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#(at risk of becoming villain)
ninjautistic · 4 months
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I don't remember this but HOLY FUCKING SHIIIIIITT LLOYD WAS CONFIRMED TO BE AT LEAST 9 YEARS OLD HERE AND HE WAS ABLE TO DO THAT??? JESUS FUCK
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problemswithbooks · 1 month
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Do you think Cat was being genuine when she told Violet that Xaden is incapable of love? Maybe her gift let her see Xaden’s truest feelings? I think that was such an interesting part of the fight, and it seems to be overlooked by most of the fandom.
It's likely the author didn't mean it to be genuine, and only having it be Cat being an asshole. That or from Cat's PoV she does believe it, but that's because Xaden never loved her because she's a bitch.
The thing is, I always had an issue with how RY wrote Cat and Xaden's past relationship. I've come to realize that while a lot of men enjoy the trope of a virgin love interest, so they have no sexual competition, a lot of woman enjoy the idea of a man whose never loved anyone he was involved with before, so they never have romantic competition.
And, honestly, if that's what RY wants, fine, but I think she over did it quite a bit. It was really gross to me that Xaden said he was fine watching Violet kill Cat and stopped her only because it'd make Violet sad. I know Yarros has said Xaden's not the hero, but it makes Violet look stupid to not be concerned that he's so willing to watch her kill a woman who he spent nine months with and possibly knew as a child during the rebellion. He doesn't have to love her, but it's crazy that he doesn't even seem to like her at all. To me it's a huge red flag that he's so okay with his ex being killed. Sure, he loves Violet now, but if they broke up and he moved on would he be similarly alright with her being chocked to death?
As far as my own headcanon, I say she did see his lack of care through her ability. I don't think she said what she did to warn or out of concern for Violet. I still think she was trying to get under her skin. But her knowing that Xaden never even cared anything for her despite months in a relationship and possibly at least meeting years before as young teens makes her actions make a lot of sense.
You could argue that she should be able to read him currently and see his love for Violet but I counter that he has really good shields, where he didn't before. So, unlike in the past, when Xaden was still homing the technique, she can't tell he loves Violet. If that's the case, it feels way easier to get him back--just be sexy and competent and he might decide she's a better choice.
Or if you want to be a bit less charitable to Xaden, you could argue how he feels about Violet doesn't look like love to Cat's Gift. In many ways you could say Xaden is not in love with Violet--he's obsessed with her. He does not love her, he needs her. He has said he'd let the world burn to keep safe--pretty much damn everyone, including all the Marked Ones who love him, just for her. And that's what he does in a way at the end of IF by turning Venin. It's love, sure, but it's a pretty over the top version of it.
So, in a way you could see Cat as correct--Xaden can't love anyone, at least not in a healthy way.
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bidokja · 9 months
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damn, shadowbringers is just like orv for real
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taliaglitch · 8 months
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I'M DONEEEE with bg3!!!!!! CREDITS ROLLING! almost 110 hours for one playthrough, doing the main + companion storylines and whatever sidequests i stumbled upon in the process. steam says i have 150 hours in the past two weeks, and since i didn't play EA any that shortly before release, those 40 extra hours are i guess from reloads and... does the time played displayed in-game not count loading screens? good lord i hope i didn't spend 20+ hours in loading screens. i think i spent about 30-35 hours in act 1, 30-35 in act 2, and the rest in act 3 (which would be my favorite if my performance in the city was better - but i at least never did have any crashes in it! just the first 2 acts)
some rambling thoughts on the ending/my playthrough in the tags, but tl;dr i'm not as underwhelmed as reddit led me to believe i would be (certainly less than i was by dos2's ending!), but i am frustrated by a great deal of visual bugs (flat textures, missing meshes, etc) i experienced in the ending cutscenes - but i have no idea how much was the game itself and how much was my computer not being up to the task (i'm leaning towards it being my computer, because it has a habit of making textures super fucked up after playing for a while, like they don't decompress properly or something and theyre 5 pixels big & nasty-looking, but also that's different than the bugs i got in the ending). i'm also confused by the lack of ending slides since those have been an rpg staple probably for as long as there have been rpgs. but overall: WOW I REALLY LIKED THIS VIDEO GAME. extremely worth the $60 i spent 3 years ago, and will be worth however much i have to spend to upgrade my computer to do it justice.
#SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS#READ THESE TAGS AT YOUR OWN RISK#so i ended up ditching the two-impulse-playthroughs concept at the start of act 3#i couldn't commit both to being evil and also to playing the game twice as the same character in such a short span of time#so impulse consolidated into one astarion-romancing tadpole-eating mostly-chaotic-good disaster#they also romanced the emperor. because of course they did#what's that meme. *astarion voice* me my partner and the mind flayer that visits them in their dreams#yknow. the one with the $500 mareep plushie#but they actually faced no consequences for all their tadpole usage other than having a spooky face for act 3#which no one ever commented on#so either they needed more tadpoles or i specifically had to pick the 'could i become illithid assimilate orpheus and use the stones'#option. which speaking of orpheus i am so sorry lae'zel i will do you justice next playthrough#uhhh what else. i'm not as unhappy with karlach's ending as reddit led me to believe either. but that's probably just because i love sad#endings. and also didn't fully romance her this playthrough. maybe i'd feel different if i did#the actual final boss fight was very very cool. gortash & orin's felt underwhelming compared to ketheric's#raphael's fight was super cool but mostly because of the disney villain song ass music. i managed to crowd him into a corner so it was just#a matter of hitting him over & over until he died. not that difficult#i never had to reload a fight more than once and that happened a single digit number of times. which i appreciate! i was on explorer#after all. the difficulty felt perfect - big fights were challenging and stressful but not frustrating to the point of tears#as they tended to be in EA for me. many an EA playthrough of mine ended against priestess gut#i got an achievement for saving every tiefling refugee i could#and specifically impulse killed the netherbrain & destroyed the tadpoles#i can't think of anything else. i like this game a lot#the companions & their storylines were the absolute highlight for me as they are in every rpg#even if i didn't properly complete lae'zels. or wyll's? i mean i broke his pact. and then found his dad who died anyway. but the quest was#never marked complete in my journal#the ending i got for gale felt strange to me too like bro youre really just gonna repeat the mistakes of your past self and that karsus guy#or whoever. i passed that dc 30 persuasion check and everything#still in awe of shadowheart & astarion's specifically. i'm sure i'll feel the same about lae'zels next playthrough#aaaand i hit the limit on tags! well. off to draw! maybe. i might sleep for 5 million years first. exhausting! 150 hours in 10 days!
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wickedghxst · 10 months
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i shouldn’t give my spider-sona invisibility. but i want to.
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sidereous · 1 month
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Another note about The Speaker and his immortality:
It's common knowledge. He'll even directly tell you. But he won't say how. The most anyone's been able to get out of him is that it wasn't entirely intentional- but since he's still around he tries to make the most of it.
But life on Venus is very difficult. So it's a bit of a different matter when grieving parents demand he bring back their child that was killed in a storm. Or when someone just coming into adulthood contracts an illness that will slowly but surely kill them- growing frightened and angry so they ask him what it would take for them to be like him.
And every time he refuses.
For every person that sees him as an eccentric but loving great-uncle, for everyone that sees him as a figurehead, there are just as many that think he is a dangerous charlatan at best
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little-mari-on-a-roof · 6 months
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Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!
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At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.
The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.
The rest is under the cut!
Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).
They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)
They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!
During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.
Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.
The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).
Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).
Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.
In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.
We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.
They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).
They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.
In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.
They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.
In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.
They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.
They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.
When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.
We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.
The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.
They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.
My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.
The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!
Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.
🐞🐞🐞
Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)
At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.
Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.
They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.
Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).
They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.
They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.
During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.
Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.
The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.
The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).
At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).
In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.
Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.
The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).
Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.
However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.
In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.
They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.
They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…
In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.
In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!
And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!
🐞🐞🐞
I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).
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thranduel · 8 months
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some facts about astarion that i find very cute/meaningful :)
i wanted to share this so more people can learn about him and appreciate who he is deep down, behind the mask he wears. before cazador turned him, he was just like any other person; he had hobbies, passions and emotions. those things are still there, but they’re just hidden amidst all the darkness. he was so young when he first turned that he barely had a chance to enjoy life or figure himself out. so many people miss out on the complexity of his character due to only focusing on his physical appearance or labelling him as a cruel villain, but in order to see that he’s so much more than that and he’s capable of growing as a person, all you need to do is show him a bit of love!
