#( you can even give him antagonistic dynamics )

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[daybreakrising]

VAUTRIN INTERACTIONS WISHLIST

bc my funky lil oceanid man needs people to talk to-

just want to clarify, these suggestions are intended as NON-ROMANTIC DYNAMICS - that's not to say i wouldn't be open to developing some of them in that direction if they vibe, but i'd like to establish any dynamics in general first!

most of these will be in his current timeline verse for obvious reasons, but any characters who would have been alive 400+ years ago are also welcome to interact in his canon past verse!

i am sticking mainly to characters that would make sense for him to interact with (this list will almost entirely be characters from f.ontaine) but i'm always open to others if you have ideas, so if a character isn't on here it doesn't mean i'm not interested - the only exception to this rule is n.euvillette, as i already have three incredible neuvis to write with and i want to focus on those developing dynamics and give them the time and unique attention they deserve.

THE LIST

w.riothesley vautrin feels a sense of duty towards the fortress, but he also has a great respect for the man who currently runs it. it's my hc that vautrin first "awakens" again within the fortress & therefore, interacts with wrio and s.igewinne before anyone else (this can be tweaked if necessary). i also like to think vautrin would offer his services to the fortress and/or request to continue serving the sentence that was cut short by his "death".

melusines - all of them, any of them vautrin will adopt all of them as his family.

c.hevreuse former captain & current captain. again, i like to think vautrin would offer any help he can provide to the team he used to be a part of. also.... i just think they'd get along well.

the HotH siblings listen, i just think they'd vibe. l.yney in particular with his dedication to his family and the fact he'd do anything, even put his life at risk, to protect them.

a.rlecchino OR any harbinger this could just be an interesting dynamic, and i've always thought the f.atui might be interested in a being who returned from the dead for ??? unknown reasons, and also has weird, lingering powers from the primordial sea. especially if they could convince him to help them........

n.avia the man needs a purpose in this new life, and he likes to help people who stand for justice and/or protecting those who are less able to protect themselves, so i feel like he'd vibe with n.avia and the s.pina di r.osula. also i feel like she'd be very good at helping him find himself again.

f.urina vautrin's parents were professional performers & he was a dancer as a child. he needs to rediscover his love for music and dance - and the stage - and who better than f.urina to do that??

a.rchons or other ancient and/or inhuman beings this is a very general, vague suggestion - vautrin needs friends who understand what it's like to be Other, to not be human, to live out of time and to face the prospect of immortality/long-life. he needs people who can help him understand what he is, why he came back, or at least help him look for those answers.

again, characters from other regions are more than welcome if there's an Idea there, and i do hc that vautrin does travel around t.eyvat at some point to see the world as it is now, so it's not impossible for him to cross paths with anyone!

and just as a quick additional note regarding potential ships:

vautrin is Complicated when it comes to shipping, as he is a very closed-off person by default, and he's now struggling with being alive again and being Not Quite Human Anymore so.... it's a lot to deal with. that being said, shipping is never a no. just please bear in mind that:

vautrin identifies as bi, but has a HEAVY preference for male-presenting partners.

he is exclusive with @wwriothesley's wrio. any dynamics with other wrios will be non-romantic only.

[tobiasdrake]

Which DBZ antagonist do you like the most?

Boring opinion, I know, but I gotta give it up for the Obvious Choice.

And I'm not just saying that because I haven't had a chance to talk about him yet.

Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.

Fucking based.

From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.

He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.

By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.

Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.

But once it's done, he has to face the music. He's not getting out of this alive.

In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.

This is Frieza.

Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.

The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.

What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.

We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.

The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.

This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.

He later executes Vegeta this same way.

Done with you.

All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.

Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.

Speaking of cool techniques, I've always been partial to this move from his Third Form.

The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.

I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.

But that's just me.

In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.

He even invented the Kienzan, independently of Krillin.

Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.

Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.

The only partner who's ever even dirtied his skin was his dad.

And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?

Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.

Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?

This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."

He is correct.

Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.

So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.

Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.

Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.

What he's saying is more like, "My power is so great that I can't properly contain it."

Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.

Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.

Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.

He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.

But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:

He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"

It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.

But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.

So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.

But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.

This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.

He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.

In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.

This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.

He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.

And he is Dragon Ball's greatest villain.

[the-music-maniac]

I get a little annoyed when people's complaints about zosan stray into the "Sanji would never fall for Zoro because of personal hygiene issues" territory. Mostly because I feel like it involves a fundamental misunderstanding about their dynamic and also Sanji as a character.

First of all, Sanji smokes cigarettes and cooks seafood and shit. Even if he does shower daily, there is no way he smells like a rose garden. So there's that.

Second of all, Sanji is a COOK. You literally cannot be a cook if you're afraid of getting your hands dirty, if you're afraid of working up a sweat. He knows the value of hard work in that regard. For his craft, Sanji gets all up in some fish guts, he hunts, he cleans, de-feathers, skins, butchers whatever creature they've managed to hunt - come on y'all. That is not a man that would be a germaphobe. He keeps his workspace and himself clean cause that's the mark of a good cook, but the man would have no qualms about getting dirty. He ain't squeamish.

Third, Sanji's entire thing is that he ACTS like a refined gentleman, but he's a little bit batshit crazy in the same way all the strawhats are. He's one of the monster trio for a reason! They're all freaking unhinged, Sanji's first reaction to seeing sea monsters is to yell that he wants to cook it. He's fought so many battles, I've no doubt that there's blood soaked into the soles of his fancy loafers, caked into some of the hems of his suit pants. My point being that while him acting like he's a gentleman with "refined tastes" is no means deception (he probably has excellent taste when it comes to dining) he also doesn't fit that description entirely. He strives for it, in order to maintain an image, and it also plays into his whole "ladies man" thing as well. But he's not actually a refined gentleman in our traditional interpretation of the word. He's down to slum it if needed, and will kick a person's ass for not finishing a soup that has a bug in it because it would mean wasting food. Also the man has worn orange crocs. Refined my ass.

Fourth, you can deny it all you want, but Zoro and Sanji have always been and will likely always be, two people that match each other's freak. And by that I mean that all it takes is Zoro muttering one little disparaging comment, and Sanji is immediately there, ready to throw down, dirt and sweat be damned. If he were to complain about Zoro's supposed bathing habits and shit, while I don't doubt some of it would be genuine complaint, it probably would mostly be because it would annoy Zoro. But when it comes down to stuff Sanji actually gives a shit about, hygiene would probably not be high up on that list. He is 100% that motherfucker that would get heart eyes over Zoro eating sugar onigiri out of the mud to spare a little girl's feelings.

