#‘this show adds nothing to the characters’ to YOU !! not to me !!

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[anamericangirl]

A South Carolinan woman was arrested and held for 22 days in jail after being initially denied bond, but eventually released with an ankle monitor, after suffering a miscarriage of a wanted daughter in the second trimester and being charged with murder.

This is the horror of criminalizing abortion. Jail time for a miscarriage.

It's great that y'all send me these stories because the lies you and the media spread need to be exposed and I'm happy to be the one to expose you as the liar you are.

And I'm done being nice about this. Just so you know, spitting lies in my inbox doesn't work on me because I actually read the stories and will provide the context you maliciously leave out and show everyone that pro-aborts like you never tell the truth.

First of all, the story you are referring is about a woman named Amari Marsh and what actually happened here was she woke up in the middle of the night in a lot of pain and went to the bathroom where she gave birth to a live baby over the toilet.

Her boyfriend called 911 and dispatcher repeatedly told her to get the baby, who was still alive, out of the toilet but no one did. And the reason she gave for ignoring the dispatcher and just leaving her child to drown in the toilet was "“I couldn’t because I couldn’t even keep myself together.”

When the emergency responders arrived the baby was still in the toilet and still alive. They attempted to perform life saving procedures and rushed the baby to the hospital but sadly, the baby died while at the hospital.

The reason she was arrested is because she failed to remove her living daughter from the toilet as she was instructed to do several times by the dispatcher which ended up being "a proximate cause of her daughter’s death."

Anti-abortion laws had nothing to do with this case and the CNN article that reports on this story even includes that admission from the prosecutor even though it's at the end because, like you, they are liars and want people to believe this is somehow the fault of abortion bans when it's not.

So tell me, what do abortion laws have to do with this? What anti-abortion law is responsible for the death of a baby that was born alive?

This baby was born alive and her mother left her to die in the toilet. So she should not be charged for that?

And also, just going to add people like you always claim infanticide has nothing do with abortion and y'all are still laughing at Donald Trump for talking about babies being left to die after birth following failed abortions because iT dOeSnT't HaPpEn but here we have a case of it happening. This baby was born alive and left to die. This was a case of infanticide and you pro-aborts are immediately blaming anti-abortion laws but I thought abortion and infanticide aren't related so how come they are in this case?

Anyway, you should feel bad about how you presented this story. You should be ashamed of yourself for either being willing to lie to promote murder or being too lazy and stupid to actually read about the case before spreading blatant disinformation.

I know me responding to you with what really happened will not change anything for you and you will continue to lie and spread disinformation because the reason you are willing to do that in the first place is a serious flaw in your character that will only change when you decide to be a better person but at the very least people reading this will know not to ever trust these claims from pro-aborts because it's always a lie.

So please keep sending these because it helps everyone see that pro-aborts are bad people who lie about everything.

[darkficsyouneveraskedfor]

Mission Control 14

Warnings: non/dubcon, violence, stalking, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Captain Hydra

Summary: a man marches into your life on a mission

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

You finish hanging the clothes from the rack. You stir the fire so it burns a little better then stand back. You linger in its warmth. Now that you’re done, you don’t know what to do with yourself. Especially with him around. 

You bring your hands up to your chest and clasp them. You peek over at him. His eyes open as if he can sense you. You flinch and nod. 

“Will take a while to dry but I think I got everything,” you say. 

His gaze drifts to the rack. He narrows his eyes. You hope he doesn’t mind you touching his stuff. 

He raises a hand and gestures you to come closer. You try not to betray your hesitation as you cross the room. You stop right by the couch. 

“Do you want me to sit?” You point beside him. 

He doesn’t offer any response, not even a blink. You turn to sit and he catches your hips. He guides you before him and draws you back sit in his lap. You wiggle in surprise but let him draw you in. 

He hooks his arms around you and takes your hand in his. You’re rigid with tension. He feels along your knuckles and fingers, turning your palms up to trace the lines. You brace yourself as he rests his chin on your shoulder to watch his exploration of your hands. 

You curl your fingers to brush his rough skin and he winces. The veins in his hands bulge then he lays his hands flat, showing his palms as he rests his knuckles on your thighs. You gingerly trace the thick lines and find another scar along his wrist, jagged and thick. 

He drags a hand up your leg and wraps his arm around your middle. He moves you with him. You let him. He angles to recline across the couch with you over him. He shifts you to nestle you on your side, right against the cushions. He clings to your hand and brings it up to his chest. He lays it there, holding it firmly to his heartbeat. Your own is beating furiously. 

