#“I have made this thing apart of my personality and I need it to survive and I know everything about it and I NEED to talk to someone it”

[mcflymemes]

"I CAN'T LIVE WITHOUT YOU" PROMPTS *  assorted dialogue, adjust as necessary

you expect me to just carry on without you?

you're the only one i'll ever want.

they don't know me like you do.

i knew i needed to see you again.

everything makes sense when you're near me.

it's you, or it's no one.

i'll do everything i can to give you the perfect life.

please give me a chance to prove i'm the one.

life's just not worth living if you're not in it.

what you and i have... it's special. it's more than special.

can't you see we're meant to be together?

you're my soulmate.

there has to be something i can say to convince you to stay with me.

but i don't want you to leave.

you changed my whole world the day i met you.

the last thing i want is a life without you.

i can't go another day without you.

please stay beside me.

i made a mistake when i left you. i realize that now.

you're the reason i fought as hard as i did.

no one compares to you.

you can't leave me.

i tried living without you. worst time of my life.

i don't ever want to know what life is like without you.

you're all i have.

they don't touch me like you do.

you're the only one for me, i've decided.

what will it take for you to stay here? with me?

nothing makes sense when you're not here.

you mean everything to me.

all right, i'll come right out and say it. i need you.

if you want me to get down on my hands and knees and beg, i will.

it's you that i want.

when i first saw you, i went "oh. that's the person i'm going to marry."

i don't feel safe when you're gone.

i think i was made with you in mind.

it's only you. it's only ever going to be you.

i wish you would stop trying to push me away.

ever since the day you walked into my life, i've been forever changed.

you have no idea your effect on me.

i want you in my life.

i'm going to fight to keep you in my life.

they can't take you away from me.

nothing can tear us apart.

tell me you want me the way i want you.

right now, i just want you close to me.

i never would have survived that had it not been for you.

i'll never love anyone the way i love you.

i don't see other people. i only see you.

you're the one that i want.

what's the point of life if you're not here with me?

don't go where i can't follow.

the longer we're apart, the more sure of it i am. you're it for me.

i think of you all the time, actually.

pretty sure i've been thinking about kissing you since the day we met.

you're my home.

do you believe in soulmates?

when we're apart, nothing makes sense.

that's why i want you here with me.

we're stronger together than we are apart.

[bigfatbreak]

Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).

If he is starving / in danger of starving who is the first to realize this?

it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.

In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae

[bunnihearted]

i've also realized that there is no therapy that can fix what's broken inside of me

[opens-up-4-nobody]

...

[elumish]

I've been reading Iron Flame by Rebecca Yarros, and it's gotten me thinking about how worldbuilding is multilayered, and about how a failure of one layer of the worldbuilding can negatively impact the book, even if the other layers of the worldbuilding work.

I don't want to spoil the book for anyone, so I'm going to talk about it more broadly instead. In my day job, one of the things I do is planning/plan development, and we talk about plans broadly as strategic, operational, and tactical. I think, in many ways, worldbuilding functions the same way.

Strategic worldbuilding, as I think of it, is how the world as a whole works. It's that vampires exist and broadly how vampires exist and interact with the world, unrelated to the characters or (sometimes) to the organizations that the characters are part of. It's the ongoing war between Earth and Mars; it's the fact that every left-handed person woke up with magic 35 years ago; it's Victorian-era London except every twelfth day it rains frogs. It's the world, in the broadest sense.

Operational worldbuilding is the organizations--the stuff that people as a whole are doing/have made within the context of that strategic-level world. For The Hunger Games, I'd probably put the post-apocalyptic nature of the world and even the existence/structure of the districts as the strategic level and the construct of the Hunger Games as the operational level: the post-apocalyptic nature of the world and the districts are the overall world that they live in, and the Hunger Games are the construct that were created as a response.

Tactical worldbuilding is, in my mind, character building--and, specifically, how the characters (especially but not exclusively the main characters) exist within the context of the world. In The Hunger Games, Katniss has experience in hunting, foraging, wilderness survival, etc. because of the context of the world that she grew up in (post-apocalyptic, district structure, Hunger Games, etc.). This sort of worldbuilding, to me, isn't about the personality part of the characterization but about the context of the character.

Each one of these layers can fail independently, even if the other ones succeed. When I think of an operational worldbuilding failure, I think of Divergent, where they took a post-apocalyptic world and set up an orgnaizational structure that didn't make any sense, where people are prescribed to like 6 jobs that don't in any way cover what's required to run a modern civilization--or even to run the society that they're shown as running. The society that they present can't exist as written in the world that they're presented as existing in--or if they can, I never could figure out how when reading the book (or watching the film).

So operational worldbuilding failures can happen when the organizations or societies that are presented don't seem like they could function in the context that they are presented in or when they just don't make any sense for what they are trying to accomplish. If the story can't reasonably answer why is this organization built this way or why do they do what they do then I see it as an organizational worldbuilding failure.

For tactical worldbuilding failures, I think of stories where characters have skillsets that conveniently match up with what they need to solve the problems of the plot but don't actually match their background or experience. If Katniss had been from an urban area and never set foot in a forest, it wouldn't have worked to have her as she was.

In this way (as in planning), the tactical level should align with the operational level which should align with the strategic level--you should be able to trace from one to the next and understand how things exist in the context of each other.

For that reason, strategic worldbuilding failures are the vaguest to explain, but I think of them like this: if it either 1) is so internally inconsistent that it starts to fall apart or 2) leaves the reader going this doesn't make any sense at all then it's probably failed.

[irndad]

a/n: continuation to this, but you don't necessarily have to read it first! all you need to know is reader got shot protecting maeve, and both survived. spencer has been in love with her the entire time.

“Have you called Maeve?” 

She asks it on a beautiful, rainy day, about five weeks after the event in question. She’s a little too nonchalant about the whole thing, has been from the start- Spencer’s been correcting for that. He’s been treating her like something fragile, a beautiful glass figure that was almost shattered. This is something he knows irritates her, but how can he not?

He tries not to think of it, but the memory of her in a hospital bed, bandages over her abdomen, the wooziness of giving her blood. He can’t help his caution, now. People assume, quite often that Spencer was unaware of the fact he’s in love with his best friend. Like it was something he didn’t know, didn’t have to live with. 

Spencer can be oblivious about a lot of things, but being in love with the person he’s shared a desk with for 4 years is not among them. 

“No,” he replies, looking up at her as she sits down, handing him the cup of tea she made him. They’re at his apartment. She’s been cleared for desk work, but Spencer had been nervous about the whole thing. They’ve fallen into a rhythm of her going to his apartment after work, and for how determined he is to tell her how he feels, he’s not really able to pluck up the courage.

“Spence,” she sighs, “You have to call her.”

“I did! When it happened, I called her. We talked. We just don’t talk anymore.”

She furrows her brow in an adorable way, and Spencer’s heart threatens to fall out of his chest. He’s been playing a game of she loves me, she loves me not in his mind for the. Past few weeks. 

Took a bullet to see me happy. She loves me. 

She stirs her ceramic spoon, the clink of it against the mug fills the silence. She bites her lip, clearly disappointed with his response. 

Wants me to call my not but kind-of ex. She loves me not.

She’s wearing this blue floral dress, and he is trying not to stare at where the fabric has ridden up, kissing the skin above her knee. She’s got lipstick on, and he tries not to read into how she’s sitting so close to him. Except he is kind of reading into it. 

Before she got hurt, he had tried to shove this feeling down- tried to ignore the swoop of his stomach when she walked by, or when she gave him a compliment, or when she let him do a card trick for her. He tried to shove down how much he fucking hated it the one time she had a date pick her up at the office. 

She’s just easy to be in love with. She writes little smiley faces on post-it notes and leaves them on his desk, and when the whole Emily thing had gone down, she’d spent weeks taking care of him through her own grief. 

She’s sitting on his couch. Five weeks ago, she was half-dead in a hospital bed, and now she is on his couch, in a beautiful dress after returning from the job they both share. 

He does not want to call Maeve. 

The comfortable silence turns tense as the episode of Doctor Who plays in the background, and he’s still a little gunshy- she’s breathing, she’s okay. He feels creepy, but he lets his eyes close for a moment so he can hear the sound of her breath, to know it’s still there.

“Spencer,” she says, after she pauses the show, and he turns fully to face her, “I am okay.” She grabs his hand, and he takes a couple of seconds to process the touch as she places it over her own wrist. ‘I am fine. They fixed me up. You are allowed to stop worrying.”

Her tone is even, but intentional. She’s giving him permission, as if his presence is some guilt-driven notion that’s stopping him from getting what he really wants. It’s true, though, that he doesn’t always believe she’s okay. Notices how she’ll wince when she bends a certain way, and the scar by her eyebrow is healing well, but he still searches for it in her face.

He savors the feeling of the soft skin of her wrist under his touch, running his fingers over the junction of her hand and wrist with delicate affection. How she hasn’t figured out he’s in love with her is anyone’s guess. 

He wonders what it would feel like to kiss her there.

“I know I can call her,” he manages to say back, meeting her warm gaze in a maybe too honestly in love glance, “I’m where I want to be.”

“Before I got hurt, you picked out an outfit, you asked for advice on dating, Spencer. You did that. I just-“ she sighs, moving her hand from his grasp and pinching the bridge of her nose in frustration, “The piece of you that wanted that is obviously still there. You don’t have to spend a Friday night with me in your apartment because you feel guilty that I got shot.”

“You’re not here because I’m guilty-“

“Then why-“

“You’re in my apartment right now because I am in love with you, and if you’re out of my sight for more than twelve hours than it’s like I forget that you’re still alive. That you didn’t get yourself killed before I ever got the chance to actually tell you.”

He’s not yelling. Well, he’s kind of yelling. Talking loudly, anyway. Her eyes widened and he’s hyperaware of how close she already was, is. She smells like lilies and her, and it’s all so present. She could have died. She might have never heard it. 

She’s heard it now, he supposes. All the weeks of agonizing, notebooks he’s managed to fill in the last few weeks trying to figure out a way to say it to her that could charm her into loving him back- all gone. He’s told her, now. 

All the cards are in her hands.

Her doe eyes almost sparkle at him, her head tipped to the side in a fond, loving gesture, and he wants to kiss her, wants to feel her faded-lipstick pout against his mouth. He wants his I love you to turn into I can have this. 

“Spence,” her voice is a trembling, insecure thing. One half of his mind wants to rage at him- there’s no way she’s going to tell him she loves him back, that someone like her could ever want someone like him. But the other half, one that seems dangerously like hope- she took a bullet for him. She didn’t even think twice. “You’re in love with me?”

It’s like it’s not even him who replies. Some bitter thing takes over his voice and speaks for him. 

“How could I not be? It’s you.”

It’s then he notices, that oh, she’s tearing up. 

A beat passes, and Spencer sucks in a deep breath before rambling an absurd amount. 