I get annoyed by people using that argument as if it's a legitimate reasoning for why Zoro and Sanji wouldn't get together. Like what impression of Sanji do you have in your head? You think the dude that constantly knocks foreheads with Zoro during their antagonistic (gay) posturing would get squeamish about Zoro being a little sweaty? Sanji can be your babygirl if you want, but we gotta stop acting like he's the type to get squeamish over stuff like that - there's no way that out of ALL the issues Sanji has yet to work through locked up in that pretty noggin of his, that personal hygiene would be the hold up on a relationship between these two. The zosan dynamic is Sanji complains loudly about Zoro being a disgusting brute and then will turn around and roundhouse kick a man's head off. Like yes, Sanji. That's not the pot calling the kettle black at all.

None of this is a complaint btw. That's literally my favourite part about Sanji, and Zosan as a whole. Sanji wouldn't be nearly as interesting if he was just a gentleman. Zosan wouldn't be as compelling if they weren't two lil peas in a pod, equally as unhinged. The only difference is Zoro puts literally no effort into trying to hide his level of derangement. Which is also very in character for him, btw.

[fantasywater]

These are the reasons Stolas Horseman still gets dragged for his infidelity even though the circus was supposed to FIX THAT.

This is for Stolas's Western Entergy interpretation and for the fans who agree with it:

Stolas is an adulterer.

No one gets to change the definition of a word just because they don't like it being said about their favorite character.

He's a domestic abuse survivor and an adulterer. Both are true. 

The reason Stolas still gets criticism is because of the execution of how it was written and the Octavia factor.

We were introduced to Stolas and Stella's dynamic with her being pissed that her husband of at least seventeen years cheated on her.

That anger is empathy-inducing to a lot of people because being cheated on, or knowing someone who has, is a relatable experience. It also looks extra disgusting on the one who stepped out when a family is involved.

Even her throwing things at him could be excused because of the context in which it was happening.  

There's a reason why temporary insanity is welcome in legal circles because it gives leeway to the perpetrator in that it asks the question would they have done this awful thing if it wasn't for an extreme mental break forcing them to? 

Stolas's infidelity was that mental break.

Trying to kill him can also fall comfortably under temporary insanity. 

Plus having our protagonists kill innocents as a job also takes the bite out of it. 

It also doesn't help that both Stolas and Stella's voice actors gave their own explanations that pretty much stated what I said above.

Even our first episode was about a cheated-on woman going to extremes, but she was shown in a sympathetic light despite it. 

Yet the very next episode shows the same issue, but because Stolas is a main character we are supposed to fall in line that the adulterer is whose side we should be on. 

Octavia having a mental breakdown(twice now) because of Stolas's infidelity is also not endearing him to the audience.

What he is doing to his child is the biggest reason why his remorseless, continuous, infidelity is not a take-back-my-power move.

The inciting incident for both Stella's recurrent violent anger and death "threats", as well as Octavia's mental breaks, is Stolas's cheating. Therefore what is happening to him now is a consequence of his own actions.

The writing in the problem. We were introduced to a wife and daughter showing anger in different ways because a spouse and father betrayed their family, and yet Viv still expects us to feel sympathetic to Stolas.

In reality, Stolas is the antagonist of Stella, Octavia, and Blitz.

That role was especially blatant in Loolooland.

As for Stella Viv tried to course correct by being heavy-handed in showing her as a cartoonish monster in The Circus. 

However, because of the initial execution of writing her as a scorned wife due to her remorseless, repeatedly cheating husband for a whole season, she has forever poisoned the well for Stolas and she has no one to blame for that but herself.

She is the one who wrote one of her supposedly sympathetic main characters doing Sexual Extortion(Blitz), Adultery(Stella), Mental Break/Child Neglect(Octavia), but then seems to have an issue when a nice chunk of the fandom still thinks only his victims deserve sympathy.

Nevertheless, since the Circus is in the canon now does Stolas owe Stella loyalty and remorse? No. 

However, Stolas is not just a husband. Octavia exists.

Therefore Octavia will always be the reason why his (continuous) infidelity was a selfish and vile act. 

That's also why what's going to happen to him in the leaks is on him.

His karma warranty is up.

The problem is that the karma Viv gives is an illusion because she still wants you to feel sorry for Stolas. That's why there's always a sturdy flavor of demonization in the narrative toward anyone he's harmed to facilitate that.

However, considering the nature of his crimes his comeuppance is deserved, but she still writes like it's not and expects the audience to fall in line.

She also did the same thing with Blitz's issues with him.

So it's a pattern, and it exists because a fujoshi is writing this story. 

It's a failure in the execution when the author's intent and the audience's takeaway is this broken.

[sehtoast]

Perfect Punishment (Homelander x gn!Reader Smut)

18+ | spanking, leg humping, technically supe!reader (vague), sublander, light choking | Fic Directory

Suffice it to say, you're never quite sure how you end up in these situations. Granted, the common denominator in all of them was that Homelander was an endlessly voracious man in need of an infinite amount of attention, and he'd go to any lengths to get it. 

Even this. 

“Mmm, harder…” He hums as your palm strikes his rear, a playful grin etching into his face at the resounding slap.

“I thought this was a punishment,” you say as you rub soothing circles over the red of his briefs. “Doesn’t really count if you like it.” You're almost ready to stop and leave him hanging as a real punishment. 

“Right, right. Ah! Ow!” 

You roll your eyes at his theatrics. You'd teased him about being such a bad boy, but it seemed like he was all too happy to fill that role. His behavior cranked past ten, and now here you are: The Homelander himself bent over your knee, underwear pulled down just a smidge and pants at his ankles. 

You're not even sure who made the spanking joke first, but god knows his eyes practically lit up like a Christmas tree at the mere mention. 

For his smart comment, you swat significantly harder. You could never actually hurt him– maybe just sting him a little.  In fact, you have a sneaking suspicion that the power dynamic reversal is what has him rocking against your thigh like the needy little thing he is. So pathetically horny at the idea of being weak and vulnerable for you. 

Of being punished by you. 

Not even his commentary could hide it. 

“Oooh, that one tickled.” He snarks one more time, but his voice betrays him completely. A slight quiver in his words, a shaky breath exhaled, cheeks turning a light pink. “C'mon, babe. Give it to me. Unless you're all talk…”

Antagonistic little… 

You grip his briefs and rip them clean off, revealing his bare ass to knead and squeeze to your heart's content. You loop an arm around his neck, restricting his throat between your forearm and bicep, tugging him just enough to make his back arch. 

“You're a very bad boy,” you whisper, nails scratching his glutes. What little fabric survived the rip still miraculously covers his cock as he grinds against you unabashedly. You wind up for the swing and–

“Mmph!”

Like music to your ears, he chokes on the cutest little sound. Something squeaky and precious, surprise vocalizing high in his throat at your sudden brazenness and strength. 

“You just wanted to hump my leg like a dog, didn't you?” You accuse, tightening your arm at his neck. You rub your last strike tenderly, letting your fingers slip along the curve of his crack. You can practically feel the way he shivers against you. “You’re makin’ a mess down there, aren’t you baby?”

