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#(I don't think that's the term but it's what I'm trying to describe; I can edit if there is a better way to say that!)
ramenheim · 9 months
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About prev reblogs: I have never seen TME used to complain about & demarcate cis men's behaviours.
Despite the term ostensibly lumping together *almost any gender configuration that isn't binarily trans woman*, the only times it's used recently is to complain about (trans) ppl that get lumped in with cis women (as intersex ppl trans or otherwise are *never* factored into this dichotomy anyways), including cis women themselves.
I have never once seen it used to delineate trans women from cis men, even as it gets used to delineate cis women's experiences from trans women's experiences. I have only seen /haphazard/ acknowledgement of non-binary experiences included in TMA, but only really as an afterthought or when it's framed as the precursor to 'fully realizing trans womanhood'. I've only seen intersex folks brought up if they elect to use the terms TME/TMA for themselves, with bizarro interrogations into 'how' they were raised/had their genitals 'corrected' only once they individually disagreed with the terminology or had a confounding opinion in a public discussion.
It is regularly used to delineate trans men from trans women; but its users almost uniformly deride any attempt by trans men to coin a term to describe their own unique combinatory transphobia that isn't TME; again despite TME literally just supposing to mean 'transmisogyny-exempt'.... so why would it be used to discuss trans men's *unique* experiences with hatred directed at the fact that they either "are/aren't (real) men" by anyone who wants them to suffer?
It's been *changed* into hastily recycled AGAB terminology bc of wider recognition of the flaws with /that/ but without the driving flaws of that **tool for analysis** ever being fully addressed; and therefore has gotten subsumed into the 'new euphemism' for the Innie vs Outie false dichotomy as its usage became more widespread.
I think it still is a useful discussion tool ONLY when it's viewed *as a tool* and not some inherent marker of identity. It is DEFINITELY just bigotry when used as a NOUN that has negative behaviours ascribed to it, esp in the context of complaining about trans men** as a whole homogenized group, instead of highlighting individual behaviours/belief systems for the harm they contribute to against TMA trans/nb ppl.
Young queers really need to stop swallowing the tradcath radfem juice of "Women Pure + Good & Men Bad + Evil" [**that tumblr feminism has always had a problem with] and acting like you aren't being a transphobic shitheel by adding the word Trans in front of it-- & This is ESPECIALLY a problem when non-trans "Allies" do this, as it sets up trans women for failure whenever they make a mistake/can be reframed as 'being a cause-traitor' since women are punished more harshly for any percieved failure of Righteousness, AND allows them further to enact their unbridled transphobia onto trans men (& enbys/genderqweirdos) and pass it off as 'being an ally to trans women'..... despite them just being extremely transphobic (+ misogynistic + homphobic + intersexist) & then hiding behind """"TMAs"""" as a negative PR meatshield.
TL;DR if you are using TME to mean (nc)AFAB in vent posts, just have the guts to fucking use that as the word & see how it reads then.
(**since transmasc & transfem do not imply either a 'starting' or 'finalized' gender state; they are personal adjectives in and of themselves. Please do not warp them into new innie vs outie binary divides).
[**see related: the raw ass treatment of 'AMAB enbys' on here and in similar online/irl "feminist" environments. (Which was one of the driving factors behind the original TMA/TME coinage & is where I still find useful inter-trans discussions utilizing it as a term; importantly I don't think the term should stop being used altogether!!)]
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stuck in the what-if spiral 😭
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alexanderwales · 2 months
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"I don't think I could have the relationship with you that you have with me," she said. She was very casual about it, and I was immediately on the defensive.
"What do you mean by that?" I asked.
She put the book she'd been reading down. "It's just, the way you've described it, and the vibe that I get, I don't think I could do it how you do it."
"I still don't know what that means," I said.
"You're always doing this like ... micro calculation thing," she said. "You weigh your words. You try to time things. You have never once called me up while I was at work, or asked me for something when it was inconvenient for me, and you check and double check that you're not being a nuisance."
"And ... that's bad?" I asked.
"No, I love that about you," she said. "It's very kind and considerate. I know that if I tell you I'm not in the mood to hang out, you'll apologize and not push it. If you suggest that we get pizza and I say I'd rather have Korean BBQ, you fold instantly and we get Korean BBQ. I like that. I get the things I want. But it seems like an exhausting way to deal with people."
"I want you to be happy," I said with a small voice.
"I am happy," she replied. "You're great. You remember when we first got together I was like 'hey, look, if you want pizza, we can get pizza, it's just not what I'm in the mood for', and you kept insisting that you didn't care, that you would rather have me follow my needs? And I just thought, 'you know, maybe I should just trust that's what they actually feel'. And it is, as far as I can tell. There's not some secret part of you that wants me to break your way."
"You think I'm ... a simpering coward?" I asked. Even as I said it, it felt too accusatory, the wrong thing to say in the situation.
"Whoa, no, not at all," she laughed. "I think you do all that stuff because ... I don't know, you want to? Because otherwise why would you do it? It's how you are with every aspect of your life, you're a tryhard. I mean you said to me that you wanted to reclaim the term. Your relationship with me is that you're a tryhard (affectionate)."
"And you're ... not?" I asked.
"I'm not that way with anyone," she replied. "You know why I hang out with you so much? It's 'cause I like you. Most days, I am very much in the mood for you, and if you ask for a meetup, I'll say yes, and if you don't ask for one, then I'll ask you first. And for you ..."
"What?" I asked.
"It's like ... you're keeping track," she said. "You want to make sure that you're not sending me more messages than I'm sending you. You're balancing social micro stuff that I don't pay attention to. You're consciously monitoring how much each of us has said and making sure it's the right number of words or whatever."
"It's really not about the number of words," I replied. "It's more ... making sure that social and emotional labor is equitable, that there's a good rhythm to the conversation. I don't think you'd get good results by tracking word count."
"But see, I don't do any of that," she said. "I talk because I feel like talking. I listen when you need to vent because I like you and it feels good to give you an outlet. I mean you are undoubtedly putting in a bunch of work, and for me, there's no work. That's all I meant, really."
"You've thought about it," I said.
"Oh, I'm just reading this book, and there are two characters like us in it, and I was like 'yes, exactly', and then 'that would not work for me'." She shrugged.
"And if I stopped 'putting in the work'?" I asked. "Would we still be ... friends?"
"See, I don't know," she said. "Because that's never who you've been. You're asking me if I would still be friends with you if you changed your personality and how we interact with each other. Maybe? Probably? Who knows? Maybe we'd be better friends somehow. Maybe we're just two basically compatible people, and every time you've ever worried about anything it would actually have been completely fine."
"Or maybe it's load-bearing," I said.
"Maybe!" she replied with a smile that slowly faded. "You okay?"
"I'm thinking," I said. I didn't know if I could verbalize what I was thinking in a way that would be palatable.
"Do you not like being this way with me?" she asked. "Because I have never asked you to. I've made my preferences known, but if you've been bending yourself into knots and feeling a burden, then ..."
"No," I said, because I knew it was what she wanted to hear. "No, I like the way things are between us."
"Good," she smiled. "I do too."
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isaacthedruid · 1 year
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(spoilers for the Barbie movie)
As a trans-masc non-binary person, I saw myself in Allan. I’m a boy but not a Ken, I'm Ken-like but not quite.
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Allan’s role of being awkward, unsure and a little out of his element but still trying to help the Barbies through the chaos and events caused by the Kens, is how I feel as a trans-masc person who is still trying to advocate for women and discuss the issues they face.
I don't identify as a woman anymore but I still grew up as a girl, I lived as a young woman for 14 years, and people continue to be misogynistic towards me when they think I am one-- customers will talk to my male coworkers instead of me, when I’m the person with the answers
I wasn’t expecting to see myself, in terms of gender, in the character often described as Ken’s boyfriend, though it is said in a more playful, joking way rather than any attempt at representation. I’m gay and this version of Allan is definitely queer as well. Yet, that’s a separate story which has already been written, here’s an excellent article about that. [LINK]
Allan isn’t Ken, and he isn’t Barbie either. Allan is simply Allan, an idea with both masc and femme traits. He doesn’t fit into anything specific, he just is. Allan can wear Ken’s clothes but also Barbie’s pink jumpsuit-- but when he's not doing that undercover mission with the Barbies, we only ever see him wearing his own clothes. A set of clothes worn only by him, that iconic striped outfit that is signature to the real Allan doll.
Additionally, notice the horse patch on the front of his shirt, he never changed his clothes unlike the rest of the Kens when they discovered the patriarchy and a new version of masculinity, a toxic and destructive one. Allan only added something to his clothes to “fit in” or act as if he did, but he hated what the Kens did to Barbieland. He also wasn't brainwashed and never acted upon those destructive abilities that were laid out for him. He could've just joined the Kens and broke stuff and drank copious amounts of "brewskis" but he didn't.
Allan is different and it's constantly stated, "there's only one Allan" in this world of Kens (and Barbies).
I will never be Ken nor will I ever be a Barbie again, I’m not happy in either. I’ve tried both, neither is my style (or title). I wear Ken’s clothes as well as Barbie’s, and sometimes I wear Allan’s.
But, I like Allan’s clothes best, they fit me well.
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osarina · 27 days
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ᡣ𐭩 OFFER ME MY DEATHLESS DEATH
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FEATURING: dazai osamu
SUMMARY: one drunken encounter with dazai sends everything spiraling. suddenly, all of your problems are catching up to you at once and you're lost as to how you should proceed... or that's not entirely true—you know how you're going to proceed but it's impossible for you to come to terms with how far you've let this go.
AUTHOR'S NOTES: sorry that i haven't really been active this week </3 i've been so busy. ill try to get to asks and everything soon. forgive me</3 i hope you guys enjoy part 5, i rlly had fun writing this chapter. as always, comments and reblogs appreciated!
GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).
CHAPTER SPECIFIC WARNINGS: hardly edited - i've been busy. reader and dazai argue, reader is a bit intoxicated, dazai heavily implied suicide attempt (not outright said/described bc he can't remember, but he assumes that's what happened) & he dissociates, dazai is in a pretty bad mental state the first half of the chapter, i don't think i'm missing anything but pls lmk if i am, i didn't have time to reread
SEE: WASTELAND, BABY! SERIES MASTERLIST
You stopped seeking him out after that night.
Dazai sits in his apartment, knees curled to his chest and back pressed against the wall. He has to forcibly keep his breath steady—his homework for his engineering class is discarded somewhere to his left, he’d been working on it for class tomorrow before he made the mistake of checking his phone and seeing that you’d once again stopped reading his messages. 
Two days straight now of silence on your end. He could go to your apartment like he’s been doing for the past two weeks but every time he tries to push himself to his feet with the intention of going to you, he finds himself rooted to the ground. Your words ring damningly and persistently through his head—how you told Nakahara Chuuya that you’re only doing this because he found the proof of your occupation, how you told him that you tried to cut him off.
Dazai knew what he was doing by using the video as leverage over you. He knew he was forcing you into indulging him, that he was backing you into a corner, but he’d allowed himself to be blinded by your treatment of him. 
Even if it was coerced, no one has ever treated him the way you do—you remember the things he tells you off-handedly like he matters and you buy him the things he wants without him having to say anything like you care. You’re gentle with him—Dazai has only ever experienced bruising touches; Oda and Ango weren’t physical people and he can hardly remember his mother. He remembers the way his aunt dragged him out of the car kicking and screaming, tossing him to the ground in Suribachi before driving away. He remembers all of the nights he would get drunk at bars, ending up in strangers’ beds and waking up with a body that ached painfully and dark marks littered across his bandaged skin.
It’s hard to remember that you don’t actually want him when you treat him the same way he’s dreamed someone would treat him one day. It’s hard to remember that you turn your head away when he leans in to kiss you, that you ignore his lingering touches and change the subject whenever he almost gathers the nerve to bring the topic up to you.
You don’t want him. 
He’s forcing you to do this by using the video as leverage. 
You don’t want him. 
He rests his forehead on his knees. That gaping hole in his chest that had started to return that night after Nakahara Chuuya showed up at your apartment is all consuming now. His entire body feels numb and prickly, he feels uncomfortable in his own skin.
He needs to put a stop to this.
His gaze draws from his knees to the floorboard he’s hiding the flash drive under. He could just… get rid of it. Get rid of it and disappear—you probably wouldn’t even notice. Maybe you would, he remembers how you came to his apartment when you hadn’t heard from him after sending the couch. Then again, you might’ve only shown up because you wanted to lie about why you were cutting him off. Dazai just doesn’t know with you.
Maybe he should just go to talk to you. 
But if he talks to you… and the thought of leaving his apartment right now…
Dazai sighs, leaning back against the wall, tilting his head to look up at the ceiling, weighing both options carefully before coming to a heavy decision.
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You’re not in your apartment when he gets there.
Dazai would usually wander around and find something to make himself busy with while he waits for you. You have a piano on the opposite side of the room that he sometimes likes to fiddle with—he’s taught himself a few basic songs while waiting for you to get back from work the past few weeks. He ordered a gaming console and a few games to go along with it when you made the mistake of leaving your laptop open last week, but he doesn’t even have the energy to go look for one; not that any are even particularly standing out to him. Sometimes, he just snoops around, but his legs feel like lead, like they’re bolted to the ground, so he just sits on your couch and stares at the black television screen as the minutes tick by.
He doesn’t even know how long he’s been sitting there—too long, it was still light out when he walked his way over to your building in Naka-ku and the sun had set a long time ago. He’s never felt lonely in your apartment before; in fact, he usually seeks out your apartment because he feels lonely and whether you’re here or not, it eases the void that grows in his chest.
But now? Each passing second, he feels colder and colder. A part of him thinks that he should take this as a sign and just leave, but his body is uncooperative, keeping him rooted to your couch as he awaits your return.
He’s planned out what he’s going to say to you; he’s rehearsed it in his head so many times that he thinks he could say the dreadful words while sleeping. Now, he just-
Dazai’s head snaps to the side when he hears the fateful ding of the elevator arriving at your floor. His eyes widen and his tongue swells with anxiety as he stares at the doors, his breath slows and his fingers bite into his pants as he waits to see you step into the room but when the doors finally start to slide open, he freezes when he hears laughter.
“I can’t stand you,” an unfamiliar male voice snorts and Dazai’s mouth dries as his gaze darts around, trying to figure out what to do. The last thing he wants is for a repeat of the other night—if this is another one of your mafia friends, Dazai has to move, but he doesn’t know where to go.
His gaze settles on a nearby hall leading to the bathroom and an unused room—it’s closer to him than the kitchen, he’d never make it to the kitchen because he’d have to go right past the elevator. His legs feel so heavy that it’s an effort for him to push himself to his feet. He almost stumbles right over them as he rushes into the spare room, keeping the door cracked open so he can hear and see what’s going on.
He peeks carefully through the crack, watching as two men enter your apartment—you’re with them and Dazai’s chest tightens painfully at the sight of you. You’re smiling as you lean against one of the men—Dazai recognizes him as the man who had come with you to his apartment complex the first time, he’d been waiting by the car for you—and you’re dressed prettily in a short black dress. You’re so dazzling to him that Dazai nearly tumbles right out of the room he’s hiding in, but luckily, he’s drawn out of his dazed state by another unfortunately familiar face: Nakahara Chuuya, the executive who had been at your apartment the other night.
Dazai quickly leans back into the room when the ginger’s eyes snap down the hall as if he could sense someone watching him. He lets out a puff of air as he looks around the empty room—he’d looked in here before when he first started coming to your apartment, but had been sorely disappointed by the fact that there was nothing in the room for him to snoop around in.
Now, he blinks because while the room is still mostly empty, there are some tools in here as if you’d had someone come in to take measurements to start building something in there. His gaze slides from the far wall to the one nearest to him, dragging his feet against the wood floors to slide his fingers against the lines drawn on the wall in pencil, realizing that it’s about the same size as the piano in the other room.
His throat tightens as he remembers your offer from the other day, wondering if you’d gone ahead and started having it done even after the argument with Chuuya and Dazai not showing up for two days. 
God, he doesn’t understand you—he doesn’t understand you at all. He starts to doubt every conclusion he’s come to the past two days because why would you go to these lengths for someone you don’t care about? For someone who’s forcing you into indulging him through blackmail? It doesn’t make sense, Dazai has never had so much trouble reading someone before you.
He leans against the wall, lashes lowering as he looks down at the floor. He doesn’t know what to think and now his well-rehearsed speech starts crumbling in his head. Distantly, he can hear the conversation between you and the other two mafiosos—you’re talking about something happening in Tokyo and Dazai wonders if it has anything to do with that argument from the other night.
But regardless of the topic of discussion, what matters more is that you sound happy. Your voice is light and airy, and you seem entirely unbothered by the fact that you hadn’t seen Dazai in days. Dazai doesn’t think you’ve ever sounded so happy with him before and why would you when he’s blackmailing you? Your laughter rings bright and pretty like a chime and Dazai feels sick to his stomach at the thought of you laughing like that for someone else; he imagines the way your laughter will fizzle when you see him, all of the liveliness in your face dying at his unanticipated appearance.
It feels like an eternity and all too soon at the same time when Dazai finally hears the two leave. He takes one deep breath, preparing to force himself out from where he’s hiding but then freezes at the sound of you raising your voice.
“Dazai, you can come out now.”
He blanches, staring at the partially closed door in front of him, half-debating on not even coming out because how did you know he was here? He thought he’d been careful, there’s-
“I know you’re somewhere in here, the cushion was warm where you were sitting.”
Dazai has half a mind to throw himself out of the window.
He takes in a deep breath as he pushes the door open, stepping out into the hallway that’s suddenly too cold and all too short. He swears it was twice as long when he was stumbling from the couch to hide in the spare room. His feet scuffle against the ground as he walks forward, not coming any closer than where the hallway meets your living room.
You’re laying on the couch he’d been sitting on, head resting back against the pillows and a curious expression on your face as you watch him. He can’t read it—if he didn’t know any better, he’d almost say it was fond, but he refuses to let that hope bubble up into his chest only for it to be crushed again. He thinks he should say something, tossing around a few options in his head, but he doesn’t get the chance to.
You hold out your hand to him. “Come here,” you say.
Dazai hesitates, eyes lingering on your extended hand before flitting back up to your face. He shouldn’t—he knows he shouldn’t—but he finds his feet moving forward before he can stop himself. He stands in front of you awkwardly for a moment, not sure what you want from him, but then his eyes shoot open when you reach out and grab his wrist, tugging him forward onto the couch with you. 
He pretends he doesn’t yelp when he lands on top of you, face flaming up when he shifts himself into a sitting position so that he’s straddling your waist, trying not to drop all of his weight onto you. He also pretends that he’s not entirely thrown off by the way your hands rest on his thighs, absently running them up and down the sides of them. 
“Where have you been the past few days?” you ask him quietly.
Dazai’s blood pressure spikes at the curious look you give him, as if he hadn’t been texting you for days with no response. He can smell the alcohol on you now that he’s closer and he wonders how much you drank—he thinks that’s probably why you looked so fond before and that’s probably why you’re suddenly being so touchy with him, it has nothing to do with him. That empty feeling in his chest starts to return.
He should have just left, should have just destroyed the flash drive and disappeared. 
“I texted you,” he replies tightly, feeling wildly uncomfortable as he’s unable to get a hold on the way he’s spiraling internally. “I can see you’ve been busy though.”
You tilt your head to the side as if you’re unsure of what he means and Dazai almost wants to get up and leave but the feeling of your hands on him, his lower body pressed to yours, it leaves him dizzy and slow. His breath catches as your hands slip beneath his sweatshirt, smoothing out against his bandaged sides, thumb drawing slow circles over the covered skin as if trying to calm him down.
Dazai thinks he might hate you.
He thinks he might hate himself more because it works. His heartbeat slows and relaxes into you a bit more. He wants to take you by the shoulders and shake you, wants to demand answers, wants to know if you actually care about him or if this is all just some big show for the flash drive. 
“I haven’t looked at my phone,” you finally say. “I’ve been the one dealing with the issues in Tokyo. It’s just been meeting after meeting the past few days. I thought you’d be here when I got back but you weren’t.”
Were you waiting for him? He wants to ask. Expecting him? Or are you just saying that because you can tell he’s unhappy and don’t want to deal with his attitude? Dazai just doesn’t know, it’s hard to concentrate with your hands on his body.
“Can we talk?” Dazai asks quietly after a few moments.
“What about?”
About the flash drive. About you. About him. Dazai doesn’t know—about everything. So, instead he just says: “About this.”
Instantly, you turn your head away from him and Dazai’s frustration rises at your attempt at blatantly ignoring him. He reaches out to grab your cheeks, forcing you to look up at him and Dazai’s breath catches when your lidded stare lands on him.
“I’m drunk,” you tell him flatly. “I don’t want to talk about this.”
“Bullshit,” Dazai immediately snaps, the pads of his fingers digging a bit too hard into your cheeks but you’re unfazed by it, staring up at him with an unreadable expression. “I think-”
Dazai doesn’t even have the chance to finish his sentence because you’re pushing yourself up from your laying position, one hand slipping out from his sweatshirt to cup the back of his head, the other still firm on his hip as you drag him down against you. Dazai’s breath catches when you press your lips against his, lashes fluttering shut. The hand on his hip slides around to his back, holding his body flush to yours—he lets out a low moan into your mouth when you nip at his bottom lip.
No, he thinks hazily, trying to push himself off of you but instead, his hands cup your cheeks and he tilts your head back to deepen the kiss. Your tongues dance in a way that leaves him dazed, it feels almost intimately familiar to him, somehow so in tune with one another that it’s like you’ve kissed hundreds of times before. 