You rest your head on his shoulder and stare at the drying rack. The crackle of the fire underlines the silence, the winds whistling outside the windows, the night rising in shadows. Exhaustion descends on you and you slacken into him.  

You plummet into sleep. Your head thrums from the depths of you unsconscious and you forget all fears waking. There is only the black satin walls and the rippling glimmers of existence. 

You wake alone. Confused in the moment before your vision clears. The planks across the wall bring you back to reality. Your heart rents as the brief recollection of your former life dissolves. You always thought you wouldn't miss that old apartment once you were out but you could never imagine this. 

You sit up and listen to the cabin groan. You hear nothing but the natural creaking of the frame. You look over at the fireplace as it hazes lowly in a cluster of ember. 

The drying rack is gone and the clothes are folded neatly on the chair. Only the ones he brought you, not his. You stand and shuffle into the kitchen. Not there. Not in the bedroom or bathroom either. 

He's gone. 

You wonder if he went off with his shield and body armour. The thought makes you shiver. You return to the front room and add a log to the fire. 

Restless, you pace, in dread of what happens next. You don't know what will and that'd scarier than any inevitability. You walk in circles until your dizzy.  

When you still yourself, you're standing by the metal door. You stare at it. Then you touch it. It's thick and heavy. The reinforced barrier stands out starkly against the rustic and worn cabin walls. 

You grab the handle. It turns. Almost too easily. You pull. Jarred in surprise of how it opens without resistance. 

The blustering dregs of late autumn blow through you. You stare off into the dark trees. An open door but no where to go. 

You stay there until your burns ache with the cold. You're not brave or strong. You close the door and retreat into helplessness. Your head and stomach hurt. 

You go into the kitchen to fill the metal cup with filter water. You sit by the fire and sip. And wait. He had taken every decision away and in this you have as much choice. 

Wait and he'll be back. Wait and see what he does next. 

Time is hard guage within the soulless cabin. When the door opens, you’re as you have been. The fire is dead. You just didn’t bother adding more as the flames turned to cinder. 

His footsteps pound the floor in his neverending march through the world. There’s more weight added to the worn board. You sense him behind you. He moves around your perch on the floor. He rebuilds the fire and turns to you. 

You look up at him dully. He steps past you and comes back with a bag. A bright red reusable one. In this place, it’s a sliver of the outside world that feels so strange. He puts it before you and stands straight, hands on his hips. 

You sniff and bring yourself to sit on your heels. You lean to see inside the bag. You pull out the loaf of bread. Thick cut and whole wheat with seeds on the crust. You sift around and find a basket of veggies and fruit beneath the eggs and milk. You peer up at him. It’s hard to fathom the effort behind his haul. 

He bends and takes the bag. He leaves it in the kitchen and once more returns. He grabs another bag from behind the couch. You recognise the logo on it. Inside, a tea pot and matching cup and a variety of pack of loose leaf. It’s from your shop. 

Your lip trembles and you bite down. It’s a relic of what was. Even if there was escape, there’s no way back. 

You push the bag away and fall back on your ass. You bend your knees up and lay your head on crossed arms. Your tears leak out and wrack your body. He stands above you. You flinch and whimper as he touches your shoulder. 

You tear away and push yourself across the floor. You turn to look up at him, “why won’t you say something? Why? Why am I here? Why are you torturing me?” 

His brows rise and his cheek ticks. His lips curve downward and his eyes fall. He twists on his foot and walks away without a word. You sigh. 

“Fine, go. If you can’t tell me what the hell is going on, I don’t want you near me.” 

You turn your back to him and hunch again as another fit falls over you. All control is gone. Anger, fear, hurt, confusion. You can’t keep it inside any longer. And why should you? 

[iwtvfanevents]

St. Louis 2024 —an LDPDL fan event

This October, we are celebrating our titular vampire's 147th birthday with a month-long creative challenge. This is the second edition of this event, and you can see the fan creations shared last year in the tag, here ►

How does this event work?

Louis's birthday is October 4th, so we have four broad prompts, and ten prompt quotes. Prompts have no assigned date, and they are meant to be interpreted freely. 

Prompts

Love / Family 

Memory / Art

Gender / Sexuality

Vampirism / Power

Quotes

"For the first time in my life, I was seen."

"I had powers now, and decades of rage to process…"

"Allow me my odyssey."

"The absence of metaphor is striking."

"Are we the sum of our worst moments?"

"She called me an angel."

"But the suit changes nothing."

"My rage had risen, followed closely behind by my madness."

"I’m companion enough for myself now." 

"I didn't know it was a gift."

Louis's character exists in relation with others —his human family, his vampire family, his love interests, his interviewer, his employees— and your contribution can be about any and all of those relationships, or about Louis alone.