- he loves embroidery and poetry
- he approves when you pet the owlbear cub because most people view it as a monster (the same way people have always viewed him). it’s like he finds comfort in the fact that you can love and care for something that most people are afraid of, and it gives him hope that you may feel the same way about him too
- if you put a flower on his grave, he smiles and says "cute"
- he comes up to you in camp just to thank you and tell you how grateful he is that you allowed him to make his own decision (after you defend him and don't force him to drink the drow's blood) because he is so used to being told what to do and he was forced to use his body for so many years
- in that same scene, he will hold your hand whether you choose to stay in a romance with him or be friends instead, because he loves and appreciates you no matter what, and any sort of relationship with you is so important and meaningful to him
- if you try to romance karlach and astarion at the same time, he tells you to choose karlach over him, even if he loves you and it hurts him to do so, because he can see that karlach loves you too. he says that normally an arrangement would work for him, but after everything karlach has been through and how fragile her heart is already, he doesn’t want to get in the way or see her hurt
- if you try to romance halsin and astarion at the same time, he just wants you to do what makes you happy, even though you can tell it hurts him if you choose halsin. he’s also worried that you’re unhappy because he hasn’t slept with you (he should never have to worry about that ☹️), so he doesn’t want to stop you from enjoying yourself. in this situation and the one with karlach, you can see that there are moments where he puts others before himself and thinks about their feelings more than his own
- if you’re playing as the dark urge and you’re trying to resist it, he is so incredibly comforting and tries to give you strength and encouragement. one of my favourite astarion lines is this: “you’re not alone in this, none of us are.”
some more lines that i love:
“i don’t hate you. because this is not you. but whatever it is, you’ll get through it. and i’ll be here to make sure you do.”
“whatever it is that’s controlling you, we can fight it. i know that better than anyone.”
“this thing won’t have you. it won’t win.”
“easy now, darling. you’ve got this. and i’ve got you.”
- when you try to break up with him because you’re transforming into a mindflayer and you tell him you’re becoming something horrible, he gets so upset that you would even think that way and tells you that you’re wonderful and he doesn’t care about what you look like. then he says he would get more stares walking down a street than you to try and make you feel better
- if you love and care for him and remind him that there is still good out there, he genuinely wants to grow, be a better person and break the cycle of power and terror that started centuries ago
- he approves when you help people that are considered outcasts or "freaks" because he has felt that way too
- he risked his life and got punished for letting a man go instead of luring him back to cazador because it’s implied he cared about him in some way and he couldn't hurt him (not entirely sure about this one, this is just how i interpreted it based on his voice and mannerisms when he was talking about him)
- he approves when you give an orphaned child food (act 3)
- he becomes vulnerable, honest and more gentle with you once you start treating him like a person, because for the first time in his life, he actually feels safe with someone
- he's extremely insecure despite the mask he wears at the beginning of the game and he doesn't believe he is capable of being genuinely loved for who he is as a person. when you get close to him and tell him you care for him and give him a hug, he is taken aback at first, but then he believes you and hugs you back. also, when you're playing as the dark urge, you get this line: "you like him for more than his looks, but he will never believe that." this is proof that astarion is so used to being reduced to his physical appearance after what he was forced to do for so many years, and he thinks that's the only reason why people like him. he struggles with intimacy and forming strong emotional bonds, so that's why it makes your relationship with him even more meaningful when he realises that you truly do love him for who he is, not just for his looks and body
- when the drow you met at moonrise shows up in act 3 and tries to make you drink something, astarion tells you to say no, because the only thing she's offering is pain and he doesn't want to see you hurt
- if you romance him, stop him from doing the ritual and help him defeat cazador, he tells you that you are the only person he's ever truly cared for
- if you defeat cazador without him and tell him you just wanted to protect him, he gets upset at first because you left him behind without telling him and he wanted to take revenge himself, but then he becomes understanding and says “maybe this is what’s best? the kind of power that ritual offered could ruin a person. even me.” this shows how much he’s grown and matured as a person and he’s aware of the consequences of too much power. the scene also ends with him telling you that he’s grateful for something that you did to help him (again).