He shouldn’t be doing this, he knows this. You said it yourself that you’re drunk, he knows you only kissed him to get him to stop talking but…Dazai sighs into your mouth when he feels the tips of your finger card through his hair, feeling you shift beneath him to let his hips slot between your legs.
But isn’t this what he’s wanted this whole time? 
Aren’t you finally giving him what you’ve denied him for weeks?
Your lips are intoxicating against his, and not because of the gin staining your tongue, he can hardly focus on anything with the way your tongue traces the back of his teeth, dragging against the roof of his mouth. He groans when you shift beneath him, one leg hooking around his waist. He separates his lips from yours to gasp for breath.
Shit, he thinks, lips parting when you kiss his jaw, trailing your lips to his ear to suck gently on the skin there before kissing slowly down his neck. He swears his entire body is on fire, breaths quick and shuddered; his mind feels so muddled and hazy that he has to actively tell himself to put a stop to this and even that is almost not enough.
It takes all of his willpower to push himself off of you, still breathing heavy, lips wet and swollen, his whole body tingling everywhere your lips and hands had touched. You stare up at him and Dazai’s body aches with need when he sees you’re nearly as breathless as he is, your own lips wet from his, eyes a bit glazed over. Heat burns in his lower abdomen but he can’t, not when he knows you’re drunk and not when he knows you’re only doing this to get him to stop talking.
Before Dazai can say anything, you look away from him again and he knows that it’s over.
“I’m tired,” you say. “Help me get to bed. We can talk in the morning.”
Dazai’s lashes lower as he nods, leaning down to help you to your feet. Even with your heels kicked off, you wobble on your feet, so he wraps an arm around your waist to keep you steady. The silence is almost foreboding as Dazai guides you up the stairs to your bedroom; you don’t make any move to break it, so Dazai does.
“We’re not going to talk about it in the morning, are we?” he asks quietly, looking down at you. You don’t look up at him and Dazai just wants you to at least look at him so when he gets you to the door of your bedroom, he stops and looks at you. You still don’t look at him. “Can you at least look at me?”
Dazai thinks he might be sick from the way you have to seemingly force yourself to look at him. Even drunk, he can see the displeasure plain on your face and it makes him want to curl in on himself again.
“I don’t want to talk about it, Dazai,” you finally say, your voice is tight. “I want to go to bed.”
“I want to talk about it,” Dazai stresses. “I-”
Frustration flies across your face, emotions loosened in your intoxicated state. You turn away from him and slam open your bedroom door and Dazai winces, taking half a step back.
“It’s always what you want, Dazai,” you hiss. 
Dazai’s heart sinks, shaking his head because he doesn’t want to hear where you’re going with this. “Stop.”
“For weeks, I have been catering to what you want and now I don’t want one thing and you throw a fucking tantrum over it. I don’t want to talk about this—I don’t want to talk about it now, I don’t want to talk about it in the morning, I don’t want to talk about it. Can you just leave it be?”
Dazai takes another step back, staring at you silently. His ears ring as your words echo through them and though he can watch your face shift from frustration to guilt, it doesn’t process in his head—not really, not when all he can hear are your words on repeat over and over again. 
You reach out for him, fingers curling around his wrist but Dazai pulls his hand back, taking a step away from you, closer to the stairs. All of his fight or flight instincts are triggered, his body itches to run, to flee downstairs and get out of your apartment, but his legs are uncooperative, feet rooted to the ground as he stares at you blankly.
“I didn’t mean that,” you say after a few moments. “I didn’t-I just-”
“It’s okay,” Dazai replies, voice a bit distant even to his own ears. “I’ll drop it.”
“Dazai-”
“Let me help you get into bed,” Dazai interrupts, forcing a smile onto his face as he pushes himself forward. His movements feel weird and clunky, unnatural almost, but he successfully leads you into your room, pulling back the sheets to help you into bed. “C’mon.”
He helps you slip into the bed and pulls the sheets over you, there’s still that hazy look in your eyes as you look up at him and Dazai tries his best to make sure that the smile on his face doesn’t look strained. He’s pretty sure you can see through it even while drunk. You reach out to grab his wrist again and this time, Dazai doesn’t pull away. 
“Stay here tonight,” you say quietly. “Lay down with me.”
“I have class in the morning.” Dazai shakes his head, as much as he might ache to stay in your presence, he thinks if he stays in it a moment longer, he might actually break down—he can’t get your words to stop echoing. Only a steadily crumbling dam is holding back the torrent of emotions ripping apart his chest. “I can’t.”
“I’ll drive you.”
“I have to get all of my books, and finish my homework,” he tells you. “I can’t.”
“We’ll leave early,” you press, leaning up on your elbows. “C-”
“I can’t,” Dazai stresses, taking a step back and shaking his head. “I can’t. I have to go.”
You look conflicted, but to his relief and distress, you finally let go of his wrist. “I’ll pick you up tomorrow. After your classes. You finish at three, right? There’s a restaurant in Minami-ku I’ve been meaning to take you to.”
Dazai’s throat spasms as he swallows, shaking his head again. “I’m busy after class tomorrow. I have meetings for group projects.”
“When are they over? I’ll pick you up after.”
He feels a bit sick to his stomach as he looks up at your ceiling, in turmoil and unsure as to what to do. He knows you’re not doing this because you feel bad—not really—he knows it has to do with the flashdrive. He knows it. He thought it would be easier having someone to talk to, someone to hang out with, even if it was only because of blackmail because at least he would have someone, but he was wrong because this is a type of torture that Dazai just can’t endure any longer.
“I’m not going to want to do anything after, I’ll be drained.”
“Then we don’t have to do anything.” God, you won’t stop trying. You won’t stop trying and Dazai knows that if it wasn’t for that stupid flash drive, you’d have laughed in his face and told him to get out. He thinks he might actually throw up. “I’ll pick up the food before going to get you. We’ll stay in. Watch a movie.”
“No,” Dazai says, raising his voice now. “No. I’m just going to go back to my place. I have to go.”
Though his legs feel like lead and his body still yearns to be near yours, he forces himself to leave your room. Doesn’t look back when you call his name. Doesn’t hesitate at the top of the stairs when you tell him to wait. He nearly stumbles as he makes his way down the stairs and when he gets to the bottom instead of rushing toward the elevator, he sits on the arm of your couch, resting his head in his hands as he tries to gather his thoughts.
You’re so frustrating. So impossible to read that it’s beginning to take a toll on Dazai. He doesn’t understand why you’re so adamant on not having a conversation about all of this. He thought you would’ve wanted to have a conversation about it for the chance of getting the flash drive away from him. 
You’ve done everything in your power to avoid any physical contact with him until now; only finally giving it to him when there’s an issue you really don’t want to talk about to try to distract him. Hell, you’d prefer to even talk to him about mafia business—you vented all about the issues with the Shimazaki-kai to him, and Dazai would think that’s the last thing you’d want to talk to him about. 
It doesn’t make any sense.
He’s drawn from his thoughts at the sound of something buzzing against the ground a few feet away, frowning as he looks around and spots your phone on the ground, probably lost in your drunken attempts to get to the couch. He hesitates before pushing himself off the arm of the couch, taking a few steps toward it before kneeling down to pick it up. 
He chews at the inside of his cheek as he stares down at the home screen of your phone, staring at Nakahara Chuuya’s name in the text notification. He knows that he shouldn’t go snooping. He knows it.
He does it anyway.
He spares one last glance up the stairs before unlocking your phone with the code he’s seen you put in hundreds of times by now, clicks on your message app and lets out a puff of air when he realizes that no, you hadn’t been lying. You have at least twenty unread message threads—Dazai’s is pinned at the top with Chuuya’s and someone called Mori, who you’ve never mentioned to him. There’s only one message thread you’ve evidently been reading the past few days considering there’s no dot next to it: Tolstoy, the last message being from a few hours ago.
He shouldn’t look. He knows he shouldn’t look.
He clicks on it anyway.
He bites down hard on his bottom lip as he scrolls to the top of the conversation—only a few message exchanges between the two of you, but they’re decently long.
Tolstoy: Do you still want Ilya? I can have him there by the end of next week, I just need him to finish up some business in Moscow first. You: Haven’t decided. You haven’t even given me the rundown on the side effects of his ability. I’m not going to use it if it’s going to fuck up his head—stop playing salesman and tell me what’s actually up with him. No ability comes without consequences. You know that. I know that. So stop fucking around. 
Dazai suddenly has a sick feeling in his stomach, vision tunneling on the ‘him’ you’re speaking of in the messages. A foreboding air settles over him, dark and oppressive, he has to physically force himself to keep reading.
Tolstoy: We don’t know of any side effects. Haven’t used it enough to figure it out.  You: So, you want me to use him as a lab rat? Be real, Tolstoy. Thought you had more respect for me than that. Tolstoy: I’m trying to help you. You want that kid’s memory wiped, I can have it done for you, it’s just a matter of how badly you want it done.
Dazai doesn’t read anymore than that. He drops your phone onto the couch, takes a step back, a step away. His mind spins, ears ringing as he stares down at—he doesn’t even know what he’s staring at. His vision is swimming and blurring—with tears, maybe? Or just from exhaustion? From panic? He can’t tell but he knows he’s not breathing properly and he knows he needs to leave, everything suddenly feels too suffocating, too enclosed. 
He stumbles over to the elevator, slapping the button and leaning against the wall as he waits for it to come up to your floor. It takes long—too long, each second that passes feels like an eternity and he can’t breathe. He can’t breathe. He can’t breathe.
There’s only one “him” that your texts could be referring to. And it makes sense—it makes sense, doesn’t it? It makes sense why you’re so willing to divulge confidential information if you don’t intend for him to keep the knowledge of it. Makes sense why you’ve been notably careless with leaving files around your apartment. Makes sense why you told him about your ability. He’d thought you were finally letting him in, letting him know you, but-but of course, you weren’t. 
Of course, you weren’t. 
You were just…you were just trying to keep him placated, feed him bits of information to keep him happy because you knew you weren’t going to let him keep the knowledge of it. That you were gonna wipe his memory of it, of you, and send him back into that cold, dark void that’s been following him around his entire life and-
The bing of the elevator startles him, he flinches and still, he can’t breathe. His skin feels numb and prickly, his bandages are scratching uncomfortably at the scars hidden beneath them and he can hardly see straight.
Dazai needs to go.
He needs to go.
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You wake up with a dry mouth, a pounding headache and an oddly foreboding feeling hanging about you. You push yourself into a sitting position, grimacing at the sun blinding you through the window—you don’t remember much of the night. You vaguely recall leaving the club last night with Albatross and Chuuya, the two of them incessantly bitching about dealing with you while you were drunk but in your defense, you think you deserved it after three days straight of meetings with the Shimazaki-kai on behalf of the Sun and Steel. 
Everything after leaving the club is a blur. You grimace as you push yourself out of bed, glancing around to see if you’d dropped your phone anywhere near the bed only to come up empty-handed. You don’t even bother to go to the bathroom and brush your teeth, anxious to find your phone and figure out what happened once you left the club.
You pray to god that it’s downstairs and you hadn’t left it at the club, making your way out of the bedroom with a sigh. You doubt Chuuya or Albatross would’ve been dumb enough to leave it there, but you’re pretty sure they were both drunk too and neither of them are functioning drunks.
You’re not even halfway through the door frame when pain shoots through your head, sharp and uncomfortable and then-
“It’s always what you want, Dazai.”
Suddenly, that foreboding feeling you awoke with makes sense. You stare ahead blankly as you remember who exactly was waiting for you at your apartment after you got back from the club. You remember the argument, you remember the crushed expression that crossed his face when you snapped at him, you remember pleading with him to stay or to at least let you take him out today and you remember him refusing, his voice pitched and cracking, wobbly, on the verge of collapse because-
Because of you. 
Fuck.
It’s with increasingly more urgency now that you rush yourself down the stairs, a small lingering hope remaining that maybe Dazai had stayed in one of the guest rooms or on the couch, that you could do something to fix this before it escalates even more. 
You don’t even know why you said that—it’s not like you mind giving Dazai what he wants, in fact, you enjoy it. You enjoy it a lot. You like seeing his face light up when you do nice things for him, you like when he tries to hide the way he gets all flustered, you like that he’s allowed himself to have hope with you—something he’s clearly denied himself for too long—and you what? 
You ruined it because you got scared? 
You ruined it because you didn’t want to talk about… whatever you have going on with him? 
You ruined it because you were terrified he was going to force you to come to terms with the fact that you’re using his stupid flash drive as an excuse to indulge yourself in him. That it would take minimal effort to have it destroyed but you’re putting it off because you want to be able to rationalize what you’re doing.
You feel sick to your stomach when you realize that your apartment is empty, eyes darting around to try to find your phone. You need to call him—he told you that he wanted to be alone today, or maybe he didn’t say exactly that but he implied it, but you need to at least talk to him now that you’re sober and can think straight. 
A distant part of you, a cold and logical part of you, tells you to just use this as the excuse to cut him off—you don’t need to get Ilya to fuck with his mind if he just hates you, you don’t want Ilya to fuck with Dazai’s mind. The thought of it makes your chest feel tight with guilt, so maybe you should take this opportunity for what it is, no matter how shitty it might make you feel, but-
But you won’t.
Finally spotting your phone on the couch, you snatch it up and unlock it, grimacing at the low battery percentage and then grimacing even more when there’s not a single message from Dazai lighting up your home screen. There’s seven from Chuuya, three from Albatross, and two from Mori, but you’re more concerned by the missed call from an unknown number and the unread voice message.
The foreboding feeling that has been looming only grows more intense when you click on the message for it to play out loud.
“This is Doctor Okamoto of Keiyu Hospital calling on behalf of a recently admitted patient… listed you as his emergency contact when he was brought in last night… unable to disclose any information regarding his injuries over the phone… suggest that you get here soon…”
At once, your vision tunnels and everything around you becomes white noise, your gaze is pinned on the ground, a smudge on the tiled floors as you try to keep yourself grounded because what? Dazai is in the-he’s in the hospital?
Because of you? 
You hadn’t been subtle approaching him that day in the library, it’s been a lingering thought since then, wondering if unsavory eyes had caught sight of you talking to him. The bar and the cafe were different, he had approached you—if any of your enemies had happened to see it, they wouldn’t think twice about it. But you approaching him had been dangerous. 
It had been a mistake.
Had it been a mistake to cost him his life?
And it’s not just that—you’ve taken him out to dinners. Picked him up at his apartment building. Places that you or your trusted affiliates own but there’s always the chance… and if he left the Port Mafia building last night in a rush, upset and not thinking straight…
Oh, you might throw up.
You’re not dressed properly. You’re still wearing your dress from last night and you fumble to put on the heels you must’ve kicked off in your drunken state. You don’t even care to get dressed, more intent on getting to the hospital and figuring out if—nausea builds in the back of your throat—if Dazai is alive, if he’s okay. You need to re-listen to the voicemail because your hearing had been unfocused and you’d only been able to catch bits and pieces of the doctor’s message.
And-
And you don’t even get into the elevator because your phone is ringing again as soon as you click the button. You don’t even look at the number before picking up, fearing that it’s the hospital again—it’s not, it’s Chuuya, and you immediately regret your decision because you aren’t even able to bark out a ‘what’ before he’s speaking.
“Where the hell have you been?” Chuuya snaps on the other side of the line. “We’ve been trying to get ahold of you for hours, we-”
“I’m busy,” you hiss right back, interrupting him. “I can’t talk-”
“You can talk,” Chuuya says harshly. “Get to headquarters. The Guild is in Yokohama now. We don’t have time to fuck around anymore.”
You don’t respond to Chuuya, heart sinking to your feet at his words, distress clawing at your chest so painfully that you think it might be easier if you just carve out your heart and toss it out the window. You hang up the phone without another word just as the elevator makes it to your floor, but instead of going inside, you make your way back up to your room, numbly changing into one of your suits so you could at least look somewhat presentable. 
You hardly even recognize yourself in the mirror as you wipe off your smudged makeup from your night out. Your eyes are vacant and your expression so empty that you think you could almost be looking at a statue. 
War with the Guild. Dazai in the hospital.
Everything is catching up to you at the same time and your mind is fraying at its seams, collapsing in on itself as the weight of everything bears down on you. You do your best to compartmentalize, focus on one thing at a time but you can’t even concentrate on one issue. 
You try to figure out what to do about the upcoming conflict, try to determine what exactly Fitzgerald might be planning so you can figure out what the Port Mafia will retaliate with, and your mind drifts to Dazai, you wonder if he’s okay, if he’s in critical condition, if it was one of your enemies that got to him or if it was something else.
You think about Dazai, all of the fear and guilt and anxiety tearing you apart, and your mind shoots straight to the Guild. Because if Fitzgerald knows about Dazai—if he knows about Dazai—then it’s over. It’s all over. If the Guild gets their hands on him, they’ll kill him when you don’t give them what they want because you can’t give them what they want. They want Yokohama and you can’t give them that. 
You can’t, not even for Dazai.
You don’t even register that you’re standing in front of the elevator again until it bings, startling you right out of your thoughts. You can’t leave the building while you’re spiraling like this—you need to get a grip on yourself, you don’t even know where you’re going yet. You need to figure out if you’re going to go meet with Mori and the other executives or if you’re going to go find Dazai. 
As you step into the elevator, it takes all but five seconds for you to make a decision.
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Dazai wakes up to the familiar scent of antiseptic and a citrus-scented floor cleaning solution, the air is too stale and the air-conditioning is cranked up too high. He forces his eyes open, lids heavy and uncooperative, but he immediately lets them fall shut again briefly when he’s met with too white walls and the steady beeping of the heart monitor next to him.
His throat feels swollen as he stares up at the ceiling—the last time he was here in the hospital he was seventeen and had nearly bled out in the bathtub in Odasaku’s house. The only reason he hadn’t was because Ango happened to stop by the house to pick up papers that Odasaku had left for him, finding Dazai unconscious and face half-submerged in the water. He woke up here to find both of them hovering over him, Ango concerned and Odasaku visibly upset for the first time since Dazai met him.
He wakes up alone now because Odasaku is dead and he hasn’t spoken to Ango in four years—doesn’t even know where the man is anymore, doesn’t even know if he’s alive, doesn’t want to know either.
“Dazai-sama.” He hears a nurse say from the door to his room. “You’re awake, how are you…”
The nurse’s voice becomes white noise with the beeping of the heart monitor and the vents blowing above. Dazai retreats back into his own mind—a dangerous place, but right now it’s safer than the white walls that surround him, knowing he’s going to be badgered with questions that he doesn’t want to have to answer. 
How are you feeling, Dazai-sama? 
What happened, Dazai-sama? 
We need to ask you a few questions, Dazai-sama.
Dazai feels defeated.
His head falls to the side as he stares out the nearby window, watching as a bird swoops down in view before taking off into the sky.
He doesn’t even remember what happened. He remembers leaving your apartment, he remembers… he remembers seeing your texts, your plans to wipe his memory. And… that’s about it? He vaguely remembers the familiar feeling of his lungs burning, remembers being tossed around by the rough currents of Tsurumi River. He doesn’t remember how he got there but it’s not exactly hard for him to piece together—even now, Dazai thinks he would rather be dead than have his memories forcibly erased.
“… to know what exactly hap…”
A dark and familiar cloud settles over him. His eyes feel heavy and his chest hurts. Dazai—he doesn’t even know what to think anymore. He’s so tired that his bones ache and his muscles feel so weak that he just sinks into the stiff mattress of the hospital bed.
He doesn’t know what he expected—he thinks that to some extent he expected you to leave him. Everyone has left him. His mother, his aunt, all of the brief friends he’d made over the years before they see him for what he is, Odasaku and Ango—everyone has left him, so he knew that you would too but… in this manner? Using an ability to wipe his memory of you?
Dazai has considered it before. He’s wondered if maybe his life would be easier if he could just… forget. If he could live without the memory of everyone who has left him hanging over him. Some days, on really bad days, he thinks it might be easier. To try to make himself feel better, he thinks that maybe he isn’t the issue, maybe it’s all just a self-fulfilling prophecy, that it’s his past experiences cursing him to make the same mistakes over and over again; that without them, he might stand a chance.
But then when he thinks about it—when he really thinks about it—he knows in his heart that it’s not true, and he knows that without the memory of them all, Dazai will only feel more empty. And to think that you were trying to take his memories of you from him… without even asking, without giving him a choice in the matter… it almost makes Dazai-
“Dazai.”
His gaze snaps to the side when he hears your familiar voice come from the door leading into his room. Instantly, he’s shaking his head and looking away again, he can’t even bear to look at you but you’re walking over to him, you’re coming to his bedside, you’re sitting next to him on the hospital bed and you’re reaching out to cup his cheek, forcibly turning his face to make him look at you. You look worried, something sharp and concerned in your eyes that makes his throat swell and he wants to spit at you and call you a liar but he can only sink into your touch.
“Why are you here?” he asks. His voice is hoarse, almost painful for him to use. 
“What happened?” you ask him quietly instead of answering his question—you never answer his questions, you always deflect, always maneuver around them. The ones you do answer, it’s only because you plan to- “Dazai, what happened? Are you okay?”
Dazai doesn’t know how you can look at him like this all the while planning the most diabolical betrayal that he could ever imagine. You’re either an actress deserving of international recognition or… or Dazai doesn’t even know.
“I’m fine,” he says, voice clipped. “Why are you here?”
“The hospital called me-”
“But why are you here?” Dazai cuts you off, grateful that his voice is firmer than the turmoil wreaking havoc through him. He must’ve given them your number while he was half-delirious when he was brought in—he figured that out already—but that doesn’t explain why you actually came. “Why did you come?”
