#[ *out of caveat ]

[fashion4standusers]

Anyway, if I had a nickel for every time a series had six installments that gradually escalated in ridiculousness, only for the sixth installment to end with a universe reboot and the seventh installment to pick up in a new universe where alternate versions of the original characters now exist in the distant past, I'd have two nickels.

One of those series is JoJo's Bizarre Adventure. The other is Riverdale

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[dykealloy]

face of a man that narrowly escaped throwing hands with his ex's increasingly terrifying son

[bright-and-burning]

my hot take: i think they should institute a minimum paint usage so they stop de-cuntifying the cars to reduce weight

[bitchfitch]

I got home from the hospital last night. I can't sit upright or really walk anywhere bc of vertigo and the numbness in my legs is worse than it was before but that's suspected to pass within the next few days.

that's not the point of this post tho. when I got home I was out of my skull on the nerve pain medicine and panicking bc I am. unhealthy emotionally dependent on my cat Changuita Prime and couldn't check on her since she can't really get on the bed on her own. (Manx syndrome).

She doesn't like being on the bed either, she knows she can't get down again and doesn't like her movement through the apartment to be that constrained, but I needed her so my father put her in bed with me.

she stayed beside me the entire night. my arms are bruised from her making biscuits. She usually gets bored after a few minutes and stands at the edge of the bed meowing for help getting down.

Its the first time she's done that since she was little, I think she knows on some level that I'm sick and need her right now.

[hawnks]

Iida trapping you into a quirk marriage with him because he’s truly in love with you but you don’t even want to look at him……

[s0fter-sin]

"advise you move interior if you're not already... it's good cover"

that last bit has always felt like such an afterthought; it comes just a beat too late like ghost hadn't intended to elaborate on his order

did he add it to head off soap's inevitable questions; pushing back against his orders just like in al mazrah? never bc of insubordination but just bc of an intrinsic need to know the thought process behind an order before he can follow it

has he ever had to explain his thinking before; too used to being followed without question, his word always the authority in both rank and experience? just to meet soap who pushes back, not in doubt, but from the sheer desire to know

has it already become instinct to explain?

was it to start teaching him to think even deeper about his own survival? to look at his surroundings and see everything as an opportunity and tool at his disposal? already feeling the urge to implant these lessons so, should the time come, soap can implement them himself

he knows he won't always be there; whether it's as simple as distance, comms going down or his inevitable death, at some point soap won't have anyone at his back

better to teach the root of survival so he won't need protecting

even the phrasing, "if you're not already", he's not babying soap, not undermining his skills; he assumes soap knows to get inside bc he knows he’s a good soldier. but just in case he doesn’t, in case he’s frazzled and not thinking, he offers it as a reminder

[spidey-webs]

ok ok hear me out

Things go slightly differently. Just slightly. Kon doesn't settle down in Gem World and decide to wait. Maybe he just doesn't meet fake wife. Maybe he impulsively whoops ass before Evil Gem Dude even thinks of grabbing some Kryptonite. The council still goes, "wow thanks but also please leave". Kon says, sure, if you have a way to send me home.

And that's how Kon finds out his universe is gone. Erased. Wiped out. There's nothing left--if it exists at all still, it was remade into something completely different, different enough that there's no identifying it from any of the other worlds in the multiverse.

He's not from anywhere still in existence.

Right. Cool. Kon can be so cool about this. He is not going to be all Superboy-Prime about this. He's cool. Everything's cool. Maybe everything and everyone he's ever known is gone but it's fine. He'll figure something out. There's gotta be a way to fix this.

So, they send him to an Earth. Any Earth is fine. Because he's got this.

It's Earth-3.

And instead of a way back home, Kon finds a kid trapped in a volcano.

[aro-in-danyl]

Alastor as a "Gift from God" AU part 2

I'll have you know it is very difficult to write from the POV of God so you get Roo instead. I had to look up bible verses for this.

PART 1 here.

-------------------

On the day of the first extermination cleanse.

When the first sinner was slain, Roo felt the soul attempt to rise. A fruitless endeavor, for their sinful deeds in life and in death ensured her roots bound the severed pieces of the soul to her.

Foolish angels, in culling the herd and stifling even the thought of rebellion, they only made her stronger. Roo tightened her vines around the soul and attempted to drag it down, down through the 7 rings, and to her.

Attempted, because before she even got past the Pride Ring, a stronger force yanked the soul upwards. Enraged and in disbelief she tightened her hold around the other souls being slaughtered by the dozens, but each and every time they were ripped from her grasp.

At the end of the day, when the exorcists were flying up and away from the slaughter, the portal to Heaven opened and Roo latched onto the connection and demanded an explanation.