- he becomes more self-aware, straightforward and honest over time and he doesn’t pretend like he’s perfect. he tells you that you were by his side through all the bloodlust and pain and misery, despite all of his flaws and mistakes. you remained patient with him and trusted him even though it was an objectively stupid thing to do, but he is so grateful for it because you believed he could become a better person (and he did)
- this is sad but he remembers some of the names of the people he had to lure back to cazador and even the memories he shared with them. you can see this during the scene with sebastian, and it’s clear that he actually cared about him (not sure how many situations were like this, but there was definitely more than one)
- if you say “i’m sorry we couldn’t save the other vampire spawn”, he says:
“we could have tried. we could have given them the same chance i had. i was able to go out into the world and make better choices. to go against my nature and become more than a blood-sucking monster. maybe they would have done the same. or maybe not - but did we have the right to take that choice away from them?”
this scene shows how much astarion has grown and how compassionate and empathetic he can be towards others. he understood what it felt like to have his own freedom taken away while cazador made all his decisions for him, so he didn’t want to put the other vampire spawn through that too (especially because he still feels so guilty for luring them there in the first place)
- if you romance him and he stays as a vampire spawn and you choose to help him look for a cure so he can stand in the sun again, this is revealed during the epilogue scene:
“one night, he tells you that these last six months of happy memories are the counterweight to two hundred years of misery.”
he’s finally truly happy and free, and the short time he’s spent with you is already so incredibly powerful and important to him. being with you has positively impacted his life in such a massive way that it makes all those centuries of pain and misery feel so much smaller
- another sweet line from astarion during the epilogue scene after he tells you to go catch up with your other friends and see how they’re doing:
“i’ll be here when you’re ready. i’ll always be here, my love.”
THE CHARACTER DEVELOPMENT AND GROWTH 😭🫶🏼 he’s become so kind, loving, respectful, genuine and sincere. i’m so proud of him 🥹
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oozedninjas · 8 months
Text
HARD CRUSH!
How different are Leo and Raph when they're in love?
Sfw + Nsfw / MDIN / +18 / Leo's 27, Raph's 26 / Thought for 2007, but I think it adapts cool to other verses.
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LEO
Every nuance of you doesn't escape his notice. He's the embodiment of observance, attentively absorbing every facet of your being. Your desires, dreams, beliefs, and thoughts, he listens to them all with keen interest.
The dilemma lies in his passive approach; he remains restrained in expressing his crush, riddled with self-doubt over jeopardizing your friendship. Still, there's a flicker of affection in the form of occasional winks, suggestive smirks, and inadvertent casual touches. It's as if these actions were mere happenstance.
When envisioning a relationship, Leo's thoughts teem with romance.
He's a daydreamer, imagining tender cuddles, soft kisses, and focusing on the intricate sensation of your lips meeting. He knows he'd excel as a boyfriend, ever ready to shower you with unwavering devotion.
Leo envisions a love that could cocoon you, enveloping you within his arms in the warmest embrace. But he restrains from confessing his emotions.
He believes you merit someone who can stand by you in daylight, attend family gatherings, join in celebrating birthdays, and accompany you through life's milestones.
Voicing his feelings, he fears, would convolute matters further, and complexities are the last thing he needs.
And during the nighttime, when those exhilarating thoughts begin to weave through Leo's mind, he cannot prevent the fantasies from taking shape.
He envisions whether you'd be quiet or loud if you'd squirm, let out soft moans if you'd want him to be above you, or taste you up.
Leo can't quite look at you the following morning.
RAPH
Raphael takes a more tangible route.
His attention homes in on your mouth, your laughter, your entire physique. He's an expert at deciphering body language, knowing precisely when and how to bridge the gap.
Wit flows effortlessly from him, each word carefully crafted to elicit your laughter.
Raph dedicates himself to crafting moments that resonate, subtly weaving a tapestry where you'd naturally seek his company.
It's a smokescreen for the torrent of affection he harbors. Just like Leo, the dread of risking your friendship hampers him from taking the leap. Besides, he's acutely aware of what he is: a sewer-dwelling turtle with little to offer beyond nocturnal escapes and thwarting villains.
He's not supposed to yearn for you to this extent. The priority should be what you rightfully deserve, yet whenever you smile at him as if he's the only one in the room, makes it more than impossible.
Soon, your scent becomes a dangerous feature, stirring something primal within him, a voice that insists he should claim you. Mark you up, keep you all to himself.
Fuck, it would be so good to feel your breath upon his lips as you whimper, pleading. Your nails scratching the edges of his shell as he buries himself deeper in you.
And Raphael loses sleep as he stares at the ceiling, imagining you're his. His to touch, his to kiss, his to protect.
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hypewinter · 1 year
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Danny raises Superman au
So we all know that Superman touched down in Kansas and was adopted by the Kents and bla bla bla. But you know what state also has farms and is only like 600 miles away? Illinois.