“You don’t have to- We can still be friends, obviously, you know that. But we can, I just- I needed to tell you because when you were in that hospital bed and you’d never heard me say it, I just couldn’t live with you never knowing. But now you do, and you don’t feel the same, and that’s okay-“

He doesn’t get to keep talking, because she grabs him by the collar of his shirt and kisses him. She’s warm and beautiful and her hair brushes up against his cheek and there’s something in him that takes over when he moves to  cradle her head between his hands, both desperate to keep her in his grasp and savor the moments he gets to hold her. She tastes like cherry chapstick and something completely undefinable. 

When she pulls away after a moment that feels entirely too short, heavy lidded eyes meeting his in affection, and Spencer thinks he’d like to do that for the rest of his life. 

“I love you too,” she says back, and he commits it to memory, the sound of her so-sweet voice wrapping around the words he’s fantasized about hearing since the first time she smiled at his joke about philosophy. “I’ve loved you a really, really long time, Spence. I just thought I lost my chance, you know with- with everything. I never really thought I had one.”

He can’t even speak, really. He doesn’t think he can wrap his head around the fact that she felt like he wouldn’t like her back. 

It doesn’t feel like a concern, now, when he leans in to kiss her again. She smiles into him, and Spencer memorizes the feel of her waist encircled in his arms, when he realizes that this is the heart he is able to hold without limits. 

She loves me too, he thinks. She is safe, she is okay, and she loves me back. 

On the following Monday, when Morgan sees the two of them with linked hands before Hotch gets to the office, he doesn’t say anything. 

He does hand Emily 20 dollars, though. 

[alargehunkofdebris]

Why There’ll Never Be Another Good Omens 2 Experience

The strangest thing happened after a few days post my watching of S2. I got a wave of real, bittersweet sadness.

Not due to the obvious – I was dealing with that too, but with more excitement than anything – but because I realized something, as a writer and consumer of media. I realized that it’s unlikely I’ll ever get a media experience close to what I experienced at the end of Good Omens 2. Because really, its setup was absolutely unparalleled – in general, and for myself personally.

I am currently writing my third romance, and what I’ve learned primarily about the genre, the way for it to really work, is that there needs to be something keeping the couple apart initially. The more things keeping the couple apart, the stronger the romance hits. The more the couple clashes with each other, the better it is. Societal norms, class issues, initial dislike, literal danger—all these aspects are what make a romance a story. It’s that conflict that creates the compelling narrative. No romance was ever popular because things worked out well from the beginning – it’s that “look at what we were, and look at us now” aspect that gives readers/watchers that satisfaction. It’s the “I can’t believe this happened” effect. The “I would never have foreseen this” effect. The “they’ll never be together” effect. It’s why forbidden romances are so incredibly popular.

Another aspect that makes a romance story really work well is the amount of time it takes for the romance to develop. A couple that gets together after a few days? Eh, it’s tricky. You better make it really dramatic somehow. A great example is Titanic – class differences, betrothal, and a huge amount of danger threatens this couple, so them being in love after only a few days works. But what really sells this one is because we can see how this romance has survived beyond those few days. We see it 80 years in the future, still there, in the memory of Rose. That is why it hits so hard. Romances that span over long periods of time (especially ones that are bittersweet/tragic) hit so much more than ones spanning a short period.

But wait! There’s more!

You can up this effect by not only having the romance take time in story…but having it take time in real life, for the viewer/reader.

This is why romances in TV shows that take years to finally work out are so compelling. It’s that “Pam and Jim” effect, that will-they-won’t-they deal. We are waiting right along with them, and we’re feeling that same relief when all those things keeping them apart finally fall away. This is harder to pull off, because there’s never that guarantee that the story will make it that far. TV shows get cancelled, creators lose interest or die, etc. So it’s not just “Will They, Won’t They,” it’s “Will They, Won’t They, Can They Even Try?”

This is also compounded by that fear that it won’t happen in-story after all, and while in romances you’re pretty positive that things work out (they kinda have to, for it to be labeled a “romance”) in other media, there’s always that possibility. Look at Community – there’s a forbidden/conflict-ridden romance that didn’t end up working out, even though it was “Will They, Won’t They”d for six entire seasons. You also then have shows and ships where fans are almost sure it won’t happen, but still hold out hope. (See: Supernatural, Sherlock, etc.)

Now. Now look at Good Omens. Look at that absolutely unparalleled, unbelievable set up. It’s unbelievable because it takes almost every single thing that makes a romance compelling, and not only uses all of them, but dials them up to 11.

Why are they at odds? Why are they forbidden from being together?

Because they are literally the most opposing forces you can imagine in Western Canon. They are the Angel Guarding The Gate and The Serpent of Eden. The literal only way you could’ve made this a bigger deal would’ve been to make it God and Satan, and even that would’ve not hit as hard, because it’d be like two CEOs getting together – there’s no fear of a higher power adding that delicious conflict. And to add to all this, in real life, the couple is portrayed as two men, which adds that second meta level of conflict.

And what fear/danger is keeping this couple apart?

Not just familial disappointment—but disappointment from God and Heaven and Hell. Not just moral guilt, but the guilt of potentially dooming the entire Earth. And finally, on top of that, the very real danger of being killed. Not only that, but making it as though you never even existed.

And in real life, they face all those roadblocks that queer couples in media have been battling for years and years, but I'll talk about that more in a second.

Okay, then Time. How long have they been kept apart?

For…all of it.

All of the time that ever existed.

They, quite literally, could not have been kept apart longer.

And this leads into those final two points, the ones that actually really sell it. Because I can sit down right now and write a story about an angel and a demon falling for each other at the beginning of time against all odds…but what I can’t do is to have already written it thirty-three years ago.

That’s how long this story has existed. Thirty. Three. Years.

I’m not even counting how this is using characters that have existed as opposing forces for thousands of years. I’m not even saying that, even though that’s also a part of it. But besides that, this story, this exact story started thirty-three years ago, and is still being continued by the author to this day.

Do you know how uncommon that is?

Yes, we have canon that has lasted for many, many years. Hundreds. We get new versions of beloved older stories ever year. But it’s so very rare that they are by the same creator. We get new Sherlock Holmes content, but it is not written by Arthur Conan Doyle. This, on the other hand, is actual canon content, written by the author of the original. That is unbelievably rare.

That means we’ve got a fandom where some people have grown up with these characters. People who read it at twenty are fifty-three. People who read it at fifty are eighty-three. Kids who saw their parents reading the book now have children of their own. It is a cult classic that has been in the hearts of so many people for generations. Me, personally, I fell in love with it ten years ago, at age twenty, at the very beginning of my own writing journey. This story means so much to people, because it’s stood that test of time.

And yet, this story was never explicitly romantic. So many saw it that way, but it was never something confirmed. Because this was a book from the 90s, at a time where this kind of romance just wasn’t in popular media if it wasn’t played as a joke. It was, back then, the same kind of “forbidden” as a romance between angel and demon. So people imagined, but they never expected anything more. And they’ve continued not expecting more, because even in the 2019 first season, there was never any true confirmation of anything, and people accepted it. You have a 33-year-old story here – it’s possible that this major change/confirmation could happen, but all things considered, it was unlikely. You would never blame the creator for not making major developments to a story they wrote with their late friend a lifetime ago. And no one in production was saying a word to confirm or deny, but we’ve seen all this before. It was a Will-They-Won’t-They…Probably-Not situation.

And then you have the end of S2.

And that's where that bittersweet sadness comes in for me, personally. Not at a huge level, not to the point where I'd have it any other way, but it's there regardless. Because I realized that this was a unique situation that could never be replicated, for me, and likely for many, especially readers of the book pre-show. In all likelihood, I would never again experience a romantic payoff like this one. Because it was the most forbidden of forbidden romances, the couple of which have been kept apart by the worst of all dangers and highest level of guilt for the longest amount of time literally possible, written over a real-life span of time where this kind of romance went from “completely taboo even in real life” to “finally acceptable in popular media,” written by the same creator, and not confirmed as canon until the story reached the age of Jesus Christ himself.

And the real kicker is, even after everything these two literally star-crossed lovers have gone through…they’re still being kept apart. They’ve still not taken down those final, seemingly insurmountable barriers between them. It wasn’t a “here you go 😊” move to make long-time fans happy – it’s being used as a perfect, painful plot point. After 33 years, we’re still having to wait longer.

Chef's kiss. Couldn’t have been a better set up if it was mathematically calculated. And yet, the best part is that it happened organically.

It just works.

[obvi-the-best-soph]

we're all bound to break. (pt. 1)

alexia putellas masterlist: here requests: here

based on this request: Hey! Got a request for a teen!fic with Barca women’s team (focus on Alexia, Mapi and Ingrid if possible). I’m a sucker for angst so would love an angsty storyline, maybe an injury or off pitch event or something!

word count: 2,375k

summary: your parents pass away 2 weeks before the champions league final, but you don't tell anyone, which of course has knock on effects.

genre: angst/hurt warnings: disordered eating, vomiting, death of parents, swearing, grief, drunk driver/car accident, alcohol, struggling alone, body dysmorphia.

a/n: this is my first full length fic i'm posting on here, so i hope you enjoy it. sorry if the spanish is bad, i tried lol. would love requests and feedback as this had taken me literally ages. thank youuu :)

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Ever since you were a little kid, 4 or 5, you had wanted to play for Barcelona. Your papá had taken you to nearly every game you could make it to, and you loved it. That was always a special time, just you, and papá, and football. That was how you liked it. You and papá. Of course, you loved your mamí too, more than anything, but she didn’t quite love football just as much as you, but she was always supportive and tried her best to understand. So when the contract came for the first team of Barcelona Femení, you couldn’t put pen to paper fast enough. And suddenly, papá wasn’t just coming to games to watch the team, but to watch his own pequeña princesa (little princess) play.

And you absolutely dominated too. At first, you were just another new signing for Barcelona, a young kid that would probably barely ever play and hardly ever get started, but you quickly squashed those assumptions, scoring a hattrick in your debut game, shocking Camp Nou into near silence. You celebrated every goal by making a heart with your hands over your eyes, looking through the gap, where your papá would be cheering and clapping for you. Everything you did, you did for your papá… sound familiar? Every award you had won was dedicated to him, every goal, every game, similar to your mentor and current roommate, Alexia Putellas. When you signed for Barcelona, you had needed somewhere to stay as you and your family lived just outside the city, and after Alexia had met you, she had immediately offered. So that’s where you lived, in an apartment with Alexia. And occasionally, her girlfriend Olga. 

But Alexia wasn’t the only person you’re close to, Mapi and Ingrid often hosting you for sleepovers on weekend or Friday nights. You loved Mapi, always interested in her tattoos and their stories, or the funny things she’d tell you about Alexia or Ingrid. And Ingrid was great too. 