“Because you’re hurt,” you say as if Dazai should believe you. 
And he wants to believe you. Wants to believe that you’d come running just at the mere idea of him being hurt, wants to believe that you would care enough to come for him. He wants to believe you so bad, but he knows what he saw. 
“Don’t lie to me,” Dazai tells you, finally gathering the willpower to pull his face away from where it’s resting in the palm of your hand. You don’t even let him shift away, hand slipping behind him to cradle the back of his head, fingers entwined with his hair. “Stop.”
“I’m not lying to you,” you say like a liar. “Tell me what happened.”
“I don’t want to talk to you.”
You sigh heavily and Dazai hates the way you’re absently drawing circles against the nape of his neck with your thumb, hates how it makes him feel at ease and especially hates the way his lashes instinctually flutter shut.
“I didn’t mean what I said last night, Dazai,” you say so quietly that Dazai almost believes you. Almost. “I was drunk, I didn’t… I don’t know why I said that. I didn’t mean-”
“I don’t care about that,” Dazai says, proud of the way his voice stays sharp and cold. “I saw the messages between you and Tolstoy. I know what you’re planning. I don’t want to talk to you, I don’t even want to look at you, just leave me alone.”
You draw back at his words, concerned expression melting into a blank slate as you pull your hand away to sit back straight. Dazai misses your touch instantly, longs for the warmth to return but he forces himself to ignore it all, keeping his gaze pinned on you, watching the way your mind races behind your eyes. He wonders if you’re trying to figure out if you can salvage this, wonders if you’re going to lie.
Instead, a heavy look settles over your face as you frown, glancing back at the way you came and for a moment, Dazai thinks you’re just going to leave. You rise to your feet and words lodge in the back of his throat, preparing to spit insults at you: he wants to call you a coward, a liar, wants to tell you that you’re cruel and vile and he can hardly even stand to look at you.
But then you look back at him and hold out your hand to him. “Come on,” you tell him. “Let’s sneak you out of here… I’ll explain everything when we get out of the hospital.”
Dazai wants to be spiteful, wants to turn his head away and ignore you, wants to slap your hand and tell you that there’s no explaining what he saw.
But he doesn’t.
Instead, he places his hand in yours and lets that treacherous, treacherous spec of hope bloom in his chest again.
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Dazai hasn’t spoken a word since leaving the hospital. You’ve tried to make small talk with him, but every time, he just turns his head away to look out the window. You gave up twenty minutes ago and Dazai is already regretting not indulging conversation with you because the silence is agonizing. He knows he should break it, but he doesn't know how to now. 
He glances at you from the corner of your eye. You’re leaning back against your seat, one hand on the steering wheel—he can’t see your eyes because they’re masked by sunglasses, but he can see the way your free hand rests on the gear stick, knuckles tense.
“What is this place?” Dazai clears his throat as he leans forward in his seat, peering out the windshield of your car to try to figure out where you’re taking him. He forces his tone to lighten, the smile on his lips strained. “Are you kidnapping me? Oh! Or are you taking me to some remote cabin to kill me? Bella, you truly know the way to a man’s heart.”
You let out a heavy sigh, one that makes Dazai toss a sweet smile in your direction. 
Some type of beach house, he recognizes as you pull up a windy road to the top of a cliff looking over the water. He can see to his left a path leading down to the water and to his right a nice view of a distant pier. It’s not a large house, but it’s nice—well-kept and refurbished with a view over Sagami Bay. It’s not too far out from Yokohama, probably only a little over an hour, but considering Dazai’s never left the city in his entire life, this might be the furthest he’s ever been. He can almost feel a bit of excitement bubbling in his chest. 
“I wanted to take you here, away from the city for a bit,” you finally say, fingers thrumming against the wheel of the car as you slowly guide the car up the gravel path. “So we can talk in peace.”
Your bland words whittle away his excitement and Dazai’s smile falters. He tries to distract himself with counting the strands hanging off the sleeve of his sweater but keeps losing count.
“Something you couldn’t have talked to me about in Yokohama?” Dazai asks airly as you pull to a stop in front of the beach house. 
He doesn’t turn to look at you, doesn’t move until you finally get out of the car, reaching into the back seat to grab two duffle bags, nodding for him to follow you.
Wow, he thinks dryly, you came prepared.
Dazai feels distinctly like he’s walking to his execution as he follows you to the steps leading up to the house, but instead of walking up them, you toss the bags on the porch and then continue up the path.
You’re going to push him off a cliff, Dazai thinks, feet dragging against the gravel as he follows you. This is it, all of the years that he’s longed for death and it’s finally about to find him at your hands. 
“I might not die from the fall,” Dazai says, words drawn long as he pouts. “You wouldn’t really leave me to suffer in freezing water, would you?”
“No,” you say, glancing back at him. He lets out a quiet breath of relief that’s quickly snuffed out when you add, “I’m not that sloppy with my kills. I’d kill you before dumping your body over the side of the cliff.”
Dazai blanches, but your lips curl up into an amused smile so he settles down, sighing as he purposely knocks his shoulder with yours.
“My bella is so cruel,” he sighs dramatically. “She hates me.”
You sigh as you reach the edge of the cliff, not turning to look at him. The wind whips around the two of you—it’s a cool, early spring night, the temperature just enough to be uncomfortable but you don’t seem bothered by it as you stare out across the water as the sun starts to set.
You’re beautiful, Dazai thinks, breath catching at the sight of you beneath the setting sun. The golden rays cast an ethereal glow over you, the wind ruffles your clothes and hair, and your expression is solemn in a way that’s become terribly familiar the past few weeks.
“I’m not going to do anything with the video,” Dazai finally says, voice quiet—finally taking the chance to say what he wanted to say last night. “You don’t have to keep… pandering to me because you’re trying to protect yourself. I was never going to do anything with it, I just… wanted you to give me a chance.”
When you look over your shoulder, you give Dazai a small, genuine smile that makes all of the air whoosh from his lungs. 
“Dazai, I’ve known you weren’t going to do anything with that video since day one,” you say, amused. “If I thought you were, I would’ve had someone confiscate it from your apartment.”
Dazai’s lips part, mind racing. “But then why-”
Your smile softens at the edges and you sigh as you lower yourself down to the ground, feet dangling off the edge of the cliff. Dazai joins you, thigh brushing yours and shoulders absently knocking together. Your hands rest in your lap and Dazai’s fingers twitch to reach for yours. He only hardly refrains himself.
“I don’t remember a life before this,” you say after a few moments, a distant look in your eyes as you stare ahead. “When I was seven… eight, maybe, I was pulled out of a warzone by the current leader of the Mafia. I don’t even remember my parents—anything about them. Their names. Faces. What they sounded like, what their job was. Mori… he found me in my town sitting in the middle of a whole pile of bodies and I couldn’t even point out which pair of corpses were my parents. I don’t remember anything before him… It’s all just black. Blurred.”
Dazai stares at you, eyes a bit wide as he listens to you speak. His lips part to say something but he decides against it, instead he seals his lips back shut and presses his shoulder against yours. Mori—that was the other name pinned up with Dazai’s message thread and Nakahara Chuuya’s—he must be the Port Mafia boss. His gaze traces your face as you stare ahead, catching the melancholic expression on your face. He itches to reach for your hand.
“I could hardly remember anything about myself. My first name… that’s just about it. My new birthday became the day Mori found me, my new surname—when needed—was his, he… he became my reason to live when I had none. Gave me a purpose,” you tell him faintly. “I spent two years on a warfront trying to figure out what my ability was so I could be the finishing touches of the immortal regiment that he was trying to create. As far as I remember, all I’ve known is… this. Him.”
Dazai wants to say something but every word he tries to push out dies on his tongue. Instead, he finally does reach out to grab your hand, fingers curling around yours tightly. You look down briefly, an unreadable expression on your face before it softens and… and for a split second, Dazai can see you, he can see you: not a hardened executive of a mafia, but an eight-year-old girl, lost and confused and landing in the arms of the wrong man, and it makes him sick.
The traitorous part of him wonders if you’re only telling him this because you still plan on following through with the memory wipe, so Dazai does what he always does when someone threatens to take one of the few things he wants—he digs his claws in and doesn’t let go. 
“The war ended before I could figure out how to use my ability and I followed… him to the underground. We ended up with the Port Mafia while the previous boss and his family were still leading. He was…” You trail off, frowning. “Dangerous. Yokohama was a terrible place under his leadership. He slaughtered civilians who spoke poorly about him and the Mafia, killed his own men for looking at him wrong… Mori became his doctor and for the good of the city, he decided to kill him.”
“I remember the old boss—what he did to the city,” Dazai says quietly—how could he not? His aunt was terrified of being in Yokohama because of him, was constantly talking about leaving the city… she finally did after dumping Dazai off in Suribachi and leaving him to fend for himself against the wolves. “It was bad.”
“It was,” you agree absently. “Mori—he wanted it to be as bloodless as possible. He tried every route, but the only way for it to be bloodless was if he had someone to corroborate that the previous boss died in his sleep and left the Port Mafia to him.”
Dazai almost scoffs.
“No one would believe that.”
“We’d hoped maybe one of his grandchildren would step up. Even if it was clearly a lie, people would have to listen because they were his blood,” you say with a wry smile. “They didn’t.”
“So, what happened then?” he presses when you don’t immediately continue. He frowns when he catches the sudden change in your demeanor, like you’re sick to your stomach, unable to push out the next words. He feels a bit dreadful, squeezing your hand gently. 
“We had to wipe out the whole family,” you whisper, looking down at your lap, “and any loyalists. I was fourteen when I killed someone for the first time. She was a girl my age—the previous boss’s granddaughter—she was asleep, had a bear tucked in her arm and a nightlight on the right side of her bed. I slit her throat, then both of her older brothers. They were kids.”
Oh.
Dazai’s throat spasm as he swallows, the picture forming in his head cold and chilling, but instead he forces out:
“You were a kid too.”
“No, I wasn’t. Hadn’t been for a long time,” you say, voice flat, leaving no room for argument. “We hunted down the whole bloodline, immediate to extended family. Mori was insistent on it, said we couldn’t risk one of them ever returning and upending everything we’ve built. He’s still searching for some to this day just to make sure.”
That’s… foreboding to say the least. Dazai watches you carefully, the grim expression on your face and the frown on your lips. He pulls your hand into his lap, tracing your fingers gently to try to ease you and he watches from the corner of his eye as your expression softens again when you look at him. It makes his chest feel tight and fluttery.
“I was sixteen when I met Itou.” The cold expression on your face warms at the unfamiliar name. Dazai watches as the corner of your lips curve up into a fond smile, as if you’re reminiscing. “He was seventeen. We were partnered up for years. This was his beach house—or, well, I don’t know whose it was but Itou took it. He was awful, honestly. A terrible fucking person, had more blood on his hands than any other member of the Mafia, found way too much joy in tormenting people. He was awful, but he was the closest thing I had to family. He tried to show me a world beyond just… bloodshed and violence. Took me to amusement parks on days off, snuck me onto school trips with random groups of kids and told me to ‘blend in’ as training for infiltration missions, showed me how to live, not just… survive. He died on a mission a few weeks after I turned eighteen, made me promise him that I wouldn’t go back to how I used to be without him, that I’d at least try to be happy.”
Double oh.
Dazai almost does throw up now, mind drawing back to a face that has been haunting Dazai for four years now, Odasaku’s last words ring through his head painfully—a reminder of his own inadequacy, of his failure to fulfill his friend’s dying wish.
He remembers the way your face shifted when he told you about Odasaku at Kido’s Boutique and he wonders if he’d reminded you of Itou back then when he spoke of the man and his promise, just like how he was reminded now. His grip on your hand tightens unintentionally—as if you can sense his thoughts, you squeeze his fingers gently. 
“I didn’t,” you say with a tight smile. “Threw myself into work, accepted that my fate was to live, breathe and die for the Port Mafia. I didn’t see the point of anything—well, not until I met you, at least.”
Dazai’s eyes flicker up to you, breath catching when you meet his gaze this time. And god, you look beautiful—so beautiful that Dazai thinks that if he dies now, he could die happy. He almost wishes that he could die now, fall off the side of the cliff with the image of you burned behind his eyelids. It would be a better death than he deserved.
“You made me happy. Make me happy,,” you tell him quietly and Dazai’s heart leaps into his throat. “So effortlessly that I can’t even understand how you do it, but it’s impossible for me to justify dragging you into this world just because I’m selfish.” Dazai parts his lips to disagree but you don’t even give him a chance to speak. “So when you came to me with your stupid blackmail, it was so… easy to just use it as an excuse for me to indulge in you.”
Dazai doesn’t get it. He still doesn’t get it. You’re sitting here talking to him, explaining everything, and Dazai still doesn’t understand. He makes you happy—he makes you happy and you make him happy, there doesn’t need to be any more complications than that. You don’t have to push him away, you don’t have to cut him off, you don’t have to use that memory wiping ability on him.
“I don’t understand,” Dazai says, voice hoarse. “You make me happy too, so why is…”
“Because Chuuya is right,” you say with a smile that doesn’t meet your eyes. “The risks… Dazai, you can’t ask me to put you in danger like this. It’s not fair.”
“It’s not fair to cut me off because you’re scared,” Dazai counters, voice a bit pitched. “It’s not fair that you want to wipe my memory without my consent. I don’t care about danger, I don’t-”
You look at him sharply, an intense expression on your face that makes Dazai hesitate.
“I never would have done it without talking to you first,” you say tightly. “Do you really think that little of me?”
Dazai looks away, not answering the question. “I never would have agreed to it,” he replies, voice equally tight as yours. “Never. It’d be a waste of your time.”
You sigh and Dazai feels you shift next to him but he pointedly keeps his gaze trained ahead, refusing to look at you. He feels your fingers brush his cheek before the pressure becomes a bit firmer as you turn his face so that he’s looking at you. You’re so close that his nose brushes yours, the pads of your fingers are warm against his skin; if he leans in just a bit, he’d be able to kiss you.
He wants to kiss you.
“You don’t know what’s at stake,” you say softly, breath fanning across his lips as you speak. He can almost taste the mixture of mint and nicotine on your lips—you smoke when you’re nervous, he’s noticed it over the past few weeks with you. The more nervous you are, the more cigarettes you run through; he wonders how many cigarettes you’ve gone through since you’ve gotten the call from the hospital. “The danger-”
“You want me,” Dazai whispers, squeezing your hand, leaning in a bit more. “No one has ever wanted me before. Not like this. Not for me. You want me.”
The last sentence—it doesn’t come out as a statement, it comes out as a plea. He wants you to say it. You didn’t the last time, but he needs to hear it now. Desperately. His nails dig into your hands, he doesn’t even dare to breathe as he waits for you to speak.
“I want you,” you agree, voice so quiet like you don’t even dare to speak the words out loud in fear of the consequences of them. “I want you. I want you so bad that it scares me, Dazai Osamu.”
And Dazai breathes. The breath he lets out is long and shaky, the relief that sweeps over him is almost debilitating. He searches your eyes to make sure you mean it and when he only finds honesty and a type of fear that he’s never seen in you before, Dazai knows.
“You think it doesn’t scare me?” Dazai asks you, voice cracking. “Everything I ever come to want is always lost. Ever since that first day we met, I-I knew that I wanted you more than anything I’ve ever wanted before and I’ve been terrified that one day you’ll leave me. Promise me that you won’t. Promise me.”
You stare at him and for a terrible moment, Dazai thinks that you’re about to shake your head and say you can’t, but then you swallow, nod and say, “I promise.”
Dazai kisses you. And then he kisses you again. And again. And again. Until his lungs burn and he can feel your lips curve up against his and even then, he kisses you still. Kisses you as the sun sets over the bay and the moon rises above the mountains. Kisses you until the wind becomes too bitter for the two of you to stay outside and still, he smiles as he peppers kisses across your face, walking back down the path to the beach house.
He ignores how your phone has been buzzing incessantly all night, praying for at least one day of peace before reality slaps the two of you in the face again.
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wizardpink · 3 months
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@iamanoccasionaldoodler
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Okay so,
There seems to be this negative reaction to the finale from a lot of Devil's Minion fans and I don't understand it for a lot of reasons, but one of them is ... I don't get why people are upset that, when read at it's worst, Armand and Daniel are seemingly not on good terms after Daniel is turned. I keep seeing this belief that Armand "abandoned" him, which I think is fully pulled from y'alls collective ass, and a disappointment that Daniel would call Armand a "fucking asshole."
But the thing about Armand/Daniel everyone seems to be forgetting is that even in the source material, they first had to tear each other down to their bare bones before they could see each other well enough to love one another -- REALLY love one another. Because Armand is a russian nesting doll of lies, masks, and emotional walls, and with Daniel, idek if I can explain it properly, but I think its some combination of Armand needing to break him a bit to get him on his level of broken freakitude, and also Armand not being able to relate to the 20th Century Human period and needing to drill down into Daniel's core, straight down into the monkey brain that every homo sapien has shared for eons, before he can find something he understands.
If we were to ever get a proper Devil's Minion storyline on this show (and we will), they've laid the perfect groundwork by having Daniel EVISCERATE Armand right to his face, slicing his Gorgon's knot of lies and schemes in half and leaving it lay on that table. And Armand's face! HIS FACE! He can't believe it! Seventy-seven years with Louis who never could unravel all the strings, or simply didn't care to even bother. And THIS guy who seemingly hates him found Armand fascinating enough to try. AND succeed!
And why wouldn't he? Daniel may not have remembered until they were nearing the end of the interview, but Armand SHOWED Daniel what was beneath the mask years ago, the very first time they met. The jealous, insecure, desperate creature that was hiding under there, that IS Armand to Daniel.
I'm getting off track here, but what I'm trying to say is that as much as Armand turning Daniel in the books is SUCH a flawless scene, ultimately, if you believe in the infinite and eternal nature of their love story, it doesn't matter whether Armand turned Daniel before they fell for each other, afterward, during a break-up or at the climax of their most romantic streak. Like Lestat said, "We'll be together ten thousand nights, a hundred thousand. What we're doing is hard."
So maybe Armand turned Daniel shortly after Daniel stripped him bare in front of Louis, and Louis was so disgusted by what he saw, he threw him into a stone wall. Daniel could have run, too. For some reason, he didnt. Armand could have killed him in an instant, sitting at that table or after Louis left. He didn't. Armand made a conscious decision to tie himself to this man who just exposed him for ETERNITY. Because as horrific an experience as it was, as devastating and life-altering, he was seen.
"It is difficult to explain how his words disarmed me, how efficiently succinct and impenetrable his argument was. All my conceptions, even my guilt and my wish to die, seemed utterly unimportant, and I completely forgot myself and the barbaric scene that surrounded me. For the first time in my life, I was seen."
Louis said those words about Lestat as he described being made a vampire, when he kissed Lestat on the altar.
That feeling, of someone cutting to the core of you and telling you exactly what you are as no one else has ever been able to understand, made Louis accept the Dark Gift from Lestat.
And it made Armand give that Gift to Daniel.
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erinelliotc · 4 months
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A few years ago I used to be that annoying "transmasc lesbians don't exist, this shit is harmful and invalidates both transmascs and lesbians" person, and now I'M the transmasc lesbian. Seems like the tables have turned, huh?
I've spent so many months, years, trying so hard to fit into these categories that I saw so many people talk about as if it were the definitive truth, and this shallow and simplistic vision seems to be gaining a lot of attention and traction here in Brazil. Isn't it ironic to free yourself from cisnormativity and heteronormativity and all these binary boxes to find yourself again trying to fit into other boxes and norms that don't actually describe your experience correctly? Because your experience with gender is so chaotic and confusing (as expected of a nonbinary identity, and even more so if you're neurodivergent too) that there's no simple way to describe it. Then when you find out what describes this, people say you can't identify yourself that way because two or more of your identities are "incompatible". I see people treating non-binarity as if it were an exact science, as if it were math, as if it were something simple and logical, as it is precisely the escape from what has been established in our society as the only two possible options, generating countless identities within a gray area outside this black and white vision, so of course it's something complex, abstract and subjective.
EDIT: One of my reasons for thinking this way was that I ignored that the transgender experience and the cisgender experience aren't and will never be equivalent. It's obvious that a cis man can't be a lesbian, but the same doesn't go for transmasc people, and I thought that admitting that was the same as being transphobic, denying the masculinity of transmascs, denying their male identity. I already had a debate on Twitter because people didn't want to admit that trans men and transmasc people in general can suffer misogyny and male chauvinism (as society can still see and treat us as women) because they also saw it as the same as saying transmasc people are women. The identity of trans people is a very complex experience that involves a series of factors that cis people will never experience. We cannot equate the trans experience with the cis experience.
I thought identifying as a butch lesbian was enough to describe my masculinity, but I realized that I felt like it didn't encompass everything I felt, I still felt like something was missing. Preventing and depriving myself of identifying with more explicit masculine identities was actually making me feel bad and dysphoric. So yeah, I've been avoiding identifying with male-aligned identities because I thought that would mean having to stop identifying as a lesbian, and I didn't want that, and I don't really feel like calling myself straight makes any sense.
I have a text in Portuguese talking about my experience as a butch lesbian, and I feel that now it also serves to describe my experience as a nonbinary transmasc (the part where I talk about not identifying with "traditional masculinity", but with a "different type", like "soft masculinity", is directly related to the fact that, in addition to being nonbinary, I don't identify as a man, I don't feel comfortable with the term "man", but rather with "boy"). I spent a few months wondering whether I was libramasculine or boyflux, and I ended up deciding that if I can't identify which one I am, maybe it makes more sense to just adopt both identities, maybe I am both then! I'm tired of trying to fit into supposed rules about being nonbinary. This is exactly how non-binarity shouldn't be. I'm supposed to feel free, not trapped again. My identity is my identity and that's nobody's business.