So Danny is chilling in the countryside, enjoying his sweet, peaceful early retirement when an alien pod, that's a little a lot off course, suddenly crashes near his house. When he checks it out, there's a baby inside. Welp looks like he's a father now. No way is he risking the government getting their greedy little mits on this precious ray of sunshine.
Clark grows up with a father who teaches him early on how to control his powers and use them for good (They may or may not stop a robbery or two occasionally). He also gets two cool aunts. One is free spirited and always bringing him souvenirs from her travels. The other is very grounded and teaches him many techniques to deal with his conflicting emotions (his father is not happy when he uses said techniques on him).
Danny for his part is happy we his son develops a support system like he did. They can even actively help him beat up the villains! He's overjoyed at the man Clark becomes and even happier when he brings home an ace reporter who knows how shifty the government can be. He might be already saving up for their wedding but who can say?
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howtofightwrite · 3 months
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For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?
I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.
Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.
With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.
If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”
To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.
So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.
You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.
Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?
And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)
So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.
-Starke
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pendarling · 7 months
Text
Loving Names
Hero was perplexed when Villain stopped calling them by their terms of endearment. Things like “honey,” “love,” or “sweetheart,” had made them melt, but they’d never dare show interest to an enemy like that. They were just curious as to why, that’s all.
It was just a bit strange now that they realized after their last few battles with Villain, all the nicknames had disappeared entirely.
In the time they met Villain they always knew there was just something about them that drew them closer. It wasn’t just the way Villain affectionately talked them up or the small remarks that gave them butterflies but also the hints of deeper feelings they left for them with every banter.
It all tore at their heart, of course they can’t openly say something so embarrassing. A hero’s job was to protect the city and its citizens from villains and this one was no exception.
So Hero never reciprocated the behaviour. They couldn’t let themselves become caught up in the emotional drama Villain was leading them in.
At least they should’ve saw it coming. They should’ve known that after denying Villain from the satisfaction of ever knowing how they felt, that Villain would eventually stop pursuing. They would stop the flirting and the lingering gazes. The gentle but brief touches and the high risk close combat that gave Villain a chance to speak soft poems to them.
It was like a reset button had been pressed and Villain immediately returned to how things initially were when they first met.
For that, Hero felt great regret.
Which is why they were planning on confronting them.
***
They found Villain sitting casually at the scene of another crime. It almost seemed unusually quicker than normal. It would take at least an hour to detect Villain at any of these attacks, but it looked like the universe had something else in mind.
Determination pushed Hero toward their nemesis, the question still boiling deep inside them.
Hero walked behind them as the other idly sat on the roof, their feet dangling at its edge. “Villain,” they spoke.
They rose from their position, and turned to look at them with sly eyes. “Just in time. Shall we continue where we left off?”
Without much hesitation, Hero pulled out their weapon and readied themselves for the dance they’ve grown so familiar with.
Villain closed the gap and swung in their direction; their hand aiming for their gut. They quickly blocked the attack and backed up, a swift kick sent them back and let Hero breathe momentarily.
As the battle continued against Villain, their heart began to race out of anticipation for the promised conversation. It would be awkward at first, but as soon as they could get it out they would play it all off cool.
“What’s got your mind wandering?” Villain shoved Hero to ground as quickly as they tugged the weapon out of their grasp.
At first, they didn’t acknowledge the concern, but figured if anything, now would be the time to ask. Their eyes warily stared at Villain’s mischievous mask, though words began to fail them, “Uh…” it had to be now. They couldn’t let this stress take hold of them any longer.
The criminal stood just a few feet from them with a curious glint. They were certain they knew exactly what Hero was going to ask.
“I noticed…” Their voice was a lot shakier as they stood, “That you stopped with all the… names.” Their gaze stayed glued to the ground as their face grew hotter.
Villain hummed with an expression that lightened up instantly. “Oh, what do you mean?”
So they were going to play stupid. Was this some kind of punishment for not giving the reciprocation they were looking for?
They should’ve known and yet…
“You know…” They wiped their sweating hands onto their suit. “You always had a way with words.”
“I don’t seem to know what you’re talking about, Hero.”
They pouted slightly at the responses, “How do you not know? You’ve always called me… other things…” They trailed off. Just how long was Villain intending to keep them in this agonizing situation?
A laughter echoed which sent their head spiralling. Villain moved closer, their steps were quiet enough to match any predator. “I’m starting to think there’s something you want from me. I wonder what it is?~”
Hero tightened their lips. Maybe they should’ve kept their mouth shut after all. “I’m only asking a question.”