Even pressed firm against your leg, you can feel his drooling cock twitch with need. The surviving scrap of fabric has to be drenched at this rate– you can almost feel the heated moisture and you know damn well his cock weeps practically the whole time he’s aroused on a regular day. 

A breathy moan escapes his slack mouth the second your fingertips graze his sack, hips bucking forward to seek more of whatever delicious friction he'd found against your lap. 

“You just wanted to lay on me and get played with like the little whore you are.” You trail your hand back and grip a cheek as hard as you can, nails biting into his flesh. “Admit it. You acted out for attention.” 

“Mmm, yeah– fuck,” he confesses through a breathless whisper. 

For his honesty, you reward him with a warm palm to his balls, feeling them tighten every time a pulse of pleasure surges through his body from how you play with him. 

He keens softly, eyes screwing shut against the twist of bliss knotting in his core.  He ruts even more brazenly than before, as if he wasn’t just getting spanked mere moments prior for always having to have his way.  Your body rocks with the strength of his thrusts, so you angle your leg to press back against him.  Sure, he was being ‘punished,’ but you’re not totally cruel.

“You wanna be my good boy, right?”  You ask ever so innocently in his ear, breath fanning against the shell of it in a way that makes him arch further back.  His mindless little nods make you grin sharply. “I thought so…”

Your hand comes down with a sharp crack against his right cheek and he writhes against you, mewling through his restricted throat.

“Count ‘em off for me,” you say, squeezing his neck a little more.  You let off for a moment only to remind him to speak up if something’s too much, then squeeze again.

Slap!

“O-One!”  He announces, hips bucking against you.  

You can hear it in his voice– he’s like a time bomb ready to blow.  His expression is infinitely more desperate. Hooded red eyes, cheeks burning a deep crimson, tongue peeking out just over the edge of his lower lip.  If there was ever an image fit to sit beside whore in a dictionary, it was the sight of him like this.

“Tell me how good you’re gonna be for me after this.”

“I’m– I’m gonna be so good!”  He promises through panted breaths.  “Good for you– good f–”

You don’t let him finish before you swat his reddening flesh several more times in quick succession, watching with pure satisfaction as that mouth that never stops running opens to moan so loudly you’re almost sure the floor below must have heard it.

“N-Nine… No– no, fuck!”

Poor thing had to make a guess.

You tsk at him in false disapproval.  “Good boys don’t lose count,” you say, even though he was definitely right.  “Start again.”

And he did, too.  By the time you make it back to the count of nine, his legs are quivering and his precum has soaked through the leg of your pants.

“Please, please, please!” He mewls desperately.  “Let me– oh fuck, please let me come! Please, just– fuck I need it! I’ll be good!” He’s rocking against you without permission of any type as he spouts off promise after promise to behave himself for you.  “Good– good b-boy… I’m your g’boy, I p-prom– ohfuckohfuckohfuck!”

And just like that, he’s blowing a thick, creamy load against you, legs spasming and glowing eyes rolling back in his head as you hold him through what must be an absolutely earth shattering orgasm if the full body trembling was anything to go by. Your name falls from his lips in a repeated prayer until all he can do is simply mouth it silently. 

Your lips are to his ear the whole time, whispering affections and praise, adoration and love in droves.

“You are my good boy,” you say, accentuating your words with soft caresses to his sack.  “My very, very good boy that I love so much.”

“M’your g’boy…” he murmurs weakly, eyes shut as he sinks into the glow. For a second, you think he might actually be calm for the rest of the evening.

Who are you kidding?  He’s going to act up all night after this.  You wager you've got about fifteen minutes of aftercare and snuggles before that switch flips and you're fucked on every horizontal and vertical surface he can possibly think of. 

And you? 

You’re gonna love every fucking second of it.

[luna-rainbow]

Hey, I don't know if you've already answered this (and this may be a weird question lol) but why did Hydra just let Bucky's hair grow long? Why didn't they just cut it? I've seen you do other metas and stuff like that (which I love, you're a great writer!) So do you have any ideas?

Aww thanks for enjoying the other metas 💕

That is a very interesting question that I’ve never thought much of 😅

From a Doylist perspective, the Winter Soldier arc was published in 2005-6. Ed Brubaker was born 1966. Men having long hair became more acceptable and even fashionable from about the 1970s (ie Brubaker’s formative years), and that style carried over to the late 1990s (or, if you’re like me who was in the JPop fandom, it was still popular for most of the 2000s). Longer hair in men was generally seen as subversive and cool, or untamed and unkempt, which were descriptors that would have fit Bucky’s reappearance in his new persona. It was also a good way of indicating that time has passed and his character has changed significantly. One other thing is, when it comes to 2D art, long hair flows, ie it’s easier to express dynamism, which is why so many superheroes wear capes. I believe (not having read the actual comics) Bucky’s role changed in The Winter Soldier run from a pure sidekick to something closer to an antagonist and partner, so the more distinctive character design reflects that too.

From a Watsonian perspective…I guess men’s short hair can be somewhat high maintenance in that you kind of have to trim it once a month at least. Who knows if the serum affects the speed of hair growth as well, because if it does then maybe he needs more frequent trims and it just gets long if they miss any. Presumably, given his history, he’s also not an easy customer to approach with a sharp implement, especially not that close to his face. And they’re always in such a hurry to pack him back in the cryo tube or to get him prepped for his mission that it just gets missed until it really gets in the way.

The other possibility is that the longer hair also changes his face shape substantially speaking as someone who didn’t recognise Bucky when the mask came off. It makes his face more angular and the shadows deeper. It probably stops his memories triggering as easily when he sees his own reflection. It serves to erase his original identity, along with his new “name” (although we have no evidence that he knew he was called the Winter Soldier while he was still brainwashed), new uniform and the bionic arm.

The third reason is that the long unkempt hair could be used as a psychological tactic. It’s emasculating and demeaning, especially for someone born in the 1910s and normally known to be well-groomed and tidy. It’s an element of control over his bodily autonomy that he cannot change without them allowing it or at least giving him access to implements to cut it. It contrasts him with the other soldiers, including the other “Winter Soldiers” we see in CACW, who are allowed to sport typical masculine haircuts, and serves as a continual reminder that he is “other”, if not considered somewhat subhuman.

So that’s my two boring cents. I wonder if anyone else has other ideas.

[descendant-of-truth]

On principle I don't really like the idea of Sonic being sent after Shadow at the request of G.U.N for two reasons:

It robs us of the god-tier cold open of the original game where Sonic busts out of a helicopter to escape arrest

I always loved the setup where Sonic and Shadow meeting was pretty incidental - neither of them had any idea who the other was, but Sonic thought Shadow was impersonating him on purpose while Shadow just thought he seemed fun to mess with

But depending on what the surrounding context is, I can see how the movie could make this plot point interesting in a completely different way that still complements these versions of the characters, even if I don't prefer it to the original.