You loved all the Barca girls really, the second you stepped foot in there, they welcomed, loved and accepted you. Especially Ona, who you had become really close to, and Lucy and Kiera were always funny when you tried to teach them Spanish. Lucy was pretty good, but Kiera could barely make her way through “¿Hola, cómo estás?” (Hello, how are you?) without stuttering or looking around for reassurance. She was teased for it a lot, but it was all in good fun. All in all, you loved it at Barcelona, and now anywhere with that team felt like home. 

This season, you have been killing it. Scoring at least one goal every game, often two. And now, you've made it to the Champions League final. 2 weeks before, you got the most devastating call of your life. 

“Is this Y/N L/N?”

“Si, who is this?”

“Uh hola, this is the Police Department of (your hometown), and we regret to inform you that both of your parents have been involved in a serious car accident, they were hit at high speed by a drunk driver. Unfortunately neither of them have survived the impact.”

The phone slipped from your hands, clattering to the floor. Everything went blurry, the tears clouding your vision, and your knees shook until you found yourself crumpled on the bathroom floor. Thankfully, Alexia and Olga had gone out for dinner that night, so you were home alone, otherwise you would’ve immediately had people at your side, and you couldn’t think of anything worse right now. 

So… what now? No more papá, no more mamí…

You didn’t know what to do. So you just sat on the kitchen floor, and cried. And cried. And cried some more. “Why did it have to be me? Why did it have to be my parents?” you thought, the stages of grief already hitting you hard. 

After another hour and a bit longer of crying, you retreated to your room. You curled up in your bed, staring off into space, thinking about all the little things you didn’t have anymore. No more hugs from mamí, no more of her cooking, no more one on one time with papá, no more childhood home to go back to, no doubt your Tia (aunt) would sell that the second her greedy, money-loving little mitts could, no more papá. No more mamí. The two people that kept your world spinning. 

You decided you weren’t going to tell any of the team about it, not yet. Maybe after the final. There were a few reasons you’d thought of, one; you didn’t want them to pity you and treat you differently, two; you didn’t want to make them worry over you anymore than they already, and three; you just couldn’t bear to actually voice the words. “My mamí and papá are dead.” It was too much, too painful. So, you just stayed silent.

You didn’t get out of bed or leave your room much anymore, unless it was for training or other football stuff. That made Alexia begin to worry, you were always happy, and cheerful and hyper and pestering the others. But now you seemed like a shell of the person you were, which was partly true. You didn’t enjoy life much anymore, you just barely managed to drag yourself out of bed each morning, no breakfast, training, then back home, and back to bed. Spending so much time in bed was something you thought to be ‘lazy’ or ‘slobbish’, although you still couldn’t manage to muster up enough energy or fucks to give to get out of it. So you began skipping meals. Not intentionally per say, but you certainly weren’t trying overly hard to eat either. 

And when you look in the mirror nowadays, in a strange, twisted way, you prefer what you saw. You look older, more mature like the other girls in the team, not the baby-faced 16 year old the public sees you to be. So you make even less effort to eat. You know you should, that an athlete starving themselves was like trying to drive a car on empty, but you simply can’t part with the new reflection you saw, the ‘beautiful’ and ‘mature’ one. 

Finally, the day of the final rolled around, and everyone was extremely hyped. The locker room was buzzing, music blasting, girls dancing around, and the atmosphere generally excited. But all you could feel was the emptiness of your stomach, the pounding in your head from the harsh drum beats of the music, the way the backs of your ankles had large red blisters from how your skin had thinned and now the bone rubbed right against the back of your cleats now, the overwhelming feeling of loneliness, knowing that neither of your parents were in the crowd. So you kept quiet, avoiding conversations unless they were completely necessary, slipping out of the locker room as soon as you had finished changing. 

You were starting today, playing up the front with Alexia. You two had become known for your chemistry on and off the pitch, goal scoring machines on it and best friends off it. Alexia had been insanely worried about you recently, living with you, she had obviously noticed your tendency to stay in bed and skip meals, she’d always push for you to eat, but you always passed it off with a “Sorry, I’m not feeling well, I think I’m just going to go to bed.” “Oh, no, gracias, I’m not hungry.”. 

You jogged onto the pitch behind Alexia, before joining the line facing out to the stadium while the National Anthems played, Alexia had her arms wrapped around my shoulders, and her firm grip and presence felt like it was just about the only thing holding you up in that moment. You refused to look at the place where your parents always sat, not being able to bear the sight of someone else sitting in their seats. 

The first whistle blew, and you played well for the first half, scoring a goal in the 26th minute after Alexia set you up for a header. You didn’t really know how to celebrate it, there was no point in doing your usual celebration, because there was no one to look through your heart hands at. You barely even smiled, letting the team just crowd around you with a group hug type thing before getting back to it. You scored again about 10 minutes into the second half, the equalizer, the score was now 2 all, but once again, you barely celebrated. Running on an empty stomach had meant that the game had drained most of your energy, and you weren’t really in the right frame of mind for playing anyway, stuffed full or starving. 

Now, it was the 89th minute, and still a draw, someone needs to score, and quick. You snapped yourself out of the hazy, barely-there headspace you’d been playing in previously. Now was not time for being floaty and sloppy, now was the time to focus. You yelled at Alexia profusely for the ball, 45 seconds on the clock. She made a shit pass, but you managed to recover it. There were 2 defenders on you, and you were barely past halfway with no support, but a quick glance at the clock and you had made up your mind.

You shot. From halfway out. It was a powerful shot, with the perfect curve and force. You watched as it flew through the air, the stadium silent, but the second the ball hit the back of the net, the noise was near unbearable. 20 seconds to go, you’d scored a hattrick, won Barcelona the final, scored from halfway out, and not even celebrated. 

3-2 to Barcelona.

The final whistle blew. All Barcelona goals had been scored by the 16 year old girl. The 16 year old girl that hadn’t eaten in 2 days, the 16 year old girl that had no family to her name but an aunt that never liked her, the 16 year old girl that had secretly been an orphan for 2 weeks, the 16 year old girl that didn’t even know what to feel anymore. 

This was your dream. Win the Champions League for Barcelona. It’d been your dream for as long as you could remember. But it didn’t mean anything now. Not without papá waving his silly flag from the stands, cheering louder than everyone else in the section, wearing your jersey, waiting with open arms when the sound of the last whistle rang through the stadium. 

You stumbled off the pitch, the exhaustion and lack of fuel to keep your body going hitting you all once. You felt weirdly light, your head spinning and vision blurry, steps uneven, like the ground was moving beneath you, like you weren’t really controlling your body.

Eventually, you got to the locker room, where there was thankfully a few sandwiches and some Powerades laying around from before the game. As much as you really, really, didn’t want to eat them, you knew you couldn’t pass out. Not now anyway. So you swallow the two sandwiches down, washing the bready taste away with the Powerade, trying hard not to think about all the carbs and calories in the meal.

You made your way back out to the pitch. But you didn’t go into the middle to celebrate with the other girls. You just plonked down a little way in from the sideline, just staring out at everything, the crowd, the girls, the losing team, the fans, the losing fans. It wasn’t like you at all. You were always in the action, partying and pestering, but now, you were intentionally avoiding it. You hid away in the dugout when you saw the team looking around for you. Their star player. “The goal scoring machine at 16”, as some fans had nicknamed you.

“Y/N? What are you doing chica? Come celebrate!” Alexia called at you from the sidelines, grinning, a slight confused furrow in her brows. 

Welp, hiding place blown you guess. You sigh and get up, painting a fake smile across your face and letting Alexia wrap her arm around your shoulder as she leads you back to where the rest of the team are, in the middle of the pitch.

“Y/N! Our little superestrella (superstar)!” Mapi yells, excitedly making her way towards you, the rest of the team rushing along behind her, wanting to celebrate you. Attention. The last thing you wanted right now, but you were being smothered in it. 

Eventually, the team retreated from the pitch, and into the locker rooms. That was okay, there was far too much alcohol and drunk women in there for you to be allowed in, being underage still. So you went home. Despite practically winning the Champions League for Barcelona, you just ordered an Uber and took yourself home, flicking Alexia a quick text to tell her you’d left.

You got back to the shared apartment and struggled your way through a shower before crashing into bed, and crying. Bawling. Sobbing. Shaking. At one point, screaming.

Over the past two weeks, you had gone through a lot of the stages of grief, but most recently, anger. 

Why? Why had it had to happen to them? What had they done so wrong that the universe needed to kill them? Why you? Why them? You couldn’t remember your last words to them either, so nowadays any time someone left, you made sure to say a real goodbye. 

You had passed out after around 2 hours of violent crying, having cried so hard at one point you’d had to lean over the bed to be sick in the wastebasket between your nightstand and the mattress. It felt good, as your mamí had always said, better out than in. It also made you feel a tiny bit better about the sandwiches earlier too.

It wasn’t until 10am the next day Alexia stumbled in the front door. She wasn’t drunk anymore, but looked insanely hungover. She cracked the door to your bedroom and looked at you. Really looked at you. 

“Superestrella, we need to talk. There’s something wrong, and you’re going to tell me what it is.”

------------------------------------------------------------------------------

a/n: sorry to leave it on a cliffhanger! but i just want to see how well this goes before launching into a second part. feedback would be greatly appreciated, but of course please be kind! 

requests for a part 2 (or any other requests): here

[shinynewmemories]

The exchange between Peeta and Gale in Tigris's basement used to be my least favorite scene in the entire book. I hated how it made Katniss out to be a heartless drone whose only motivation is survival. But I've been thinking about it a lot lately, and I'm now convinced I grossly misinterpreted the purpose of the passage the first times I read it. I don't think it's about Gale revealing some sage wisdom about Katniss; I think it's a revelation about how far gone Katniss and Gale's relationship truly is, and how little he understands the way she loves. AND it's about how much better Peeta understands Katniss, even in his half-hijacked state. Let me break it apart a tad to explain what I mean:

“She loves you, you know,” says Peeta. “She as good as told me after they whipped you.”

Peeta is correct on both counts. Katniss DOES love Gale, and in CF, she internally refers back to the whipping as the moment she "chose" Gale over Peeta. Peeta knew it then, and he knows it now.

“Don’t believe it,” Gale answers. “The way she kissed you in the Quarter Quell... well, she never kissed me like that.”

Correct, but it's interesting that Gale refers to THAT moment on the beach as proof that Katniss loves Peeta. Because on one hand, that WAS the first time she felt and displayed sexual desire for anyone. But on the other hand, I would argue that there was lots more evidence for Katniss's love for Peeta; "anyone paying attention" could see it. So why does Gale point to the one time things got hot and heavy between them?

“It was just part of the show,” Peeta tells him, although there’s an edge of doubt in his voice.

Incorrect, but I'll give him half credit for the "edge of doubt" in his voice.

“No, you won her over. Gave up everything for her. Maybe that’s the only way to convince her you love her.” 