POV isn't a given either: you could write about Louis from another character's perspective but, if it's focused on Louis, then it's still in the spirit of this event.

And, if you end up creating something that doesn't quite respond to any prompt, you're still participating, as long as your creation is about Jacob Anderson's Louis de Pointe du Lac.

Some ways in which you can participate include:

fanfiction,

fanart,

fanmixes,

moodboards,

gifsets,

photomanips,

graphics,

video edits and AMVs,

meta and analysis in written, audio or video form,

poetry,

music,

headcanons,

fanworks and meta recommendations...

...and anything else you can think of!

Please take a look at our participation guidelines, and don't forget to tag your posts with #IWTVfanevents or tag @iwtvfanevents so we can share them on the blog. You can also add them to the collection on AO3: Happy birthday LDPDL!

If you’re on Twitter, we’re over there too!

And, as always, we encourage you to use the #vampterview tag for your posts about the show. Learn more about this fandom tag here ►

[jinisnuggets]

༊*·˚ 𝕷𝖔𝖛𝖎𝖓𝖌 𝖔𝖗 𝕷𝖔𝖛𝖊𝖉

INCLUDES | Ciel, Sebastian, Grell, Undertaker, Alois, Vincent,

READER | Gn

GENRE | Fluff, Headcanons

WARNINGS | Mention of the word seductive in a non suggestive way

WORD COUNT | 0.3k (50ish per character)

A/N | Is there any other character from Black Butler who'd you like me to add to these headcanons? Please let me know :D

🪻 𝕷𝖔𝖛𝖎𝖓𝖌

Sebastian

He's the loving type and there's nothing you can do to convince me otherwise. Despite being a demon, he'll make sure you're his queen and he's only ever doing what you ask of him. Of course, due to his personality, he'd absolutely love to tease you, but it's more of a love language for him.

Undertaker

His way of showing affection is far more seductive; teasing you often with heart-fluttering jokes and close proximity. He knows the best ways to edge you on and it's really what he wants, however when you do the same he'd tend to get more intimate (in a fluffy way).

Vincent

This man knows he's attractive and what's the least he can do than shower his S/O with gifts and love. He knows his partner's interests and likes, so it's quite simple to pick out good and high quality gifts, and although it isn't common, he doesn't mind physical affection such as hugs or kisses.

🪻 𝕷𝖔𝖛𝖊𝖉

Ciel

What more can you expect from our tsundere king. Ciel isn't the best at expressing his emotions and because of it, it often causes him to come off as cold to his S/O.. however, he is an easily flustered boy, who will definitely become flushed in blush if his partner is just one step too close. He will often buy his partner gifts though.

Alois

He's been through a lot, so he doesn't enjoy the company of someone more than that of his S/O. Now, Alois is a great lover, fight the wall; but he's also quite clingy, and that is mainly because of his fear to lose yet another important person to him, so he'd often have nightmares where he'd need to cuddle up in between your arms.

🪻 𝕭𝖔𝖙𝖍

Grell

There's no need to say, they'd shower you with complements and absolutely die when you do the same. Their affection has no limit and they're willing to sacrifice absolutely anything for you, and of course, they love it when you show the same level of care and sincerity for them.

[galadrieljones]

"Bet on Hope": More Thoughts on Isabelle

This is a response to @frangipanilove's post about Isabelle as a Beth Proxy. I agree 100% with everything frangi says and had to type up this quick follow-up, regarding Isabelle as a "proxy" for Beth.

I want to add that this may feel a little out of left field, but I believe that Beth and Isabelle are connected even in the hard wiring of some of the symbols we've seen over the years. What I want to talk about here is one of the last things it seems we will hear Isabelle say in the series, which is: "Bet on hope." She can be heard saying it in the trailer, and it also appears in the *leaked* script from episode 2.6.

The language "Bet on hope" is unique and uses gambling rhetoric and essentially conjures an underdog situation. To bet on hope is to call the enemy's bluff, and to hold out "hope" that you can win, even against all odds. The opposite of betting on hope would be to fold, to give into your fate, even if you still have a chance to win, or if your chances are, essentially, no worse off than your enemy's.

First, I have to wonder, what "hope" they are betting on here. I maintain there's a connection to the actual character Hope Bennett from The World Beyond, who, as a distiller and a scientist currently hiding out with T.B. Ellis, I think will be instrumental in curing Wildfire or finding a remedy for it. I think we should literally "Bet on Hope" (capital H).If you rewatch the WB coda to season 2, you'll notice that the French scientist (who has a folder full of T.B. Ellis papers on her laptop) uses the word "hope" multiple times, mainly in iterations of the phrase: "Hope beyond hope." She is "hoping beyond hope" that the Primrose Team will return to France and "end all of this."