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self-loving-vampire · 2 months
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did "pickme" start out describing an actual phenomenon or was it always about making it somehow feminist to call women annoying you reckon?
I have heard some people say it was originally used in contexts to do with race and that it meant something different then (the actual origins are unknown as far as I can tell) but that it was then "misused" and turned into a generic insult against women who don't try to fit gender stereotypes.
I'm not sure if this was the word's actual origin, but I don't think that's entirely relevant to my own posts given that what I'm criticizing is more so the concept and intent behind the term as it is currently used rather than some original meaning.
And the way people use it is this:
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Massive L to anyone who thinks doing astrology should be preferable and "more progressive" for women to do than playing video games.
If I was conspiracy-brained I'd call this a christofascist psyop to dress up demands for gender conformity and even essentialism in leftist language (because you see women never sincerely like "boy things" or have certain opinions, they just pretend for the sake of appealing to men like those old Fake Gamer Girl caricatures).
There's people out there saying not being feminine is internalized misogyny. It is dire.
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sunsburns · 3 months
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naked in manhattan
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pairing: tashi duncan x fem!reader / implied art donaldson x fem!reader
summary: you’re just hours away from a flight that will change your career forever—one that will take you to london, england, for the 2012 olympics, a milestone you never thought you’d reach. thrilled yet trembling with nerves, you find yourself at the hotel bar, celebrating alone. it does not help when you run into art donaldson and… his wife?
—or: you and tashi rekindle an old flame
word count: 6.9k
contains: SMUT 18+, smut with a lot of plot, semi-public sex (a gym at the middle of the night so idk if that counts), mid-challengers movie (a year after the atlanta scene with tashi and patrick), angst with no comfort, fingering, homewrecking, cheating but also not cheating but also a worse third thing, no use of y/n, old situationship best described in terms of “casual” by chappell roan (iykyk), art is lowkey a shit starter
author’s note: so i finished this a while back and added it to my queue and did not realize i put it for july instead of june so LOL MY BAD. this is kinda like a prequel to “good luck, babe!” but you don't need to read that to get this. alsoooo thank you for all the love and feedback in “good luck, babe!” i’ve read every single message and tried to reply to all of them! you guys are so sweet and inspired me to write more! thank you thank you <3 i hope you enjoy this one!
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Manhattan, New York City, 2012
"I hope you're planning on getting laid tonight."
Your drink is cold, the ice cubes clinking against the glass as you swirl the straw absentmindedly. The dim lighting of the hotel bar casts a warm, golden glow over everything, making the polished wood of the bar counter gleam. Around you, the murmur of conversations, bursts of laughter, and the occasional clinking of glasses create a lively yet intimate ambiance. You glance at the TV mounted in the corner, where a muted sports channel displays highlights from a basketball game.
You try not to snort into your drink at the words of Patrick Zweig on the other end of the call. You push your phone closer to your ear, unable to bite back the grin spreading across your face.
"Are you serious?" you ask.
"What?" Patrick's tone is mockingly innocent, full of playful mischief.
"I thought you called to say something a little more... I don't know, sincere? Heartwarming?"
He lets out a loud, boisterous laugh that you can practically feel through the phone. In the background, you hear the faint sounds of a city—honking cars, distant chatter, and the occasional bark of a dog. The noise fades slightly as Patrick likely moves to a quieter spot, and you can almost picture him getting in his car in some other state—you think he's in Arizona.
"The only kind of warming I wanna hear about is cockwarming," he retorts, his voice dripping with mock seriousness.
You make a face, "You're disgusting."
"I mean it," he insists, still laughing. "I'm actually so jealous of you right now. You qualified for the Olympics, for fuck's sake! How's your mom doing? Did she have a heart attack? Did she call you already? I hope she packed you some condoms. There's gonna be such a wide variety. Literally every country in the world."
"Shut the fuck up, Patrick."
Your mother did call, her voice crackling with emotion over the phone just before Patrick rang you. She told you how proud she is of you, how she can't wait to watch you play and tell everyone she knows that her daughter is an Olympic tennis player. A gold medalist, maybe.
Her words echo in your mind, filling you with a warmth that battles the nerves simmering beneath the surface.
You take a sip of your drink, savouring the blend of fruity and bitter flavours, a welcome distraction from the whirlwind of thoughts. You try not to spill it on your Ralph Lauren sweater, custom-made, just for the Olympics, with your name stitched on the arm.
Around you, the hotel bar is alive with the buzz of other athletes celebrating with their teams. The fellowship is appreciable as laughter and cheers fill the air. But for some single athletes, like yourself, it's a different story. You feel as if you're in high school all over again, too awkward to make friends, hoping someone braver than you will come by and say hello first.
"You better not be sitting at the bar alone, drinking that orange juice you like."
"A sangria isn't just juice, you dick," you retort, rolling your eyes.
"You're such a loser."
You do feel a little bit like a loser, sitting alone at the bar, but you know you shouldn't. You're hours away from your flight to London where you'll have the chance to play tennis in the Olympics. This is all you've ever wanted since you were a child, all you've been working for—sweat, blood, and tears. You can't even remember a time when you've dreamt of something other than this.
Tennis has always been your escape, your sanctuary. You remember those early days when you played with second-hand rackets and makeshift nets, the local court becoming your second home.
And then there was Patrick, your closest… friend(?) and fiercest rival. His encouragement, his competition, and his company kept you grounded and motivated. When the going got tough, the dream felt too distant, and all of it made you feel far too guilty as if you had stolen someone else's life, Patrick was there to reassure you that you deserved it just as much as the next. Without him, you likely would have walked away from the sport you love.
"I can't believe you made it to the Olympics before me," Patrick's voice pulls you back to the present, a mix of envy and pride lacing his words. You can almost see the playful smirk on his face, a familiar expression that often surfaced during your countless matches together.
"I wish you were here, Pat." Your voice softens, the longing evident. It was hard to track down Patrick Zweig, especially while he was constantly on the move, hopping from state to state, playing as many challengers as he could sign up for, each match a stepping stone toward his dream of winning the US Open. And you think he will. You've played against him enough times to know he's better than you at hitting a ball with a racket.
There were nights when you'd both crash in a shabby motel or back at your place after a gruelling day on the court, strategizing and critiquing each other's play styles (sometimes in more than just tennis). His tenacity was a beacon for you, pushing you to strive harder and to reach further.
His voice softens, becoming more earnest. "Yeah, me too. I'll try to get tickets for one of your games in London. If not, I'll catch up with your mom and watch it with her. Is your dad still in the picture?"
You roll your eyes, a reflex to his familiar teasing. "Oh, my god."
"I'm just asking," he chuckles. "Listen, I'm gonna let you go, 'cause I've got a date tonight. But call me when you land."
"Oh, yeah, okay." You try not to let the disappointment seep into your voice, but it's hard. It's not like you and Patrick were together, at least not publicly, at least not in the sense that you couldn't see other people. But even as you tell yourself that, a knot tightens in your chest.
It feels a bit teenageish, you think, messing around with friends and acting like it means nothing just to avoid making things awkward. Yet, you couldn't shake the feeling that you were leaving something unsaid, something unacknowledged. Patrick was one of the few people in your life who kept you on your toes and made you feel good—truly good.
Now, the idea of him with someone else, going on dates while you chase your dreams, feels like a betrayal you can't quite articulate. But what right do you have to feel that way? You never made things official, never dared to cross that line.
You never bothered to search for love outside of tennis.
"Have fun on your date," you manage to say. It comes out more brittle than you'd hoped. "Talk to you later."
"Bye!" he says, oblivious to the turmoil in your heart. His voice is light and carefree, and why wouldn't it be?
You end the call and set your phone down on the bar with a bit more force than intended, the hollow thud echoing your frustration. The bartender glances your way and you try to flash him an honest smile before ordering another drink. The TV overhead flickers, switching from basketball highlights to a recap of the latest tennis matches. You watch the screen without really seeing it.
The bar is still lively, yet you feel an overwhelming sense of solitude. You can't help but feel like you're stuck in limbo—caught between your dreams and the reality of your personal life.
You take a deep breath and a long sip of the rest of your first drink, the cool liquid doing little to ease the heat of frustration building inside you. You tell yourself you should be happy, grateful even. But right now, all you can think about is Patrick, and how much easier it would be if he were here with you.
But he's not. And maybe he never will be.
Maybe no one will.
Maybe you will die alone, your tennis racket as your only companion.
"This seat taken?" A familiar voice breaks through your thoughts.
You turn, startled, "No-" you start, but then the blur of blonde hair comes to focus and you're stumbling over your words, "Art? What- what are you doing here?"
"Oh," he smiles, a shy faint red blush already growing on his pale skin. He sits beside you, almost hesitantly, "Just stopping by the city. I saw you and thought I'd say hi."
"Hi." You return his smile, albeit a bit warily.
It's been years since you last spoke to Art properly, though your paths have crossed a few times. You've seen him in magazines, TV, and brief passings usually at major tournaments—Wimbledon, the Australian Open, the US Open. Each time, there were shy smiles and waves from across the room, lingering eyes, and awkward conversations where mutual friends tried to reintroduce you as if you hadn't once known each other
Art looks different every time you see him. His hair, now a little shorter than you remember, still maintains that boyish shagginess. There's a darker tan on his skin, evidence of his time spent under the sun. Some days he has a brighter smile, other days, it's a smile that never reaches his eyes.
As he sits there, you can't help but think of how golden his hair used to look whenever he wore his old Stanford hat, the one he used to pull low over his eyes during your college days. The memory makes you aware that you're staring, maybe a little too long. But he's looking at you too, his blue eyes trailing from one end of your face to the other, as if trying to memorize it all, capturing a photograph of who you are now.
A warmth spreads through you under his gaze, and when he finally looks away, you turn too, tapping at your empty glass, pretending to seem interested in the way the ice has started to melt.
But your eyes betray you, slowly trailing back to him. You watch the way he sits, the way he calls over the bartender and orders himself a glass of water. You try not to notice the deep timbre his voice has gained over the years, and how it resonates in the noisy bar. He looks at you, then the empty seat on your other side, and finally scans the room anxiously, as if he's searching for someone or something.
"He's not here," you finally say, breaking the silence that has grown too heavy. "If that's what you're wondering."
He nods, trying to act nonchalant but failing miserably. "What city is he in now?"
"Vegas, I think."
He makes a face and rests his chin on his hand. "There's no challengers in Vegas this month."
"Then he's just visiting. I don't know." The truth is, you don't want to talk about Patrick right now. Especially not with Art. Not after the way they ended things. You watch Art shrug, and the bartender sets your drink in front of you. You take a grateful sip, savouring the blend of flavours. Art holds his glass carefully, and the two of you sit in strained silence for a moment, the noise of the bar fading into the background.
You can't help but ask, "What are you doing here? In Manhattan?"
"I have an interview tomorrow. For the New York Times," Art says, leaning back slightly. He seems a little surprised as if he expected you to sit there without acknowledging him for the whole night. It makes you wonder what he thinks of you. "They're doing a piece on my career, the highs, the lows... the beginning and stuff."
You study his face, trying to gauge his emotions. You know what it's like to be interviewed, to have a team of people making you look your best for photos and another team crafting answers to help you maintain your reputation. It’s exhausting and thrilling all at once. "Congrats, I'm happy for you."
"Thank you. If anything, I should be congratulating you. Olympics? That's huge..." He continues talking, his lips moving, but you’re barely registering the words. For the first time that night, he seems genuinely enthusiastic, a faint spark in his eyes as he talks about you, about London, gesturing with his hand in excitement.
That's when you notice it. The gold around his finger. It glimmers under the warm lights of the bar, catching your eye like a beacon. You can't stop staring at it even after he's done talking.
"Oh, yeah. It's great." The words feel hollow as they leave your mouth. You struggle to find the right response, not wanting to be rude. "You're married?"
His face falls, and he looks down at his hand resting on his lap. "Oh, yeah, yeah. We, uh..." He scratches the back of his head, his eyes darting up to meet yours briefly before looking away. He seems nervous, like he's bracing for your reaction, worried to tell you, as if you weren’t supposed to know at all. "We got married last year. We kept pushing the date for a while because we were... we were busy... and stuff just kept getting in the way."
"We...?"
"Tashi."
"Tashi," you echo, the name tasting foreign and bitter on your tongue. "You're married? You married each other?"
He nods, "Yeah, we've been engaged for a few years now. You haven't heard?"
You feel a lump form in your throat. "No, uh. My coach tries to keep me away from certain news... my mom suggested it. So I don't get uh, distracted."
This is exactly the kind of situation your team has been trying to avoid.
The reality of his words sinks in, and you feel a sharp pang of something—loss, regret, maybe even jealousy. The air around you feels thicker and harder to breathe. Each word he says feels like another brick being laid on your chest, pressing down, making it harder to stay composed.
"Oh. Yeah, that makes sense."
You force a smile, but it's a fragile thing, threatening to shatter at any moment. "That's... that's great, Art. I'm happy for you. Really. How was... how was the wedding?" Your mind races with thoughts of broken promises and missed opportunities. You imagine Tashi in her wedding dress; you know she looked beautiful. The image stabs at you, and you wince.
"It was beautiful. Both our families came in, and we kept it traditional, in a church. It was..." He pauses, watching you before adding, "It was a small ceremony. Private. Just family."
His words twist the knife deeper. Tashi's family used to see you as such. "No, yeah, I get it. Wouldn't want any trouble at the wedding. I'm happy for you. I'm happy for the both of you." You turn to the bartender, desperate to keep your voice steady. "Hey, can I get another drink? Something stronger?"
Patrick was right; your stupid orange juice won't get you through the night.
Art watches you with concern, his brow furrowing. "How many of those have you had?"
You laugh, but it sounds hollow even to your ears. "Not enough."
"Does your coach know you're drinking?"
"Does yours know you're talking to me?"
Art leans back, his posture stiffening. He turns to his drink, the ice clinking softly against the glass as he takes another sip. The silence that follows is thick and uncomfortable. You watch as he processes your words, his expression shifting from defensiveness to something more pained. You instantly feel a pang of guilt, realizing you've struck a nerve.
You've heard all about Tashi's coaching with Art. Whispers in the locker rooms during tournaments, hushed conversations about how she's pushing him until he cracks. You never wanted to believe it, never wanted to think that Tashi, of all people, would be the one to break him down.
"She calls you Ace, you know."
You make a face at the name. A journalist had written an article about you a few years ago when you won your first US Open, nicknaming you Ace since your serves were almost impossible to hit. The nickname stuck, plastered across headlines, magazine covers, and merchandise. People even bet on you becoming the youngest tennis player with the most aces in history before the season ended. You were only off by a dozen.
"Does she?" you ask, trying to keep your voice steady, unaffected.
"You do have a killer serve."
You scoff, shaking your head. "Killer." The word feels bitter on your tongue. "Tashi used to hit those back at me like it was nothing."
Art nods, taking another sip of his drink before pausing to look at you. "Only 'cause she knows you."
"Knew," you correct him.
The silence stretches again, heavier this time. You're about to say something, anything to break it, when Art speaks again, his voice softer, more earnest.
"I miss you."
What. The. Fuck.
"I do," he insists, leaning forward, his eyes searching yours. "I miss hanging out with you. I miss playing with you. Watching your games live and not recorded on my TV."
"Art, c'mon." You feel the dread crawling up your throat, wishing you had left the bar sooner. Every word he says seems to pull you deeper into a past you've been trying to escape. Art has done nothing but throw you off your game all night.
"I miss you outside of tennis, too," he continues, his voice tinged with regret. "I miss our late-night walks, studying in the library. You remember those?"
"Of course I do."
"Tashi misses you, too," he says, and you can tell he's crossing a line, testing your patience. You can feel the corner of your mouth twitch, your eyes unable to meet his. "She tells me every night. She's always keeping up with your stats, watching all of your games, rewatching your old ones. She makes notes for you, how you could improve. She wants to coach you."
"Art, stop it," you finally snap, turning to face him. The night feels ruined, any semblance of peace shattered. Was this all some elaborate scheme against you? After all these years, is this how they repay you? Out of spite? Is that what it is, a way to get back at you because you somehow got it all, and Tashi's taking whatever she can scrape off from Art?
"I don't want her to coach me. And I highly doubt she wants to coach me either."
"I booked the hotel," he says suddenly, his voice softer, more sincere. "She doesn't know you're here. And I really think it will be good for you two to talk." He reaches into his pocket and pulls out a small piece of paper, placing it carefully on the bar in front of you. "Here's our room number. I'll be out tonight with some friends, so the room is yours till late. Just, don't kill each other or break anything if you fight."
"I'm not going—"
"She really does miss you," he interrupts, his eyes searching yours for any sign that you might understand, might relent.
You stare at the piece of paper, feeling its presence like a burning brand. Art stands up, hesitating for a moment as if he wants to say more but thinks better of it. "I mean it. Think about it," he murmurs before turning and walking away, his footsteps echoing in the hollow space of your mind.
You watch him go, each step he takes pulling at the threads of your carefully constructed facade. As he nears the entrance, your eyes follow him instinctively, and that's when you see her. Tashi. She's standing there, with her bags looking around with a familiar intensity, her eyes scanning the room until they lock onto yours.
You feel sick.
Meeting Art was a pleasant surprise; he makes your heart race and your cheeks burn. But Tashi makes your heart stop and your brain shut off.
She looks different—older, more mature, hair straight and cut to a mid-length but also a lighter colour—but still heartbreakingly familiar. Her eyes widen slightly as she recognizes you.
She opens her mouth as if to say something when Art stands next to her, pressing a kiss to her temple, but no words come out.
Your heart hammers in your chest.
The weight of her gaze is too much. You're the first to look away. You stand up abruptly, nearly knocking over your drink in the process. "Excuse me," you mutter to the bartender, slapping a couple of bucks on the counter. Your voice feels distant, and detached, as if it belongs to someone else.
You push through the crowd, your mind a chaotic whirl of emotions. You need air. You need space.
As you reach the elevator, you can feel Tashi's eyes still on you. But you keep moving, your footsteps quickening with each step. You need to focus on tennis. That's the only thing that's never let you down.
Tashi had once picked tennis over you, and now it was your turn to do the same.
You reach your room and close the door behind you, leaning against it as you finally let out the breath you've been holding. The walls seem to close in on you, and you slide down to the floor.
You need to remember why you're here. For the game. For the dream. And that has to be enough.
Only one problem.
You can't sleep.
Hours later, you find yourself in the hotel gym, the quiet hum of the machines the only sound in the stillness of the night. Your mind is racing, a chaotic swirl of thoughts and emotions you can't control. Desperate for an outlet, you hop on a treadmill and start running, hoping to exhaust yourself into some semblance of peace.
Anything is better than sitting in the hotel lobby, scouring the internet on the public computer for any proof of Art and Tashi's marriage while drinking wine straight from the bottle.
Art was right, it was a small wedding. There were almost no photos of it caught by the paparazzi, only articles upon articles talking about it, magazine covers and everything. God, how could you have missed this? How out of the loop were you?
There was only one photo posted, and it was from Tashi's Facebook and Instagram from less than a year ago; a picture of just her hand holding onto Art's, where you can see her wedding ring. There was no caption. But the photo had millions of likes.
You wonder if Patrick knew. He probably did. He stalks her account religiously and only recently started to tone it down. And then there's you, who had her blocked on everything since your last argument.
The music playing in your ears drowns out the world around you, a heavy beat pulsing as you hum along. Your eyes fixate on the rising numbers on the treadmill screen, sometimes glancing out the window at the city skyline, other times catching your silhouette in the glass reflection.
Sweat makes your clothes cling to you like a second skin, rolling down your spine in rivulets. You're still a little tipsy from your drinks, the taste lingering in your cheeks, but you think you're sober enough that a few more miles will drain it all out.
Art's words are burned into your mind. The wedding you were never invited to, how he suddenly wants to be friends again. You can see where he's coming from; tennis is lonely. You're lonely. You press the button to go faster, your legs burning as you push yourself harder, trying to escape the thoughts that chase you.
You don't hear the door click open, and it takes a few seconds for you to spot the reflection of someone walking behind you in the window's reflection, rolling out a pink yoga mat. But they don't step onto it, they don't move, and even worse, you catch their eye in the reflection.
Fuck.
It's Tashi Duncan.
Your heart lurches in your chest. You quickly look away, panic setting in. You turn your music up higher and make the treadmill run faster, the machine whirring louder in response. Your pulse races, not just from the exertion, but from the presence of the one person you can't bear to face right now.
In the corner of your eye, you see her approach you. When you hear her call out your name between songs, you pretend you can't hear her. You pretend to be captivated by the sight of the city at night, pretend that you're lost in the music as P!nk's voice blares into your ears, cursing out one of her old lovers.
You wonder how long you can keep the act up.
Tashi moves with a determination that you've always admired and feared. She walks around your treadmill, eyes locked onto you with a fierce intensity. Without hesitation, she reaches down and unplugs the machine from the wall, forcing it to power down abruptly.
Not long enough.
"What the fuck?" You huff, yanking out your earbuds. "What's your fucking problem?"
"You're my problem," she says, her voice steady, unyielding as she rolls her eyes.
"I haven't said a word to you."
"And that's my problem. I'm talking to you," Her gaze bores into yours, refusing to be ignored. You can see the resolve in her eyes, the same decisiveness that made her a force to be reckoned with on the court.