Here's where Gale starts talking kinda crazy. Since when has the issue been convincing KATNISS that HE (or Peeta) loved HER? Since the end of book 1, there has never been the slightest doubt in Katniss's mind that Peeta loved her. And she's never doubted Gale's love, although she admits it caught her off guard. Does Gale actually think that if Katniss could just SEE how much he loves her, she'd have no choice but to marry him? Or does he think Katniss is holding back because he hasn't "given up everything" for her? Either way, he paints Katniss as a fundamentally untrusting and self-centered person.

Also, he implies that Katniss needs to be "won over", that she needs to be PERSUADED to love either of them... Yikes. It's like he actually believes Katniss doesn't have the emotional capabilities of falling in love all on her own.

There’s a long pause. “I should have volunteered to take your place in the first Games. Protected her then.”

Incorrect! Over to Peeta for an explanation of why that would have been a Colossally Stupid idea:

“You couldn’t,” says Peeta. “She’d never have forgiven you. You had to take care of her family. They matter more to her than her life.”

DING DING DING DING! I just picture Peeta making a ????????no??? face as Gale says he should have volunteered for him. Like?? Can you IMAGINE? Book 1 Katniss would have been screaming at Gale like "you absolute IDIOT. WHY would you throw your life and the lives of your and/or my family away. And for WHAT? MORON."

But I get it. Gale is saying this out of desperation. Because he can't say "I wish you had died in those games" (although perhaps that is how he's felt once or twice). And to be fair, if Peeta had never been in those games with Katniss, things between them now would be very... different. (shhhhh Gale doesn't have to know about the whole "this would've happened anyway" thing)

“Well, it won’t be an issue much longer. I think it’s unlikely all three of us will be alive at the end of the war. And if we are, I guess it’s Katniss’s problem. Who to choose.” Gale yawns. “We should get some sleep.”

Correct, nothing to object to here.

“Yeah.” I hear Peeta’s handcuffs slide down the support as he settles in. “I wonder how she’ll make up her mind.”

Even though Peeta is more in sync with Katniss, he doesn't presume to know how her romantic side works. Gotta respect that.

“Oh, that I do know.” I can just catch Gale’s last words through the layer of fur. “Katniss will pick whoever she thinks she can’t survive without.”

So I ask: if Gale is shown throughout this exchange to be mostly wrong about Katniss's motivations, desires, and possibly her whole personality, why would we believe he's correct about this?? I think the only conclusion is that he's NOT.

I'll end by adding Katniss's opinion about Gale's assertion:

It’s a horrible thing for Gale to say, for Peeta not to refute. Especially when every emotion I have has been taken and exploited by the Capitol or the rebels.

Katniss is DEEPLY hurt by what Gale said. And I no longer believe it's because it's the truth about HER. I think it's because it's the truth about how Gale sees her, and he sees her in a very hurtful (albeit incorrect) way.

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[ceilidho]

take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 12) [note: trigger warning for a pretty rough spanking scene with a belt and minimal aftercare. if you need to, you can skip to the midway point (there's a line between the first half and second).]

first chapter >> last chapter

-

He keeps your hands tied behind your back on the ride home.

All that does is confirm the fact that he must know. Graves must have tracked him down or perhaps he was approached by someone who did consider your sudden arrival in town suspicious. Why else would the sheriff chase you all the way into the mountains on horseback and then take you back with him? He would’ve within his rights to leave your thieving self to wander alone in the woods and succumb to the elements.

John doesn’t say a word the first hour of the ride back. You can feel the anger emanating from him though. He almost shakes with it. His anger somehow upsets you more than whatever is left to come. 

“Anytime you wanna start talkin’, I’m all ears,” John finally says, breaking the silence. 

You keep your lips pressed together, stubbornly silent. There’s no use giving yourself away before you’ve learned how much he knows. You haven’t built this life of yours with loose lips. 

“I don’t know what in the Sam Hill has gotten into you,” he continues, and his voice is cobblestone tread rough in the night. “Running off all by yourself. There ain’t nothing out in these parts except outlaws and highwaymen. There are men out here that’d love to get their hands on a woman like you—not even a knife to defend yourself with. You haven’t even got a scrap of food on you, never mind water. You’d’ve been dead in a week if the men out here hadn’t picked you off themselves.”

His words make your stomach ache. You know that there are worse things out there. A thousand gruesome ways to die. You’re less of a lady than John might think—you’ve heard stories. You’ve brushed close to that reality yourself. You wonder how he’d take it if you were to tell him about what had happened back east. 

Maybe running away this time hadn’t been your smartest idea, but it had been your only. You can’t fault yourself for the instinct to survive. 

“I know,” you mumble, dropping your chin to your chest. 

“You gonna explain to me why you stole my horse and ran off in the first place?” he asks. 

It’s the strangest interrogation you’ve ever heard of—sitting on the same horse with your back to the man questioning you and your hands tied together at the wrists. You wonder if you leaned back whether you’d feel his heart beating furiously in his chest. 

You remain mulishly silent though, reticent to answer the question.

“Maybe I’ve been spoiling you,” he continues, trying to rationalize it to himself. “After the fuss you put up those first few days, I thought a bit of structure and discipline would do you well, and it did. Giving you a bit of slack was my mistake.”

You frown at that. Those don’t sound like the words of a man with any knowledge of the circumstances leading to you running off. He might not even have come across Graves at all in the hours since the man made his appearance in the general store. Otherwise, you can’t imagine how he wouldn’t make the connection. 

Still, you can’t make yourself come right out and say it, even though every iota of your being aches to let the truth out. Call it nerves overpowering the need to be truthful and good. You vacillate between honesty and self-preservation, but each avenue feels like being dropped into a nest of vipers. 

But he doesn’t know. He doesn’t know. If he knew, he wouldn’t question you like this. It’s a boon you can’t give up, not yet. Not when the thought of his inevitable righteous fury fills you with dread and self-loathing. 

“I don’t have to explain myself,” you spit out suddenly, and it’s not you saying those words but something ugly and sad in you. “You’re not my owner.”

“I damn sure am your husband though,” John growls, winding his free hand around your hair to tug you back into his chest. “And I know these parts far better than you, little miss. Beyond running off on me for no good reason when I thought we put your reticence behind us, you went and put yourself in danger the likes of which you couldn’t even fathom.”

“I’m not an idiot,” you snap. “I know what men are like.”

“You’re telling me you pulled that stunt knowing what kinda danger is out there in the woods?”

“I wasn’t thinking!”

“I know you weren’t,” John grunts. “That’s the issue.” 

The rest of the ride home is uncomfortably quiet. John keeps one hand clamped on your waist while the other holds the reins of both horses, the two walking alongside each other back down the trail towards the house. The ride home is a lot longer than the ride out into the woods since John refuses to let either of them go faster than a slow trot while your hands are tied behind your back. 

He snorts in derision at your suggestion to undo your binds. “That eager for your punishment?” 

That gets you to zip your lips. 

When you get drowsy, John tips your head back and makes you sip from his waterskin. His hand fits carefully around your throat to hold your head in place, his fingers curling around to just graze the nape of your neck. Your throat pulses under his palm when you swallow. It’s far too intimate for how restless you feel, damn near shaking out of your skin, but it briefly shushes the voice in your head until he pulls his hand away. 

A shadow under the doorway of the house startles you at first before it takes a step into the faint light of the setting sun and you recognize the bristly blond of Simon’s shorn head and the red bandana shrouding the bottom half of his face. The tension ebbs back into you when you realize with creeping humiliation that the black horse you rode home on must belong to him. 

He watches the two of you approach with predictable disinterest, his eyes betraying nothing. The shame is excruciating. 

John brings the horse to a halt some feet from Simon, not bothering to greet him. You wonder if it’s the anger choking him or if this is just routine, men trading favors in silence lest a word in gratitude break the spell. After dismounting himself, John helps you down, all but picking you up and lifting you off the horse. 

Simon doesn’t say a word to either of you when he takes the reins from John’s hands, giving him only a curt nod and you a cursory glance before leading his horse away to mount. He doesn’t spare you a backwards glance before taking off back towards town. You watch him over your shoulder while John guides you up the porch steps and into the house, until the shape of him disappears into the horizon. Then the door shuts behind you. 

Alone now, your attention turns back to John. He stares down at you consideringly, a hand planted on the door he just shut until he lets it fall to his side. You can see the gears turning in his mind, weighing something out. 

It wouldn’t be right to call it anticipation; it’s not quite dread either. 

“I don’t make idle threats, you know,” he says, apropos of nothing. 

His words make you frown until you glance down to find him undoing his belt. Your blood turns to ice. He tugs the thick strap until it comes sliding out of each loop around his waist. The buckle rests heavy in his palm, thick fingers curling around it, and when he bends the belt in two, you already know that he intends to follow through with his threat from earlier, the one you said you’d gut him for.

“I’ll scream,” you warn, heart in your throat. It almost chokes you. “I mean it. I’ll scream like the devil.”

“Don’t go makin’ no empty threats now, darlin’,” he says in a low voice, almost taunting. You can hear the hard edge in his voice though. It’s not something he craves, but he’ll take it. 

“You touch me with that thing and I’ll never forgive you.” 

John’s eyes go hard. “I’ll just have to take that chance.” 

And then he’s on you.

He hooks an arm around your waist when you try to rush past him back out the door and it forces the breath out of you. 

You struggle as best you can with your hands tied behind your back, trying to wriggle out of his hold even as he heaves you up into his arms and climbs the staircase towards the bedroom. The steps creak under the added weight of you in his arms. The screams come tearing from your throat, ripping your vocal cords and nearly sending you into a coughing fit. 

“Let—me—go—” you shriek, kicking out wildly, hoping to catch something that’ll make him lose his balance. 

“All that squirmin’ ain’t making me feel more merciful,” he growls. 

John kicks the bedroom door open with his foot when he reaches the top of the staircase. The room looks ominous without the oil lamp lit, the shadows growing in the corners swallowing up the end table. The bed is just as you made it this morning, the sheets pressed tight and neat, and you only get a second to take that in before he marches towards the bed and throws you down onto it.  

You hit the bed hard, bouncing slightly. He sits down heavily enough to jostle you and when you try to roll away on instinct, a hand catches you by the bicep and pulls you back. He hauls you across the bulk of his thighs this time, far different from your first meeting back in the sheriff’s office all those weeks ago. Your feet don’t even touch the floor this time around, dangling in the air and flailing for purchase. 

“You brute—you bastard!” you screech.

“I’m not gonna be as charitable this time,” John says, yanking your dress up and your drawers down until your bare bottom is exposed. You gasp at the cold air, murmuring something like please, please, please under your breath. “Even if I knew why it was you decided to run off, that doesn’t excuse the fact that you did. You coulda been hurt or worse out there, darlin’, and I’d never have forgiven myself. I’m gonna make sure the lesson sinks in this time.”

He folds the leather belt to hold it in one hand, leaving the other to pin you down over his thighs, making sure you don’t wriggle out. The leather is cool at first when he drags it over your butt. It makes your breathing pick up. It’s so gentle that you can almost trick yourself into thinking that it’s all he intends to do. 