We also see in episode 1.4 of The Ones Who Live, at the "Greenwood" laboratory where Rick and Michonne find themselves after exiting the helicopter, a poster that urges residents to "Keep Hope Alive!" None of this is coincidence!

Hope Bennett aside, when thinking of the phrase "Bet on hope," I am also reminded of episode 10.19 "One More," which TD pounced on long ago as containing a huge number of "Still" callbacks, including alcohol consumption, drinking games, golf, color parallelism, and cards. The episode revolves largely around Father Gabriel's slow loss of faith, a conflict which he will confront in season 11, and Aaron's struggle to believe in himself as a survivor. Their dynamic mirrors that of Daryl and Beth in "Still."

In "One More," FG and Aaron play a game of poker while drinking whiskey. At the end of the scene, FG bluffs his way to a win, because, instead of calling his bluff, Aaron folds. Episode 10.19 is all about foreshadowing and setting up characterization for the future, just like so many of the episodes in 10c. It is also the episode that comes directly after "Find Me."

What's so interesting about their poker game is not JUST that Aaron folds in the face of adversity, but the way that the hand goes down. Mind you that they're not playing for money. They're playing for bottle caps, so essentially, there's nothing at stake. Aaron, in a very Beth-esque "bullshit" moment, accuses FG of bluffing, so FG urges him to call his bluff.

Aaron, however, is afraid. He "doesn't have enough" to call. In a game with no cash pot, FG, however, realizes one has to be creative. He tells Aaron to bet his whiskey.

At this point, Aaron considers it. He even starts to push his cup toward the pot, but then at the last moment, he folds. You can see in his hand that he has a jack, just before he throws his cards down. It doesn't mean he has a better hand than FG, but it does mean he could have something, and that it's worth soldiering forth. He will not "bet on hope" here, so to speak. He gives up.

After FG wins, Aaron then demands that FG show him his hand, and what are the cards that FG holds? An 8 and a 2.

In the shot above, you can see in the background of FG's hand a mini-golf set. Apparently a game of mini-golf was among deleted scenes for this episode. The 8 and 2 here, which is a terrible hand, and which beat Aaron (who was too afraid to call FG's bluff), is yet another callback to Engine 82, the firetruck that mysteriously disappears without any explanation after "Coda." The firetruck that Abraham's group previously fights tooth and nail to defend from walkers. Where did it go?

Whatever happened to the firetruck may explain what happened to Beth. After "Coda," both Beth's body AND the firetruck disappear without a trace, and we never learn what happened or why.

"Bet on hope" could mean, essentially, hold out for the long odds. You could still find the one thing that's been missing all these years, which could solve all of your problems and deficiencies. Even if it is hidden behind a major, major "bluff." You must see through it and be brave enough to call it out. You may have to be creative, to bet everything. And to do this, you need all the hope you can muster. Unsurprisingly, Isabelle, a woman of faith, just like Father Gabriel, gets it.

It could also be important, especially as this is in response to a frangipanilove post and contains the reference to "Hope" Bennett, that in "One More," Aaron considers betting his alcohol to call FG's bluff. Alcohol, we are all pretty sure, has some connection to the "cure" for Wildfire, as the "Staff of Life" (quoted by Jim, the beer brewer from Fear season 4). I've also written a post comparing the French herbal liqueur Chartreuse to the potential cure for Wildfire. Essentially, I think "Bet on Hope" also means "Bet on a Cure." It also just means, "Don't give up. To get the happy ending you desire, you have to take the long odds."

Alcohol, Engine 82, and golf all in one shot. Both a nun and a priest encouraging a doubter to bet on hope. Idk if it means what I think it means but I'm going to "bet on hope" a little longer.

[darklinaforever]

