#‘what if i like aspiring to the exact model of femininity patriarchy expects of me :(‘

[starksinthenorth]

Musings on ASOIAF Ladies and Ambition

I’ve noticed people use “ambition” to describe Sansa and Daenerys as if it’s a bad word or an insult (often called “power hungry”). Yet in the text of the series, neither of them are shown to be ambitious people as a core characteristic. I blame the series for a lot of this, because it failed to explore the internal dialogue of Sansa, Arya, and even Cersei, who ends up more humanized than either of them by the end (because of the maybe baby).

Cersei Lannister is the classic ambitious ASOIAF lady, whose point-of-view is introduced in perhaps the most iconic sentence of any introductory chapter:

She dreamt she sat the Iron Throne, high above them all.

I can’t think of a sentence in ASOIAF that better introduces the internal thoughts and view of its leading character.

In comparison, Sansa’s first sentence is receiving news about her father’s whereabouts, Daenerys is shown her new dress to meet Drogo, and Arya has crooked stitches again. Arya’s works to frame her relationship with Sansa and her internal struggle to fit the feminine Westerosi mold, while Sansa and Daenerys are setting up plot points. None of these interactions signal ambition, bad or good. Daenerys did not arrange her wedding, Sansa is just told the information by her Septa, and while Arya is aspiring to have straight stitches, that’s hardly an ambitious goal for a girl of nine.

Fans rarely, if ever, deny Cersei’s cruel, cold, often stupid ambition. In fact, it’s one of the reason people seem to love her. She’s internally open about what she wants - power - and when she wants it - now:

All of them are burning now, she told herself, savoring the thought. They are dead and burning, every one, with all their plots and schemes and betrayals. It is my day now. It is my castle and my kingdom.

- AFFC, Cersei III

The rule was hers; Cersei did not mean to give it up until Tommen came of age. I waited, so can he. I waited half my life. She had played the dutiful daughter, the blushing bride, the pliant wife. She had suffered . . . She had contended with Jon Arryn, Ned Stark, and her vile, treacherous, murderous dwarf brother, all the while promising herself that one day it would be her turn. If Margaery Tyrell thinks to cheat me of my hour in the sun, she had bloody well think again.

- AFFC, Cersei V

Cersei is the definition of a power hungry lady, scheming and cheating at every point. Yes, Sansa learned from her, but most of Sansa’s internalized lessons of Cersei’s were to do the exact opposite. 

"The night's first traitors," the queen [Cersei] said, "but not the last, I fear. . . . Another lesson you should learn, if you hope to sit beside my son. . . . The only way to keep your people loyal is to make certain they fear you more than they do the enemy."

"I will remember, Your Grace," said Sansa, though she had always heard that love was a surer route to the people's loyalty than fear. If I am ever a queen, I'll make them love me.

- ACOK, Sansa VI

Cersei isn’t the only POV character who views herself outside of conventional Westerosi standards and aspires to something beyond being a wife and mother. Arya Stark has ambition writ clear on the page, though it is not so cold or denying other people their rights or chances. Compared to Cersei, Arya doesn’t want everything, crown and throne and kingdom and all. She just wants something, and even that is denied to highborn women in Westeros. Even when she asks her father about her future, a man who wants to do right by his children and loves them, Eddard Stark is blinded by Westerosi patriarchy:

Arya cocked her head to one side. "Can I be a king's councillor and build castles and become the High Septon?"

"You," Ned said, kissing her lightly on the brow, "will marry a king and rule his castle, and your sons will be knights and princes and lords and, yes, perhaps even a High Septon."

- AGOT, Eddard V

With Arya in this, I see some parallels to Elaena Targaryen, who was so good at math and management she served as the secret Master of Coin while her husband carried the title. Elaena was “more willful than Rhaena, but not as beautiful as either of her sisters,” yet is also said to have been “more beautiful at age seventy than at age seventeen,” growing into herself like Arya is expected to. They both even cut their hair, Arya to hide her gender and Elaena to hide her beauty, both instances to gain freedom from captivity in the Red Keep.

Despite both these examples of ambition - Cersei’s all-encompassing, without care for how it affects the realm, and Arya’s attempt to find a place in the world outside the Westerosi model - it still becomes an insult when people speak of Daenerys and Sansa.

Critics claim Sansa is ambitious, and negatively so, because she “wants to be queen.” But this criticism misses a vital point of Sansa’s character. Unlike Cersei, she does not want to be queen because of the power and political influence, but because she will be living a song. In the start, Sansa’s got her head in the clouds, not to the dirty world of politics. Her very first chapter lays out this motivation incredibly clearly:

All she wanted was for things to be nice and pretty, the way they were in the songs.