The first lash comes so quick that you barely register it. The second knocks the wind out of you, and then the pain sets in. 

It stings something fierce. Where his palm hurt that first time he bent you over his desk and spanked you, the belt burns. It goes deep and it lingers when he pulls the leather away from your stinging bottom. 

“Hurts like the dickens, don’t it?” John asks, not bothering to wait for confirmation before bringing the belt down again. “You’re lucky it’s only ten this time.”

You howl into the bedsheets, eyes tearing up and spilling down your cheeks. When you try to cover your ass with your bound hands, John grabs them and pins them to the small of your back. 

“What’ll you never do again?” he growls. 

“I—I’ll—”

“Say it, darlin’: I’ll never run off on my own again.”

“I’ll—n-never gonna—oh, it hurts, John—please—”

At some point, you must say the words he’s looking for. You lose count of how many times his belt has struck across your ass. Like thunder coming after lightning, you feel it and then you hear it. The sharp snap comes as a second wave of agony in and of itself. 

Your throat is stripped raw by the time it’s over. The aftermath finds you with a puddle of drool under your cheek, hair matted to your face. Sweat slicks the backs of your thighs and down your spine. Even the gentlest brush of John’s hand over your backside, the belt deposited off the side of the bed, makes you flinch, the skin there tender to the touch. You’ll surely feel it deep in your bones come sunrise. 

Too exhausted for anger, all you can do is lie there. It sits heavy in your stomach though, a pit at the center of you. You want to say, who gave you the right? The answer burns a ring around your finger though. You want to say, you don’t understand, it had nothing to do with you. It has everything to do with him and you. 

You can tell he wants to say something. It gets choked in his throat, but you can hear it in the way his breath draws in, like he’s trying to coax it from his chest but it simply won’t come out. 

“Stay right there,” John rumbles instead, shifting you onto the bed to let you lie on your belly. 

You moan in pain when he moves you, sniffling into your arms. The crook of your elbow is sticky with your tears and snot. 

The bed dips under his weight when he comes back. You flinch violently when he draws the skirt of your dress up again and smooths his hand over the tender cheeks of your backside, spreading a cool salve over your skin. The first touch of his hand makes you hiss, tears beading in the corners of your eyes again, but then the cool sinks in, alleviating the ache. 

He does that for another few minutes in silence. Gentle, tentative touches, only stopping when the salve has been spread evenly over your bottom. He’s quiet when he shifts you up the bed until your feet are no longer dangling off the end. You’re distantly aware of him taking off your shoes and tucking you into bed, but the events of the day have finally gotten the better of you. It would be easier to push a boulder up a hill than crack even one of your eyelids open.

Time passes slowly; sluggishly. Your thoughts can’t quite catch up with it, either too quick or too slow. You’re stuck in thoughts of the desert, caught in a sandstorm that manifests too suddenly for you to take cover. All you can do is close your eyes and wait it out. 

Morning comes like a brutal summoning into the waking world. 

It hurts, but you expected that. Before your eyes even open, you’re aware of a throbbing pain coming from your backside. You wince when you shift to your side, squeezing your eyes tight. You contemplate rolling over and taking your chances with John’s temper. The thought isn’t as appealing in the light of day though. 

It takes some time to get out of bed and when you do, you have to step tentatively from floorboard to floorboard, the ache making it decidedly uncomfortable. You can’t imagine what sitting down will be like. Riding a horse is just out of the question. 

From the bedroom window, you see John standing in front of the house with Simon, back again not even twelve hours later. With the window closed, you can’t hear their conversation, nor can you read their lips. Their exchange doesn’t last long though. After another minute or so, and a nod goodbye, Simon walks back over to his horse standing nearby and lifts himself up and over onto the saddle, taking off towards town. 

When John turns back towards the house, you see him glance up towards the bedroom window where you stand. The circles beneath his eyes are dark, pronounced. On another day, you might’ve ducked out of sight or jumped away from the window, but now you hold his gaze. 

He breaks your stare first this time, heading back inside. It’s less satisfying than you thought it’d be. 

You spend the day resting in bed and avoiding John for the most part. He spends the majority of the day out of the house. You hear him downstairs in the kitchen around midday, fixing himself up something to eat, and you listen attentively to the scrape of the chair across the floor and the pan on the stovetop. Like the day he brought you home, he brings you up a tray only to leave it at the door, rapping the door with his knuckles to let you know before heading back downstairs. 

When he comes up for bed, you’re already lying down with your back to the door, the oil lamp left unlit. John doesn’t say anything to you as he changes into his nightwear. He smells fresh when he climbs into bed, like he bathed in the creek out in the woods. You breathe in deeply, trying to keep your breath quiet enough to not disturb the silence. The pillow under your head is saturated with his scent. You turn your nose into it when he lies down on his back instead of curling into you like he usually does. 

Your chest aches at that simple denial. There’s a wall between the two of you and you know where it came from. Any trust that you’d built lies in ruins now. 

Perhaps that’s not quite right though. It’s a romantic notion that you’ve been building something together all this time, but it doesn’t feel right now that you have the wherewithal to look back and reflect. All this time, whenever you’ve touched, you’ve held him steadfast and at an arm's length away, stopping two degrees short of intimacy. 

Deliberately effusive; and worse, you’ve called it affection. 

The tenderness in your heart is the worst of it. There’s a bruise there, and it’s been there awhile. It’s only grown with your recent troubles. You tell yourself every year that you’ll air it out come spring, but then the winter comes and it freezes over again.  

The pillow under your chest grows damp with your tears. 

Your dress the next morning is cornflower blue. The wheatfields are golden stalks swaying in the breeze. It’s a pleasanter day than how you feel. 

The ride into town is as painful as you thought it might be. You wince with every stride, your bottom still tender as a rose. John’s arm tightens around your waist when you squirm, like you might slide off the saddle and try to flee again, and you bite your lip to hold back the urge to snap. 

The little bit of independence you’d grown to enjoy is snatched away from you. You expected that as well, but that loss of privilege comes with a biting ache. You fight the urge to gnash your teeth and bark at him that you’re not a child when he grips you under the arm and leads you down the road. It wouldn’t do you any good. 

When John leaves you off at the general store, you’re surprised to find Kate back, hale and hearty. She looks up when the chime over the door jingles and raises her eyebrows in greeting. The sound makes you flinch, memories coming back unbidden. 

You look over your shoulder to say something to John before he leaves, but the door is already closing behind him by the time you turn around. Your lips are pursed on a word that dissolves in your mouth. It has a bitter aftertaste. 

“Thought you wouldn’t be back for a few more days,” you say instead, turning back to Kate. There’s already a chair pulled up for you by the wall and you make yourself comfortable there, grimacing at first when your sore backside touches the wood before settling in. 

She shrugs. “Plans changed. Gaz and I made it back late last night.”

You frown. “Gaz?”

“Kyle Garrick. Sorry—slip of the tongue. You’ve met him already. He used to go by Gaz way back when.”

“Way back when?”

“Not my story to tell. You should ask one of them, if you’re curious.”

You are, but not enough to ask. “Maybe.”

The two of you lapse into silence after that exchange. Before leaving the house, you remembered to bring with you some needles and wool to pass the time. They’re not as familiar in your hands as you’d like them to be, but you suppose, barring the possibility of Graves or another bounty hunter showing up in town to cart you off, you’ll have time to learn. 

The thought leaves you anxious. It feels distinctly more possible now. 

“You met Miles while I was away?” Kate asks, out of the blue.

Your head comes up at her question. “Miles?”

“He was minding the store for me while I was away. Said you came in the other day.”

You swallow reflexively. “Oh. Yes, I suppose I did meet him. I didn’t stay long, since you were gone and all.”

She hums and looks back down at the book in front of her. You feel nervous all of a sudden. 

“He said you were very helpful,” she says abruptly, breaking the silence. You flinch. “Told me some gentleman came by with a warrant for a murder back east and you were kind enough to take it to your husband for him so he could keep minding the shop.”

Your throat constricts. She pins you under her gaze, unblinking eyes staring into yours but not looking for anything. Wispy blonde bangs brush along her forehead when she tilts her head ever so slightly. 

You nod instead of answering. 

“Did you give it to him?” she asks.

“I didn’t have a chance to. The day got away from me,” you say tersely. 

“I heard something about that. Kyle said John had to borrow Simon’s horse the other day. Said something about him taking off in a hurry.”

Again, you don’t answer. It feels like without knowing it, you’ve crossed over a threshold. 

“Do you still have it?” Kate prompts when again you don’t respond. You don’t tell her that you don’t because in all the fuss the other day, it must have slipped out of your pocket and drifted off into the wind. “The warrant?”

“No,” you whisper, shaking your head. 

“That’s alright. I have a good enough idea about what it might’ve said.” 

Sweat beads on your upper lip. She all but says it outloud. You’re as still as a ferrotype under her gaze, imprinted in place, unable to move so much as a muscle or force a word past your stiff lips. 

“You’re under no obligation to tell me or anyone,” Kate says, and her voice is suddenly gentle, softer than you’ve ever heard it before. “I’m sure you had your reasons. I won’t be telling John, if that’s what you’re worried about.”

“Oh. Thank you,” you breathe, throat so tight that the words almost don’t come out. 

It’s the closest you’ve come to admitting to it, tangentially or not, and even now it’s spoken only out of the corner of your mouth. You don’t think you have it in you to recite the events sequentially. Even in the privacy of your memory, it comes piecemeal, in fragmented images that flicker across your mind because maybe to remember it whole would be too much. 

You don’t say much more after that, and neither does Kate. That wasn’t the point of bringing it up, you think. You'd know if it was. 

When John comes to fetch you at the end of the day, you leave without saying goodbye to Kate. Only a stiff smile before heading out on your way. If she returns your smile, you don’t notice it. To John, you simply duck your head and follow him out the door, letting him help you up onto the horse without a word. 

If it bothers him that you refuse to speak to him, he doesn’t show it. 

It’s so many steps back that you might as well be back where you started. Maybe even further back, a voyage gone so wrong that when you look over your shoulder, you can’t make heads or tails of where you came from. The trees from the other side of the trail never look quite the same. 

If you could open your mouth and say it, you would. If you knew he’d listen. But you don’t think John is that kind of man. Against the gold of the setting sun, he cuts a figure from times of yore. He speaks plain while you tend to speak in fricatives and bilabial stops, incapable of enunciating the words. 

You feel like a wound on the world. Getting it wrong again and again. 

It’s an old pain, one that started back when you were too small to hold it all. Now, you’ve grown large enough to hold it, though it holds you back in turn. You remember your parents studiously ignoring first creation like some noxious cloud billowing from the chimney. There’d been too many children for them to care about the runt. Shipped off to your aunt’s and uncle’s just for the cycle to repeat itself. 

It’s an old grief, this one, friendly because it nudges at your hips when you brush by, striking in the blue-green. And when it burns, it burns.