So, some ideas:

G.U.N has been the villain of the last two movies, so in order for Sonic to be working with them, they must have a pretty good deal for him. My guess is that they promised to leave him and his family alone - no more schemes, no more kidnapping, nothing of the sort - on the one condition that "Team Sonic" helps them deal with Shadow.

This would already function as a narrative parallel to Sonic enlisting Robotnik's help later for the same thing. The name of the game becomes "we don't like each other, we're enemies, but we need to work together to deal with this guy because he's too powerful," which becomes a triple threat if the whole cast including Shadow gets to team up at the very end to save the world

I think it would also be very fun if Sonic is trying so hard to talk things out with Shadow in large part because he heard that there was another hedgehog on the loose, and wants so badly to be friends with someone like him that it takes at least one full-blown beating before he gives up on that idea

(The other reason he keeps trying is "it worked on Knuckles" of course)

Now, this puts Sonic in a fascinating position, particularly when using the game as a frame of reference. SA2 was very straightforward with how it presented its conflict at first: you have a Hero Story and a Dark Story, and as such you're primed to think of everyone on both sides as either being good or bad.

And most people, I think, were inclined to play the Hero Story first; it's the one with Sonic in it, and the select screen hovers over it by default, too. It tells a very simple story of Sonic and friends stopping Eggman's (admittedly very threatening) evil plan, developing some new rivalries along the way.

It's already a little bit of a twist for Sonic and Knuckles to have formed a respectful relationship with Shadow and Rouge by the end, since you see them as villains initially, but they still remain antagonists by the end. Rouge returns the Master Emerald pieces, but she's still working with Robotnik. Shadow thinks Sonic is pretty impressive, but he still tries to kill him to stop him from saving the world.

But then you get to the Dark Story, and then the Final Story, and you think, oh. It's really not that simple.

For starters, you get to see more of Rouge's bond with Shadow. There's some conflict inherent to their relationship because Rouge is a spy and is only here to get information on Shadow, but after he saves her life, there's a definite shift to their dynamic. There's something genuine there, even if it doesn't get a lot of screentime dedicated to it.

But most important to the story is what we learn about who Shadow is, in part through his interactions with Rouge.

Shadow is cunning and ruthless - heck, his goal is to literally blow up the world. But whether out of compassion or survivor's guilt or both, he can't let Rouge die, so he saves her and then lies about his motivations for it to seem colder than he is.

And even though the things he's doing are definitely bad, his motivations are famously sympathetic; he wants revenge for his best friend, a young girl who was killed by the G.U.N military during a raid.

(It was implied that there was some sort of brainwashing done on him by Gerald after Maria died as well but that part of the story is incredibly vague)

By the end of the game, Shadow comes into his own as a hero and helps save the world instead of destroying it. And suddenly it makes sense why the stories weren't called Hero and Villain, because neither Shadow nor Rouge are especially villainous characters; Rouge is selfish, and Shadow is driven by grief and hatred, but they're ultimately kind at the end of the day. Both of them find people to care about - each other, as well as Knuckles and Sonic respectively.

But y'know, there wasn't a lot of ambiguity about who the heroes were in the Hero Story itself. Sonic, Tails, and Knuckles are pretty clearly The Good Guys, and nothing they do is really questioned because they're always fighting The Bad Guys.

So what I'm seeing here is an opportunity for Team Sonic to not be totally in the right for once. Yes, it's good to stop Shadow from going on a rampage and destroying the world, but look at who they're keeping for company here. G.U.N? Robotnik and Agent Stone? As if either of those groups are trustworthy enough to not stab them in the backs as soon as it's convenient. As if they're not going to find some way to exploit Sonic for their benefit.

And frankly, Shadow is totally in the right to hate G.U.N, and Team Sonic for working with them. Given that his backstory seems to be largely unchanged, it's kind of impossible not to be on board with him fighting the protagonists at least a little bit.

Besides, I don't think it's a coincidence that Shadow is doing the wrong thing for the right reason, while Sonic is doing the right thing with the wrong people (and maybe also for the wrong reason). That has the potential to be very clever if executed well.

I can only imagine the dawning horror on Sonic's face as he realizes just how much he's not on the right side of this conflict; when he learns about what happened to Maria and everyone else on the Ark. Especially if Tom's family was involved in it, like the current popular theory going around.

Also, last-second realization: what if there's something more to that line from Tom, "it wasn't always easy, but you didn't change who you are in here"? Most likely it's going to be used as a way to show how Shadow is different from Sonic, because he did change who he was in response to trauma and it'll be really poetic when he "finds himself" again

But also, consider: maybe Sonic does end up changing throughout the movie. Maybe he does something that goes against his core principles in order to get an advantage in some way, and they kind of play around with the idea that Sonic is similar to Shadow in ways that aren't always flattering to either of them. I want those hedgehogs to make each other worse before they get better

In any case, there's a lot of potential here, and I'm very curious to see what they ended up going with

[drawnfamiliarfaces]

Chase Young/First Ninja is such a good ship though? It has it all. The tragedy. The drama. The clashing of ideals, assuming Chase even has any ideals left. The villain starting out with purely selfish intentions and ending up desperately trying to stop the hero from self-destructing, while the hero refuses to turn away from his path no matter what, which leads him to become just as inhuman as the villain--okay, I will stop. Seriously though, there's probably a parallel to be made about Chase having lost his soul to his magical transformation while the First Ninja seems to be more himself than ever despite being stuck in a book. Perhaps that's the difference between someone who lost sight of what truly mattered and someone who hyperfocused on the most important things.

Anyway, I just imagined the events of RC9GN playing out, but Chase Young is chained up somewhere really inconvenient (for Randy) and giving (bad) advice the entire time, so. Laugh rule, I need to tell you your idea rocks.

NO NO, PLEASE CONTINUE TALKING 👀👀👀

This is a fascinating angle that I haven't considered before! I mean, there is trully something very tragic about an inherently selfish villain's motivations becoming just a little bit less selfish as he tries to essentially 'save' the hero from his noble self-sacrifice/destruction in the name of duty. And it really fits their dynamic, because while Chase is an evil selfish asshole, no one can deny that he is honorable and that he can care and First is certainly stubborn enough about his duty. Gives just even more angst flavor to this ship, like WOW thats something I'm going to brood about for awhile.

And yes, their transformations (ascensions?) at the cost of their souls (i mean if we look at it closely, First basically sacrificied his soul to be forever preserved??? AND lost his mortal body in the process. so, inhuman in a sense.) in pursuit of their goals, is something that I see as parallels too! (wow anon, same brainwave!!) (It's also why i really like the ship name i made up for them haha)

akljadfkadsk xD yeah!!! thats basically the idea when I first sketched out the Captured Outcome for Chase in the VS event! Chase is just sort of hanging out in his forever prison, bothering spirit of First, and Randy somehow discovers him and Chase becomes that charismatic captured manipulative antagonist that gives morally dubious advice, than Nomicon/First, to the hero (that ultimately leads to Randy accidently releasing Chase and so on). (In my head, I call this AU a Hidden Chapter because Randy is basically browsing Ninjanomicon when he accidently stumbles on a reference to Chapter/Page dedicated to Chase and tries to find the rest of the info.)

