icarian' to 'psychopomp' when he realises that prolonging suffering is crueler than just letting love die. i'm both in awe and crying on my bedroom floor.
and the way a carrion crow is also a symbol of death ?? and how 'carrion' sounds like 'carry on' the way icarus kept going ?? and how he sounds envious of his lover's courage in "abstract" ?? how when the sun is gone - "streetlights in the dark blue" - he can no longer blind himself and is forced to look at the corpse of his relationship ?? how to love is to let go ?? how can he keep getting away with this i'm sobbing ??
1K notes
·
View notes
what’s your process when drawing simplified and/or detailed backgrounds? any tips or tutorials? thanks!
the tiktok art critics are gonna crucify me for this one but genuinely my answer is that i trace. i find a reference photo (emphasis on PHOTO, do not trace other people's work) or take one myself, overlay it in my drawing program, and trace that motherfucker. this is what i do for almost every background. I've been encouraged to do this in art school. because most of what i draw is from video games, I usually either take my own reference photos from the game in question or use an online model resource like noclip to get the precise angles that i need. csp also has a bunch of free 3d models of like classrooms and other common buildings. there is legitimately no reason to kill yourself trying to draw complex backgrounds from scratch, and by tracing you ARE actually intuitively learning about how perspective works and spaces are constructed. in the event that there IS some specific background i need to draw that doesn't already exist somewhere, i find a reference photo with similar vibes/perspective and alter it to fit my needs during the tracing process (i.e. if i need like. a very specifically furnished room that doesn't exist anywhere but my head, i find just a regular room in the perspective i need and then add the right furniture in as i go. i've also gotten very good at frankensteining reference pictures together, which, again is a literal actual skill they teach you in art school if you get an illustration degree.)
the most important thing in terms of backgrounds imo is making it so your characters don't look out of place in your backgrounds. the only foolproof way i know how to do this is to draw the background FIRST, and THEN put the character into it. trying to draw a scene around a character is always going to look a little off, imo, and it will almost always be easier to account for perspective on a character than on a full scene. I also like to color my characters either at the same time as my backgrounds or after the backgrounds, because, again, it's much easier (and makes more sense in terms of how lighting and color work) to adjust a character's color palette to fit a background & lighting situation than it is to do it the other way around.
108 notes
·
View notes
childhood friend!sugu vs childhood friend!toru
YOU’VE COME TO THE RIGHT PLACE .
thank you for saying this anon i’ve been thinking of it a lot actually. i’m morally and legally binded to choose childhood friend!sugu no matter what because he’s literally……. my favorite Ever. and i think the inherent devotion of the childhood friend trope blends soooo well with his natural devotion. his protective urges. etcetc. i have wayyyy too many thoughts about childhood friend!sugu 😭 but it mostly boils down to him wanting to be by your side forever. he wants to make you happy and he wants to protect you and he knows you so well that he doesn’t trust anyone else to love you like he can. he’s selfish and he wants you to lean on him more than he wants anything for himself.
childhood friend!toru though….. i feel like he would be your estranged childhood friend. that makes most sense to me :3 like, you met when you were really really young, and ended up playing together in an empty park. he was a brat, kind of quiet, and you were just sweet, y’know? you were the closest thing to a friend he had as a child. then you ended up moving away, he never got to say goodbye… and you meet again as adults. you don’t remember him — it was just so, so long ago — but he remembers you. he remembers you a little too well.
so now you just kinda have to deal with this tall, handsome, cheery man who keeps talking to you like you’re best friends even though you literally don’t remember him…. he’s sweet though. a little annoying, but sweet. he has a soft spot for you. i think having anything remotely close to a childhood friend makes him feel human in a way he can’t help but crave.
sooooo. overall!!! both are good :3 i will always be a childhood friend!sugu truther before anything else but childhood friend!toru has sm potential..
77 notes
·
View notes