"Have you gone back on your word?" her tone was taunting but her desperation and anger festered, "These souls are mine. Their punishment is meant to be eternal!"

Roo did not expect a response, God had not spoken to her since The Beginning, and God had no foothold in hell - usually. Today, apparently, was an exception.

God spoke to her, "My creations all return unto me in The End regardless. You know I cannot bare to be separated forever."

Roo did not buy this, "What ever happened to 'Depart from me, you who are cursed' was that not written?"

"Said by a King, not I." God refuted.

"But within your holy text." Roo sniped, "You reward their sin, their rejection of you, by accepting them back with open arms?"

"If you think that is what will happen to those who reject me twice, you know me not at all." And perversely, Roo felt relieved at this admission. "The righteous will have eternal life, the sinful - upon second death - nothing."

"And keeping them from me was merely a happy coincidence?" Roo felt emboldened, God must see her as a bigger threat than she thought, "To twist the meaning of your eternal punishment to exclude me, why I'd almost call that a quality worthy of a demon."

The portal, which had only been open seconds, pulsed with the force of God's anger.

Roo laughed. "You fear me enough to risk your angels falling into my grasp once again. Do you think this latest stunt of yours will keep me weak forever?"

"My angels have learned to evade you since then."

"Careful there." Roo feigned concern, "Anymore hubris and I'll have to save you a seat in Pride. I could put you next to your favorite child, wouldn't that be nice?"

God ignored the taunt, "I know your roots grow stronger on Earth. More fall to you everyday. Faster than even my best angels can catch them."

Roo smiled at the admission. To have her work acknowledged by the being who created everything, everything that would someday be corrupted and belong wholly to her.

God continued, "It is a testament to your strength that The End may be sooner than I thought."

Roo stopped cold. Her strength came from corrupting the creations of God, but if there was nothing to corrupt...

Ah. She thought. Nothing truly is an eternal punishment.

"Unless," God hedged. "We come to an arrangement?"

Suddenly the reason for God's desire to converse with her made sense. Here she was, weakened from the loss of over a hundred damned souls, from an event that would become a yearly occurrence. Here God was, with the threat of The End poised upon their fingertips, attempting to force her compliance.

And it was working.

But God had shown their hand too early, "How utterly demonic of you! You want to compromise with me? To reason with me?" She used her roots to trip a flailing exorcist trying to remove its spear from a corpse just because, "What can you offer me?"

"I will not hasten The End before its time." God stated, as if the threat of nothing was enough now that she knew God wanted something from her that they could not get themselves.

"You do not want to destroy everything you've created; you want it even less than I do. What is it you desire?"

The last few exorcists were getting ready to return via the portal, their clothes splatted in shade of red and an abundance of gore. They had yet to develop a tolerance to the violence they were perpetuating. Roo knew, just as God did, that many of the angels after slaughtering their first few sinners, had ripped their helmet off and vomited in disgust and despair.

Roo could feel their shock, their inner turmoil, their sense of righteousness, their loyalty to heaven. With time, and more exterminations cleanses, they would learn to enjoy the bloodshed. Or they would break. Such was the way of war.

"I wish to create a gift for Lucifer," God began, "A gift that will challenge him, embolden him, and remain by his side."

Lucifer! Why did it always come back to him? Around them, the corpses of the damned littered her domain never to rise again, God's angels grappled with the weight of their heavenly duty, and her influence weakened for the first time in decades. And yet it was Lucifer that made God lower themselves to speak with her!

Roo reigned in her rage, "And what does that have to do with me?"

"I am creating something unlike anything I've ever created before." God directed her attention back to the weak angel who'd finally pulled their spear from a corpse, "Immune to angelic destruction. Stronger than a thousand sinners, with the potential to stand against my Archangels, capable of vengeance and retribution."

Roo salivated. "And you're sending it here." Roo let the last of the shattered souls in her grasp go, not even paying attention as it shot upwards and away. "You'd create such a thing and put in my hands the instrument of your demise?"

"Which is why I appear before you. You know sin more intimately than I. So I implore you to cast off a piece of yourself for this gift and I shall do the same."

"And what is this gift?" The exorcist was attempting to clean the gore from the spear and failing. "And why should I give you anymore of myself when you've already taken so much?"

"A human soul."

"You intend to create a soul destined to hell before its first sin and gift it to the being who prizes free will above all else. Do you imagine he will thank you?" Roo didn't care about Lucifer's feelings regarding this gift, she couldn't wait to see the fallout actually, but she couldn't help but point out the obvious.