People who think they're smart to say that suddenly Saurondriel / Haladriel fans care about the Lore for the kiss with Elrond and that we would have preferred it to be Sauron... Yes for the fact that we would have preferred it to be Sauron (especially because sharing a kiss on the mouth has much more meaning with a partner for whom you have romantic feelings in fiction, I say that I'm not saying anything...) But the fact is, that writing a situation which forces two characters to kiss each other on the mouth, even though since the beginning of the show they have been written and played as best friends/brother and sister, or at least as having an almost familial bond, well that was fair not good either! And the fact that we know that Elrond is the future husband of Galadriel's daughter adds to that, yes. But even if the books did not exist and I did not have this information, I would still not like the principle of having her two kiss there, because beyond preferring that she kiss Sauron, a kiss with Elrond makes no fucking sense ! That's all ! And yes, the kiss is not romantic. I know. It serves as a ruse to allow Galadriel to free herself, and this kiss is also chaste. But the fact is that even if nothing actually changed for the characters, the writers still found an excuse to include a kiss between these two, purely in order to probably shock the viewer a little. Because nothing forces them to write that. They chose to do so. In addition to baiting the public of probably Saurondriel / Haladriel, by allowing the actress to say that she would have a kiss on screen in season 2. In the end, it is not even that important in the plot , since in fact it doesn't change anything for the characters. So allowing this information to be said was clearly to bait some of the public, and I refuse to believe that they didn't know what they were doing with the Saurondriel/Haladriel fans, given the way that this relationship was highlighted in the promotion of season 2. The whole concept of this kiss is dishonest to me in its conception. It was not required to be written. But in the context of the series only, let's forget our shitty reality, I don't care because the characters are not impacted by it and there was nothing romantic about it. I still love the Elrond & Galadriel relationship. And I always ship Saurondriel / Haladriel. This kiss didn't change anything about relationships for me, and canonically doesn't anyway.

[seaemberthesecond]

PLEASE tell me all about your textual support for Aurora/Declan, i am LISTENING 👀🙏🏻

This is heinously late and I'm so sorry for that 😭 but this is one of my FAVOURITE things to think about.

Aurora is such an interesting character to me, particularly in relation to Declan. For all that Ronan spends all of TRC furious that Declan has denied Aurora personhood ("She's nothing without Dad") and trying to keep her awake, it's actually through Declan's eyes that she really comes alive. Ronan's version of his mother is more one-dimensional than Declan's, ironically enough, even though he's the one who supposedly 'loves her more.' It's Declan who's spent his life grappling with the philosophical implications of her dreamt-ness and her replacement of his actual mother (which, in a stunning parenting move by Niall, only he seems to remember) and as a result, his feelings toward her are considerably more complicated than his brothers' and he's the only one who really seems to think deeply about her.

The mystery Aurora is shrouded in for Declan turns her into almost this... sinister figure in his mind. It's like - Niall is this known entity for Declan right? He doesn't think of him in nearly the same lionizing light Ronan does, because he actually knew Niall. He doesn't need to create a mythology around him the way Ronan has. His "hatred" for Niall is not only comparitively straightforward, it's self-aware. He knows exactly what his grievances with his father are and he knows that he doesn't even really hate him.

But with Aurora, he skirts around the thought of her. He can't even look his complicated feelings for her head-on. She's inscrutable to him, and that's kind of terrifying in a psych-thriller kind of way.

There's this unease that he associates with her in the text, that's just not there when he thinks about Niall. He's constantly second-guessing himself when it comes to Aurora re: how much did she know, how real she was etc. In Greywaren, there's this part where he's thinking about when he was sick as a child. And it's fascinating to me because there's this implication there that he didn't feel safe in the house with Aurora until Niall came back. He only relaxes and goes to sleep when Niall comes home. And it adds to this general malaise that Declan associates with Aurora.

I've talked before about how the secrets Declan is forced to keep are an allegory of sexual abuse, and in that light it's kind of damning when you consider that in the Lynch household, the arbiter of secrets is Aurora, not Niall. Throughout the Declan Christmas short, it's Aurora who's reinforcing the importance of secrets, who makes him help her hide them. She's the one who tells Declan that he has to keep Matthew's origin a secret. And in MI, it's Aurora who first tells Ronan that he needs to hide his dreaming and never show his dreams to anyone. So if we're looking at the text through the lens of allegory-for-csa, Aurora's position in the household becomes much more sinister because a lot of the harm that's been done to the kids and particularly Declan is attributable directly to her.

And then there's the fact that all the Ashleys' looked like her - there's something Freudian going on there for sure.

tl;dr while the textual evidence is slim lol it is there if you wanna see it and I am looking with a magnifying glass. Was any of this done with authorial intent? Probably not, but who cares?

And this is where stuff diverts from the text itself and veers more into my spin on things, but everything about Aurora/Declan becomes insanely compelling to me when you think about it in relation to Mor. Mor is the hole inside Aurora. Imagine you're a young woman who was molested her whole life by a family member and now you're out-of-touch with your own emotions and you have this kid and you think you love him with this man and you think you love him too. But you know you're fucking them up, so you and your husband dream a version of you that's perfect. She's the perfect wife and the perfect mother and you've sanded down all the edges and sharp, spiky parts that make you you because you think that's the version of yourself your family deserves and then you leave. But you can't dream anything without putting your pain inside it. So you have this hollow half-woman walking around with a pain inside her she doesn't know how she got and a life she doesn't remember and the only person who seems to have any answers is this kid that she think is her own but is he really? And in her attempt to feel the shape of the hole in her she re-enacts your trauma on your kid.