When she thinks of Joffrey and being in love with him, it’s because he’s “handsome and gallant as any prince in the songs” (AGOT, Sansa II), 

Alternatively, it has been said that Sansa is ambitious because of her claim to Winterfell. But compare how Sansa thinks of her claim to how Big Walder Frey does. Despite being far down the inheritance line, he is certain he will someday possess the Twins. He’s likely willing to kill his family to become Lord of the Crossing, and already has killed Little Walder.

In comparison, Sansa isn’t the one who realizes her claim as heir to Winterfell, even after her two younger brothers are believed dead. It’s Dontos who mentions it, and after she still thinks that Robb will have sons to inherit.

But she had not forgotten his words, either. The heir to Winterfell, she would think as she lay abed at night. It's your claim they mean to wed. Sansa had grown up with three brothers. She never thought to have a claim, but with Bran and Rickon dead . . . It doesn't matter, there's still Robb, he's a man grown now, and soon he'll wed and have a son. Anyway, Willas Tyrell will have Highgarden, what would he want with Winterfell?

- ASOS, Sansa II

Sansa’s not ready to kill Bran and Rickon if they show up. Her arc is about taking off the rose-tinted glasses and seeing reality, but also working to make reality like a song. For example, her idea of the Tournament of the Winged Knights for Sweetrobin. It’s a song come to life, all by her making. TBD how the ending goes, of course, but it shows that trajectory.

And finally, Daenerys.

Daenerys is not driven by some lifelong desire to win and dominate. She’s forced into it, a la Brienne’s “no chance and no choice.” If Daenerys were raised in a stable environment, I have a feeling she’d be much more like Sansa: dreamy, hopeful, sweet and studious. Happy.

But instead, her eyes are open.

When she’s introduced as a character, she shows an awareness for the schemes and politics of the world. She knows her brother is called the Beggar King in the Free Cities, and is doubtful of the smallfolk’s secret toasts to Viserys III that Illyrio Mopatis claims happen across Westeros.

Like Sansa and Cersei, there’s evidence of her goals, hopes, and wishes in the very first chapter:

"I don't want to be his queen," she heard herself say in a small, thin voice. "Please, please, Viserys, I don't want to, I want to go home."

. . .

Dany had only meant their rooms in Illyrio's estate, no true home surely, though all they had, but her brother did not want to hear that. There was no home there for him. Even the big house with the red door had not been home for him.

Daenerys remembers home as the house with the red door in Braavos. It’s her brother whose only home and stability was the Red Keep, not her.

Throughout her journey of power to take back the Seven Kingdoms, she is doubtful at every turn and most of her wishes are for happiness, for peace, for stability.

Dany had no wish to reduce King's Landing to a blackened ruin full of unquiet ghosts. She had supped enough on tears. I want to make my kingdom beautiful, to fill it with fat men and pretty maids and laughing children. I want my people to smile when they see me ride by, the way Viserys said they smiled for my father.

- ACOK, Daenerys II

A queen I am, but my throne is made of burned bones, and it rests on quicksand. Without dragons, how could she hope to hold Meereen, much less win back Westeros?

- ADWD, Daenerys II

Even later, Daenerys is determined to bring peace to the lands she currently rules. She does plan to return to the Seven Kingdoms, but it’s not driven by pure ambition. And this is, notably, from a conversation when Prince Quentyn Nymeros Martell asks her to come back and claim them now, saying she has allies for that conquest. And still she turns him down, with promises that it will only happen eventually:

"Daenerys said. ". . . .One day I shall return to Westeros to claim my father's throne, and look to Dorne for help. But on this day the Yunkai'i have my city ringed in steel. I may die before I see my Seven Kingdoms. Hizdahr may die. Westeros may be swallowed by the waves."

- ADWD, Daenerys VII

And yet in both Sansa and Daenerys, these visions and hopes for the futures they might have are considered unbridled ambition, although they turn more on happiness and peace for themselves and their people, rather than the type of ambition Cersei has, which is clearly her own power and being heralded above everyone.

Daenerys’ thoughts in her sixth chapter of ADWD have the same energy as Sansa’s “I will make them love me.”:

"A queen must know the sufferings of her people."

. . .

A queen must listen to her people, Dany reminded herself. 

Daenerys has figured out how to make her people love her, by wearing her “floppy ears” and appealing to the masses, listening to them, et cetera. She’s also a bit ahead of Sansa in the realm of ruling, to be sure.

But how are these similar thoughts ambition in either of them? It’s an attempt to empathize and connect, not to throw away and disregard and rule by force and domination. Both these ladies are more nuanced, and the fandom does them a disservice by painting them as ambitious or power-hungry when at the end for both of them, it’s a desire to have a happy, stable, loving life.