"No," God said, "he will not. As for you, this soul will bring a new age upon your realm. They will be The Avenger of the worthy. And a nightmare to everyone else."

"Do not repay anyone evil for evil," Roo quoted. "Is that why you need me? You want to avoid going against your own words, so you seek to blame me instead."

She did not give God time to respond, "But you still haven't told me what I gain. What do I care for this promised 'new age' or so-called Avenger when I am still trapped?"

"And that is my bargain," God attempted to comfort one of the angels weeping over a small sinner's corpse but their touch fell short. Seems they did not have power over anything in her realm but exorcised souls, she mused.

"With a piece of us both, this soul will have a direct link to us in a way no fully mortal being has before."

Roo would've gasped if she was capable of breathing, "Speak plainly!"

"They could free you."

"What's the catch? Why would you give them this power?" She could hardly believe it. It was too good to be true.

"You have the chance to be free. But you must convince this soul to do so of their own free will, knowing fully the consequences of your freedom." Roo dismissed this, she was The Root of Sin for a reason, and this soul was destined for her realm anyway.

"You are forbidden from interfering with their life before hell. And you must find this soul yourself once they fall."

A minor setback, but the call of freedom was strong. Still, she was not so blinded by this opportunity that she wouldn't ask, "And what, do you, The Almighty God, gain from this bargain?"

"A hellborn will become your greatest adversary, they will attempt to redeem sinners and remove them from your grasp." The portal to Heaven began to close.

"And should they succeed, your chance to convince The Avenger will begin to close. And you will never know freedom."

"A time limit!" She should've known they wouldn't play fair, "How long?"

They turned her attention to the newly built Tower in the center of the Pentagram. The timer below flipped through the numbers at record speed until it hit 365. "Seven full moons after the clock strikes zero for the last time. Do we have an agreement?"

God's voice was strong as ever, but the portal was now only the size of a quarter. Roo knew manipulation and this reeked of it, how clever of God to wait until the last moment to share all the details when she had so little time to think of it.

"When in hell, you use the proper term." Roo pretended to scold them. She reached out to the fading tendrils of God and sunk her thorns in as deep into the connection as she could.

"We have a deal."

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[ssruis]

Hi hi i think youre completely right about characterization so I wanted to ask if you have any pjsk fic recs? Thank you :3

Oh god you know not what you have done

Primary ruikasa/emunene focus as is expected on ssruis dot tumblr dot com so keep that in mind but there’s a few gen fics on here.

The world offers itself - thrillingwhiteday (In progress) (ruikasa)

Super underrated… the characterization is so good… saki + rui interactions (I cheered). Lives in my head rent free.

You and a Skull’s Flower - Revelry_in_serenity (In progress) (no relationship focus but there are bg relationships)

Pandemonium gang experiences The Horrors. Recommend the author’s other works as well - Supporting Roles/Lasting Embraces/Overwritten are some other ones I really enjoyed - but I’m Very Intrigued by the plot in this one.

Warm - pyrotechpuffs (One shot) (ruikasa)

Also recommend the authors other works but this is a fave.

Soul to Wreck - sleepieash (In progress) (ruikasa)

Literally anything by helloitsaiza or calculatrice. The characterization/writing… chefs kiss… their brains are so massive. Best stuff in the tag. Rewired my brain. However this is a list of fic recs and not author recs so I’ll link some of my favorites:

Roles - helloitsaiza (one shot) (ruikasa)

Eternal sunshine - helloitsaiza (One shot) (emunene)

Special shout-out because Peak Emunene I’m actually obsessed with it.

Confess, Confess - helloitsaiza (In progress) (ruikasa)

Yours - helloitsaiza and calculatrice (one shot) (ruikasa)

Backstage after the curtain call - calculatrice (One shot) (ruikasa)

To sear the sky - calculatrice (One shot) (ruikasa)

A study in performance - calculatrice (One shot) (ruikasa)

Funhouse mirror - calculatrice (in progress) (no relationship focus, wxs & niigo)

Special shout-out because tsukasa + mafuyu body swap is such a galaxy brained idea

Rui’s doki-doki seishun school life - calculatrice (one shot) (ruikasa)

^ read all of these they go so hard 10/10

Because it’s you - sleepy_macchi (one shot) (ruikasa)

Act I of our story - Asteromeda (one shot) (ruikasa)

The show must go on - literallyjustsomeguy (in progress but it’s been like 2 years so it might be abandoned) (ruikasa)

I don’t like recommending stuff that may remain unfinished but I’ll make an exception for very funny tsukasa tenma stupidity moments

X marks the spot - seatrix (in progress) (ruikasa)

Underrated… love the characterization & plot.