I am EATING GLASS. The cycles are CYCLING. NO ONE talk to me.

[inquisitor-apologist]

Have we, as a fandom, progressed to the point that we can realize that Twilight of the Apprentice, while a good episode, is not a particularly great Rebels episode and is certainly the least functional finale in the entirety of Rebels?

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[vaugarde]

this is an issue with guardian signs too and i thiiiiink soa but man, one of the worst things they do in these games is give you a companion that does jack shit and is literally just there to be a mouthpiece because the player character has to be silent. their existence actively hurts the story of these games to me because “oh we gotta work together to stop the bad guys!” but they just sit around doing nothing the whole game because the gameplay requires you to be the only one doing anything. and it works with other characters like spenser (who’s off doing other more important work) and rand (the only other ranger in the region) because they’ve got an excuse to not be helping you specifically in that moment but the companion character just sorta stands around listlessly spouting the words you need to hear

[quartzitess]

lord blackout object legensd

Grumpy rose man

[unnamed-atlas]

Finally finished sweet tooth s3. Having incredibly mixed feelings

[iwtvfanevents]

St. Louis 2024 —an LDPDL fan event

This October, we are celebrating our titular vampire's 147th birthday with a month-long creative challenge. This is the second edition of this event, and you can see the fan creations shared last year in the tag, here ►

How does this event work?

Louis's birthday is October 4th, so we have four broad prompts, and ten prompt quotes. Prompts have no assigned date, and they are meant to be interpreted freely. 

Prompts

Love / Family 

Memory / Art

Gender / Sexuality

Vampirism / Power

Quotes

"For the first time in my life, I was seen."

"I had powers now, and decades of rage to process…"

"Allow me my odyssey."

"The absence of metaphor is striking."

"Are we the sum of our worst moments?"

"She called me an angel."

"But the suit changes nothing."

"My rage had risen, followed closely behind by my madness."

"I’m companion enough for myself now." 

"I didn't know it was a gift."

Louis's character exists in relation with others —his human family, his vampire family, his love interests, his interviewer, his employees— and your contribution can be about any and all of those relationships, or about Louis alone.

POV isn't a given either: you could write about Louis from another character's perspective but, if it's focused on Louis, then it's still in the spirit of this event.

And, if you end up creating something that doesn't quite respond to any prompt, you're still participating, as long as your creation is about Jacob Anderson's Louis de Pointe du Lac.

Some ways in which you can participate include:

fanfiction,

fanart,

fanmixes,

moodboards,

gifsets,

photomanips,

graphics,

video edits and AMVs,

meta and analysis in written, audio or video form,

poetry,

music,

headcanons,

fanworks and meta recommendations...

...and anything else you can think of!

Please take a look at our participation guidelines, and don't forget to tag your posts with #IWTVfanevents or tag @iwtvfanevents so we can share them on the blog. You can also add them to the collection on AO3: Happy birthday LDPDL!

And, as always, we encourage you to use the #vampterview tag for your posts about the show. Learn more about this fandom tag here ►

[yoinkschief]

Hello Jay, I would like to hear your headcanons about Tom and his mom 👀👀👀 Go on, speak into the mic 🎤

AAA HI NEIL I'M SO GLAD YOU ASKED

Taps mic 🎤 ahem

Buckle in cause this got absurdly long I did not expect to get this long omll

So I guess I'll begin when he was younger,, when his mother and father first got married they were just going into their 30s, and while weren't actually trying for a kid they did end up having one: Tom

Barbara (Tom's mom) was ecstatic at having a kid whereas Peter (Tom's dad) was terrified, he knows he has anger issues and is very aware of how he's gotten easily frustrated with children in the past and doesn't want to get angry towards his soon to be son (though Barbs has been a dear with helping him and his anger, truly he'd be in jail by now if not for her)

Fast forward a bit, Tom's born and while Peter isn't magically cured of any anger issues, Tom is just the sweetest little guy and he, genuinely throughout his fatherhood, has not once gotten angry at his son. Gotten angry a good few things, but his son and wife weren't in that list

Tom is also born completely nonverbal (this is a little reference to how 2004 he's drawn without a mouth,,, I know that all the characters are at this time because mmm animation but in most fanart of 2004 only Tom is the one kept without a mouth because that and his one eye gives him creechur vibes I love it so I incorporated it like this) due to his autism, and he did get formally diagnosed early on due to this

