Here lies Namor. Invader. Avenger. International Terrorist. - Namor (2024) #1
I am Namor. The Terrorist Propaganda says I have issues. Don't trust the Terrorist Propaganda. - Bucky Barnes: Winter Solider (2014) #1
You know what annoys me about Aaron's writing, where is Defender? Namor is part of and actually is the instigator in creating Marvel's The Defenders, the first trio called Titians Three consisted of him recruiting Hulk & Silver Surfer to aid him in stopping humans from hurting the Natural World in The Sub-Mariner (1968) #34. This would later spin out into Doctor Strange recruiting Namor, Silver Surfer, Hulk, and later joining them Valkyrie for the main and first wave of The Defenders. A team made up of outsiders who defended the world from supernatural threats. Namor is literally a founding member of (in my very strong opinion) the best modern team he's ever been on.
Yes, he's Namor the Avenging Son, but he was only ever called Terrorist by his enemies. Namor wouldn't think of himself in that way, he'd call himself a Defender, a Protector of his people, of the seas, his home. If Aaron means Invader as in he was part of the Invaders team then that also is a defense because he and the Invaders were fighting in WWll.
Namor knows the humans see him as a threat and for the most part he doesn't care if they label him as a monster because he's always had this strong belief of defending his home and people, he worked past his hatred of humans to help them all the way back in the golden age, but time and time again the humans do something that he has to respond to.
If you ask me for 2 panels to understand Namor in a nutshell then it would have to be;
The Defenders (1972) #53
Sub-Mariner (2007) #4
He's actually so easy to understand if people actually took the time to read his freaking comics. He's complex yeah, but that's what makes him so interesting as the first comic Anti-Hero!
Aaron focusing on Namor's outsider status isn't something new, it's been explored in his comics a lot of times. What really frustrated me was back in Avengers (2018) #9 Aaron had the chance to set up Namor to combat Captain America in terms of ideology of what is right and wrong, how is the defense of his homeland wrong? how is resistance against oil drillers, and poachers, and corporate greed, and polluters, and giant space robots falling and crushing his city and people wrong???
Human Laws have always been in favor of Humans, not the Atlanteans, not the Sea. Instead of exploring the concept of Namor being a Defender of his home and his people, Aaron constantly labels Namor a Terrorist. The he makes Namor want to atone for the wrongs he's done (never specifying exactly which ones, just a general "crimes against surface humanity") while never addressing or exploring the wrongs done to him by the humans/surface world!
Even now Aaron sets up Namor for conflict under the sea, and states it's for the best interest of the human world that their shipping lines and cruises be uninterrupted by the "shrieking blue skinned warriors who've invaded their coasts". Basically it's "We humans don't care if the Atlanteans are suffering so long as they suffer in silence and don't bother us or disrupt our money & lives".
Aaron writes in Avengers that Captain America offered aid to help the Atlanteans, but it's Namor who's rejected it, why would he accept help from the people who constantly hurt his people? Why would Namor ever trust them when they've broken his trust so many times in the past? Humans make promises and then break them all the time. Why should Namor ever accept the crumbs they deign to give him in return for obedience and silence so the humans can keep doing whatever they think is right? Why is the Surface World more moral and more right than the Undersea World? It's Namor's land, it's his home, they broke his laws, they broke his home, his people, his seas.
I've always said the biggest obstacle and mistake writers often encounter when writing Namor is they come at him from a very surface world mindset, where the humans are right and Namor isn't. Namor was never meant to be a champion of humans, but of the Atlanteans, the Seas, and all it's creatures.
I could not care less that you are breaking the Laws of Man. What you do here violates the Law of Namor. And thus you shall now endure Namor's Justice. - Defenders (2012) #1
Namor being seen as a Invader/Terrorist began back with his first fight against The Human Torch in Marvel Mystery Comics (1939) #8, Jim was championed as the Hero of Humanity, while Namor was labeled as Public Enemy No. 1. and even now 85+ years later Namor faces persecution for doing what he was raised to do all his life, be a king, be a protector of his people, take justice and vengeance for the wrongs done against his home and people.
Aaron wants to focus on Namor's outsider status of being born half human/half atlantean. He's already shown Namor being bullied and nearly killed as a child for being born different by his people, but that isn't anything new, that's been canon that Namor is an outsider among humans and atlanteans, it's canon that the Atlanteans are just as racist as the humans, but often they're framed as worse than the humans.
One comic reviewer questioned if Aaron is making statements about the current political climate but honestly anyone who reads Namor comics can see these themes, the tensions among atlanteans and humans, have always been there. What remains to be seen is if Aaron can actually deliver on some good writing.
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Cel animation is that thing I use to hate as a kid bc my stupid child brain didn’t like the fact all old Animes or cartoons looked the same until I actually bothered to watch so many old shows to really appreciate it. How even if you can tell they’re all painted, that they all can have unique art styles but also the fact “wait someone had to draw this frame by frame on fucking paper?? Holy shit” And it is a absolute shame because of the tediousness and cost this genre gave its now gone completely.
It’s so sad it can’t be a genre like pixel art in games, where it’s considered outdated as no triple A games do it anymore but is still being kept alive through various indie developers. Cel animation simply because it’s on paper we won’t ever see many projects ever do this unless they are overly ambitious or really wanting to capture an old era. The only thing we have is cuphead and I appreciate it without playing it-I should but it looks hard as fuck💀-but I wish at LEAST we’d get more things where people would animate something digitally but use filtering techniques to make it look like Cel. Which is a thing, apparently for whatever reason The Simpsons tried to hide the fact they switched to digital for a bit so they used certain techniques to still come off as if it was Cel, even if certain things in the animation broke the illusion a bit.
And does this method have the same exact effect as Cel? No, you can still tell it’s digital by small details unless it’s pulled off super well. But is it less costly and more of the way the genre of older animation could come back without the project taking fucking years? Absolutely.
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