Voted most likely to run away with you - eightyeightstars (one shot) (ruikasa)

Sharing is caring - underwaternature (one shot) (ruikasa)

Tête-à-tête - kuiperbelts (one shot) (ruikasa)

Also recommend the authors other works I just really like the tsukasa characterization in this one

All I want (is you) - sorasekai (one shot) (emunene)

Recommend their other works as well for good emunene

Ikanaide - gummysaur (finished) (tsukasa focus, gen wxs)

Also recommend their other works but (chefs kiss) tsukasa characterization

Closeness - lyriablackfrost (one shot) (ruikasa)

Find out who you are, and then do it on purpose - weepingstars (transfem rui focus, gen wxs)

And I will still live here - utayoru (one shot) (ruikasa)

Their other works are good as well but this is a fave for the early pjsk days rui characterization

With me all along - jeiseny (one shot) (saki focus, gen)

SAKI… (ugly crying) beautiful exploration of chronic illness. And it doesn’t focus on her fucking brother (staring with homicidal intent @ wider pjsk fanbase). Made me go ouuggh relatable several times.

[shepherds-of-haven]

Halek gives me the vibes of someone who looks very intimidating but it's actually pretty chill, but the question here is

would he let me braid his hair? Maybe brush it while he doze off?

I asked him, and he said that he would prefer brushing or having a flower crown made for him while he dozes in your lap, but "sure, braiding is okay too, he doesn't care"! *as long as it's easy to undo afterward lol please don't give him a dozen really tight mini-braids that will be impossible to untangle afterward 😂

[chiropteracupola]

Bodies in my wake / Noose 'round my neck / I'm comin' back again / Better make it quick!

[heisttheblackflag]

I know someone on here posted Lindsay’s reel/clip from yesterday talking about their recent mental health diagnosis and the way that vtubing as RWBY has helped them deal with it and like. I have a lot of emotions about that as I’m sure we all do (and I’ll find it to rb on here later) but. for me personally this is extraordinarily impactful because there are so few people that are known creatives that are open about being bipolar that for them to just come out and say it absolutely floored me. bipolar disorder is probably one of The most stigmatized and demonized mental illnesses out there and it is so hard to come to terms with that diagnosis, even if getting the diagnosis means you can struggle less in your daily life thanks to medication and therapy, so I don’t blame anyone for hiding it or keeping private about it, but as someone who has made a point of being pretty open about being bipolar as part of my creative…mission statement, I guess, it’s deeply meaningful and impactful to me to have someone like Lindsay Jones be open about being bipolar as well. the only way we can reduce stigma is to keep talking about it, so I genuinely hope this can help reduce the stigma of bipolar disorder in the small corner of the world that watches Lindsay/RWBY because even that little bit can make a huge difference.

happy mental health awareness month!

support Lindsay, support anyone else in your life who is struggling with mental health especially bipolar disorder (I, II, or cyclothymia), and if you have any (respectful) questions about what it’s like to live with bipolar disorder my askbox is open with no judgement 💙

[mokeonn]

Does anyone know how to beat the "stress loop?"

That situation where you have a lot of time sensitive things to do, but you're too stressed out to function and do those things, which in turn causes more stress because you're ignoring these time sensitive tasks you GOTTA do.

[mirai-desu]

I agree with this article 💯, as Rachael New et al. are now undermining the entire premise of the show, and I want to highlight and comment on a few parts of this excellent take:

We're losing a central character whose emotional journey we were invested in and a vital piece of the primary reason we were told to watch Miss Scarlet & The Duke in the first place. Whether you want William and Eliza together romantically or not, the show was always predicated on and grounded in their relationship, and to pretend otherwise is to deny the original premise behind its very existence.

Exactly this. "Miss Scarlet" might be considered more lead than him, but he was still a titular character, and we were invested in his journey as well as hers. Their bond is the foundation of the show. The teenage flashback episode in particular proves this to us--and proves William’s importance to the greater story. But even before that, it's been there all along:

And, honestly, the official description of Season 1 is blunt about what’s happening: “Eliza and The Duke strike up a mismatched, fiery relationship that will crackle and smolder with sexual tension as they team up to solve crime in the murkiest depths of 1880’s London.” So let’s say it as plainly as possible: No one planned to tune in to this new program simply because it promised a crime drama in period dress. The series’ hook, apparent from its first marketing materials, was this unique relationship at the show’s center. The real story of Miss Scarlet and the Duke has always been just that: Miss Scarlet and the Duke. 