"I'm busy," you snap, and your breath comes in ragged gasps, both from the exertion and the emotional storm raging inside you. You feel trapped, cornered by the very person you’ve been trying to avoid.
You bite your tongue, stepping off the treadmill and walking around her when she steps in front of you. You make a straight line for your bag, watching her from the mirrors as she follows you closely.
"Can you listen?" It's more of a demand than an ask, "I just... Art told me what he did. He's a little shit, I'm sorry. You didn't deserve that. You have other shit to worry about."
You're taking long chugs from your water, staring at her without saying a word. Part of it is because you have nothing to say to her, and another is because you're afraid that if you speak, she'll see through you.
Tashi's eyes roam over you, lingering on your shorts and the way the wires from your earbuds snake from your iPod, under your tank, and peek out from under your sports bra. Her gaze is both appraising and filled with something unresolved between you. When you don't respond, she sighs. "You look great, by the way. On the court. You've changed your approach. You're vicious."
The compliment stings more than it soothes. You still don't say anything, letting the silence stretch between you like a chasm.
"...Or maybe you've always been. I haven't seen you in a long time. So a lot could've changed, I don't know."
You lower your bottle, swallowing the water. It feels cold as it runs down your throat, a stark contrast to the heat of your rising anger. You can't help the way your eyes drop to her hand when you pull your hair down from its ponytail. The sight of the ring on her finger feels like a punch to the gut.
She notices.
"We didn't want you to find out this way."
Your eyes snap up to hers. "And how was I supposed to find out?"
Tashi looks taken aback for a moment, her confident façade faltering. She takes a deep breath, as if bracing herself. "I don't know. Maybe we should've told you. Should've invited you. But I thought... I thought it would be easier for you if you didn't know. I didn't want to hurt you more than I already had."
Your laugh is bitter, devoid of any real amusement. "Easier?
"Look," Tashi begins, her voice tinged with a hint of impatience, "I'm not a fan of the way I ended things. But I think that keeping a grudge for this long is embarrassing. We were teenagers."
"You're right," you concede with a bitter chuckle, "it is embarrassing. But you know what's even more embarrassing?" Your voice rises, fueled by a mixture of frustration and hurt. "Having your husband come to me and tell me how much he misses me. And how you miss me. But you don't have the guts to tell me that yourself, do you? Do you miss me, Tashi?"
"Of course I miss you," she scoffs, her tone defensive. "You were my best friend. My serving partner. We played and won doubles together."
"Is that all I was to you?"
"Was there supposed to be anything more?"
There it is, the moment you've been dreading, the confrontation you've been avoiding. You can feel the familiar ache in your chest, "You know I fucking loved you, Tashi," you admit. "And yeah, whatever, everyone loved you. No one could get enough of Tashi Duncan. But you know damn well I loved you for more than just that."
"Loved?" She steps closer, her eyes searching yours. "You don't love me anymore?"
"No," you tell her. "I don't. I dropped out of your groupie a while ago."
"What do you love, then?" Her voice is almost a whisper, the distance between you closing.
"I love tennis," you confess, your gaze never leaving hers. "I love winning. Turns out I'm great at both. And I love that too. And people love me. That's more than you could ever give me. Or Art."
"Even Patrick?" The mention of his name is a sharp jab; she's trying to get under your skin.
"I don't know, you tell me." You're taunting her. And you love the way she falters for a split second. "You saw him at the Open last year, didn't you?"
The air drifting between you is almost palpable, shrinking smaller and smaller like it’s terrified of being trapped between you. "Listen," she says, her voice dropping lower, "I just came here to tie some loose ends. For Art's sake. He says It'll be good for me."
"Okay," you reply, seizing the opportunity to turn the conversation in your favour. Hook, line and sinker. "Is there anything else you want to get off your chest?"
Hook.
Tashi's eyes narrow slightly, but she takes the bait, her expression shifting to one of determination. "You raise your arm too high when you serve. You're gonna dislocate your shoulder one day."
"I bet you're waiting for the day I do."
"I can make you the best."
"Am I not already?"
Line.
"You're one of the best at most. But not the best. I'd be surprised if you bring back bronze. You're too short-tempered for silver. Let me coach you. I'll make sure you bring back gold."
"I don't need you," you say, the words catching in your throat.
"We both know you do," she whispers, her breath warm against your lips.
And sinker.
In that moment, everything else fades away, leaving only the two of you suspended in time. The words hang in the air, a silent challenge. You can feel the heat radiating from her, the closeness almost unbearable.
Without another thought, your lips crash together in a desperate kiss, a release of all the pent-up tension and longing that has simmered between you for far too long.
It's a whirlwind of heat and passion, each touch igniting a fire within you that threatens to consume everything in its path. Her hands are in your hair, pulling you closer, and you respond in kind, your body pressed against hers with a fierce urgency.
The kiss deepens a symphony of desire and desperation, all the words you couldn't say pouring into it with a fervour that borders on reckless abandon. You can feel yourself start to become absorbed into the bubble that is Tashi Duncan, it sucks you in, and it scares you, makes you feel as if you're sinking into the bottom of the ocean.
She grips the back of your neck, hard enough that her nails dig into the skin. Tashi waits for your gasp, and when you do, she pushes her tongue into your mouth, past your teeth until it collides with your own.
You're moaning, groaning into her mouth with the way she shoves you until your back hits the mirror behind you. You're arching into her at the way she fucking smiles against your lips at your reaction.
It's pathetic. You're pathetic. Almost in the same way Art is. You know it. She knows it. But in your defence, it's been a while since you've been kissed, it's been a while since someone's touched you this way, with heat and flavour. You're a little dizzy from it, cheeks flaring with embarrassment.
Tashi sucks your tongue into her mouth and you buck your hips against the thigh she's pressed between your legs.
There's a sweetness that lingers when she bites your lip, you wonder if she's wearing lipgloss, maybe chapstick. You hope she can't tell you've been drinking, that talking to Art made you spiral, that you've been bluffing since the moment she walked into the gym. Since the night she packed her things and told you she was leaving Stanford, her scholarship has no use since she can't play anymore.
When her hands run down your neck to your waist, gliding over the sweat on your skin, you can feel the cold touch of her wedding ring. It's frigid, making you shiver when Tashi starts to lick up the column of your throat. You almost feel bad about how wet you've become.
"Tashi..." you huff, her hands found their way to the base of your ass, guiding you to rock faster against her, only making you whine. Her grasp is tight, wanting. She pulls at your hips, slowly, dragging your crotch closer to hers and then pushing you back down on her leg. She repeats the motion a few times, rolling her own hips up into you a little more with each motion, and soon your muscles start to work so you can grind down onto her.
Tashi rewards you with a quiet moan—oh, you want her to do that again, you're going to make her do that again, louder and louder—and then, with a touch so light you could cry, she traces one hand over your hipbones and down to your pussy.
You can feel your stomach nearly drop, "You're married, Tashi."
She pulls away just to laugh at you. One finger traces your slit through your shorts, and you hear yourself moan. She raises her brows, a challenging look in her eyes, "Are you jealous?"
You try to scoff, but the cold glass of the mirror behind you squeaks when you shift. Even just this feather-light pressure through two layers of fabric, and every nerve ending in your body sets alight at once.
"What would Art say?" You try to say, your hair falling over your face as you try to collect some kind of morality. If you were caught, you can already imagine the headlines and the stories people would write about you. "What would he do if he found us right now?"
"I don't know," Tashi hums, leaning closer. She pretends to think as if the answer isn't obvious, teasing you a little when she gets close enough to kiss you but doesn't. "He'd probably ask to join."
You can't stop the way that thought alone makes you melt. You remember the jokes Patrick used to make back when you were in college, of you and Tashi being his wet dreams. You can almost imagine, how he would moan at everything, want everything, his whiney moans too similar to the ones he makes when he's on the court.
Tashi rubs gently at your pussy a few more times like she's exploring you, and then suddenly she taps right where your clit is. You cry out, and she sighs against your mouth. "You're so wet. You like it when I touch you?"
"Yeah, please... touch me." You nod. And in your head, you're telling yourself you only like it because you haven't been with anyone since Patrick left for his tour.
Tashi kisses you again, and it's a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath her shirt she starts to fumble with your waistband, and you're both angry and resentful and incredibly destructive, but it doesn’t matter yet.
Her fingers are clumsily slipping into your underwear and then she's there, her fingers are brushing right against your clit—you're so wet that her fingers brush right through your folds, gliding like silk, and by the time she reaches your hole, two fingers easily sink in right to the knuckle.
Tashi leaves you gasping and she teases you for it. "So sensitive," she taunts against your lips, pressing her thumb against your clit so she can see you squirm, pumping her fingers at an urgent pace to hear you moan. "So needy."
With each movement, she scissors her fingers a little, spreading you wider every time, and she starts to mouth at your neck with hot, wet kisses. "Do you like that, yeah? Am I making you feel good? I am, aren't I? I'm exactly what you need. C'mon say you want me. Tell me you need me, Ace."
"Maybe—" You're breathless, and the nickname has you tugging at her hair again, "Shit, I saw the way you made Art. He... oh god... he wouldn't be half the athlete without you. I also... I also wouldn't want to ruin my shoulder... while—while serving."
"I'm not talking about tennis."
For a moment, you worry that you've fallen for a trap, that you've said too much. You're vulnerable, a little drunk on lust and wine, and Tashi isn't stupid to not catch your sapphic crush on her since the two of you became friends, an old high school love that's never really disappeared, from slumber party kisses and how you've gawked at her, at her husband and even her ex-boyfriend.
"C'mon, Tash, you're always talking about tennis."
"Not this time."
You barely catch onto what she says. Your body feels like it's going through the most intense orgasm of your life, especially now that she's given up on pumping her fingers in favour of curling them in rapid beats against your g-spot, but you know that you're not even coming yet: you're close, though, judging by the way the room is spinning around you, and the pressure building in the pit of your stomach—"I think I'm close... oh, I don't—fuck—keep touching me like that."
She bites your neck until you say her name. You pull her hair until she moans. Her touch is blistering against your skin. She says your name in a breathy drawl like she's pleading with you, humouring you, wanting to take everything from you.
"Keep going, please, please don't stop," you all but shout, and Tashi continues the massaging movement right up on your g-spot: the positioning of her hand means the heel of her palm is dragging over your clit, and your hips are frantically grinding up into her hand—you're gonna come, the world feels like it's crashing down around you.
Every muscle in your body tenses up and through it all you hear Tashi whispering, come on, that's it, I've got you, come on, come on, and then you're coming—
Distantly, you can feel her fingers continue their movements inside of you, unrelenting—and the other hand keeps a firm grip on your hips, grounding you onto her lap—but other than that, all you know is the pleasure slamming into each nerve in your body, one by one and then all at once. A hot sting against your skin that reminds you of the sun whenever you're on the tennis court, deep into the game you've turned into the love of your life.
It can't have possibly been this long since the last time you've gotten laid, right?
Then, suddenly, you're back in reality. Tashi is heaving for breath against your shoulder and her fingers are back to a slow, steady pumping, in and out of your swollen pussy. "You're so pretty, you know that? No tennis talk."
You lean your head back against the mirror, a slow grin forming on your lips, "You don't think I'm pretty when I play."
"I think you're hot when you play."
You peek a glance at Tashi, meeting her eyes as she watches you, watching the way you catch your breath, skin shining against the fluorescent lights of the gym, similar to how you shine on the court. Yeah, you're a sight for sore fucking eyes.
Tashi takes slow, taunting steps back and away from you, and then she brings her fingers to her mouth and sucks, moaning around the digits, and through hazy eyes, you can see the most fucked-out look on her face just at the taste of your cum.
She licks her fingers clean—you feel your pussy clench down again at the sight—before opening her eyes, fixing you with an intense stare, and panting, "I'll be in my room," she rolls up her pink mat (which she never used) and picks up her bag, "I'm sure you know the number. I'm hoping you can return the favour and touch me or something. You know, before you leave in the morning."
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Text
Everything we know about Project Apple (and, by extension, Anya's past) thus far
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thought i'd compile all of that now while endo's on break Just In Case the next chapter happens to start anya's backstory (i don't Think it will but endo likes surprising us LSDFKLFS)
important disclaimer that project apple and the organization in charge of anya's experiments have not been confirmed to be related! there's evidence that they have things in common, in particular employees, but that's our only real connection between the two thus far. still! worth looking into
more under the cut!
so, starting very strongly with the very first mention of anything related to the project: anya's introduction in chapter 1
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despite her being a main character, we know very little about her past at the moment, and this little blurb at the beginning makes up a very big portion of what we know.
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things to note here:
as an experiment, her name was "Test Subject 007". important to note that the notation differs between her and bond: she was Test Subject 007, bond was Subject 8, no zeroes in there;
she had been made thus by accident, the phrasing itself implying quite heavily that she was just a normal child before said accident (but this is the translation! i don't know japanese so i can't cross-reference with the raws to clarify if the phrasing changes anything, but the fanbook uses the word "gained" to describe her powers too);
because her mind-reading is an unintended consequence, that means the scientists were presumably not, at least initially, trying to achieve cognitive enhancements in humans, and were instead trying to achieve something else, whatever that might've been;
she escaped from the facility and then moved from institution to institution, looking for a family.
so, crucially, through this little introduction we learn that there is an organization, government-funded or otherwise, that is or was conducting human experiments for unknown purposes. we also learn that whatever family anya had prior to being involved in the experiments is more than likely unreachable, at least as far as she knows, and so she has settled for finding a new family to take care of her instead.
in terms of the facility itself, here we see they clearly drilled it into her that she can't ever reveal her secret (and the darn plush is there too -- in the anime it's even more emphasized, as you can see in the gif i made)
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through her reminiscing though, we get our very first look at the scientists that were in charge of her! they're in the gif above but here they are in the manga too. it's so interesting that the anime actually shows their eyes behind the glasses though, fascinating choice.
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the insistence on world peace is important, as it explains her own personal obsession with it and shows that it's not just because of twilight's own focus on preserving the peace. i also don't think twilight ever really talks about "world peace," only about "preserving the current peace between westalis and ostania" -- anya seems to be the only one talking about WORLD peace (even in the very first scene where either of them mention it in proximity to each other in ch 1, loid says "understanding the other party is the first step towards peace" and anya's interpretation is "understanding me makes world peace?") but take this with a grain of salt because i might be wrong! going through every single mention of peace in the story just to fact check this one little trivia fact is a bit much i think so i'm not doing it JSDFKLSD
but yes
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remember mr hair strand and baldy, we'll see them again. not her though, ig she wasn't in charge of bond
now, fast-forwarding to chapter 19, we finally get a name and a premise for the experiments:
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"but oana," you might say, "this is talking about animals only! how do we know it's the same project as anya's, which involved human experimentation?"
i don't think it is, is the thing! i think it's related to the experiments anya was a part of, which is evidenced by the same scientists being featured in project apple too, but there's more going on that we don't know about. there wouldn't be such adamancy on keeping the two separate in every official mention of them if they were just the same thing, imo!
back to the evidence, we learn that the project, conducted and funded by the previous ostanian regime (meaning donovan's related to it one way or another, since he was prime minister), was marked by franticness and desperation -- a prime place for accidents like anya's telepathy and bond's future vision.
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we also learn that the project was sacked by the new administration and that the former test subjects ended up on the black market.
(this makes it very important, imo, to learn when anya escaped the facility vs. when the project was sacked. it's clearly no longer in function, but while we've heard nothing from them thus far, i'm willing to bet the shady dealings around the desmond group are NOT related to the war, as W.I.S.E. has been led to believe, but rather to reignite project apple. that is speculation however so i'm going to refrain from theorising much on why the desmond group is focused on acquiring pharmaceutical companies!!)
ok speculation tangent over, back on track
so, that's already a decent amount of info! but moving to chapter 22, when bond is finally home, and we finally see some familiar faces
behold! baldy and mr hair strand!
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and 2 other guys we don't know but will see again in another bond flashback!
that's 2 out of the 3 scientists we've seen thus far from anya's own time as subject 007, confirming that there IS a connection between anya and bond's experiments, regardless of whatever the project anya was a part of might've been named.
this is also the chapter in which we learn that bond himself was subject 8 (or, if we take it from the fanbook, subject #8. still, diff notation from anya!)
in chapter 31, we learn an interesting tiny piece of trivia. we don't get any further info on it, but it IS mentioned as something that is known by W.I.S.E.:
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ostania is rumoured to have done human experimentation! and W.I.S.E., and by extension loid, are aware of that.
do i know how them knowing may be important later? not really!
the next droplet of info we get is in chapter 40. we see that project apple had collaborators that are still functioning unhindered.
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of course, born industries is only rumoured to have been involved with project apple, but regardless of whether or not they actually were, the rumour itself implies that the project likely pulled scientists from various other companies' R&D departments.
(this makes the desmond group's acquisition of glooman pharmaceuticals shadier, but anyway)
as a side note, twilight is emoting so much at just his wrong assumption that bond is seeking revenge against the scientists. imagine how he's going to react when he finds out about anya JKSDFKLFSD
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and now aaaaall the way in chapter 58, we see the bald guy who anya also knows, the two scientists from bond's previous flashback, and one whole new guy!
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and thus ends our current knowledge of it all!
the only other thing worth discussing is anya's knowledge of classical language
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but plenty people have already discussed these scenes, especially recently, so here are some links: 1 | 2 | 3
the only thing i can add is that i'm fairly certain that classical language is a lot more likely to be latin than old english, because it's a very common language to learn in school (in europe at least, and ostania is based on east germany so it makes sense to me. i learned mandatory latin in school for a few good years too, even if i wasn't that good at it lol) and because one of the most common modern usages of latin are in medicine and science, it would make sense that she'd be better at it due to exposure.
a possibility is also that the scientists would think in latin to conceal their thoughts from her, and that's how she ended up learning so much. she's not fluent in latin, she's just well acquainted and that cicumstance would explain the how.
BUT THAT'S SPECULATIONNN
also i don't think "ANIA" is an acronym, nor do i think anya's been misspelling her own name out of lack of knowledge. "ania" is a polish diminutive of anna and an alternate transcription of Аня, so i think it's far more likely that anya isn't ostanian or westalian than it is that her name comes from an acronym.
now,
TL;DR!
what we know about project apple (and the "mysterious organization"):
project apple was funded and conducted by what appears to have been donovan's regime and, from what W.I.S.E. knows, aimed to create highly intelligent animals for military purposes;
W.I.S.E. is aware that ostania is at the very least rumoured to have dabbled in human experimentation;
the project is presumably no longer on-going, though it is likely there are efforts behind the scenes to revive it;
it is rumoured but not confirmed that project apple had collaborating companies that are still functioning perfectly fine;
the same scientists who were in charge of bond were also in charge of anya, signalling that there is a very significant connection between project apple and the "mysterious organization;"
based on what they were telling anya, they were/are very focused on "world peace";
their experimentation methods include but likely aren't limited to electrocution.
and what we (vaguely) know about anya that relates to this:
she is at the youngest, 4 years old, and at the oldest, 5 nearing 6. we don't know her real age, all we know is she definitely lied about being 6;
she is very fixated on specifically world peace while twilight is focused on peace between ostania and westalis. the scientists are the very first we see talking about this, so it's likely their fault;
she is unreasonably well acquainted with classical language;
she has escaped the facility at LEAST 1 year ago;
and, one tidbit from the fanbook (page 29): "Anya has been reading minds for as long as she can remember," implying that her memory of a life before the lab is muddy at best and absent at worst.
that's all we know that i know of!!
if you got this far, thank you for reading :D hope any of this was interesting or sparked any theories >:] have a good day!
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deepmochi · 1 year
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Astrology notes: synastry edition 🪐💋
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Read here ⚠️
Note: take what resonates. This may not apply to everyone if these notes don't resonate, just scroll. This post applies to romantic and platonic relationships.
🦋 Moon conjuct sun make people see what the other person has in themselves. Both understand the other but also judge them.
🪼 Venus in the 12th house has a veil under them. This in a synastry give "dating vibes" even for platonic friends/ relationships. For romantic ones, gives, they are secretly dating vibes "friends with benefits".
🦋 Mercury and Sun aspects in the same signs make them a very competitive couple lowkey. The sun has masculine energy that the mercurian finds "interesting" or useful.
🪼 North nodes- sun people aspects aren't for long term relationships. The north node person signifies someone who comes and goes; they don't stay too long. This is perfect for "people come and people go" D.O's line in love shot.
🪼 Asc-Venus aspects in synastry always like to compliment the other apperance. They appreciate those "that skirt looks good on you" comments. They got a self-esteem boost and a reminder that the person cares for them.
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🪼 Men with their sun sign in your 1st house are perceived by you as hot. This could lead to a night stand or intense chemistry.
🧊 Venus opposition Venus gives very subtle vibes to each other like. There's is always one who is more oblivious to the other. If other aspects interfere, mind games are possible.
🪼 The same element in a placement produces a very similar reaction. You may feel very drawn to that person. For example, A Leo Mars woman will feel attracted to fire sun or venus (aries or sag) men. They have similar fiery traits. This applies to men for their Venus signs. A man with a Libra Venus will find airy personalities very attractive and (bonus points) with an airy rising even more.
🦋 Mars is about motivation, drive, your temper and temperature. Yes, First house goes checked your blood pressure and heart rate. Whenever you get mad, you should listen to your heart 👀, please.
🦋 Don't trust tik tok astrology notes. I just heard someone saying Mars in the 1st likes to work under pressure like for daily work Girl...I'm Mars in the 1st and NO. My heart cannot resist that.