Villain circled them, still putting on their clueless face, “I can’t answer a question if you won’t make it clearer for me.” They shrugged. The enemy was no where in sight, though they could sense Villain stalking behind them.
A ghostly touch climbed up their spine. With their shoulders tense, Hero spun around to face Villain who was only inches from them. “W-what!?” They stammered.
“You always keep me waiting, Hero. Always guessing your motives.” From their expression Hero caught something change, “A never ending cycle of not knowing…”
They sighed, their heart still hammering in their chest, “Did I do something to upset you? To make you stop… with the terms of endearment?”
Lips curled slowly upwards at their questions. “Oh. So you did like them after all.” They chuckled warmly. “Did you enjoy having cute pet names?”
Hero took several steps back, “What? No!”
“Alright. Then I guess there shouldn’t be a problem then if I stop—”
“No, don’t!” It came out unexpectedly from them. It was enough to make Villain’s eyes go wide, and the air to grow thicker.
Their thoughts tugged at them again, they didn’t want Villain to just stop but they also hated to admit they loved it.
“So you don’t want me to stop? Why?” They chuckled.
Damn it. Villain knew exactly what they were doing.
Their mind fumbled to grab the words they needed to play it all naturally.
“Why? Because uhm…”
“C’mon. I know you can say it for me~”
They nervously tapped their foot to the ground, “Fine…” They said through clenched teeth, “I liked it.”
“You mean you loved it, right?”
They nodded.
Their nemesis’ laughter didn’t stop though, it only increased from there. Villain always went overboard with their teasing. “You loved what?” They leaned in closer.
Their hands tightened into a fist this time, eyes shut as their head hung low. It felt so shameful and exhausting to keep this up. “I loved it when… you call me… your love.”
“Aww… so you aren’t as heartless as it seems” Villain lifted Hero’s chin and brushed the hair from their face, “That’s all I needed to hear from you, my little dove.”
Oh, and there it was again. That satisfying tingle against their skin. That rush of dopamine and excitement.
Villain sensed their change in mood and smiled confidently, “You really take advantage of these pet names, don’t you?”
“Only from you.” Their head tilted into Villain’s palm.
~~~
MASTERLIST
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starflirts · 4 months
Text
NO GRAVE CAN HOLD MY BODY DOWN (I'LL CRAWL HOME TO HER)
in which luke is determined to keep you close to him forever. luke castellan x fem! reader, wc: 1.36k, warning: swearing, note: first post dedicated to my favorite villain... enjoy !
"Wha-... what the fuck are you talking about Luke ?" From the edge of his bunk bed, your boyfriend avoids your stare, looking anywhere but at your face. "Look at me ! You can't just drop this upon me and act like nothing is happening !" He can hear the hurt and the confusion in your voice and decides to get closer to you. He wants to hold you tight and never let you go but settles for holding your hand.
"Babe, listen to me. please." He’s the one to look at you with pleading eyes this time, one hand circling yours and the other resting on the nape of your neck. "You know how much I hate Olympus and how they toy with us just for their own benefit. I know you feel the same way, watching kids barely getting here safely only to never be claimed or only when their parent deems it convenient ! Do you think it's fair ? To be used as a puppet so you can finally be worthy in the eyes of mom or dad ? Risking your life to fix their shortcomings ?"
His emphasis on dad doesn't intrigue you, you already know. Everyone knows. His eyes are full of resentment and his scar seems so red, a stark contrast with the unmarred skin. Luke goes on and on about his supposedly great plan and you can only watch in horror as the boy in front of you looks nothing like the one you fell in love summers ago.
Hand reaching for the one still laid on your nape, you look up, brows furrowed. "Does Annabeth know ?"
These three words are enough to make him flinch. He opens and closes his mouth and that tells you everything you need to know. Your face twists with disgust and anger as you shove his shoulder enough for him to stumble back, away from you.
"Fuck off Luke !" you spit, tears cornering at your lash line. "How dare you turn your back on your little sister, on me ?" Your voice cracks but you try to put up a brave front, wiping the corner of your eyes. You can only stare at him in disbelief, even though your hands itch to bring him closer to you, to hold him and to at least try to understand his sudden change of heart.