Dude thank you for the kind words! I'm glad you enjoyed it! <3 And thank you for some good ideas like 👀 gonna use that energy as fuel for some projects. >;3c

[deluxewhump]

Nightfall

August

CW: just vampire and bloodbag dynamics. a playful “threat.”

**

The interstate was quiet. Even the night air was a balmy seventy degrees in the final weeks of summer. He slept though the days the same as his master now, but if he woke briefly he could feel the heat of them, a haze that turned the blue sky white. Insects trilled in the grass all day long.

The trees in the distance appeared black against the orange cityglow of the sky. Eighty-five felt like nothing in Maxim’s sleek silver car, gliding through the air like the edge of a knife.

Carlo put his foot on the dash and took it swiftly down again. Maxim had reprimanded him for that once. At first he'd assumed it was out of a sense of preservation for his pristine car. He’d burned in shame for not having thought of that himself. It was a rude, childish habit. Yet in the next breath, Maxim told him it was because it was unsafe. And he was only mortal, after all. 

“Before any of this, I thought I’d rather a new vampire feed from me than an older one,��� Carlo said. He was bored, and boredom made him chatty these days. “No offense, but the older you get, the stronger you get. And scarier.”

“And what about now?” the vampire asked neutrally. 

“Not now so much,” he answered. “The new ones are so… hungry. Rough.”

“It’s harder for them to control it when they’re newly made,” Maxim agreed. “Even the ones who want to control it.”

“Control what?”

“The reflex. When a vampire bites, it triggers a series of impulses. Immobilize, incapacitate, and feed.”

Carlo turned to watch him in the driver’s seat. The now-familiar shape of his profile in the dark was lit only by the orange high mast lights that lined the highway. “Every time?”

Maxim glanced at him and returned his gaze to the road. “Yes."

“But it goes away, when you’re an older vampire?”

“Mm. No.”

“You feel that?”

He hesitated, but it wasn't like him to be dishonest, even in the interest of placating Carlo. “I do.”

He changed lanes to pass a sluggish flatbed truck. Another Maine plate. Carlo had been counting, and it did not seem to be confirmation bias that there were an inordinate number of them on the Maryland roads. He forgot to add this one. 

“That disturbed you.”

“No,” he lied. “Sorry. I just didn’t know that.”

“Does that change something for you?”

Sometimes he got the sense that Maxim asked him things out of a very general curiosity. Like he was taking notes for a far future that didn't include him.

“No,” he said stubbornly. “I just didn’t realize you had the urge to incapacitate prey still.”

“Prey is an interesting word choice. And urge is the wrong word entirely. It’s information. Biological. It might be too generous to even call it a coherent thought. I notice it, it passes. I hardly observe it anymore, let alone wrestle with it. I have absolutely no conscious desire to hurt you, Carlo. Quite the opposite.”

Carlo nodded, arms crossed over his waist. He put his right foot on the dash. Maxim didn’t correct him.

“I’ve got instincts too,” he said after another mile of empty highway. “Sometimes I’m still afraid of you. Not you, but what you are. It comes out of nowhere.”

Maxim took a hand off the steering wheel and set it in Carlo’s hair, giving it a soft caress before returning it to the wheel. “Of course you do. That’s very deep in human subconsciousness. It’s just survival instinct.”

“So the word prey does apply!” he argued.

“Such an antagonistic little thing. Can I start making threats to keep you compliant, or is it too soon?”

Carlo turned his face toward the window so the vampire would not see his smile. Maxim had easily, graciously forgiven his human nature, blamelessly saying of course you do. He should return the gesture and forgive the vampire’s nature. It had never been anything but loving to him. The hand was on the back of his head again, checking to see if he was truly upset. 

“I am compliant,” he insisted playfully, and laid his head back in the vampire’s palm. 

“Good. I don’t have to send you to the trunk then.”

Carlo smiled as the vampire gently squeezed the back of his neck.

[eponastory]

Ah, Sarcastic Chorus...

Let's break down the 'I'm going to fix you' argument for Katara.

First off, no one can 'fix' anyone. Going into a relationship thinking you're going to change somebody and make them different is going to make that relationship bad. It's not necessarily toxic, but bad. Why? Because it's not your job to 'fix' the other person. The only one who can do that is the other person. You can only 'fix' yourself.

A lot of relationships fail because of these expectations.

I'm going to talk about fanfiction here for a moment since I've been writing a Zutara story. Since Zutara isn't Canon (but we really wish it was) and all, I only have what does happen in Canon and what happens in fanfiction tropes I see a lot.

In the show we get these wonderful little moments where Zuko and Katara are fighting each other (book one), and it sets a nice theme of opposites attract. The motifs are there with all the color symbolism... it's nice. That does immediately set our brains to 'oh they are so going to get together'. There are a lot of nuances to that, and it's lovely.

I'm not going to lie, Katara is in that group dynamic of 'The Heart' role, and yes, it does put a little pressure on her character to care for everyone. It's my least favorite role for a character and it's a bitch to write when you want that character to be independent.

Anyway, back to Katara. She's the mother figure, the caring and nurturing one that has to help everyone else sort out their problems while she has to internalize her own. It sucks. It really does. So when we get to TSR in Book 3 and she is practically berated by everyone for not acting like herself... she gets pissed, rightfully so because she had to help everyone else with their bullshit until Zuko finally joined. This is where Zuko becomes a foil for her.

Just to be clear, a foil is basically a character that encourages change to happen within a dynamic. It can be a group or a pairing. Usually, that character had opposite goals or a different personality. Zuko started out as the antagonist, but when he joined the Gaang, he's now a foil for the entire group.

Back to what I was saying... what was I saying? Oh yes!

So Katara is rightfully pissed because she needs to deal with her trauma when everyone is suddenly 'this isn't who you are'. No, this is exactly who she is. She is very much like her element. Water is fluid, it can be calm and it can be a torrent... which is exactly the way she is written. It's always been her, she just put everyone else's problems above her own. Now that she has to deal with her problems, it's chaotic for everyone else.

And yes, she does have survivors guilt.

That is her main problem, so now she has to deal with it. And Zuko gives her that chance.

This is getting pretty long, so I'll try to wrap everything up here.

Zuko doesn't need to be 'fixed' he's already done that himself by himself. Joining the Gaang was essentially a fresh start for him (I use that term lightly) which is why he is so awkward when he goes to talk to them at the Western Air Temple (or is it Eastern? I don't remember ahhhh. Fibro brain!) And it's so cute and I just want to hug him. I digress, but it's great.

