why do i try so hard to make the characters in my fic fall in love in ways that seems natural and real when popular published books can just be like "i saw him from across the room and new i had to meet him. we swapped names in the rudest way possible. he never spoke to me kindly or showed in any way that he was a decent human being. he had only ever made me cry and been abusive and i want to marry him. im so in love"
like i am fighting for my life to make the crush in a fanfic make sense and doing that for no money when i would be writing batshit insane obsession/abusive/no-one-ever-says-sorry novels for at least one money
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Thinking…. Plotting, perhaps…. Scheming, even…. Brainstorming, if you are so inclined.
I went to a museum today (had a blast) and now I’m thinking of François’ childhood. Which means I’m also thinking about his papa.
Designs not final! I won’t tag this properly, but reblogs are welcome. I just felt like sharing this
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
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What... what do you MEAN it isn't canon that Cryptor is Pixal's brother, and the main villain of Rebooted??? What do you MEAN he didn't try twist the world how he saw fit, and in a really cool Wu and Garmadon parallel he and Pixal had a really cool and really devestating fight??? Shut up that's exactly how season 3 happened I don't care if canon won't acknowledge what really happened then I DECIDED what really happened!!!!!!!!!!!!!!!!!!!
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About Genshin Impact and the technology of Teyvat
We get a kamera at the start of the game from Xu for the “Snapshot” world quest. In it Xu remarks that the kamera is a new invention from Fontaine.
Xu shows surprise at the Traveler knowing what it is, this supports the idea of the kamera being a new invention meaning it’s pricey and rare to have at this point. Later on, on the Traveler’s journey, we get quests to take pictures of things. This could mean that the kamera is becoming more widespread a time goes on, or just the knowledge of it.
During the 4.3 Fontinalia Festival the focus was placed of films. This was an attempt by the Fontaine Film Association to introduce films to the populace, making the main point of the festival the films produced for it.
This would give idea to films still being a new invention, as they aren’t widespread, just like how the kamera was at the start of the game which was about 3 years ago. And based off of Furina’s Character Demo “Furina: All the World’s a Stage” we can assume that the films recorded were black and white in quality. Unless, we assume that the mini-games during the 4.3 “Roses and Muskets” event were canonical in the way they showed the film quality. No noise was shown in either, but one was in color the other not.
This gives us an estimate of where — technological advancement vice — Teyvat is compared to our world. Films started becoming a thing at the end of the 1800s and start of the 1900s. Colored film started showing up around the 1930s, but became more accessible and profitable later on. Films started getting sound added to them around the mid-to-late 1920s. This gives us an estimate of around the start of the 1900s placement vice.
Now I’d like to bring up Khaenri'ah. It was heralded as “the pride of humanity” as said by Dainslief. Khaenri'ah has more than one notable scientific aspect linked to it, one of these being the “Field Tillers” aka Ruin Machines. Ruin Machines vary from “simple” Ruin Guards to a Ruin Serpent(s).
Ruin Machines seem to have been around for a while, since the Archon War even given the Ruin Hunter stored by Guizhong in a domain. This means that the technology may have been around for 1000s of years, likely being used as a defense method during the war and preserved thereafter. The knowledge of this technology didn’t spread much beyond Khaenri'ah, this showing through how the people of Teyvat started calling the Ruin Machines “Ruin Machines” after they spread globally after the Cataclysm.
Around Sumeru there exist three giant Ruin Machines called “Ruin Golems”. These were giant mecha style machines were piloted by a crew of people, and — get this — include a colored screen. By screen I mean the type of screen you’re viewing this through, footage from outside the Ruin Golem being broadcasted to the screen to allow the people piloting to see where they’re going or what they’re doing.
During the “Vimana Agama” world quest that was apart of the Aranyaka quest line we can go into the Ruin Golem in Devantaka Mountain by Port Ormos. There we can use the actual screen and see through it. This being a machine that has sat unused for hundreds of years. And its screen is still in working condition.
So, simply put. Khaenri'ah was very mechanically advanced.
BUT!
I have yet to mention the Terminal Viewfinders in Fontaine. You know, those eye ball machines you use to transfer energy to terminals in puzzles in the Fontaine Research Institute area. You know, the machines with working colored screens. Mind you this isn’t technology you’re able to find all through out Fontaine, only in certain areas usually accompanied by a researcher from the Institute. So it would be more comparable to machines found in laboratories and not accessible to common people.
But still. At the very least Fontaine is near the mechanical advancements of Khaenri'ah either a few hundred to thousands of years ago.
And I have yet to mention everything going on in King Deshret’s places in the Sumeru desert. And I’m not going to go into more than this mention because that is a headache I have yet to even get around to in game.
TL;DR Khaenri'ah was very technologically advanced to the point of hundreds of years later working colored screen technology. Fontaine is around that point with the Research Institute while normal day to day people are around silent movies in advancement, while I have no idea what’s going on with the Sumeru Desert.
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don't mind me i'm just casually thinking about soulmates-but-not-actually-soulmates au, where you both fall for each other after having not found your respective soulmates for a long period of time and decide that if fate won't do anything, then you will both simply defy fate and learn to love each other.
and you do !! with the more time you spend with one another, navigating that which makes up the entirety of the other, you both start to grow accustomed — attuned, even — to the each other's habits. and slowly, eventually, you begin to think that perhaps fate didn't give you your soulmate, for they are the one in front of you, holding you so close it wouldn't come as a surprise if you meld into one.
if so, then why does your soulmate, whom you believed was nothing but a hoax up until now, decide to show up now of all times? where have they been during the years you spent searching for them? why are they staring at you as if you hung the moon and stars for them as they repeat your name in a breathy, starstruck manner, holding your hands in a shaky grip with the trembles in their voice equally as unstable?
and why... why did fate have to be so cruel to you, for the moment your eyes dart away in avoidance of theirs you find the world goes silent when you see your lover, whom you believed was the one meant to defy destiny with you, standing off to the side and watching your interaction with an unreadable countenance.
oh, fate is a cruel thing.
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