Luke attempts to step forward but you pull back and he can hear his own heart breaking. He runs a hand over his face before answering you with a shaky sigh: "Look, I’m doing this for everyone at camp, for us ! I want us to live free of that burden. We deserve so much more than what the gods have to give !" His voice falters and he clears his throat. "I don't want to wake up one morning and find out you're gone because of them, because you went on a stupid quest for the sake of your parent who can't even bother to acknowledge you !" He looks at you fondly and sighs. "Do you remember the time I came back from the quest Hermes sent me on ? You were so scared something had happened to me. I can't let that happen again. I can't let that happen to you. I want to protect you, to protect us ! You- you're all I have."
Tears fall freely as you shake your head, hugging yourself in an attempt to calm down. "There’s got to be another way, you can’t… You can’t do this Luke ! I-" you sob.
And you feel so afraid yet you don’t know whether you’re more scared of Luke himself or of the thought of losing him to something this insane. The cogs in your brain turn and turn but you can't bring yourself to drive him out of your life, not when you've seen him at his best and at his worst, when you've been by his side for so long you can't even remember.
In a few steps, Luke is engulfing you in a hug and all resolve you had to push him away crumbles within seconds. He rests his chin on the crown of your head while you cling to his shirt. He holds you tight, as if the mere thought of you walking out of his cabin would become true and you might vanish with the wind.
"Hey hey, it’s okay, we’ll… we’ll figure it out, we still have time." he whispers in your ear and you want to believe him, you really do.
Slightly pulling back, he rests his forehead against yours, hands coming up to cup your face. With a sad smile, Luke's thumbs wipe your tearstained cheeks.
"There, don't cry," he tells you softly, "my pretty, pretty girl. You know I'll never let you go right ? I love you too much to be able to live without you."
His smile is genuine as his hand cautiously takes your own to place it on his chest, right where you can feel his heartbeat. "You’re here, always and forever, no matter what."
Luke's world had crumbled a long time ago, ever since he realized the gods were monsters in disguise. But now that he has you in his life, whatever's left of that sparkle of hope he had when he was fourteen (and when the world seemed so big yet so full of chances) shines brighter. You were the one who rebuilt everything from scratch, who fixed the gaping hole in his heart.
Your free hand comes up to brush his cheek, thumb trailing his scar. You wish you could close your eyes and pretend that the world isn't on the brink of disaster, that your Luke isn't about to change its course.
The love of your life starts again: "I'll be with you at any cost, believe me. And if anyone, so much as the gods or that new forbidden kid attempt to separate us, I'll walk- heck I'll drag myself back to you !"
His promise is sealed with a kiss and you're certain you'd follow him in a heartbeat: "for better or worse ?" you ask in a small voice, lips hovering over his.
He answers you with a smile and shiny eyes: "for better or worse."
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urgonnaneedabiggership · 10 months
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Could you make a fic where Miguel gets the female reader pregnant and they're happy but he's worried about her safety? Maybe have a villain find out? Cause some angst?
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Risk Something (You're Losing Me)
Pairing: Miguel O'Hara (Spiderman: Across The Spiderverse) x Fem!Reader
Warnings: Language. Spoilers (Miguel's backstory is mentioned). Angst! Alert!, Unplanned pregnancy!Alert.
Word count: 4.3K
A/N: Since I had already established some background and emotional intimacy, I thought I could write this as a sort-of-sequel to my previous one-shot Host of a Ghost. I was so excited to write this, especially because I don't usually write angst but I like to push my boundaries and leave my confort zone. Hope that it pays off and, of course dear anon, that you like it <3
Part III
You’d never really believed in long-distance relationships. After being witness to so many unsuccessful ones, you’d cataloged the entire concept into a box labeled “certain failure” and tucked it away in the back of your head. And yet, with an inconsistency worthy of your friend Hobie, you’d gone and gotten yourself involved in no less than an interdimensional relationship.
How? Well, that was a good question.
All it took was five simple steps:
Step one: Live a regular life. Go to school, graduate, and try to go for a Ph.D. that gets you working near genetically modified insects for just the right amount of time for you to become careless enough to let one crawl onto your backpack, take it to your apartment, and let it sting you. Throw in some negligence, forfeit going to the hospital, and go on about your afternoon. Warning, some side effects like loss of consciousness or intense headaches can be expected.
Step two: Congratulations! You’ve now become a super-powered person with abilities that range from climbing walls and performing gravity-challenging parkour to creating a sticky web-like element that helped you swing from one building to another. Toy around with your new talents, and grow comfortable with them before realizing that you can actually use them to be the much-needed help your city needs.