He's got a shitty past, but he is trying to change himself even further by accepting responsibility for what he did to them individually. In Katara's case, he has to work hard for her. It's lovely, and the payoff is great. I know for sure that is what I see in their relationship. He cares so much about her that he works hard to win her trust again. Why? Because she showed him compassion in CoD, and that struck a chord in him. Her strength is her compassion when he was taught by his sociopathic narcissist father that emotions like that are a weakness.

That my dear Kat*angers is why we love this ship.

It's a beautiful dynamic between them that I would have loved to see Bryke explore, but they just gave us the most vanilla bland version of a romance they could find by pulling a D&B (Game of Thrones writers) and subverting expectations. It sucks.

TLDR version.

Katara doesn't have to fix Zuko.

[kaylatoonz]

Amy meets everyone but Sonic

I think it would be funny/interesting if Amy doesn’t meet Sonic until the end or near climax of the movie.

From what I can remember from the games, Amy would almost always do something small within the sideline of the story that becomes impactful in the main story. Best example of this is how her interaction between Silver and Shadow both play a part in them switching from antagonist to friends/allies to Sonic and his friends.

If the SCU introduces Amy in the third film I think this would be the best way to go about it if she doesn’t get as much screen time. There could be a side plot where Amy is trying to find Sonic but she meets everyone that has some connection to him instead. Each person she meets she helps/supports them in a small but impactful way that helps Sonic and friends in a big way by the climax or end of the film.

They could give us a taste of Amy’s strengths and feisty nature by showing her teaming up with knuckles (maybe give them a dynamic similar to Sonic X or IDW). Then they can establish her kindness and determination to help those who have been wronged, by showing her helping tails at his lowest point (maybe Amy helps tails in his SA2 arc or help him break sonic out of prison island). Finally, by the climax of the film Amy indirectly helps Sonic in the biggest way possible by reminding Shadow of his promise to Maria which encourages him to aid Sonic in saving the world.

Bonus points if throughout the film there this running gag of Sonic and Amy keep just missing each other.

Amy just left after helping knuckles and wade defend citizens from strange creatures (black arms?)

Sonic: sorry I’m late to the party, I heard from tails that you guys might need some back up

Knuckles: no need little brother we have defeated our new foe with the help of a valiant new ally.

Sonic:?

Wade: yeah your pink girlfriend was a lot of help 😄

Knuckles:*look confuse then thoughtful*

Sonic:… Wade i don’t have a girlfriend why would you assume

Wade: oh she is a pink hedgehog like you and she got really excited when she found out that we know you so sh..

Sonic: Wade you can’t just assume we’re together just because we’re both hedgehogs I don’t even kno… wait! She's a hedgehog too?! And she’s on our side!

Where is she? I gotta meet her! * starts dashing round the battle field*

Wade: as I was just saying you just missed her and she was actually looking for yo..

Sonic: dang it! Maybe I can catch up to her, we could use all the help we can get if we’re fighting that faker. Contact tails for the deets gotta go! * runs off*

Wade: wait sonic she was look for.. and he’s gone

Knuckles: she could be a good partner, they’re both strong and reckless 🤔

Wade: I know right 😄

Amy get held up fighting off /distracting the guards while helping tails break sonic out of prison island

Sonic: thanks little bro I didn’t think I could broke out here on my own.

Tails: your welcome but I can’t take all the credit I had some outside help

Sonic: let me guess pink hedgehog

Tails: yeah you’ve met

Sonic: nope but I’ve heard great things. I seem to just miss her everywhere I go

Tails: *smirks* so the fastest thing alive can’t caught the girl

Sonic:*roll eyes* hardy har har, very funny… is she still around? I really like to meet this new heroine, maybe team up.

Tails: yeah she holding back the guards I can put her on speak if you insist 😏

Sonic: tails😑

Tails: ok ok Hey Amy do you copy?

Amy: yep still here though my hands are a bit full at the moment. How are things on your end? Did you find him? Do you need help?

Tails: yeah everything great I found him , we’re safe and he really interested in meeting you😏 (sonic: tails it’s not like that😠) so we were hoping we can make our escape and meet back at..

Amy: *wham!* That sounds great I.. *fzzzz* I can meet you guy at *fzzz* HEY! You better stay down or I’ll get my hammer and! *fzzz *wham!*

Tails and Sonic: hammer?

Amy: *fzzz* oops…

Tails: what do you mean oops…

* An explosion can be heard from the other end and the build shakes*

Tails: AMY! ARE YOU STILL THERE! ARE YOU OK?!?! AMY PLEASE RESPON-

Amy: I’m ok! I’m ok there’s just a lot more exits then we originally planned so I’m just gonna take one of those * awkward giggles* I’ll meet you guys at *fzzz* *line cuts*

Tails: * sighs in relief* well better luck next time Sonic I don’t think you’ll be catching miss rose any time soon.

Sonic: dang I was really hoping to catch her this time she sounds like a fun gal.

Tails:😏

Sonic: *lightly punches tails shoulder* welp we better make use of Amy’s specially made exits and get out of here.

After Amy reminds Shadow of his promise to Maria and so Shadow joins Sonic in facing the final threat of the film (black arm, bio lizard, metal sonic?).

Sonic: hey shads come to join the party? What changed your mind?

Shadow: your pink friend reminded me of something important…

Sonic: *looks confused for a second before realizing who he’s talking about*

Sonic: no way… she really is something special…😊

Shadow: she is…😌 now let get this over with this only one time thing got that faker😈

Sonic: whatever you say faker😈 now let’s kick some butts.

[toobusybeingdelulu]

no because why do I have the feeling that the night at the Byers’ house steve needed that fight more than billy? think about it. When seeing Steve on the porch he immediately relaxes (leaning against the car, lighted cigarette, hand on the belt) while Steve is more closed off and tense (arms crossed etc).

Steve knew that that encounter would have ended in blood one way or another, while I don’t think that Billy did: he was just there to pick up his sister. His night had already been ruined. Not even a fight could fix it. And also he had to hurry up because Neil was waiting for him, and last but not least… I don’t think he had wanted to fight steve in the first place, despite what everyone may think. I’ve always had the impression that, in canon, he wanted to get to know him in a non-antagonistic way, but didn’t know how to properly… do that, you know? So yeah, a bit of advice on the basketball court, with just enough pushing to not give Steve the idea that he was some sort of pussy (after all, we‘ve seen how he was raised), then some compliments under the shower and a little bit of encouragement (‘don’t sweat it Harrington’ ‘today is just not your day man’ + side eye at Tommy when he teased him about Nancy + ‘don’t take it too hard man, a pretty boy like you has got nothing to worry about.’) and he probably thought that maybe he was doing a good job at it?