While RN et al. can dig in their heels and claim that the story has always just been Eliza's, but we know better than that. Since Day 1, the promotion and the interviews all catered towards the UST. As time wore on, Stuart really began championing the romance in earnest, and it was a logical next step. He was not wrong to do so. What was actually happening on screen was heading that way, as part of a beautiful slow burn.

After literally years of dancing around the rarely mentioned but blatantly obvious feelings between them, this season finally pushed their relationship forward. We got a whole flashback episode dedicated to how they first met! There was a kiss! William said the L-word! The genuine forward relationship progress that so many fans had been waiting for was finally happening! [...] What makes this even more painful is that Season 4 finally felt like the show was moving forward, at last, at least where its central relationship was concerned. Yes, William left, but it was for a good reason: to give Eliza the space and opportunity to decide what she wanted from their relationship on her own terms. (That, as the kids say, is growth.) But if he was never coming back, why bother with most of Season 4?

While we know that in part we got some of the romantic moments in S4 due to Stuart's requests, but I think ultimately, RN's reluctance to move things forward with Wiliza is what put Stuart at odds with her, as she likely did not take too kindly to him suggesting his own input (even when he became an EP) and perhaps felt like he was telling her what to do with her own show. And her goal is to keep it stuck in a cynical pattern; one that William wanted to resolve, and one that Stuart had to remove himself from, because RN favors rinsing and repeating, versus actually diving deep into longer character arcs. That's how she think she can keep the "longevity" of her show, or so she thinks.

Because look, I love Eliza. But I realize it's really because of the potential of who she could be. William never returning prolongs her characterization being stuck. She was supposed to spend the year thinking about what changes she needs to make so they could be together. If he never returns, then what's the point? The catalyst for change is gone. William staying on the show should have actually forced her to grow, not kept her stuck. Removing William entirely reinforces the patterns versus ending the cycle. Especially if he is just replaced with a new love interest, who just flirts with Eliza to keep a "will they / won't they angle" that's never moved forward.

Any writer worth their salt would have Eliza grow in interim and have major development upon William return. But that would end the "put them together / pull them apart." Which is not what RN wants, hence why she refused to put them together. She thinks these patterns are what maintains the show vs spending time on actual storytelling. And this is also why I cannot believe the party line, and truly feel that we haven't gotten the whole truth on why Stuart's exiting.

Thinking about the scenes in the flashback episode of William and Henry, and how important they were, it makes me sad that apparently in the grand scheme of things, it doesn't matter to RN. And it's sad they keep trying to paint it that the two most important people to Eliza were “overshadowing” her all the time.

I fear is that this new retooled version will just ignore and erase the importance that William has had on her life. At least in the S4 finale we saw how his words still affected her, even when he wasn’t there, encouraging to reopen her own agency. But I can’t see them continuing that, when clearly they want to reboot the show without him.

I had been working on my post S4 fanfic before the news of Stuart's departure hit, and I looked back on how I was developing Eliza from where we left off and how I wrote William's return. When I was outlining it, I was thinking about how RN only just barely has touched the surface of Eliza's psyche. I wrote her as torn up about William leaving--and how he left not long after he almost died. Eliza should have grown from the trauma of almost losing him and we seemed to be on that path in the show, with her at his bedside, and having him recover in her home. We could have dived into how the lost of her mother at a young age affected her, and how Henry's death still was painful. At her father's funeral (which mind you, is in the very first episode) she talked about being alone, and William wiped her tears away. And now... Eliza has lost another person close to her. Literally, it's not William's existence stopping Eliza's development--it's RN's lack of talent, I'm afraid. And who knows, maybe that statement that she cannot be developed while he is around is just a cover to explain his exit, as it's clearly not an actual reason.

Likewise with William, in addition to dealing with his feelings for Eliza, there's so much they could done with him leaving Scotland Yard and the trauma he survived. He didn't have to have PTSD, but he's already had a pretty traumatic life and survived so much (which again… why show all that in the flashback if they were ditching his character - Ben, not RN, wrote that episode so maybe that was a sign). But he held onto the identity of being part of the police, because of how he came get that job (i.e. Henry) and get off the street, and they could have explored what would it be like to shift away from that identity. There just was so much potential and so much richness that could have been written, for a man who came from nothing, but wanted to belong, and wanted to be loved. And maybe Stuart was just so very aware that the show was refusing it take it there. He took William as far he was allowed to, but not as far as the character could have gone, if written by the right people.

Frankly, both William and Eliza deserve better. Stuart deserves better, and we the Wiliza fans do as well. Ultimately, regardless of what (and at what point in time it) really went down between Stuart and RN, the series should have ended with S4, but with a happy conclusion. All signs pointed to William joining Eliza at her detective agency, but now we just have to imagine them there, working together as equals and in love.