💙 Also, first house mars synastry can be a feisty couple. In public or private 😗, the "I hate you" type, and then they kiss each other.
🦋 12th house-Venus synastry can be very pretty if they decide to go with the flow. Without judging the other, or forcing to be like others (society roles).
🦋 Their venus is in your 12th house, it indicates that they feel loved by you in ways they cannot describe. This sometimes also mean blurry lines. If they don't know your relationships status, communication is useful. Don't let your mind read signs.
🐦 Venus in the 2nd, guess? People likes to buy you things. If someone has their sign in your 2nd house, they will buy you things easily. Also, they can prefer to eat together or show physical love (hugs or hold hands) even for friends. Taurus rules the 2nd house.
🦋 Insecure men with your lilith sign in their Venus (conjuction) will not asking you out. THEY'RE SCARE OF YOU. They believe you will break their heart. If they do ask you out, they are ready to fight the world for you.
🦋 Love doesn't equals obssesion. Pluto in the 8th synastry repeat after me: Love isn't obssesion!
🐦 Men with your Venus sign in their Sun sign will be easy to read. If they will like you, you will see it. They cannot play mind games.
🐳 Dating your 12th house sign especially in the sun or moon, it's something I don't recommend at all. They will make you feel "confused", even if they don't try it.
🪼 Women with Mars in the 1st house make fragile men feel inadequate. You can see those men feeling threatened by these women.
🦋 If he has his Mars in your 1st house, he thinks you're hot . Girl, don't even doubt it.
📫 The venus sign in a man chart depicts his ideal type. However, what he needs could be found in the moon. Good aspects between Moon-Venus: a long-term commitment.
🦋 People in your 5th house feels very flirty with you. So, the tension is there, yes, but don't be too delusional. Flirting doesn't mean a serious deal, just be aware of respect if you are in a relationship.
🪼 🔞 If people have their sun or moon in your 8th house, you will see them as more attractive in a romantic/sexual way. It's highly posible to have sex, even if they're not your type.
🐳 🔞 Water in the 8th house in a person's chart indicates "emotions + pleasure". Usually women like to be dominated. Men prefer to dominate. Both prefer dynamic partners with a good aftercare.
🦋 🔞Men with water in the 8th house like to have sex in beaches, in the bathroom and when things gets emotional. Angry sex too.
🦋 Conjuntion and trines have good things, but we cannot ignore the bad things. For example, moon conjunct moon; good things, you understand each other; bad things, you may become twins (for good or bad), too comfortable in the relationship, forgetting romance and passion.
🦋 Sun signs are important to considered if they don't match your Jupiter sign. It could indicate possible obstacles in your marriage.
🪼 Friendly reminder, a perfect synastry doesn't equal a perfect relationship. Please, if the person doesn't respect you, leave them. Not matter how perfect is the synastry in paper.
Take care, lovelies 💚😘.
Credit: @deepmochi
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nothorses · 26 days
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This is a genuine ask and I hope it doesn't come off as rude, obviously people can do whatever they want forever, but what is the logic behind a lesbian dating a transgender man? (By lesbian I mean someone who is only attracted to women), wouldn't that exclude binary trans men then since trans men are men? Or is it like "Trans men can be lesbians because they have vaginas" which just feels like bioessentialism with progressive wording...
I think the core misunderstanding here might be in your use of the word "logic". And there's a super high chance I'm extrapolating more intention than you put into that word choice, but hear me out.
On a super basic level, I think it's important to understand the reasons people use words like "lesbian" and "trans man" in the first place. In certain contexts, it makes sense to assign these terms more rigid definitions: a study would likely have a single, clear definition for those words in order to talk about some research results. An academic essay might need a shared definition if they're talking about broad trends and systemic issues.
But when we're talking about an individual's choice of identity labels- the words they use to describe their own personal experiences and relationship to gender and orientation- it doesn't make as much sense to apply someone else's definition of those words to that individual's use of them. They're trying to describe their own internal world to you; what matters in that conversation is how they understand the words they use, and why they chose them.
Don't get me wrong: common understandings of a word can play a part in that conversation! My understanding of what "gay trans man" means has been shaped almost entirely by other people. I chose those words for myself because of what I think most people will understand them to mean. In twenty years, it's possible that the common understandings of those words could change, and I might use different words to better communicate the same internal experience.
But I also might not. I might decide that my personal connection to those words is more important to me, or even that saying I'm a "gay trans man", as a person 20 years older than I am now, better reflects my internal experience as one that was shaped by the time I came to understand myself in. Maybe it'll be important to me to communicate that I understand myself as a "gay trans man" because of what those words meant 20 years ago. Maybe it'll be important to me to ask tomorrow's queer people to learn about my context, and my story, in order to really understand me.
And maybe, when I fill out a survey for a queer study in 20 years, I'll read the definitions they use for all of these identity labels and categorize myself accordingly, even though I don't personally identify with those definitions or words.
So yeah, I could talk about all the reasons someone might identify as a "lesbian" and still be attracted to trans men. I could talk about trans men who still call themselves "lesbians" because of what the words meant 20 or 40 years ago, or some unique definition they heard in one place and decided they liked enough to keep, even though nobody else has even heard it. I could talk about lesbians whose partners turn out to be trans men, and who still feel attracted to them afterwards; whose partners are okay with, or even feel validated by, their lesbian partners still calling themselves "lesbians". I could talk about nonbinary trans men, and bigender or multigender trans men, who are women and/or lesbians as much as they are trans men. I could talk about bi and pan lesbians, who may find themselves attracted to one trans man or a handful of men- trans and cis both- but otherwise mostly experience attraction to women.
But like, the point shouldn't be to find a good enough reason to justify it. The point isn't the "logic". The point is to understand that everyone's internal experience is fundamentally different from yours, and to be curious about each individual.
It's great that you asked this question in sincerity, but I'm the wrong person to be asking.
When someone says they're a lesbian who's attracted to trans men, they're trying to share something about themselves with you! That is a precious, unique thing you are being entrusted with. Get curious! Ask them what those words mean to them, and take the opportunity to get to know them better. Learn their story! Connect!
I can't tell you that person's story any more than you can guess it on your own, no matter how much you try to logic it out. That's exciting! The world is big, and it's full of unique stories and perspectives you couldn't even dream of inventing! That's so much better than a logic puzzle, don't you think?
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cripplecharacters · 5 months
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Hi, I have some questions regarding confusion over a certain topic. First off, I have a character with a severe scarring on the upper right side of their body. I've heard in some tumblr ppsts that such appearance shouldn't be fetished. Then I stumbled across some posts, mentioning how the character can be described as 'pretty with it'.
For sure, I'm trying my best to normalize the looks. Because I have a love interest set up for them and while they don't mind the looks, I feel confused on how to convey their appreciation for the character's looks even with the scarring. They like the character as they are and stuff.
Sorry if this is a lot, I tend to get confused on how to handle such scenarios. And this sort of varying opinions is making me go '???'.
It's okay if you take your time to answer! Have a good day ahead of ya!
Hi!
"Fetishization of a disability" and "thinking that a disabled person is pretty" are two very different things. Despite the somewhat similar sound, they're not connected by much.
In the context of scars, fetishization would be what I would call the "Zuko situation" (yes, I love ATLA as much as the next guy, let me explain) - the scar isn't really a scar, it's more of a, I don't know, make-up? It's just the color that changes, it's all sharp edges and intricate shapes, the facial structure stays the exact same. There's no physical symptoms. Essentially, it's permanent body paint.
It fetishizes a disability by making it inaccurate, sometimes almost mystical. You don't see anyone fetishizing how real people with facial burns look like because they only like the idea of it. They don't care for us; they don't care for Face Equality or why we are offended by "villain with scar #32482". It's just a fun splotch of color to add to your OC when you're out of ideas.
Another aspect of fetishization is the "a scar is the worst thing in the whole world", the tragedy porn. It's using a disability for cheap drama. Again; it's inaccurate and exploitative. I don't see writers excited to depict my "coming to terms with my facial difference as a teenager, and eventually being proud of it" experience because where's the shock value and pity points? Fetishization, again, is about liking the idea of it, not the real thing.
Describing your character as beautiful, well, isn't any of that.
The point that I tried to make on that post was that a scar is often considered inherently ugly. That it's a stain on someone's beauty, that it would be better if it wasn't there.
"Brown beautiful eyes, thick facial hair, strong cheekbones - he managed to be irresistibly handsome even with that nasty scar going across his nose."
This, well, sucks. It's as if the character's beauty and their disability are contradictory forces that have to fight each other. But in reality, scars and any other visible disabilities are neutral. If the character is pretty, their scar is pretty too. It's a part of them, so how could it not be?
"She was a cute girl; her pastel pink, thinly braided hair framed her face, defying gravity by curling towards her mouth. The burned skin on her lips shifted as she smiled, revealing a tooth gap. She played with her equally pink 'white' cane, holding it between the two fingers she had on her right hand, bopping it against the ground to the rhythm of the song."
This, on the other hand, just states her disability as a part of her person. It's nothing weird or shocking, she's pretty, has a burn on her face, she's blind, she's missing some fingers, she's enjoying the music - it's almost boring when compared to the usual "scar introduction". There's no "even with her horribly burnt face", no "if only she wasn't scarred she would be beautiful", no "poor thing, lost her fingers in a horrific fire" - instead, she is beautiful, and she has scars, and she sure is having fun. That's it.
This is my best shot at explaining the difference between "fetishization" and "yeah they're pretty :-)" ft. my questionable writing - I hope this makes sense.
I definitely took my time to answer, sorry about that. Thank you for your ask!
mod Sasza
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aethelwyneleigh27 · 1 year
Text
Cod Characters General Dating Headcanons (part one)
+ Random and Some bits of Chubby Fem S/O Headcanons with mentions of different nationality S/O
+ What type of BF/GF they would be
Including John Price, Simon "Ghost" Riley, John "Soap" MacTavish, Kyle "Gaz" Garrick, Alejandro Vargas, Rodolfo "Rudy" Parra
Part 1, Part 2, Part 3
Fem terms and pronouns like she/her are used for the reader
ꕥ HOPE YOU ENJOY! ꕥ
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My rules for requests and characters I can write for
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Please comment if you want to be added to the taglist, the next part or cod content alone.
Taglist: @marshmallowinamess
A/n: Hi lovelies! Lia here, I'm back after a nerve-wracking week of school. This is a bit short but I hope you enjoy it otherwise. God I fucking hate school. I wrote all of this in a cold room, a heat pad on me (because period cramps) and at 3am so any mistakes will be edited out as soon as I'm aware of it.
This is divided into a multiple part thing (I think 2-3?) because God knows I can't fit them all in one post because of the limited amount of gifs and photos. I'll add more to these in the future, some are longer than others because I can't think. Also because I can't write them all at once, that's a lot to write okay 😭
Disclaimers/warnings: Typical Cod things, OOC characters???, Unrealistic, Some suggestive themes and language, I'm so sorry but English is not my first language so please don't come after me. Most of the content I've seen are on TikTok and Tumblr I don't actually play the game but I love the characters so much, same with any other content I have for other video games.
Tiny sidenote: the reader in this has been describe to be shorter than the characters and has been mentioned to have a soft body rather than the muscular type.
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John Price
ꕥ (OH MY GOD LOOK AT HIS SMILEEE) (He's such a quokka)
ꕥ Price who literally is such a father figure, doesn't matter whether the relationship between you two is romantic or platonic. He often takes the dominant caring role.
ꕥ Doesn't smoke around you, doesn't matter if you insist he doesn't. He still won't and definitely will criticize you if you try or do smoke because he doesn't want you do end up like him.
ꕥ If there's a bit of an age gap between you, I'd say he's hesitant. Definitely afraid of what the rest of the task force thinks (He can't help it, they're basically his boys)
ꕥ John Price who wants to settle down with you, maybe have kids if you want but just a white picket fence life with you without the chaos that is war and his job.
ꕥ He only ever let's you have his hat, only when he gives it to you though. Most of the time it would be while you're out, he'd put it on your head from his. (Cowboy hat rule? I heard that in more respectful terms rather than sexual, it respectfully means that you are theirs)
ꕥ John Price who rests his chin at the top of your head no matter how much he needs to crouch down whenever hugging you from behind. Love doing it whenever you're busy doing something too. (Props for the effort because you cannot tell me he doesn't have back, neck and knee pains)
ꕥ Is constantly worried if you share the same line of work, like at first it was nothing but a tiny crush and slowly he finds himself caring about your well-being more and more over time.
ꕥ Can't help but think he's an acts of service type of guy, reaching up for things you need or better yet lifting you up so you can reach them and loves opening things for you like bottles or anything canned. (Girlies who get their nails done or wear press ons know this struggle ( I'm a press on girly)
ꕥ The kind of man who would turn on some oldies music and slow dance with you in the living room, your footsteps and breathing being the only other sounds as you smile at each other, foreheads against the other's.
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Simon "Ghost" Riley
ꕥ Ghost who is such Doberman/Black cat boyfriend. Like have you seen this man? He's so tall and intimidating, one distasteful look from him and if it was physically possible that person would drop dead.
ꕥ Ghost whose a chubby chaser through and through, he just looks for something different from what he's used to.
ꕥ Is definitely a tits kinda guy, doesn't matter how big or how small they are. He'll definitely play with them in some way during doing the you know what.
ꕥ Feels like you can take him and his size better because of your plush body. Has a size kink and likes seeing it bulge a bit when he's inside you.
ꕥ You're just so soft and warm, he wants something away from what he usually feels doing his job. Not really that touchy but he gets quite clingy within closed doors.
ꕥ Likes to squeeze your thighs, his grip on them would not falter. Doesn't matter whether it's in a sexual or domestic way.
ꕥ Thinks you deserve better than what he can offer and needs constant reassurance, never says it out loud but you pick up on what he feels. (please be patient with him)
ꕥ More often than not, he thinks you're quite fragile. Even if you can protect yourself, one of his ways of showing you he loves you is through protecting you. Hence the Doberman boyfriend scenario.
ꕥ Doesn't like PDA but knows when it's necessary, him placing his arm around your shoulder is enough to keep perverts in their places. If that rando is really that bold then they'll most likely end up with a few broken bones depending on how pissed Simon is.
ꕥ If you work alongside him, he'd constantly worry about your well-being but at the same time is conflicted because he's confident that he can protect you.
ꕥ Only you and the TF141 can call him Simon, he still feels uneasy when he gets called that but when it's you saying it, it doesn't sound as daunting to him. Still dislikes in in certain tones of voice because his name reminds him of his past.
ꕥ You've seen his face, it took a long time but after that he trusted you enough to show him. The fact that you didn't find his face revolting and even kissed his scars while cupping his face was enough for him to want to marry you.
ꕥ Isn't fully insecure about his face but has his moments. (You know like the voice line where soap asks him to take off his mask and asked him if he was ugly and Ghost said "Negative")
ꕥ Takes a little while to get him to open up and little things like letting you hold him takes him a bit of time to get used to because it makes him feel vulnerable.
ꕥ God forbid something were to happen to you and he couldn't do anything to stop it, Simon would lose his fucking mind.
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John "Soap" MacTavish
ꕥ Soap is a Golden Retriever boyfriend through and through. He's energetic, loyal and really affectionate.
ꕥ He's a lighthearted flirt at first because he doesn't wanna scare you off but damn does he gradually get bolder over time.
ꕥ Very hands on, touchy, and could be clingy at times unless you don't consent him, secretly always finding new ways to touch you.
ꕥ A sucker for cheek kisses, lips are his favorite but he can't help but break out a wide grin whenever you kiss his cheek. Can't help but feel kinda manly whenever you do.
ꕥ Adores making you laugh, no matter how stupid your sense of humor is he will absolutely say that joke if it gets a laugh out of you. Would be concerned if you had a dark sense of humor but will eventually get used to it. To describe it, hearing you laugh makes his heart feel full like in a content domestic way.
ꕥ Also, see the gif? You cannot tell me that he doesn't look at you that way because he absolutely would.
ꕥ Loves your weight against his body to the pint he's begging you to lay on him. You, him in the bed while he's shirtless with grey sweatpants on and you in your night clothes sharing each other's warmth with your head on his broad chest.
ꕥ Shows you silly and cute pet videos, especially the cat ones:
"[Name], look at this one!"
"Soap, we're not adopting a pet. Not right now at least"
ꕥ He was upset and gave you puppy eyes the whole time because the only time he had pet was when he was child, it was a hamster which was killed because it got sucked into the vacuum by his older sister.
ꕥ You're the only one allowed to tough his hair, he's very proud of his mohawk and will let you style it. Won't wear it out if you did something silly to it though.
ꕥ Soap who loves showing you off to everyone, loves light PDA but doesn't wanna potential put a target on your back.
ꕥ He definitely is the guy you want to take home to your family and friends (or found family <3), he's funny and easy to get along with. Very flirty with you but he'll straighten out because he's terrified on making a bad impression.
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Kyle "Gaz" Garrick
ꕥ (HE'S SO FREAKING UNDERRATED WITHIN THIS FANDOM)
ꕥ He gives Labrador boyfriend vibes, you can't help but want to take care of him.
ꕥ Gaz who literally had to do a double take when he first saw you, he turned to Soap with that "Are you seeing what I'm seeing?" look in a good way.
ꕥ Gaz who literally had to ask you out multiple times before you said yes thinking he's only doing it for a bet or a cruel joke.
ꕥ Constant reassurance from him because he doesn't want you to feel insecure about your looks because to him you are literally an angel.
ꕥ Loves to chill with you, cuddling and just relaxing. Maybe scrolling on TikTok occasionally and show you the funny ones he chuckled at.
ꕥ He has a sixth sense whenever you crave something, say you want chocolate or drink of some sort then he'd definitely being home whatever it is you we're craving without having to ask you.
ꕥ Kyle who has your Starbucks order memorized because he likes being the one to order things for you. Will playfully argue with you on who'll pay this time. (Don't even try anymore, he always wins anyway)
ꕥ Puts his hat on your head mostly when you're out, has done it the first time because it was hot out and the sun was in your eyes. He's picked it up from Price and once you smiled at him through the shade of his cap, he has not stopped doing it.
ꕥ Definitely a words of affirmation and acts of service kind of guy when it comes to love languages. Sometimes whenever he'd give you two thumbs up and a cheeky smile, you can't help but laugh a little.
ꕥ He's very thoughtful, so much so that he prides himself in knowing you better than anyone. Everytime you two go out to eat, when he gets something and know that you'll want to taste it (he knows damn well whether you'll like it or not when he tastes it) he'll bring it upon himself to order you one before you even say you want some.
ꕥ Soft snores when he sleeps, it's cute but you know damn well he's tired. Also I think he's very cuddly, like he just likes reminding himself that he's not alone and that his bed is warm because you're in it. Therefore at minimum always has an arm around you in bed.
ꕥ Dances in the rain with you and loves it when you pull him gently on his arm while your hands are intertwined. Takes note of how the the raindrops sometimes fall on your lashes while you look up at him smiling.
ꕥ Kyle Garrick who wants nothing more in the world to see you happy and smiling. His "this is the woman I'm going to marry" moment was when you baked his favorite cake for his birthday despite it being so hard, you nailed it perfectly. (Whether it's out of luck or skill is up to you)
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Alejandro Vargas
ꕥ (idk how to write for this angry Mexican man but I'll try my best, love him and his megamind hairline though <3)
ꕥ Alejandro is definitely a flirt, a very bold on at that. He's quite forward when it comes to liking someone so yeah.
ꕥ He lives for it when you boss him around. That being said, he isn't picky about body type or any of the sort.
ꕥ Will teach you Spanish if you don't know any, definitely prioritizes the curse words and laughs whenever you jokingly call him pendejo.
ꕥ Wouldn't mind you teaching him your own culture and mother tongue. Bonus points if it's similar to his.
ꕥ Has Spanish nicknames for you because I imagine his own culture is important to him.
ꕥ Would hate it if you had the same line of work but will never take it out on you, it's just that it's so dangerous given the people he's involved with. (It's definitely Valeria)
ꕥ Speaking of El Sinombre, I don't think they had anything romantic going on. It's mainly platonic and the "betrayal" sucked on Alejandro's side. They definitely had some rivalry and the tension was through the roof. (Mainly because I headcanon Valeria as Lesbian)
ꕥ Can be so romantic when he tries, you can't tell me this mf ain't a smooth talker because he definitely is. Can be very blunt like in a forward way with his affection too.
ꕥ Likes kissing your wrist and feeling your pulse against his lips because it reminds him you're alive. (The amount of angst this scenario carries would be something I'm up for to write)
ꕥ Is sent on a fit of rage when something happens to you, say you got kidnapped then this man would tears off the walls of every building if he had to.
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Rodolfo "Rudy" Parra
ꕥ (ANOTHER UNDERATED CHARACTER)
ꕥ Another Golden Retriever boyfriend. This man is just loving and dotting, very husband material.
ꕥ Loves chubby women, has a soft spot for them and just likes holding them.
ꕥ He's definitely used to the insecurity that comes with the body, also doesn't get why such beauty standards are even in place. Has and would fuck the insecure out of you again if he had to. (It's in a very gentle and loving manner)
ꕥ If you hold him in your arms, he'd be absolutely living for it. He already has had a long day and being honest he hasn't had many lovers that went far so having you care in this way about him would have him wrapped around your finger.
ꕥ Worships the ground you walk on. That's it.
ꕥ Would take everything to heart whenever you teach him or mention something within your culture if you aren't of Spanish origins like he is. He just loves you so much that it makes him happy knowing more about you.
ꕥ Would adore slow dancing with you, brings him back to reality where he realizes that he has you and that you're there.
