Do you ever think about how when BMO plays pretend, they favor nomadic/loner roles like a cowboy, a hard-boiled detective, a traveling salesperson, etc., which is pretty in line with their directive from Mo. But when they really are on their own (eg in BMO Lost) they immediately, desperately establish a family from their surroundings.
And how one of those universal struggles of people, especially in the context of growing up (including but not limited to childhood) is dependence vs. independence. Wanting a hand to hold and wanting to be able to drop it at will. And how some people need to hold that hand less often than others, and how some people really don’t want to even when they really need to.
Finn and Jake get frustrated with each other and try to solve a dungeon separately, only to be met at every turn with a challenge that they can’t face without the other. Marceline travels for a thousand years and settles down here and there and picks back up because the people around her aren’t constant so she doesn’t want to be either. PB and IK each create an entire kingdom because they’re lonely, and neither of them feel whole because, just like the quarters of Ooo in Elements, living in those kingdoms is too much like living inside their own heads.
Every episode of Distant Lands is about characters who both resent and long for the versions of themselves they used to be— the versions who needed other people, the versions who could still insist they didn’t — and have to reconcile with the fact that they never really stopped being those people, but also that they can never really be those people again.
Every major character in the series is building connections and love and safety using whatever tools they have, and distancing themselves with equal effort. So they’re all kind of just alternating between playing cowboy and playing house, figuring out how to balance both and where they fit in between.
3K notes
·
View notes
I’m adding a new design to my Castlevania Nocturne acrylic charms! Preorders coming soon! 🩸🦇
Photo of my currently available designs under the cut just in case~
273 notes
·
View notes
“objectively speaking cas is probably more queer than sam and dean”
speak for yourself lmfao he is ludicrously handled as a character overall (in terms of establishing consistently meaningful motivations and conflicts for him) and he belongs in the fanservice bin in terms of what the canon did with his sexuality.
sam is the only one of these 3 whose entire narrative screams queer allegory argue with the wall. like I’m offended that you guys are putting any character in this show in the same league as sam to be perfectly fucking honest. I’m talking big-picture and narrative throughlines and you’re quibbling over gay jokes and the stupid fucking confession scene 🗿 this blows
76 notes
·
View notes
Every other aspect of Jesse’s trauma makes me go oh no poor blorbo :( but his relationship w his parents and thinking ab it in the context of the series aftermath actually makes me unwell… they never even knew him they only ever saw the worst in him and now they’ve had that validated by his own actions and they’ll never know how sorry he is and that he was a good kid at heart and they didn’t imagine it and they still love him but how can they have loved him if they never even knew him and only ever saw the worst in him *flatlines*
160 notes
·
View notes
the only reason I hc billy as an emancipated minor is literally just so that mary can still live with the bromfields and freddy can be fostered by the vasquez family. so rosa and nora have no actual relation to each other or have the rights to tell billy what to do but theyll pick him up for school and have extra bedding and a toothbrush saved for sleepovers and knuckle down his head (rosa) and fix his collar (nora) and. will pick up a household object and swing harder than any mlb player could trying to protect him faster than he can blink
135 notes
·
View notes
Somehow never caught this before, but does this imply Birdperson’s mom killed his dad and he remembers seeing it?
The fact this memory is somehow tied to Blood Ridge in his mind makes me wonder if that’s part of why he didn’t accept Rick’s advances— maybe even subconsciously. If that’s what this implies, no wonder he had commitment issues. Makes the shit with Tammy hit differently, too…
I know it’s a throw away moment, but I really hope we get a follow up on that… Regardless of what that memory is, it’s dark shit.
369 notes
·
View notes