“John, I—” you say when he helps you down back at the house. 

He stares down at you, waiting you out. Your mouth goes dry, the truth beyond your grasp again. Your heart aches when his brows furrow and the lines around his eyes crease again, frustration welling beneath the surface. 

You understand. It sits under your skin too. 

"Go inside," he says instead when you don't go on. "I'll bring in the horses and start supper."

Your God sits at the edge of the bed, wholly lacking praise. It’s not His fault that it’s been awhile. These days, you can hardly muster up the energy to say hello. You gargle saltwater before you bathe and scrub your skin free of blood, waiting for the next morning to come.

And you think, lying on your side while John sleeps on the other side of the bed, wouldn’t it be lovely to get it right now, rather than in retrospect?

[mcflymemes]

"I HAVE TO BE BETTER THAN THIS" PROMPTS *  assorted dialogue for recognizing you need to change, adjust as necessary

this cannot be all there is for me.

i deserve better than this sort of life.

there's more for me out there. i can feel it.

something has to change.

i'm not meant for a life like this.

do you ever feel like there's more for you out there?

this was never my dream.

there's still time to change.

this was your path. this wasn't mine.

i'm not living my life for you.

i have to keep looking for myself out there.

i deserve more than what i've been given.

someone else made these decisions for me.

this is my life, not yours.

i need to make mistakes in order to find where i belong.

i could get used to a place like this.

this is so different than what i'm used to.

you've opened my eyes to a world i thought i'd never see.

what could be greater than this?

i'm not going to just sit here and watch my life pass me by.

i was born to be great.

i need adventure like i need air.

my mistakes don't define me.

you can't judge me for doing that.

i did what i had to in order to survive.

this was never in the cards for me.

they picked this path for me the day i was born.

i had no say in the kind of person i became.

my potential has always been limited.

these are things i never thought i could do.

what else have they been hiding from me?

there's more out there than they're saying.

i'm not just going to sit idly by and watch.

you have to take charge of your own destiny.

isn't that what you were always saying to me?

you believed in me when no one else did.

i've made a lot of mistakes in my life.

i still have a lot of learning to do.

i need time to grow and change as a person.

let me at least try to be good.

they told me i couldn't, and i believed them.

i need to stop listening to what they have to stay.

it's better to follow your heart.

what does your heart tell you?

this is wrong, and you know it.

we were not meant for this.

i can't just sit here and watch the world fall apart around me.

somebody's gotta do something. might as well be me.

you won't be able to stop me.

i'm going to live my life, even if it kills me.

it's all going to change, because i'm going to change.

no more sitting around waiting for my life to happen.

they were all wrong about me.

[renthony]

On Cosplay, Fast Fashion, & Waste

Fast fashion and disposable outfits in cosplay community spaces give me anxiety. Seeing people openly talk about throwing their "trashed" cosplay away after a single con makes me sad. Some costumes are crafted with such low durability that they fall apart beyond repair if you look at them the wrong way. I've met a ton of other cosplayers whose idea of "cosplay repair" ends with a stapler and some hot glue.

I never ever ever ever want to shame people for not knowing something. Crafting is hard. Making a low-quality costume isn't a sin or a crime. If you're new and still learning and don't really know what you're doing yet, that's fine! No harm, no foul, no bruise.

The cosplayers who do make me grouchy, however, are the ones who are unwilling to try. The ones who are flippant about throwing away a cosplay without trying to mend it, repurpose it, reuse it, or pass it along. The ones who intentionally make a costume just durable enough to last a single day, then toss it in the trash with zero thought.

My sewing and costuming experience started when I joined the ren faire, and I had to make my costumes sturdy enough to survive multiple weeks of heavy use, with the durability and freedom of movement to allow sword fighting on the living chessboard. I was taught how to shop for inexpensive fabrics and materials, but use high-quality, long-lasting techniques so that my costumes didn't disintegrate after a single day of performing. I have made extremely durable, cost-effective costumes out of bedsheets and thrift store fabric, as have many of my friends.

That experience has carried over into my cosplay. I am not happy with a costume unless it can go through three consecutive days of stage combat and high-intensity walking around outside in the heat, go through the washer and dryer, and come out completely unscathed.

Again, I never want to needlessly shit on other people's cosplay. Cosplay gatekeeping sucks and is no fun for anyone. At the same time, fast fashion is just as rampant in cosplay as it is everywhere else, and it sucks to see how wasteful it is.

You can make things durable even with cheap materials. Stop making flimsy costumes that you're just going to toss. Stop making piles and piles of waste. Please stop buying fabric just to slap a costume together with glue and throw it in the trash. If you are going to invest time and money into making something by hand, make it durable and comfy and worth the effort.

Even if you only want to personally wear it once, you can sell it, give it away, trade it, do something other than toss it in the trash. Show some love to your costumes, show some love to the planet, pick one action you can take to make your cosplay a little less wasteful. Being obsessed with the myth of a "personal carbon footprint" isn't helpful, but we as cosplayers should try to at least make things that'll last longer than 24 hours.

I understand that sewing can be incredibly intimidating, but basic stitching really isn't that complicated if you have a guide and the right tools. I personally need assistive devices for sewing thanks to my hand tremors and tendonitis, but those tools do exist, and can make things easier for both disabled and newbie sewists. I use rotary cutters instead of scissors, I keep a supply of needle threaders on hand, I have multiple little gadgets that help me sew in a straight line so my shaking hands don't screw everything up. There are tons of tools available, tons of tutorials online, and if you're interested in learning, there's a whole world out there to explore.

If you don't want to do all the crafting yourself, that's totally fine, but if you are going to hand-make your costume, you should try and make it durable. It's better for the planet and it's way less stressful to go to an event when you know your costume won't fall apart on the con floor.

If you have zero idea where to start, here are some books with crafting techniques I've found very useful, both in cosplay and regular household sewing I do for my family:

Make, Sew and Mend: Traditional Techniques to Sustainably Maintain and Refashion Your Clothes, by Bernadette Banner (who also has an incredible YouTube channel)

Cosplay Fabric FX: Painting, Dyeing & Weathering Costumes Like a Pro, by Julianna Franchini

Creative Cosplay: Selecting & Sewing Costumes Way Beyond Basic, by Amanda Haas

Level Up! Creative Cosplay: Costume Design & Creation, SFX Makeup, LED Basics & More, by Amanda Haas

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[oddinary4bts]

Chasing Cars | ch 13.5 (jjk)

☆summary: when your brother goes to study on a semester abroad, your life collides with his best friend Jeon Jungkook, who's coincidentally your roommate. Will you survive the collision, or will you crumble into dust?

☆pairings: brother's best friend!Jungkook x younger sister!female reader

☆rating: 18+ (minors DNI, this chapter sort of contains mature content)

☆genre: forbidden love?au, college!au, slice of life!au, smut, angst (as usual a lot of it), fluff

☆warnings: curses, anxiety attacks, mentions of jungkook trying to unalive himself during the summer, mentions of therapy, explicit content: implied sex

☆word count: 4k

☆a/n: my baby jungkook realizing he was dumb not to tell OC about gabrielle :((( hope you guys enjoy this one!!

☆series masterpost

☆☆☆☆☆

If I lay here If I just lay here Would you lie with me and just forget the world?

Chasing Cars, Snow Patrol

☆☆☆☆☆

Jungkook has been sitting in his car for thirty minutes, looking at the apartment where his love for you grew and died. 

Though he’s been making progress with his therapist, seeing it feels like maybe he’s drowning, and he hasn’t been able to get out of the car despite the fact that he needs to go to the bathroom. He pulls at his piercings, thinking about you. Are you at home, or are you out and about? He thinks you’re probably working, as Taehyung mentioned in passing that you finish work late on Fridays, yet Jungkook isn’t able to move.

Especially not as every treacherous emotion he has for you comes back to haunt him, squeezing his heart in his chest.

He’s been doing better. He’s been trying to cut himself some slack, and to build a healthy distance between him and his family. Though it’s hard, Lisa has helped, and Jungkook will forever be thankful for her friendship.

For her being there on that July night when he almost ended things.

Jungkook sighs, running a hand through his hair. He knows he has to go in - he’d rather not stay in his car and let the engine run while being parked for any longer. Not that he can’t afford the gas - he just thinks it’s a waste and bad for the environment, so he forces himself to turn off the engine.

It takes him a few more minutes to gather the courage to go in, and he waits until he’s literally starting to sweat his ass off before finally opening the door and stepping out of the car. A warm breeze welcomes him, ruffling his hair, and he shuts the door behind him, locking the car over his shoulder as he walks towards the apartment. 

He stops at the bottom of the stairs, taking a deep breath to calm down the anxiety that’s threatening to overtake him. He reminds himself that it’s just you - no matter the distance between the two of you, you’re the only person that he’s ever felt understood him like you did.

Not even Lisa gets him like you do.

Yet he doesn’t want the ache and the pain again, not when he’s barely made it out this summer. So climbing the stairs takes everything in him, as does opening the door. But then it’s like the apartment is a quiet haven, and he steps in, the cool air a stark relief from the summer heat outside. He shuts the door, cutting off the scream of a cicada in the distance, and then he’s back in the space where you fell in love, remembering every little moment he spent with you without knowing he was about to lose you.

He feels at peace. He doesn’t know why, or how, but he feels at peace for probably the first time this summer.

“Hello!”

The peace threatens to crumble, your voice echoing in Jungkook’s mind as a short silence follows. He holds on to the peace, refuses to let it go, and then you speak again.

“Do you need any help?”

He does. He needs you, again, always, yet he knows it’s over. Knows he has to prepare himself for your presence in his line of vision - you appear a few seconds later, stopping in the doorway to the kitchen.

You’re beautiful. Your hair is longer, your skin sun-kissed, and your cheeks have a slight pink dust to them that reminds him of how much he used to love teasing you, just so that he can see that blush. Your eyes widen, yet they aren’t as pained as they’d been the last time he’d seen you.

Like maybe the time apart has healed you, too.

Jungkook takes in the sight of you, lets his heart try to rise to panic in his chest. But he doesn’t listen to the panic, only breathes in and out until the wave has passed. 

“Y/n,” he says, murmurs, and he hates that he wanted to call you peach, like your real name feels wrong in his mouth somehow.

“Jungkook,” you reply.

Your voice… His memory did not do it justice at all, and the pain comes crashing back, a tsunami that almost makes Jungkook stumble back. But he holds on strong, a rock against the wave.

He nods once, taking off his shoes if only so that you can’t see the pain in his eyes anymore. You don’t move, and he feels your gaze on him the whole time, so much so that, when he straightens, he can’t help but ask, “How are you?”

Your gaze widens a little more, if that’s possible. “I’m okay.” You nod once. “How are you?”

Good. Bad. Horrible. I’ve missed you. I’m so sorry.

All answers he can’t give you, so he settles on, “I’m chill.”