ꕥ Terrified that one day you'll end up leaving him so reassurance would be much appreciated by him.
ꕥ Definitely a sucker for receiving forehead kisses, as for giving he likes to kiss the back of your hand.
ꕥ If ever danger presents itself to you too closely, he would have a heart attack like full on crying but not in public though.
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I am posting and responding to this ask anonymously as I don't want anyone harassing its sender. This has already been communicated with the person who sent the ask.
I just want to thank you for being a light in the darkness of anti-semitism, especially on this website. I have found I am on this site a lot less ever since it was made clear that other leftists here are more anti-semitic than we ever knew possible, using very specific wording of our own trauma against us (i.e. saying stuff like "colonialism", "genocide/ethnic cleansing", and calling JEWISH PEOPLE Nazis). It feels like, at best, they know Hamas ≠ All or even most Palestinians, but think that they think all JEWS = Bibi; and at worst, agree with Hamas and think of him as some sort of "freedom fighter". So, thank you from one leftist Jew to another, just trying to keep afloat here. ❤️
You are very welcome; it's certainly been overwhelming, and I'm glad this can be a safe space for you.
I do want to push back on some of this ask, though. Specifically in regard to terms such as "colonialism," "apartheid," "genocide," and "ethnic cleansing."
The use of these terms is not inherently anti-Semitic. For a lot of people, these terms are the best ones they have access to describe what they are seeing. I do think such terms as “colonialism” and “apartheid” are overly simple in regard to the last ~3000 years of Jewish history, and that they cast the situation into an alien historical context which dilutes and uncomplicates the all the historical realities at stake, but I truly do not think that all who use these terms do so to cause Jewish people pain.
Further complicating the picture is that terms like "colonialism" aren’t completely wrong. Modern Zionism arose in the context of mid-nineteenth century European large-scale movements towards nationalism (ie, the creation of nation-states) and away from the multi-national empire. Jews—a subject of anti-Semitism and fifth columnist suspicions within those emergent European nations—reacted to all this by joining the nationalism game.
What’s ironic, is that those European Jews who founded contemporary Zionism were reacting to the exclusion and racial hatred with which Gentile Europeans treated them, and then once they had some settlements in Palestine, they deployed similar variants of racial hatred at both the Palestinian Arab population, and Middle Eastern Jewry.
The existence of a distinct people and ethnic group in Palestine before the aliyot were not something the first generation of Zionists were concerned with. Because they were part of the same shitty, white supremacist, pro-imperialistic intellectual European tradition to which they were responding as victimized parties. As time went on and Zionist thought spread across Ashkenazic communities, we can see some variants. Some forms of far-left Zionism in twentieth century Poland, for example, actively built the presence and rights of Palestinian Arabs into their ideology, some of them actively stating that Zionism could not be a success if it necessitated transforming Palestinian Arabs into a group of secondhand citizens and a cheap source of labor in their own home.
Those leftist strands of Zionism tended to be Socialist/Communist in nature, and centered around the idea of life in Eretz Yisrael as one of a series of self-sufficient communes. Thus when the 1930s hit and things start to go bad, the Zionists we see fleeing to Palestine tended to be of the more centrist and far right variants. The left wing, socialist movements, already operating as a collective, had a membership uncomfortable with fleeing to safety while the rest remained behind.
And that same socialist/communal attitude, is why those variants of Zionist thought never made it into the Israeli political mainstream; most of their members and proponents were murdered in the Holocaust in part because they refused to leave their comrades behind. The General Zionists and Zionist Revisionists who rode out the years of the Holocaust in Palestine therefore already had access to the avenues of power which would become important in 1948, when the British Empire shrugged off its responsibilities towards the regions it colonized and destabilized.
Now, as for ethnic cleansing. I can’t sugar-coat this: that’s what the Naqba was. It was ethnic cleansing of Palestinian Arabs from their homes to make way for the Jewish State. The manipulative shit (but still somehow extremely prestigious) youth group I was in taught us that Arabs call it Naqba because they hate Jews and therefore existence of Jews in the Southern Levant was a tragedy, as was the fact that Hitler didn't finish the job.
That’s garbage: it’s called the Naqba because it was ethnic cleansing. And that's not the fault of the Holocaust survivors who made their way to Mandatory Palestine/Israel in the late 1940s--they lacked political power, and were often looked down upon by those who did; the Holocaust as part of Israeli National Mythology wasn't an immediate Thing.
If you spent your formative years around older Jewish folks of A Certain Generation, whose trauma has pretty much placed a permanent block on their ability to see some of what went down in 1948 for what it was, I can’t blame you for having that gut/cognitive dissonance reaction to the use of “ethnic cleansing” in the context of Israel and Palestine. I know those older folks. I loved them. They’re mostly gone now, and I miss them terribly. But their trauma-induced view of everything lives on in the ability of some younger Jews to properly name and understand what it is that happened in 1948.
It was ethnic cleansing.
Further, not only were Palestinian Arabs ethnically cleansed, but the Middle Eastern and North African (MENA) Jews who were forced by their governments to flee their homes of thousands of years and seek refuge in Israel throughout the second half of the twentieth century…the Western and Central European Jews in control of Israel and its institutions treated them like shit too. Hadassah actively stole the babies of Yemeni Jews, told the parents that their children were dead, and rehomed them to Ashkenazic couples. There were death certificates. Members of the Ethiopian Jewish community were forcibly sterilized, and their ongoing treatment by the State is racist and generally atrocious. And this analysis of the relationship between the Israel State, MENA Jewish populations, and different Ashkenazic groups in Israel is horribly short and overly simple.
As for genocide. I honestly don’t know. I do know many people, who are very much not Anti-Semites, who are calling what’s happening in Gaza right now genocide; many of these people are also Jewish. I know many others who refer to the experiences of Palestinians between 1948 and now as a slow genocide. Many of these people are also actively not anti-Semites, and many of them are Jewish.
So these terms, as uncomfortable as they may feel for people within the very specific Jewish generational background I believe we share, are not deployed as anti-Semitic weapons. Nazi comparisons? Yes. Swastikas superimposed over the Star of David? Yes. Very specific hook-nosed Jewish caricatures in relation to Israelis? Yes. Blood libel shit? Yes. These are all anti-Semitic, and are deployed to hurt and retraumatize Jewish people. But the rest are not nearly that simple.
And I didn’t learn this from like, Bad Evil Post-Modern Academics at Columbia University Who Hate Jews; I learned this from doing graduate-level work in the field of Modern Jewish History, and working in Jewish archives; this did not come from outside the building.
Now, as for Hamas as freedom fighters…that’s ignorant at best. Hamas’ charter clearly calls for the global destruction of the Jewish people [ETA: they edited this part out in 2017 for PR purposes], and their actions as rulers are horrifically, violently, homophobic, and seem to be more abut provoking Israel than they are about governing and protecting their people. But as you said, Hamas isn’t all Palestinians, and it’s also not all Palestinians who consider themselves freedom fighters. (A second reader of mine had the following commentary on this paragraph: "Might need a bit more complication around Hamas? I know that's not your area of expertise but it's worth mentioning that they were basically set up to undermine the PLO and what would become the Palestinian Authority in the West Bank. You're right that they aren't representative of all Palestinian thought and resistance, and that they are on some fuck shit.")
So while I’m so glad that blog is a comfort to you, I encourage you to also take a step into some of your discomfort, and ask yourself where it comes from.
No one reading this post has my consent to use it to silence other Jewish people who are in different stages of their journey towards understanding how generational trauma has impacted their ability to grasp all of this. Further, if you choose to attack me for gently calling my people in, you're a piece of shit and I will be mean to you.
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I have an odd request… perhaps a captain price fic where the reader is much younger and edgy- likeee covered in tats and stuff,, and price isn’t rly used to that but finds it hot as hell… idk maybe they work together ?? Smut ensues …
IDK I have tatts and wonder what he’d think of that 👹👹
Just an idea 💡❤️😫
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Fire it Up (John Price x F!Reader)
Word count: 7.8 k
Tags/warnings: Smut 🔞 mutual pining, flirting, swearing, older man/younger woman dynamic, forbidden love, smoking & drinking, voice kink, a tiny brat taming kink squeezed itself in here too. Reader has tattoos and works as a coder at the base. Rough ~10yrs age gap described, reader is of age I hope to god it goes without saying (Price is canonically 37) Also: no use of 'daddy' in this fic
A/N: I'm so glad for this request anon and I hope you like what I made! Also people please be gentle, this is my first Price fic 🥹 God I wish I could attach the fat scent of cigar here to give you the full experience. 
You don't know what caught your attention first.
The cigar, perhaps. Or the beard? Might be his hips, the ass that tells you this man can fuck a woman for hours.
Or maybe it's the fact that he's too old for you.
No, not too old…
Just older than you. A decade, perhaps, if you were being gentle with him and lenient with yourself.
He certainly isn't old enough to be your father, but he wasn't the type of man your eyes usually drifted on either.
He looks like someone who's supposed to be fishing in Alaska, sucking that fat cigar while taking in the view of mountains while trying to catch wild fish in some wide, free stream. 
He's supposed to come home to a remote cabin: to his little wife who pours him a scotch after he has shown her what he caught today. Make sweet love to her while stars shoot and speckle the indigo night.
He looks like someone who makes love to women.
You, on the other hand, want to ride with him to the sunset on the back of a Harley, clutch his jacket as he drives you to some bizarre highway motel. You want to watch him drink that scotch from your navel. 
You'd do all kinds of crazy shit with him, keep his head between your legs with both hands, grind all over that mustache, and see how wet it gets. You want him to pound you with those narrow hips, take you from behind while you look back with parted, swollen lips and relish the sight of what must be a grown man's hardened body, covered with hair and scars and–
"The bug's still there."
You return to reality, look at the code on your screen, and then at your colleague, a 20-something bloke who looks at you with the lethargic stare that only belongs to techies. You've just been caught daydreaming your eyes off in the middle of a lazy afternoon. Coffee doesn't do shit after 2 PM…
"Yeah I know. I'm working on it," you say. But when the dude leaves, you decide it's time for a creative break. You tell yourself it's only because the code jumps on the screen, not because you hope to catch a certain someone smoking outside. 
The leather jacket is a little too much these days, but you throw it on out of pure habit. You realize the weight of your mistake when you go outside from the ventilated building and notice the sweltering heat. Spring has finally turned into summer.
Coffee doesn’t do shit, but it’s time for another kind of wakey-wakey. And butterflies are a funny term for something that mainly feels like it’s eating your insides out of pure excitement. 
Because he's here too.
Jonathan Price, although no one calls him Jonathan. Few call him John, either. 
Mostly, he goes by the title Captain.
He's stressed; you can tell. But his eyes soften immediately when they fall on you, a brief look to the side, just to know who else comes out to have a breath of fresh air or a smoke. He looks like he's been expecting you, but that might only be a silly girl's daydream. You two share a vice, and you've never been more grateful for your bad habit before this place and him.
And you wouldn't call it necessarily a bad habit. It's simply stress relief if you do it once or twice every few weeks. It's not like you smoke two packs a day. It's not like you even smoke one cig per day. 
Although ever since you started this odd little job in this odd little place, you've smoked one or two nearly every day… And it's not because of the stress.
It's because of Price. 
John. You’d like to see his reaction to you moaning that word in his ear…
"How long have you been here?"
His eyes are still on you, mouth covered by a hand as he makes love to his cigar. And that bedroom voice always gets you. It's better than the upcoming slow drag of nicotine. You're not here for tobacco at all.
"Two weeks." You reach for your excuse and try to prevent your hands from trembling as you light the cig. Usually, you're not this shy with people. Not with men, anyway. But with him, your wits and words disappear. 
You blow the smoke through the air with a quick, lively wisp where he lets it roll out his tongue in a heavy cloud. He's still watching you as if to weigh what kind of woman you are exactly.
"How about you?" You continue the small talk with nervous ease.
He chuckles; the little smile even shows a flash of teeth as he steals a look at the clouds, calculating years with those surprisingly lively eyebrows curled up toward the sky.
"Ages."
He's not that old. Perhaps well over his thirties, might be knocking his forties. The statement is merely an underline of his stress today. You can only wonder what kind of pressure the captain of Task Force 141 is under when you get sleepless nights from a stupid source code. There are a few wrinkles around his eyes, but they only tell you that this man smiles a lot. He might be the only one in this compound who smiles a lot.
"Have you ever tried a cigar?"
There's a glint in his eyes as he offers the thick roll of tobacco to you. It's suddenly difficult to breathe, difficult to even keep your thoughts together.
"No," you shake your head as if your answer wasn't enough to tell him he's the first person ever to offer you such a thing. Then you realize the word does not precisely deliver your eagerness to try that stout cigar.
"Would love to," you hurry to add with a soft smile. "Can I have a taste?"
He walks to you slowly, and your eyes drop to those hips, which sway like he's purposely trying to seduce you.
Fu–ck…
Then your eyes sink even lower, between his legs, to his fucking junk, and it's too fucking late–
Jesus–get your shit together…
You force your eyes back to his and see the little glimmer in them gain a surprised spark – you're totally caught red-handed on checking him out.
Fuck. How can you be so stu–
"Gently then, kid."
You swallow your heart and thoughts down and take the offered cigar; of course, your first thought is how thick and heavy it is. And somehow, you decide right then and there that you will no longer be the nervous, hot-cheeked woman on the corner.
It's time to make him flustered.
So you take a hollow-cheeked, slow suck on the fat cigar. A chaste, savory taste, more like, but there's nothing chaste in the way you raise your eyes to his, putting every ounce of soft seduction in that stare.
He draws breath slowly – his face is full of expression for an allegedly cold-hearted elite soldier. You don't know how often women flirt with this hunk of a man, but he sure looks taken aback by your sudden play. Probably thinks you're too young for him – and you curse the second time you put that jacket on. You want to see his reaction to your sleeves.
"Mm. It's thicker than I thought," you weigh the cigar between your fingertips and let the smoke roll out your mouth. The man switches his weight from one foot to another, speechless, and you suppress a big beam of a smile.
"The taste," you emphasize as if innocent, as if you didn't see that shocked little shift. "Round, and… god, it's almost sweet."
You smile as you give it back, and he chuffs an approving laugh through his nose – those eyes are bear-warm playful now, his mouth curves into an easy smile.
"Nice," you look him up and down as if you're talking about the man and not the cigar.
"Beats those little sticks." 
His voice drops down a few notes; it's almost a husky growl. You barely make out the words he's saying. The tension in the air could form little balls of lightning around you, the flirt is over the roof, and there's even no roof because you're outside – and you take your jacket off, slowly, to make it clear it's summer and not spring.
His eyes fall on the ink immediately, and he blinks a few times, draws some more breath – you tweet your thanks accompanied by another smile and go back inside.
You know he's checking your ass in those black jeans as you walk away.
….....
It doesn't end there.
You see him again and again and again, and at some point you realize he has to walk almost 100 meters from the other end of the base to get to the little corner where the two of you smoke. 
He's intrigued but decent. Holds a distance, never says anything that could be taken in the wrong way – or even in the right way. But he's fucking you with his eyes. 
No… making love to you.
And it drives you crazy.
You don't want that. You don't need that. To be that little wife in the cabin. Pouring him a drink, climbing in his lap, ghosting a finger down the stubble on his chin, see how wide and proud it makes him smile to hold you like you're his and his alone...
God. When did it come to this?
You suck on his fat cigar every now and then. Look him in the eyes while you do it. Once, it makes his tongue dart out, it wets his bottom lip, and then he does that thing with his mouth... the thing where he kind of purses his lips and it makes the mustache dip, and you realize, you learn it's a sign that he's restless, he's flustered.
You make the big, burly captain of Task Force 141 flustered.
And he doesn't smell like the people inside smell. Of stale coder sweat and Joy Division and soft drinks and mommy's home-cooked meals. He smells of rich forest and fine bourbon and half-burnt gasoline. Maybe Saxon on vinyl. Definitely beats those little sticks that are your nerdy co-workers at the hacker department, as you call it.
He may have a flask somewhere; perhaps he takes a sip or two every now and then, whether at work or not. And you don't blame him. Even with those laugh lines and that brown bear benevolence, you can tell he's seen things. 
You wonder what he's like out there in the field. Brutal? Or just efficient?
He never asks about your tattoos, but he eyes them often. There's a certain admiring esteem in his stare. He's checking you out, scratches his chin, and rips his eyes off when they start to drift down. He forces his eyes to stay above your neckline no matter the cost. You mourn that you got rid of the septum a few years ago: you're pretty sure he would've liked that, too. After all, it's a piercing that screams 'warrior' the most. Break after break, you return to your desk, aroused and giddy and surrounded by the rich, masculine aroma of his cigar.
One night, he drives by when you're walking home after what was supposed to be one or two pints.
The car is a big, black pick-up, and when it slows down and starts to inch by your side, your first reaction is a silent curse of why the fuck don't you carry some pepper spray in your pocket.
"Hey, you ok?"
Your head rises from the asphalt the second you recognize that smooth, pleasant voice of a man you had compared every guy to at the pub that evening. The whole man is brimming with burnt sienna, he's hard alcohol with no ice…
You stop and turn, a little wobbly from the pint turned to two or three. Or four.
"Yeah. Had a little girl's night out."
The car rumbles softly, not two meters away, and the sound reminds you of his voice. A soft purr that can turn into a growl, even a roar if he wants to. 
He looks like he's going fishing, even without the boonie hat. The dark hair is cut short, so you won't have anything to tug if he ever ends up between your legs. But you don't really mourn that fact, because he looks so damn good.
He looks you up and down, and you notice the briefest blob of his Adam's apple before he gives you another offer.
"Want me to give you a ride?"
Would love a ride.
Would fucking love to ride you.
"Sure. That's kind of you." 
Your eyes must be sparkling like the fucking stars.
"No problem at all," he leans his elbow on the open window and waits while you round the car and get in. You try to tone down your drunken state, but your moves are a little too brash for a calm and collected coder lady this man has usually caught leaning against the wall of the workplace you two share.
"Did you have fun?"
He sounds like a dad picking up his girl from a school disco, and you purse your lips in slight distaste and amusement.
"Yeah. You know how it is when someone asks you for a pint."
He gives a short laugh and starts to drive. "That never ends well."
You smile and turn to look at him.
"Mm… This one kinda did."
You enjoy the brief look out the window, the sight of someone so formidable and robust and experienced trying to find his way out by feigning something caught his attention in the black, empty distance of a quiet city.
"Glad I could be of service," he brushes off your flirt like it's nothing more than a speckle of dust on his coat.
The rest of the ride is silent, too silent. He turns the music off in case it "bothers you," and it turns into an awkward, overly polite fight about whether to keep it on or not. 
It's a minor shock to notice he was listening to some classical. Not 80's rock, not country, not even BBC. He was just soothing his nerves.
You can't put your finger on what makes you feel so sheepish around this man – usually, you put men on a leash with a few dry jokes and a hearty laugh or two. Now, your flirting is shy and does nothing: there's a wall built up, and from behind that wall, only a few stolen looks…
The pick-up is humming, the engine is running at idle next to your place far too soon, and it's time you get off the car – but you have vehemently decided you will knock down that fucking wall even if you have to drag him to your bed. 
"You wanna come up and have a nightcap?"
Another look out the window as he raises his hand over his mouth, fiddles with his mustache, and avoids the rising heat between you two.
"Thanks, kid. But you need to sleep."
Your heart is pumping, and you feel like a harasser as you place your hand on his thigh.
He doesn't move, but you can hear the audible swallow this time. He doesn't move a single finger even when you slide your palm down that leg, then drag it over to the inner thigh, and start to drift back up slowly, slowly, to give him the time and space to stop you before you reach….
….the visible bulge between those legs, the absolutely gorgeous, ample bump pulling at those pants, something so delicious that you must fight tooth and nail not to race your hand up there and give it a fond grope.
His hand falls over yours just before you reach it.
"Kid. Let's leave it here and call it a night."
His voice is strained and tight, and he's still looking out the window. You don't move your hand away because he doesn't move it away. His warmth stays there, keeping you against him, and you feel like shit for thinking it's not a no… That it's a yes when he seems to hold your hand as a prisoner, wanting to feel your dainty little palm against him.
Your fingers curl slightly, a hopeful gesture to imagine how it would feel to curl and claw at his hips and that ass while he's fucking you.
"Listen. You're a nice girl. A very nice–"
You give a heavy, demonstrative sigh and finally draw your hand away.
"Come on Cap… You're seriously going to give me the "you're a nice girl" talk?"
Finally, he turns. His nostrils quiver as he tries to keep his breaths calm. Your lips part like it's a whole caress he just gave you – and his gaze drops to your mouth instantly. You start to see where the problem is.
You're too young. 
You're forbidden.
"I offered you a nightcap," you tilt your head slightly. "You can come up or you can go home."
You wet your lips, give the bottom lip a tiny little bite, and offer him the last, inviting, soft smile. It must hold an equal amount of sorrow because you can't drown the bitter feeling of rejection, no matter how many drinks you've had that night. No matter how much he seems to want you, it doesn't change the fact that he's apparently decided to stay strong and keep his hands off the cookie jar.
You turn and get out of the car, lean on the door for the final fucking time...
"Didn't know I'd only get to suck your cigar... You're all smoke and no fire, Price."
The door flies closed with a louder slam than you originally meant. 
Now that was a little bit passive-aggressive, you have to admit. But you're drunk, and he's being a pain in the ass, calling you a kid, looking at you like that, having a fucking hard-on and giving you nothing.
…But it does the trick. 
You smile like an idiot when you walk to your place and hear the purr of the engine stop. Another car door opens, then closes, wide footsteps follow you…
A nightcap it is, then.