It's a bit of a struggle trying to figure out what he's saying but he's a quick learner for how to read and write so if he can't get what he's trying to say through hand motions or actions he'll go and write it down (at least when he gets around 5yo, the years before were hard and they had to learn a weird, Tom version of sign language,, to clarify not actual sign language just learning what motions of his mean what)

One interaction I think about a lot with Tom and his mother is in Tom's youth when he's, maybe, 4? And he sees his mom shave her hair for the first time. Tom didn't like the sudden change as she looked like a different person and was having trouble understanding why it was gone

It took Barb a while to fully understand what he meant, why he was crying and whatnot, but finally able to sit him down in her lap he started making a lot of motions towards his own hair and then Barb's, and the interaction goes something like this:

"Are you talking about my hair?" Barbara quietly concerns, gesturing to her now bald head.

Tom made small grunts with wide eyes, rocking in his mother's lap incessantly.

"Okay, okay," She nodded holding her son's hand gently in her own- less so holding and more resting them in her own. "It's gone, baby."

Tom didn't seem to like that answer, shaking his head no with his hand reaching up to grab and tug at his his in distress. His eyes were screwed shut, why would his mom do that? But Barbara was quick to respond with carefully holding her son's hands again, their fingers interlaced as he squeezed on her hands instead in his temper.

"You don't like that it's gone?" She tilted her head to the side, bringing Tom's hands away from his face and towards her chest.

He shook his head no with an upset grunt, swinging his hands (and by proxy his mother's) side to side to drive the point further.

"Ohh,, pumpkin," Barbara gave Tom a sad smile, resting their hands in her lap as she gave him a small, reassuring squeeze.

"It’ll be alright-”

Tom hated that answer more, giving a frustrated noise as his eyes started welling with tears.

“Honey,” Barbara frowned at the tears coming out of her child’s eyes, it hurt to see him so upset, gently running her thumb along his cheeks to swipe them away. “I’m still mama, I’m still you mom.”

She led Tom’s hand over her heart, letting him feel the steady beating of it. The constant and steady pattern of thumping seemed to entrance him for a moment until his mild rocking and distressed noises slowly came to a halt.

“See? It’s still me, baby.” She cooed, running her thumb along the back of her son’s hand. “My hair is gone, but I’m here.”

“Sometimes, in life,” Barbara began, setting Tom’s hands down in his lap again now that he was calmer. “things change, and we can’t control it. Like my hair, you couldn’t control that, could you?”

Tom looked up from watching his hand feel the steady movement of her heart pumping, looking up at his mother’s face. He still looked displeased and upset, but less so, even going as far as to reach for where her hair used to be, trying to grab at the air around her head like it was still there. Fruitless.

She held his hand again, pressing it against her cheek with a broad smile, one she gave him often. He couldn’t keep his resentment for long, giving his own goofy smile back with a giggle. The way her gap tooth showed when she smiled that big was forever burned into his memory, only disappearing from her face so that she could kiss the palm of her son’s hand.

Tom shook his head, frowning at the thought but keeping a wide eyed expression to his mother as she continued her lesson. She smiled to him once again.

“Well, that happens a lot in life.” She sighed, cupping Tom’s cheek in her hand. “And no one likes it, you’re not alone for thinking that. But what you can control is how you deal with the change. Like how you showed me how upset you were, so now we’re talking about it. Do you feel better about it now?”

Tom took a moment, eyes casted down as he thought on it. He gave a small nod as he looked back up at her.

“Good.” She beamed. “And from now on, I’ll do my best to let you know beforehand when I make a change like that, alright?” She kissed Tom’s forehead, causing the child to give a small giggle. That was her favorite noise.

Now, Tom was always a Mama's Boy (not in a derogatory way, he just loved his mom a whole hell of a lot) but even moreso after his father died. They both were grieving and so it caused them to cling closer together because of it, to the point that had it not been for his friend (at the time only Matt, but later Edd too as this was before Tord was introduced to the friend group) he probably would've completely self isolated

They do a ton of things together as Tom gets over and they both eventually heal from Peter's death, baking, sewing, shopping, watch movies, anything they can do when they have the chance to hang out together

They were so close in fact that Barbara was genuinely the first person he came out to for being nonbinary (He/They pronoun user :) ) and of course she loved him unconditionally, but he didn't even tell Matt, Edd or Tord (now in Highschool and having been introduced to delinquent) that yet

However, later in his highschool years, around late Junior year (11th grade) or early Senior year (12th grade) of highschool his mother dies as well. Not from a freak bear with a gun attack though, instead from Pneumonia, which is something she tends to get a lot and always had in her youth, and while it usually isn't fatal and there is treatment and whatnot and she definitely took as much as help as she could, this time just hit different it seemed.