He needs to go. Needs to not be looking at you anymore lest he does something stupid, like run up to you and hold on to you. He’d never let you go, and the sadness that slowly invades your gaze breaks him too much, like suddenly the ending came back to your mind.

Came back to his too, and the guilt chokes his lungs, so much so that he starts walking to his room.

But then he stops, catching sight of something familiar on the kitchen table, and the pain recedes, replaced by the peace that welcomed him home. 

You’re eating Buldak noodles. You, who couldn’t stand heat last semester, are eating the noodles he used to make for you. It warms his chest, reminds him that not everything ended then, and he smiles softly.

“Want something to eat?” you ask.

It hurts. Far more than it should - he doesn’t deserve your kindness. And even though he wants to, even though he wishes he could pick up the pieces of you and him, he forces himself to say, “Thanks, but I gotta unpack.”

And then he walks the rest of the way to his room, his heart rate skyrocketing in his chest - he thinks he might go into cardiac arrest. He turns the knob, pushes the door open, yet he can’t move. He’s frozen there, feeling your eyes on him, wishing he could turn around and tell you that he spent every day this summer wishing he could rewind time and save you both the heartbreak. But he’s a coward, and he can’t say it, so he finishes walking into his room and closes the door behind himself.

He leans against it as panic wins once again, and he slowly slides to the ground, trying to focus on his breathing. On the grounding techniques his therapist taught him, and a few minutes later, he’s able to dampen his panic, his anxiety, until he’s able to breathe normally again.

If that’s how this semester is going to be, he has no clue how he’ll survive.

*****

Jungkook is nervous. He doesn’t know why he suggested to hang out with Lisa while everyone is going to a party at some frat he does not care about.

Actually, he does know why. His therapist suggested that he should try talking to other people, and he hasn’t been able to approach anyone, his feelings for you still as strong as ever, so Lisa it is.

She’s sweet. She’s been there for him through hell this summer, and some part of him feels like he owes her something. So when she asked if that was a date, Jungkook said they could try this one time and see where it goes. Lisa seemed unsure - she’s started talking to Mingyu more, and though they haven’t hung out just the two of them yet, Jungkook thinks it might be coming soon.

So maybe that, more than anything, is the reason why he asked Lisa, and not someone else. Because he knows that, despite the fact that she used to have feelings for him, it’s been morphing into friendship more than anything now, so he doesn’t have to worry about it.

Still, he worries. Still, he’s nervous. Because it’s not you, and though Lisa is a good friend, he doesn’t feel like he can fully be himself when it comes to her. Not like he could be with you, and though his therapist said he shouldn’t compare, he can’t help himself.

No one is ever going to compare to you.

Jungkook breathes in and out, wipes his hands on his pants, and then Lisa is arriving, and he remembers that she’s just a friend. That he has nothing to worry about when it comes to her.

When she asks him if she can kiss him, Jungkook doesn’t find it in him to say no. She kisses him all wrong, yet it’s been months. It’s been months and he should be moving on - you clearly have been. Your absence in the apartment, in his life, is proof of it. So he kisses Lisa back, tries to tell himself that it makes his heart race in his chest like kissing you does.

He hasn’t had sex since you, and it shows. He’s messy, unpracticed, and halfway through he realizes that he wants you. He wants to be with you, wants to hold you. Lisa notices his unease, notices he can’t stay hard, and she cups his cheeks and says, “We can stop, JK.”

He could cry. He could cry as he pulls out, and says, “I’m sorry.”

She smiles gently. “It’s okay, Jungkook. Don’t apologize, I get it.”

She gets up, throws his t-shirt on and Jungkook hates the way that it looks on her - it looked a lot better on you. While she goes to the bathroom, he tries to keep his panic at bay, to remind himself that he did nothing wrong tonight.

That no matter how much he loves you, he has to at least try and move on.

But then the impossible happens. The front door opens, and before you even speak, Jungkook knows it’s you. He hates it - hates that you had to come here tonight, to witness his weakness, and he quickly puts a pair of grey sweatpants on before walking out of his room.

You’re out of breath, yet you’re as beautiful as ever. Even more so, if only because you’re here, in the apartment where you belong, so close to him he could touch you with just a few steps forward.

“Y/n?” Jungkook lets out.

You were bent over, and you straighten, trying to catch your breath. Your eyes are shining with emotion, and Jungkook breaks. He breaks again, always - he doesn’t deserve you looking at him like this right now.

“Jungkook,” you say in between two heaving breaths.

Frowning, Jungkook scans your features. He tries to understand why you’re here tonight, why you’re looking at him like maybe he hung the stars in your night sky. You’re smiling, and he looks at that too, lets it remind him of why he fell in love with you in the first place.

“Shit,” you let out. “Jungkook.”

“Yes?”

You start laughing, and Jungkook is far too confused. It’s like he stepped in an absurd movie, and he’s not in on the joke. Especially not as he knows Lisa is bound to step out of the bathroom eventually.

“She told me,” you say.

He cocks an eyebrow. “What?”

“Gabrielle told me everything.” 

You’re blinking back tears, and Jungkook keeps on shattering. Because now that the truth is out you’re back, and he realizes maybe he should have listened to Gabrielle. Maybe he should have told you, if only for you not to be here tonight.

“Kook?”

It’s the heartbreak in the nickname. Jungkook’s heart stops beating in his chest, and he feels like someone’s banging on his skull, telling him how stupid he is.

“Y/n, I…” he trails off. “I wasn’t expecting this.”

He sees the moment you realize. You look down, see Lisa’s shoes, and you freeze. You fully freeze, and it looks like you’re not even breathing anymore. Lisa chooses this moment to step out of the bathroom, and it takes you a few seconds before glancing at her.

“Oh.”

There is so much pain in that word alone that Jungkook wants to die. He reckons, he should have died that night just so that he could avoid this heartbreak for you. And he hates himself so, so much for inviting Lisa over tonight. For not waiting just a little longer.

What would have happened if Lisa wasn’t here tonight?

“Hey, Y/n,” Lisa says awkwardly, her eyes darting to Jungkook. “I didn’t know you were here.”

For a moment, Jungkook wants to scream at her. To tell her that she should have just stayed in the bathroom, should have just climbed out the window. But he’s mute, unable to form a single syllable.

“I live here,” you reply.

Lisa senses the pain in your voice. She clearly does, because she looks uncomfortable as all hell, like she wants to disappear through the floor. 

“I’m sorry, I…” she trails off. “I didn’t know you were going to be here tonight.”

There’s an awkward silence - Jungkook is convinced he can hear your heart breaking, though that might just be his. Then you say, “No worries.”

You take a deep breath, and Jungkook looks at your profile. Tries to commit you to memory, because he knows you’re going to leave again. He still can’t speak - he wants to beg you to stay, but there’s a lump in his throat and water in his lungs, and all he can do is watch you.

You pat your pockets, tears pooling in your gaze. “I think I forgot my keys at the party.”

When you meet Jungkook’s gaze, he sees a mirror in your eyes. Sees himself breaking, sees you breaking, and he wants it all to stop. He wants to forget the pain, wants to be able to tell you he loves you and that he’s sorry. But he feels like words wouldn’t be enough, not right now, and he remains silent.

Not that he could speak anyway.

“How did you…” Lisa trails off, but she doesn’t finish.

You turn around then, walking back outside and shutting the door carefully behind you. Jungkook just stays there, unable to move, not when he’s breaking all over again. He wants to run after you, but all he can do is take a shuddering breath in, right as a tear rolls down his cheek.

“Shit.”

Lisa crosses the space between the two of them. “Go sit on your bed.”

Jungkook tries to breathe, but his throat constricts, and black dots flash in his vision.

“Fuck.”

“Jungkook, deep breaths,” Lisa says, and she tugs on his hand to pull him to his bed. 

“I can’t…” he trails, trying to breathe, but it’s like he’s breathing pure nitrogen. “I can’t breathe.”

He sits on his bed, and Lisa stands next to him. “What colour is the light?”

He doesn’t know. He doesn’t fucking know - did he truly lose you again? He’s dumb, stupid, foolish. An asshole and everything in between.

He’s a fucking coward.

“Jungkook, what colour is the light?” Lisa says again.

“I don’t know…”

“You do,” she insists, and the firm inflection of her tone makes Jungkook look up at her. “You do, Jungkook, just tell me.”

He glances at the ceiling. “Red.”

Lisa nods encouragingly. “Now, tell me one thing you can touch.”

He frowns, though his hands drop to the cover of his bed. “My bed.”

“Yes.” She glances around. “Something you can smell?”

The frown deepens. “I can’t really smell anything, my nose is blocked.”

She offers him a small smile, and Jungkook looks at it curiously. And then he realizes he can breathe again, and oxygen rushes to his lungs.

“Holy shit,” he curses. “Thanks.”

“Don’t mention it,” Lisa says. “I got you.”

She sits next to him, and there’s a silence while Jungkook contemplates his throbbing heart. He wonders if you’re aching too - he hopes you don’t have anxiety attacks like he does. Though, to be fair, this is the first he’s had in a few weeks.

He takes a deep breath, and then he glances at Lisa. “What am I supposed to do?”

Though the anxiety has passed, his eyes fill with tears, and Lisa watches him carefully for a few seconds. There’s a flash of hurt in her gaze, but Jungkook thinks he might have imagined it.

“Talk to her,” she says. “Text her that you want to talk to her.”

“She saw you…” Jungkook whispers.

Lisa sighs. “She did.”

“How am I supposed to justify that?”

Lisa doesn’t reply right away, and Jungkook holds her gaze. He sees it - the hurt flashes so bright he can’t say he imagines it, and he gulps.

“Shit, I’m sorry,” he apologizes.

“Listen, Jungkook,” Lisa carefully says. “I… I’m happy I’ve been there for you in the last few months. But tonight… I think we both agree it was a mistake. And I wish I could help you still, but I think right now I also need to think about myself.” She looks away, and silver lines her gaze. “I’ve always known we weren’t going to happen. You just took me by surprise by asking to hang out tonight. But I think it’s best if I take my distance from you.”

Guilt - new guilt - crushes Jungkook, and all he can do is nod his head. And he agrees with her anyway.

He wouldn’t be able to hang out with her anymore.

“So I don’t know how you can justify that to Y/n,” she adds. “I really don’t know, but I think you guys need to talk.” She meets Jungkook’s gaze, smiling sadly. “And I really hope things go well for the two of you.”

“Liz…” 

She offers him a single, small nod. “It’s okay, JK. I just want you to be happy.” She chuckles, and then she wipes at her eyes. “I’m sorry I’m telling you this now.”

“No, don’t be,” Jungkook immediately reassures her. “I…” He doesn’t finish the sentence, not really knowing what he was going to say.

“We can still be friends,” she says. “I don’t want to lose your friendship.”

Jungkook nods. “Okay. Yes, of course we can still be friends.”

Lisa smiles again before looking down at herself. “Well, I better get dressed.”