He looks even bigger when inside a place with walls and a roof. He stands inside your apartment tall and wide as if he's waiting to call attention. Those large hands are over his crotch, concealing the swell of erection you already saw in the car. 
You know the tank top you wear reveals even more skin covered in tats as you throw your jacket away and go get him that drink. The glasses glide on your table, slide nearly to the floor, and the bottle of Jim Beam meets the counter with a devastating clank. You look at the excuse to get him into your place and sigh. 
"You know what… Fuck this."
Offering cheap bourbon to someone like him seems a bit ridiculous. So you offer him something he might actually like. Something he actually came here for. 
You walk to him and throw your hands around him – he stiffens from the middle but looks down at you with a heated glimmer in those eyes. You could've sworn they were charred brown, the same color as his cigar, but up close you see they're actually molten iron. Mercurial.
"You sure about this?" He asks softly.
"Why wouldn't I be?"
He unclasps those hands from over his groin, and the warmest weight falls to rest on your waist, even steals a caress to your hip. You want to hurl yourself at him, press yourself against his crotch and grind until you bleed from just that tiny touch he finally gives you.
"You've had one too many, love."
Love…
Shit.
The warmth spreads from his eyes, from that hand, from the word that rolls out of his mouth like a beautiful puff of smoke. It unfurls inside your heart, swells inside your throat, plummets to your groin, and you switch the weight to your other leg to feel how that hand gains more weight as it gets pressed more firmly against you.
"Doesn't change the fact that I want you."
Your voice is nothing short of a purr. When have you ever purred like that to a man? You sound like a housecat, tame and adoring, waiting for a gourmet meal.
"You really want an old man?"
He still has that reserve in his eyes, decent and distant, but underneath, you sense a terrible heat, like the glow of a cigar lit in darkness, an adamant smolder that never dies out.
"You're not that old." 
Your purr turns into a deprived meow. You dangle from his neck, and the smoke, the fire that surrounds him, blends into the gentle scent of a man, the musk of a mature beast. You know he's hairy under those clothes; he fucking has to be. The vision of how his cock must look, surrounded by untame, coarse fur, has tormented you night after night.
And now he's finally here. In your apartment.
You skate your hands over his chest while slowly dropping into a squat, then languidly kneeling in front of his crotch.
He doesn't stop you, not even when you open his belt and the zipper and crawl your fingers down the waistband of his underwear. You have to stifle a delighted gasp upon seeing how his cock springs free and stands proud in front of you in all its glory. And fuck yes he's hairy – the hairiest man you've ever had. 
Cigars feel like tiny little sticks when you wrap one hand around him and lick the weeping slit like it's your favorite ice cream. The groan that follows is a husky eruption above you and gets stuck in his throat as you take him in your mouth.
"Fucking hell, kid…"
He's thick, broad, and the musk fills your nostrils, but what he just said makes you pull back and whisper on the bulbous tip–
"Don't call me a kid," you breathe on his cock, swirl your tongue around him, and his thighs bunch. "Old man."
You finally manage to push some buttons.
The back of his hand brushes your cheek, then slides over to your throat. He's gentle but firm as he forces a thumb under your chin, curls fingers around your neck as if you're a cat who's about to be force-fed some medicine that's only good for her.
"Is that how you wanna play it?"
His thumb brushes down the ridge of your throat. Tentative, promising.
"Perhaps," your lips quiver with anticipation as you smile; your voice is a pitched vibrato before it drops, just to give him a reason to put you in your place... "Old gum–"
The hand pulls up, the grip tightens just enough to guide you back to your feet and up to meet his face.
"Didn't know you asked me here to tame a brat."
Fuck…
You almost moan. 
The hand doesn't choke you; it makes love to you. Claims you as his. 
"Really…?" You sigh. Flash him a filthy, guiltless smile.
The fire surges forth and nearly buckles your knees. His eyes flash in rhythm with your grin, like a sudden flicker of a campfire in the middle of a dark, parched forest.
"This what you want? Hmm?"
The rumble reminds you of the engine of a Harley roaring to life. His throat is burned from the fire of his cigars, the hand on your throat is used to squeezing dead metal and pulling pins from frigid grenades. But even they can't stand a chance against his woodland fire and sycamore smoke. He could bring a cold, inanimate rock back to life with all that fire.
"Yes. I want it. John."
His name on your tongue is a cat's meow. It has the exact effect you hoped for.
"Let's get the brat tamed, then."
"Hah," you finally moan. "Promises, prom–"
The fingers around your throat pull you to his mouth with a python strength. His lips spread yours with soft devouring as he coats you in fire. The coarse beard smells of sweet tobacco – nothing like a pungent cigarette. It's like an old memory: safe and sturdy and strong. Male.
You moan in his mouth – god, what will it be like when he's inside you? – and he capes both arms around you and crushes you against him. Broad shoulders envelop you like a shroud of thick smoke, the cock gets trapped between you like a hot spear, and you mewl like a slut.
Your pussy clenches, just from his warm mouth, the rich velvet of his lips. He takes everything with that kiss, and you're weak in his arms as he bends and molds you against him just the way he wants, opens your mouth with his own and breathes you, samples you like those puffs of smoke he sucks from his cigar.
Your brain short-circuits, you barely notice how your top slides up as his hands go under it. It's dragged up, up, over your breasts and then over your head as he detaches just enough to rip that piece of clothing away. 
You look at him like he's Christmas, then reach for your bra while he opens his pants more to get them down. Your jeans are accursedly tight, and he's breathless, too: the whole room is dark and filled with heavy breathing and rustle of clothes as you claw your socks off, slide your strings down and away, watch him get out of his shirt and throw it on the floor too, all propriety gone.
And then…
Jesusfuck–
He picks you up, lifts you from the ground like you're nothing but a leaf, and strides with you in his lap until your back meets a wall.
The barrel-like chest presses the air out of your lungs while your back travels up – you don't know if his arms or chest do the lifting, but you're being positioned for his cock to enter. Your hands try to grasp something solid before it's too late – his back and neck – your legs wrap around him, feet hooking over his ass as the thick of his tip pokes your soaked folds, and after a few seconds of probing, slides in. 
"F–uck…" you gasp, sounding so needy that it could be a voiceline from a bad porno movie. His lips find the place between your ear and neck immediately.
"Be good for me now," he gruffs, dark and round like the sweetest bourbon, although you know he's the finest single malt in the world. "Be good…"
"Ah–John…"
I'll be good… 
Just for you, I'll be so, so good.
He pants heavy on your neck, grunts as he starts to fuck you against that wall. You knew he might be intense, but apparently, you had no idea. The man is needy as fuck, and has concealed it up until this point. 
You could cry, scream from joy from the thickness that spreads you, fills you with every fat glide of a thrust. The sex borders on rough but is so incredibly tender too, so needy it makes your heart collapse, compress into a taut knot in your chest. It's the softest rocking, the gentlest fucking as he retreats, then ruts into you again and again with sharp, rusty moans. You're in a slow but steady rodeo with this man, your breasts pressed against a solid chest covered with hair, and it tickles, even if his pecs threaten to crush your ribcage.
"You're one hell of a girl," he gruffs in your ear, beard grazing up and down your neck. "Taking me so– Fucking hell, look at you…"
His eyes are embers as they sweep over you: your abundant ink, the helpless, adoring look in your eyes, the little mouth that opens with a gasp, the trickle of sweat that forms between your breasts and meets the hair on his chest. 
He doesn't have to look down to see how greedy your cunt is for him. He can feel it.
"This is what you wanted the whole time? Huh?"
He's all smoke. All fire.
"Yes…"
"Wanted me to take you against a fucking wall? Eh?"
"Yes…just, just take me," you moan and purr some more, giving him everything he wants. "Fuh–fuck me good…"
"Ahh shit..."
You know you're a drug to certain decent men. But to him, you're a forbidden fruit in all its aspects. 
A calm, collected captain who enjoys wide respect, eyeing an edgy, younger woman from the tech department? That's not how this was supposed to go. Thirsting for someone who did what they wanted, looked just the way they wanted, walked this earth like a dark fairy – that's not his usual go, surely. He was supposed to settle down with a proper lady. If he were to settle down at all.
"I've dreamed of this," you whisper in his ear, lips moving just enough to deliver your secret to him.
"Yeah..? Me too," he gives your throat more love with a velvet growl. "Know I shouldn't, but–"
"Shh. Don't–don't…" You grip him tighter, taste the spruce and salt as you breathe his neck. "It's good. It's all good."
He rumbles in approval. Your skin is raw from his beard; even the coarse hair dusting his thighs feels too rough on your skin. And your skin is used to being needled, shot full of ink right inside the dermis. But this… This is branding.
You're silk in his rough embrace, and plundered with no remorse. You sigh and moan, hug him... And then he dares to stop, panting and throbbing inside you.
"Darlin'. Where's the bed?"
The soft question makes you panic. If you go to bed and let him push inside you while you're lying on your back, if you brave a look into those eyes while he takes you, you'll develop more than just a horrid lust for this man. If he collapses on top of you, spent and spoiled while you're at your most vulnerable, you'll tie a string from your heart to his, and you can't, you just can't allow that to happen.
Because he's untamed too. He's not a man who settles down, he's not up for domestication; he's a wandering fire.
"No–no bed," you pant on his muscles, the shoulder that keeps you safely pinned on the wall. "John…? Please."
He's breathing wild too, disguises his surprise well.
"Alright."
He sounds disappointed, and it's not because he doesn't have the strength to maul you against that wall. The rejection stings him too. It makes you want to offer a truce, a little something. When he rocks you again, you graze your fingers up the back of his neck, knowing he will feel ripples across his scalp from your caress.
"We can smoke a cigar after," you propose, not knowing why your voice still comes out as an airy whisper. "Together. I'll pour you that drink…"
His chest swells with a deep breath, he huffs fire on the hollow trench between your collarbones.
"Fuck, woman…" 
It's dense syrup that surrounds you much like those shoulders and arms, that coarse hair, that bold male want.
"And after that I want you to…" You catch your breath and sound like a mouse with your next shy question. "Would you go down on me, John?"
It's like you're under a bear attack, but he stills; his head tilts a little to the side and meets your temple. 
"You wouldn't tease a man like this," he says. A soft warning, brimstone coated in velour, but the core of it is despair. So much need, so much forbidden, distant want… 
"Right? No more teasing."
He's still thinking that you're teasing him… That it's some kind of a joke that you want him.
"I'm serious... I want your mouth on me. I need your–"
"I'll put my mouth on you as soon as we're done here, love."
You have to bite your lips, suck them between your teeth to prevent another deprived moan from escaping.
"Want you to fuck me all night," you continue to whisper on his neck. You should shut the fuck up because it doesn't take a bed to tie that string from your heart to his. After all, they're right there, beating against each other through bone and skin and chest.
"Yeah? That's what you want?"
"Want you to… F-fuck me slow and good from behind and–"
You sniff. Whimper.
You should be ashamed: mewling for more when he's already buried inside you. What kind of a brat are you, wrapping your thighs around that narrow waist like you never want him to pull out?
And you're not crying. 
It's just that the cock inside you is throbbing against your walls as if he's making a home there, his hands dig into your ass cheeks like you're his already, the breath upon your sweat and skin feels far too affectionate. When exactly did a raw wall-fuck turn into such an affectionate, gentle taste of love?
And it's not enough. You want to climb on top of him every morning, ride him slowly and watch him unravel as the sun climbs the sky and coats that fur in gold.
"Could you do that? Please… John, please," you whimper and whine, beg like you're tame already. 
"I'll fuck you all night if that's what you want. Fill this pretty, tight cunt up every way you like."
It's coarse smoke. It caresses you until your legs start to shake. He adjusts his grip, drags the pull-outs like he drags those pulls from his tobacco. Keeps you nicely in place for him to drive back in–
"I'll fuck you 'till you cry, love. Yeah?"
He punctuates that promise with another good, fat thrust. You moan all tame now – a rippling stream, laughing and crying in his molten hold.
His cock fills you while your thighs quiver and tremble in his hands. Your pussy throbs; it sucks him already, the orgasm is seconds away, and your fingertips search for support but only slip over sweaty, hard muscle.
John. John.
"Fuh-…"
He spreads you a little. Those arms are pure iron as they mold you for him to plow. You know he can feel the waves, the way your cunt grips him with longer, deeper pulls as you start to sound downright pathetic.
"Just like that, just like… hah…"
"M-hm. Yeah," he bends the vowels, daubs them with smoke. "That's it. You're doing good. Doing so well my love."
He huffs between the thrusts that have turned into slow, intense love-making. He's making love to you – god, why does he have to be like this…
"Cum for me. Nice and pretty, yeah? Come on."
He encourages you with words, but you can't hear them anymore.
Heat coils in the pit of your core just before you burst with a heady scream.
The spasm is so sudden you almost hit your head on the wall. He's at your throat the minute it's exposed, and your scream turns into a weak wail when his tongue grazes your skin. It's blazing, and dips into the hollow between your collarbones like it's a shot glass full of scotch. Next thing you feel is fire, even some teeth on your neck.
And you thought Price might, just might be intense…
Your head drops as the blunt of the orgasm leaves you. Your feet unclasp, and next up would be some soft waves, but the man continues to fuck your shattered cunt and marshmallow soul with a good, intense pace. The words that pour out of your mouth are those of a brainless person.
"Ah–hah, God–"
"Where's that cheek now, mm..? Pretty little thing."
"John–h…"
The thrusts rub you against that wall like he wants to staple you there.
"So nice and good for me now, ain't ya? Cummin' on command…" An amused chuff right on your poor, chafed skin… "Begging for my mouth and cock."
You travel up and down in a limp heap, trying to hold on to him with weak limbs as he drives into you with a tight series of half-thrusts. Your legs hang loosely on the side, but he has no trouble carrying the full weight of you.
"Slow–slowly, Cap…" 
"Ahh fuck–"
He swears on your ink, right on the trotting pulse on your neck. Through the vapor of man sweat and rich smoke and a whiff of cedar trees bending in the wind, you feel him tense and thicken.
"The fucking things you do to me…" he pants with a low growl, hushed but intense. Your pussy answers with a good, demanding pull. 
"Fuck… fuck–!"
You're a limp doll between him and the wall when he comes. Pressed between a rock and a hard place, literally. His chest being the rock, an entire boulder that whips the oxygen from your lungs as he drives deep, his balls giving a few taut pulls against your ass as he empties himself into you with a satisfied, dry moan. A dark, ripe blossom, shooting straight to your core while you're sealed tight around him.
The world goes still after that; the only thing that moves is your breath and his, a refreshing hot breeze coursing through the stale air. The darkness of the room isn't half as snug as the safety of his arms.
Your fingers find his neck, the short-cut hair and the skin pounding with a rush of blood. He lets you go reluctantly, bends a little to set your feet back to the solid ground. He doesn't pull out, keeps huffing all over you even when you're returned back to the earth. 
And you never want to come back. Your cunt still throbs around him and cries a tiny, thick stream down your thigh. His upper body still pins you against that wall, his breaths still mist your skin, caress the red burns of his beard.
He feels so good. Too good…
When he pulls out, he does so with intense care. He gives you some space to catch your breath, and you finally notice he has fucked your legs into splinters.
"I'm…" You break the hush of heavy breathing with a soft laugh. More viscous load pushes out of you with it. "I don't think I can stand."
"Yeah? Tried to take you to bed," he muses softly, sounding annoyingly content with his achievements.
"Gotta admit it was a good idea."
"As was the nightcap," he rasps, voice drenched in soft smoke.
"We'll get there eventually."
"I have no doubt about that."
You give him a soft, warm chuckle as you cast your eyes between the crest of his pecs. Rough, tight muscle meets your soft breasts with heaving breaths, and teases your nipples to taut little points. The wet hair on his chest looks good paired with your inked, smooth skin… You two look so goddamn fine together.
"I hope I didn't make you deaf with that scream."
He stands at his full height, but tilts his head down and slightly to the side as if you were a new, interesting species he's just found on his travels.
"Wouldn't complain, love," he says. More wet syrup, just for you. He weighs you with his stare, curious and appeased, and you feel shy. For fuck's sake, you still feel shy even though this man was inside you just a moment ago. 
"The bed. Now be a good girl and tell me where it is."
"Down the…hallway." 
A delicate little whisper, again.
It's laughable, how the veteran of Task Force 141 turns you into something so dainty and meek. Captain John Price takes you against a wall like you're nothing but a doll, makes you purr and beg, reassembles you into a weak-willed woman who gets carried to bed. 
This is not how it was supposed to go...
He lifts you back in his lap while you continue to hold onto him like he's your prince Charming. A laugh spills on your lips when he tries to lay you gently on the bed and you manage to pull him down with you. You end up tumbling there in a sweaty, messy heap. 
"Knew you were trouble," he's smiling too as he settles beside you. You curl and wrap yourself around him, your bodies mold and curve together like they're made for each other.
He's so solid, so warm, the kind of man you'd love to fall asleep on every night. No more cold sides of the pillow, no more tossing and turning and trying to get the code out of your head. Just… this chest, those ember eyes burning in the night. Some soft breathing, a roaring engine standing still, waiting for you, just for you…
"I hope this wasn't a one time only occasion," you test the waters.
"No." He shifts a little, disentangles from you slightly. "Unless you–"
"No."
You bend in his arms like a young willow, cut his doubts off with a kiss. It's passionate, and so sloppy it threatens to make the same sounds as your cunt and his cock a while ago.
The hand on your hip tows you closer, then steals its way down your leg. You hike your thigh up, perfectly willing. You're a sticky mess, but so is he: his rock-hard thigh meets your still soaked pussy like these two have always belonged together. And this man's full fire has escaped you until now. There are so many hidden, wild things in him too. 
He would look so good on a Harley… He would look good on a motel bed after riding for days and days with you attached to him like an eloped dark bride. The nights would be smeared with hot sex and cinder and smoke, a dash of scotch on top, he could drink it from your lips. You would serve it to him from your mouth, round the taste a bit so that it wouldn't burn so much…
"Have you ever been to Alaska?" 
The liquor is leaving you, but you don't feel any more sober. The lava in your veins has only been replaced by another kind of fire.
"No."
"Would you like to go?"
"What'ya mean," he murmurs on your tongue, and you know he's hard again just from the thick lust coating his voice. "What kind of question is that?"
"I was just thinking."
"What were you thinkin', kid..?"
"Don't… call me that," you laugh. In truth, you're growing quite fond of it. It reminds you of old movies. "Here's looking at you, kid" and all that.
His laugh is a charred roll in his chest. To him, you're a brat – an unruly kitten – no matter what you say. 
"Kid. Why Alaska?"
He's curious. Borderline hooked. You steal a peek into those vulcan eyes. 
"You'd look good in Alaska. Old man."
"Really," he rumbles a soft purr against your heart. 
Another soft kiss follows. Affectionate… He plays time, but he's also a probing, scanning. You bloom in his embrace, unfurl on his lips like he just wrenched you wide. He could haul you to the cabin right now and you would only cook him dinner.
It's too late, even if you try to shift after such a kiss. Escape to press your cheek against that place between his pecs, the spot where the hair is darkest and thickest. You want to lick that valley where his heart meets his musk. That scent must be born from a good, stout heart.
"Would you take me with you…? If you ever decide to go."
It's a fragile question. A baring of the heart. It holds so much more than an inquiry about whether he would whisk you away on a secret leave. It's strings, pulling from your heart to his, taking root.
"Sure. But you're quite a handful, love."
"Is that so…?" 
You crawl over him as gracefully as you can. He allows you to straddle him, and of course he does. You're no threat; you're only a one woman show. The only thing he's probably missing right now is a glass of scotch and a thick roll of tobacco. 
He takes in the view with hunger: not satiated by that pent-up fuck, just like you're not... 
But then his hands come to rest on your thighs to check if they're still shaking. The touch bleeds possessiveness: it's a thoroughly absent-minded, instinctual attempt to reach for you. It tells you you're exactly where you belong. 
"You seem like the kind of woman who's not for the faint of heart," he says like you didn't just mewl in his arms like the tamest fucking housecat.
And perhaps that's what intrigues him. Contrasts. And even more than that, the odd place where black fuses into white, the gray area where everything is possible. The split-second moment when the skin accepts the ink and traps it in. 
Everyone always says you get buried with your tattoos. That you should think twice before staining your skin with such permanent hookups.
But the thing is, you get addicted to it. It's like standing on the edge of a cliff before a bungee jump. You know you'll never be the same person after you jump, and you know you can't leave that cliff without jumping. It's a stalemate until you clear your mind of doubt and just plunge.
And you don't want to leave this earth without getting stained and sweaty, without dipping your soul into the full experience. You're supposed to get a little dirty. This is Earth, after all.
Your fingers disappear somewhere in his slick fur. Sunrise is hours away, but his eyes spark aflame. They're always, always smoldering like the butt of his cigar. He's a man who causes wildfires at the end of the world – he's a reckoning, a flicker in the dark forest, roaring into a bonfire as soon as the wind passes through the trees.
And you've always loved fire. Wild, and free. The only thing that competes with such freedom is a wide, wild stream. 
"But you can handle me. Right?" Your fingers curl softly around the hair surrounding his navel. "Tame me and everything?" 
It's an offering that causes even fire to tilt its head in curiosity. In the end, you're not sure who tamed who.
"Someone has to," he grabs your hips with rich promise. 
You'll pour him that drink. Light him a cigar after his mouth is full of your taste, see how well it pairs with fire and smoke. You'll toast to the Harley, the crazy motel… 
And Alaska. 
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