Well. Steve did not think so. How can we blame him tho? Let’s remember that Steve is in a hurricane of emotions in season 2: he just lost his spot as king of the crowds, his shot at a normal life and his girlfriend. And then there is this new boy (who is going through just as much of a change) who cannot stop being in his space, and being mean, and pushing him around, and how could he believe that he was being friendly? Of course he is gonna think that dude’s just being a dick for the sake of making his life hell, for some reason. Even the compliments he threw his way may sound as mocking for someone who had been told to his face by his girlfriend that he was nothing but bullshit.

So.. yeah. It’s safe to say that these two idiots did not understand each other, so a fight had been inevitable. And of course it was started by Steve. Because he is the one that had a different perception of Billy’s behaviors towards him than billy himself: maybe he thought that he would have fought him even if he had told him the truth. Or some reasonable lie. Either way, it would have been inevitable. but least he could have a little fun before the first punch, ergo the “were you dropped too much as a child or what?” Because what the duffers and even his fans don’t understand about Steve Harrington’s character is that he is still a former mean girl. No matter how hard they try to uwufying him. Did he change since s1? Sure. But that doesn’t mean he can’t be bitter. That he can’t be awful sometimes. And selfish. But that is fine!! Because that’s what made him interesting in the first place. And the night at the Byers’ had been one of those times. Did billy get out of line with his violence once started? Sure. But Steve threw the first punch. And he needed that fight, because unlike the monster in the fridge, THAT was something familiar. THAT was something normal teenagers did.

and the thing that makes this dynamic even more interesting? Is that Billy loved this side of Steve (“looks like you got some fire in you after all huh? I’ve been waiting to meet this king Steve everyone is telling me so much about”) Because, once again, it was something that he recognized.

In the end, they were both scared kids trying to find a bit of normalcy in each other’s blood in order to escape their respective monsters.

[notnights]

So obviously it's still too early to properly analyze the exact relationship dynamic between Jax and Gangle in canon. I promise this is less of me trying to find legitimate proof of any character speculations, and more just a string of very quick, messy personal thoughts on the topic. Context and motivation for their behaviors are likely to be explained in future episodes, and until then there's still quite a lot of uncharted territory left to explore. (Although I will say that both these characters are surprisingly more active and engaging with each other upon rewatch. aka, their willingness to be around one another seems mutual, the bullying is not.)

The only information that we can currently gather about Gangle are her canon appearances, the preview screenshot Glitch posted on the official account and to a lesser extent, Gangle's concept art sketches: Alot of it being about her fixation and dependency towards her comedy mask. We don't know whether she's fixated on the actual sensation being happy 24/7 or just the ability to appear joyful around everybody else just yet, or What her real-world equivalent of the mask was, or even if there ever was a real-world equivalent to begin with. But, Personal indictment is that she does genuinely want long term companionship and meaningful connections with other people. Or at the very least, not be subtly ostracized out of social convention. I think she believes that curating her outward demeanor might change the way others perceive her, and hopefully the way they interact with her as well. It doesn't really help that each of the circus crew are all a bit too much in their own heads to notice, one way or another. Even if they do mean well at the end of the day, it's never quite what she's really looking to accomplish. (It also doesn't help that her digital design is so detached from being human either, she's essentially a flat face on a piece of string. One can't really blame her for trying to make the most of what she's able to display tbh.)

So far, we know Jax is apathetic, violent and generally antagonistic towards everyone in the main cast, sometimes deliberately towards the girls. I think it isn't all that farfetched to believe he latched on to Gangle because she was malleable enough to target without facing most of the consequences. Subsequently, there's also the idea of him relating Gangle's tragedy mask to her willingness to comply: It's an emotional vulnerability for her (She already sees herself as less deserving of human interaction in this state, she won't have anyone else to go to, she doesn't seem to like being left alone). It's not farfetched to assume Jax sees the tragedy mask as a more "complied version" of Gangle, more entertaining and easier to string along. Me thinks he prefers it, but again. It's too soon to tell. Anyways something something designated role in group activities something something internalized self-worth I think Gangle and Ragatha have very similar philosophies when it comes to people pleasing and it almost makes me believe in the theory that they secretly don't get along even more.

(btw plz feel absolutely no pressure to respond to any of this at all - Again, very messy thoughts that I barely had time to collect. Ribbun is an unexpected infection with unfortunately very thought consuming brain fodder to me personally. Have a nice day.

I like these thoughts! It'll be really interesting to see how the Comedy and Tragedy masks work for Gangle.

I do agree Jax probably prefers Tragedy Gangle as even if it's only as deep as "she's funnier like that." And Gangle is the easiest victim for him in that state.

We've seen everyone (but Kinger, who Jax kind of doesn't bother too much, and you could argue it's because Kinger doesn't give an entertaining reaction) fight back against Jax's behavior in some way. Ragatha yells at him, Zooble isn't afraid to get physical, and we can tell Pomni had death on her mind when he threw her off the truck. The most Gangle has done is timidly resist for a few seconds before compiling. Steps on her mask, pushes her, grabs her and puts her in the drivers seat, she doesn't say anything.

She has a couple of bite back words, but then Jax just bites back and it shuts her down. Which is interesting because when Ragatha yells at him it's clear he thinks its funny and merely snarks back at her, often getting her to yell more. He gets different reactions out of everyone in the group and picks different entertainment from that. Gangle might be the one he knows he has proper control over.

As for the Ragatha and Gangle thing, I was really interested in the fact no one cared when Gangle broke her mask in the pilot, not even Ragatha who is our outwardly most caring. You could say it's because she had tunnel vision on Pomni, but I immediately interpreted it as, yeah Gangle's mask breaks all the time, she's crying all the time, eventually people stop caring. The boy who cried wolf, etc etc.

Even if Ragatha doesn't have direct conflict with Gangle, the fact Ragatha is someone who internalizes everything, and projects a positive outlook, I imagine someone like Gangle would make her pretty uncomfortable.

Here Ragatha is trying her darnest to keep it together and remain positive, meanwhile Gangle is crying all the time behind her.

"It's not so bad here Pomni, I promise!" as Gangle cries in the background.

Gangle being a constant reminder of how Ragatha, and maybe all of them really feel about being stuck here. Too early to say if Ragatha resents Gangle for this, or how she really feels about it. But if she does that's so sad because (we also don't know yet) Gangle has no control over these feelings, it wasn't her choice for her avatar to work like this.

Which honestly could be a good allegory for how certain people view mental illness in the real world too. Ragatha being a loved one who's uncomfortable with Gangle's moods, or even believes if Gangle just tried hard enough like her (example: keeping her comedy mask safe) she'd be fine. Ooh sad comic ideas.