All Jungkook can do is nod again, and he watches as she picks up her clothes and then heads to the bathroom. 

In the meantime, Jungkook grabs his phone and goes to the messages. He finds your conversation, clicks on it, and prepares to type a message.

But he can’t figure out what to say. He just stares at his phone, panic threatening to overcome his senses again, and then he shuts it off, tossing it to the side as Lisa walks out of the bathroom.

Even a little later, when Lisa has left to head home, Jungkook still doesn’t know what to say. So he texts his therapist, asks if they can have an appointment tomorrow, and then he puts some anime on, hoping that it’ll chase the heartbreak from his chest.

It doesn’t, and he falls asleep to the sound of Tanjiro fighting a demon, only to be woken up when Ariane and Taehyung come back home in the middle of the night.

Read chapter 13 here!

☆☆☆☆☆

:((((( i promise the angst is slowly getting resolved! even if it doesn't seem like it rn :')

All rights reserved to @/oddinary4bts, 2024. Do not copy, repost or translate

[littyhoney]

Right Person,Wrong Time (part 4)

(part 1) (part 2) (part 3) (part 4)

BIG SPOILER WARNING TO ACROSS THE SPIDER-VERSE!!

Earth 42 Miles Morales x Reader

Summary: Seeing a familiar face but different person. A person you once loved.

Warning: Spoilers for the movie Across the Spider-verse, slight angst

P.s: I don't know how to feel about this chapter,im sorry that the update is slow but i believe in quality over quantity <3 enjoy spiders!

Today have been moving so fast,first you found out how Gwen got here as you follow Miles after he left the party to catch up on Gwen. The only reason you follow him was because you promised mama Rio.

(Flashback)

You watch as Miles walk away from the party down to the fire escape stairs standing beside mama Rio. You can sense her restless and worry feeling for her own son as you remembered how much Miles wanted to leave from here,to see somewhere new,spread his wings.

“It’s okay mama Rio,you know how Miles is, he'll be alright”You hold her hand try to reassure her. mama Rio sigh turning her head looking at you with a worry expression.

“I know he is but…I’m scared of him wanting to grow up so fast, you both are just teens my dear”She held both of your shoulder turning you to face her,firm grasp on your shoulders she says “Promise me dear…when me and Jeff are not around…promise me you keep him safe,look out for him”

You put your hand on one of her palm and nod your head “Promise,mama”

(End flashback)

How much are you willing to protect him? Your best friend? Currently you held a strong grip on his arm as you watch this Spider-man…with a name Miguel O'Hara is threatening to keep Miles him here in this spider club house thing. Because he is an anomaly…and Miguel also want to keep you here because you’re supposed…to die.

“Because of you Miles,she was supposed to die!”You were destined to die at the collider…when you’re trying to help your mentor,Peter Parker. At the hand of the Prowler,uncle Aaron.  The canon event for your mentor is to lose his uncle Ben…to lose you,his pupil.  

To know you’re supposed to die is like a punch in the guts… you feel sick in the stomach to know you’re not supposed to survive or even breath another day.

Currently you held Miles behind you shielding him from Miguel as he try to destroy the barrier that have been made from the big spider machine that transport any anomaly back to their original dimension. You stare wide eyes at Miguel who is trying his best to stop you both,to see this man trying to tear apart the barrier. Fear grips around you. Suddenly the machine finish its job making both of you float and transported back to your home…or so you though.  

“Aaahhh!!” you  screamed as you are transported into the portal moving so fast it spit out both spiders out on top of a rooftop,the rain pouring down makes everything slippery as you and Miles rolled and slide through the concrete. You and Miles are slightly injured after getting kicked,slammed and thrown around like a rag doll by other spiders. You prop yourself up on your elbow shaking your head slightly, your ears ringing your visions are double as you try to locate where Miles is. “M-miles…?”your visions focus to see him his mask off breathing heavily trying to slow down his heart as he lean back to the wall,hundreds of thoughts running through his head before he stands up “I need to get back home!”He runs and jump from the rooftop swing himself away.

“Miles! Wait!”You stand up try to catch up to him but the pain on your left leg makes you limping before swing your web following him. Miles keep on swinging as fast as he can to his house,to find his dad,his mom. You follow behind him trying to get his attention from doing anything irrational.

Miles stick outside of the wall of his room opening the window and went inside, his heart racing as he take in deep breaths. You swing towards the window and you yelped as you landed on your injured leg holding yourself up on the wall, just as you climb in you heard the knob to the door turn you reach for anything nearby to cover your suit,a sweater. You grip the sweater together tightly trying your best to cover your suit.

The door to the room open slightly follow by a voice, “Miles?”

 You and Miles look at the door, to see his mom holding a laundry basket in her other hand,she look at her son.Rio look confuse to see her son but Miles desperate voice make her even worried.

“Mom..there is something coming for us,somethin terrible”Miles says

“Miles you’re talking crazy whats going on?”Rio walk closer to her son her eyes keep darting towards you.

Miles continue “His name is Spot…he is our nemesis, and we gonna stop him. I know you know…we been lying to you,it’s because that I knew…you won’t love me the same. You won’t look at (N/N) the same way too. Then I went out there and..now im not afraid of anything”

“What do you wanna tell me?”Rio ask her son.

“You gotta promise nothing’s gonna change mom”

“Papa I will always love you”

“You gotta promise”Miles desperately says

“Always,I don’t care what you said,Tu me tiendes?”Rio walks closer to him and hold one of his hand trying to reasure her son.

Miles pull away from her before he turn to the side readying himself to do this, he sigh “Mom” and pull the zip down turning to his mom. “I'm spider-man”he pull his jacket apart showing his mom his spider suit. “A-and (Y/N) is also the spider-man/spider-woman”

Rio just look at her son in confusion before she ask “W-Who’s Spider-man?”

You frown slightly as you are witnessing everything unfold,surely everyone in Brooklyn knows who you guys are. Every news and thousands of video on YouTube telling the world about the spider duo shoving the information to every.single.person.

“And who is (Y/N)?”she ask again tilting her head slightly looking at her son.

The moment she ask that you are stun,your eyes widened again looking through the window,are you hearing this right?. You blink a few times before, keeping your eyes at the familiar woman in front of you yet something in your gut is telling you she is not the same woman who would give you hug and kiss your forehead.

she let out a chuckle before giving his son a small smile “Miles you been keeping a secret of having a partner from me hm?”she turns to walk out of the room with the laundry basket in her hand.

Your spider sense goes off as you watch this woman who look exactly like your mama Rio,your brows knitted together watching Miles run out of his room following his ‘mom’ to the living room trying his best to explain.

You stuck at your spot,with your thoughts run haywire at what is happening,why she doesn’t remember you?, why she acts like you never met?, why does her aura feel different?

You shake your head,you need to focus. You keep watching as Miles is talking to his ‘mom’ before both of your attention drawn to the sound of a door knob unlocking at the main entrance of the house.

You press yourself closer peeking through the window still confuse while Miles seems to figure out what is happening looking scared at the door.

The door open to reveal, Aaron Davis. Miles supposedly dead uncle “U-uncle Aaron?” Miles mumble looking at the familiar figure walking through the door. Your eyes widen seeing the familiar figure walk infront of the open door, Uncle Aaron?. Your eyes darted to Miles,he look like he is seeing a ghost from the past then it all click in your head. You are in a different place, a place with no Spider-man to protect, a completely different dimension…you’re in a dimension of where the spider that bit Miles originally came from. Earth-42.

“Oh my god…”you mumble to yourself pressing yourself to the wall looking up at the sky mumbling “Shit…shit,shit”

You gulp as the anxious feeling and fear grip your throat like a choke hold. How in the hell you and Miles are going to get out of this? You see Uncle Aaron push Miles away slightly making a comment about him taking out his braids?

Miles turning his head making eye contact,you can see It in his eyes. He is scared. He turn his head to his uncle following him out of the house climbing up the stairs.

You crawl up the wall following them as in your head is screaming something is wrong,everything is. Both of you are in danger. You pull yourself up hiding behind the many scraps and metal on top of the rooftop keeping an eyes on Miles. As you walk further to the front your eyes looking around the place before you discover something even more heart breaking…on the wall Is a graffiti Of Jefferson Davis with a writing of ‘Rest in Power’.

Your heart starting to beat faster fear grips you fully, your head snap towards Miles just to see him got knocked out falling straight to the floor.

“Miles!”you jumped out from where you hide swinging your web to his body to pull him to you, to run. But your web got cut by a flashing purple,whatever it is that thing is fast. You ready yourself shooting out both of your web at it but the thing catches it pulling you to it before your head is punch with something metal. Your body flew back but you got yourself on your knee shaking your head to get rid of the ringing in your ears. You push forward charging at where its standing over Miles but suddenly something stinging comes from the back of your neck you hiss reaching your hand to pull whatever it is. It’s a fucking sleeping dart, shit you though to yourself but you try to walk to Miles body but you starting to see double and everything is swaying from side to side. You fall to your hand and knees fighting the urge to pass out.

The figure came closer to you kneeling down to your level lifting your head by gripping your chin to look at the purple Mask before a distorted voice says “duerme, arañita”your head slips from his hand landing on the floor pass out.

Uncle Aaron walk towards the two limp body before saying “A fierce one ay?”picking up Miles body and moves to the other one.

“No,I’ll take this one”the figure says before move to pick the limp body slinging it over his shoulder and walk towards the hideout. Aaron shrug and follows them inside.

(Timeskip a few hours later)

You blink as you slowly gaining conscious, you try to move your hands but it stop by a chain that is hanging you up on the ceiling making your feet hover a few inches off the ground. You struggle in your bind hopping it to lose or break but of course,it didn’t. You try to press on to your web shooter but to find nothing is on your wrist, shit they take your web shooter.  

“Dont even try, little spider”You snap your head to the figure who is wearing a neon mask that illuminates in the darkness. The figure walks closer to you,he walks slowly around you taking in the details of what you are. You are the same as the other one,a spider.

“What did you do to Miles”you hiss out through your teeth trying to look intimidating at the figure,the figure let out a whistle as he stands infront of you. “Calm down,heh it’s not that you can do anything without your web no?”He reply with a clear smug.

“I can take you down just fine with or without the web”you glare at the mask,the stupid neon mask that is mocking you. “Maybe you open that stupid mask of yours so I can fuck your face up like a pulp”

The guy chuckle before saying “You first little spider”he reaches his hand on top of your head gripping your mask. You try to move away your head but its useless as the figure rip your mask off revealing your face glaring at him.

Him on the other hand,didn’t expect to see such face staring back at him. The fire in your eyes staring right into his soul, it sparks something in him. He take a good look of how your lips are shaped,how your hair framing your face. He is stunned,shame that you,re with ‘him’.

“Open yours,what you’re scared now?”you taunting him when you see him just staring at you. The guy chuckle before he open his mask looking at you with a smirk on his lips.

“Miles…?”

(To be continued…)

yall can come and start a riot on me

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