This really fucked with Tom during some of his most important years of his life and caused him to go into a BIG depressive episode for a long long time

Side note that I guess also kinda applies: Had it not been for Tord being just as stubborn of a jackass as Tom, he would've completely self isolated. Edd and Matt helped a lot in his youth but he also had his mom to encourage him, but now with his immediate family all gone he didn't see much of a reason to interact with people. And where Edd and Matt lack in persuasion, Tord more than makes up for in the lack of giving a fuck and would literally drag Tom outside even if he was kicking and screaming. This is mostly because Tord is second only to Tom himself in how durable he is, like a brick shithouse (built like one, too) and not afraid to make Tom hate him if it meant getting him better in the long run (a running theme I have for their relationship :) they're less so "GRR I HATE YOU I HOPE YOU DIE /GEN" and more of like have this weird understanding with eachother where like "I'll literally kill you if you touch me but I'd kill anyone you touched you" type beat, unafraid to get the other to hate them for the greater good because they have the understanding that they wouldn't do something so wildly stupid for no reason. Yes that plays into The End and the future events of WTFuture)

I love them so much oh my god you have zero idea

Anyway, TL;DR

Tom and his mom are extremely close and helped each other get through the worst of times while Tom continues to learn the lesson of "everything changes, it's out of your control, and you can only control how you proceed with it"

[steelycunt]

ridi im sorry i need to rant and i think youll get it 😭 like not to be a bitch but this fandom kinda going off the rails and annoying the shit out of me https://www.tiktok.com/t/ZTRbYASpf/ everybody in the comments unironically loving it,,, i mean wtvr ship who you want but its kinda getting delusional like ppl are just operating on thin air and pretty fancasts atp and i do Not understand or emotionally connect with any of it. at least w wolfstar theres so much material and foundation to explore but what is all the rest of this?? just hot celebrity fancasts and crack. to be fair part of me respects taking a terfs canon material and making everybody gay but the way it seems to be so oversaturating fics and the fandom that characters dont even feel like their original selves .. atp its all just surface level OCs

hello! yes! i'll be honest talking about things like this always make me a little nervous, and i feel obligated to preface anything i say with a disclaimer that none of it really matters, nothing i say matters, and you should do what you like, because--who cares. i am not an authority on--anything, frankly. my opinion holds no more weight than the next guy's, and all i'm doing here is giving it, so. essentially what im saying is--people are perfectly entitled to disagree with me, but people are not entitled to be mean to me about it xx

having said that. it is my personal opinion that s x barty is one of the worst fucking things i have ever heard lol. who even is barty who is that guy. why would s be interested in him at all. i do not understand it it does not make sense to me. from where are we sourcing the character traits and personality that we are giving barty that would ever endear sirius to him, because it objectively cannot be canon.

overall i do not get the new interest in barty + evan + pandora (+ regulus, but we won't go there)...at all, other than guessing that people were bored with the marauders and wanted a new version of them (and new celebrities to fancast) while simultaneously changing next to nothing about them other than superimposing them onto the first slytherin side characters they could rustle up. i expect ive become a bit of a broken record in regards to my dislike of the popular meow-meow-ification + complete absolution of regulus as a character in order to make him a loveable oc (just as i think erasing all the negative traits that r/s have in order to make them more likeable is just as boring), and all of that applies to those other guys as well (with the slight difference that they are, somehow, even less interesting and significant than regulus in canon), so i won't get into that too much. but i think what you say about having no emotional connection to any of it is exactly right lol--it is a sort of shift? i guess? in the fandom that is simply of no interest to me. they are characters that i just have no emotional investment in and admittedly struggle a little to understand why other people do. i am emotionally invested in, like, five characters overall (and even out of those--there's only two i'm really here for innit xx) and i personally cannot extend that investment to a creepy little side character who is mentioned maybe twice in the entire series.

and that is okay! i do not need to understand it. i don't want to say it annoys me because honestly--i don't go there, its nothing to do with me. if i dont like it i just wont interact with it, and the fact that it doesn't interest me has no bearing on what other people are into or want to do, and i couldn't give less of a shit what people do with the canon material, which is largely garbage anyway. take the bits you want from it, play around with those and ignore the rest. in that respect we are all doing exactly the same thing. but yeah i think s x barty is genuinely awful lol. hate it. very terrible. he's already got a loser werewolf boyfriend and he loves him so so much. leave him alone.