[johannestevans]

i think his death was just shoehorned in at the end but like. i wouldn't even have minded much if they'd killed izzy in say, episode 5 and then had his death make an impact. kill him at the BEGINNING of the episode, even, and let it carry through

but killing him in the last 10 minutes and hurrying through it comes off far more as, "god, we're so scared about our budget being even LOWER if we do get renewed for s3 and this guy isn't part of our main romance but we don't know what to do with him and his salary is higher than a lot of our other cast, we have to kill him off quickly and get him out of the way"

esp bc like. killing izzy distracts from several other storybeats. ed and stede running an inn with izzy's corpse rotting in the garden. lucius and pete's matelotage is overshadowed by the grief for izzy. the big flee from the british even was about supporting izzy and then killing him off sort of pointlessly

like i'm sorry but like. as much as they can try to go "oh well, it was a mentor thing" or "oh well, it was a natural end of his arc" or whatever like. if it was about any of that they would have planned for that and written that.

if you have to give 10 interviews telling everyone what the point of your story was, you did not write a very good story. if you have to explain that, oh, izzy was meant to be ed's father or mentor, because you put in literally 0 scenes showing that, then... perhaps he wasn't that. perhaps you made that up last minute to explain what you've done.

maybe you made a choice for budgetary reasons, didn't execute it very well because you were under stress and freaked out about the aforementioned budgetary reasons, and then you had to think up an explanation. maybe for whatever reason, budget aside, your actor told you he wouldn't be able to make it back for s3 and the same thing happened. maybe you were worried that a guy you originally intended to be a two-dimensional antagonist was being played too well and was taking up too much emotional space in your tv show and you needed to get rid of him.

all of these would have been entirely understandable reasons to kill off his character, except that like. you could have also just sent him away and left it ambiguous, or had him die offscreen after being gone for a few episodes, and yes, it would have been sad enough but like. it wouldn't have taken away from the already slapdash narrative you were trying to accomplish

like that's the thing that frustrates me about the whole thing, it's just a complete lack of basic craftsmanship

there are other flaws like... i hate how ed and stede are meant to suddenly be happy together when ed hasn't been given time enough to grow and be comfortable, i hate that zheng was supposedly outsmarted by the brits and had her entire fleet abruptly blown up in one scene, i hate how oluwande and jim and zheng and archie aren't given enough screentime to play out their relationship dynamic(s), i hate lots of messy shit that doesn't do justice to the characters being given but like

izzy's death is just the biggest example

[sarioh]

rio i miss and love you and your analysis posts. what are your thoughts on the clethubs dynamic this season (in anticipation of the new episode tmrw)

hi aleph thank you so much for giving me a green flag to just drop a 1000 word rant about clethubs also sorry i missed the deadline and also sorry about the length. anyways personally i think clethubs is what you get when you put 3 people who are burdened with Remembering in a world where no one else really seems to. like, of course the other players remember and make references to events of the past, but they don’t remember in the way these three do.

to me this is best explained through a breakdown of Trust and how it manifests between each of them indiviudally. etho, especially, is so distrusted by most of the server. he’s a schemer, he has a reputation of being really unreadable and also unpredictable, but if you actually try to understand him it’s really easy to see that he’s actually the most straightforward person alive. he operates purely on debts and repayments. not debts in a trade sense—those are a business transaction and subject to being logically dissected and exploited. but debts in an emotional sense. etho offered grian mercy in limited life because of the diamond sword in episode 1, which grian had forgotten about entirely all the while etho had been biding his time and waiting for a chance to repay it all season.

cleo is the only person on the server who seems to really understand this part of etho, and therefore is the only person who seems to be able to read his true intentions. not only that, but she's the only one who really seems to approach the concept of loyalty in the same way. in the life series, alliances are feeble and fleeting, and for the most past actions hold no bearing in the future. it doesn’t matter what happened 5 episodes ago—if you’re not on my side now, you’re against me. there’s no such thing for cleo—loyalty and betrayal are not just momentary states of being. if you took something dear from me 5 episodes ago, i will never fully allow myself to need you again. even if we're in the final five and our survival depends on each other.

cleo and etho were direct antagonists in the last season and have no reason to trust each other now, but they trust openly despite it because better than most they understand the burden of a debt unpaid, and the burden of remembering in a way that no one else seems to. to them, loyalty isn’t about who you arbitrarily align yourself with, it’s a gesture. it’s “you gave me an extra pair of diamond leggings 3 episodes ago for no reason when you could’ve given it to your allies and now you have no idea that youre in my good books forever.” you can be on opposites ends of a war from someone but if they extend you a moment of mercy, well, how are you supposed to forget that? how are you not supposed to spend the rest of your life repaying that? they both subconsciously keep lists, not just of people they want to kill (like so many other players seem to), but of people who have extended a hand to them in a time where it didn't really make sense to. of gestures that were silently meaningful towards people they care about. "i trust you because bdubs trusted you" etc etc.

it makes so much sense that cleo and etho would both go immediately to becoming sworn allies this season after being bitter enemies in the previous series. because they both understand that there’s no such thing as fleeting alliances, and when they've decided to choose each other, it’s more than just a shared base or a team name—it’s something unshakable. it’s a thousand debts you take turns repaying.

and then theres bdubs, where remembering takes a different form entirely. for him, remembering manifests as shared history. if i chose you before, really chose you, then i’m going to choose you again and again and again. i’m going to hover in your orbit even if you don’t choose me the next time, because you and i both know what we had, even if we’re not supposed to acknowledge it. “that was a different universe, this is a different world. you’re just cleo” but i’m going to spend the rest of the episode hovering longingly by your base anyways. “this is our old thing, if it comes down to it we don’t betray each other” because the loyalty created its roots years ago and has been growing out of control ever since. you ask bdubs where his team is and he shifts uncomfortably and refuses to explicitly call them his allies, insisting that they just showed up around him but he's not really sure.

and just like etho, the other players never fully trust bdubs. he’s fickle with his loyalty and seems to be a split decision away from turning on his friends at any second, but cleo and etho both know that’s not really true either. their trust towards him comes from that Remembering, that fundamental understanding of shared history.

for etho, it’s the push and pull. it’s the knowing that we go so far back that what happens in between never really matters. you got caught in an explosion or a trap that i set in your base? well, good thing we have a hundred more lives to play with so we can just laugh it off like we always do. a stray explosion or a firing squad aren’t an act of betrayal, any more than a mocking comment about your height or a casual threat of violence. and when it really matters, we both know we’d put down our swords.

for cleo, it’s something unshakeable. bdubs, the known traitor of 3rd life, was fiercely protective of her and her alone. so she’s never wary of him the same way anyone else is—she knows that when bdubs really chooses you, then you’re marked for life.

so yeah. clethubs is three guys who share the burden of remembering. and also have some kind of unspoken understanding of each others motives and intentions that no other player seems to have concretely picked up on. but in a way that ultimately just culminates in them acting like freaks around each other and not actually making any direct effort to team mostly because, as usual, etho and bdubs have no idea how to communicate their intentions directly and sincerely like normal people and instead opt to hover in the fringes of each others alliances and make really weird and loaded comments . Anyways