Step three: Turns out you’re not the only one with this kind of ability out there. There’s a whole Spider-Society full of similarly enhanced people who try and do their best to keep their own dimensions safe, and you’ve not only caught their eye but have actually been invited to join them. Let your new guide Jess Drews show you around, and explain all the benefits that come from joining a team such as theirs. If you decline, you can go back home and that’ll be all.
If you’re interested, it’ll be necessary to convince the leader but they could use some extra help so it shouldn’t be particularly hard. It sounds like an amazing chance. Information you wouldn’t have access to otherwise, mind-blowing facilities where you can polish your newly acquired abilities, possible new friends that actually know what you’re going through…Say you’ll think about it. Right as you’re about to leave, the most fucking gorgeous man you’ve ever seen in your entire life walks past without paying either of you any mind, busy while speaking to another Spider-Person. You ask who that is, turns out he’s the aforementioned leader, “will I ever have to work with him?”, you ask. “Probably, eventually” Replies Jess. Ask when you can start.
Step four: Do your best to earn your place in this elite group. Successfully improve your fighting skills, read everything available on interdimensional traveling and the multiverse. Understand it almost instantly because that’s how smart you are, kudos to you. Realize that for some reason, despite never actually interacting with you, Spider-Society leader Miguel O’Hara tends to stare. A lot. Is it because you’re progressing as fast as Jessica says or because she’s a complete liar and you’re actually doing it all wrong? No idea. All you know is that even during mundane scenarios like laughing in the hall with all the newest additions to the team or in line at the cafeteria, you feel a certain tingle in the back of your head that makes you turn around. Of course, the moment your eyes meet, he turns around and leaves. An odd one, yes. But you’ve also heard things. Rumors, here and there about his life before creating the Society. Whispers about a lost family and some video archives being the only evidence that they even existed in the first place. And, of course, the fault he had in the destruction of their dimension. You sympathize with him, despite his apathetic attitude towards you. You’ve seen him interact with those he’s closer to, and you know there’s more to him than he lets on. You’d be elated if he ever let you take just one look at the smidge of his old self that sometimes peeked out from behind the iron curtain. Well, not really. One look wouldn’t be enough. If anything, it would only cement your feelings for the man.
Step five: Curiosity killed the cat. We all know that. You know that. And yet, you decided to go snooping around Miguel O’Hara’s computer and personal files until you accidentally switch his computer on for long enough to let the videos he’s always watching start playing. He…his daughter…an entire lost life gone before his eyes. Then, before you could do the right thing and turn the computer off, an eerily familiar voice called at him from behind the camera. So, of course, you had to keep watching. Long story short? All those oddly constant stares, that coldness towards you, unwillingness to look you in the eye, was because of two reasons: first, you were a nearly identical interdimensional variant of the wife he’d lost in the dimension he unwittingly erased from existence. Two, as he’d confessed after realizing you’d found out about the truth, Miguel had come to terms with the fact that he was in love with you, not as a replacement for somebody from his past but as a new presence in his life that he’d been struggling to watch from afar, unwilling to let all his repressed feelings spill out like water from a broken dam. Until that night, of course.
Now, eight months later, you’d come to realize there was actually a sixth step you’d never actually considered until now that you were in this…situationship.
Step six: Uncomfortably avoid every and all circumstances in which interdimensional disparities and canon consistency regarding your relationship could come up. Don’t say anything like “Well, it’s been nice but I’ve got to go back to my own dimension” because that would remind him that his dimension was not yours too. That you were after all still a stranger in a strange land. Which of course also meant never inviting him to stay in your dimension.
Deep inside, you knew that all those details would eventually cause problems, especially regarding the inner conflict Miguel was always dealing with knowing what he was doing…what you were both doing, went against his strongest principle. But by God he was happy. Happier than he’d thought he could ever feel again. More than he deserved. So he just ignored those intrusive thoughts and focused on whatever task was at hand. And you were too. Even after just eight months, life without him already seemed unimaginable. He was your first thought in the morning and your last before you went to sleep, and more than once his presence beside you had been not just a figment of your imagination, but a part of your reality as you felt his strong arms wrap around your waist and pull you closer whenever you strayed too far from him in bed as he groggily whispered, “¿Y a dónde crees que vas, preciosa?”, Or when he buried his nose in the crook of your neck, lining it up with soft kisses that sometimes ended up in both of you being late for your assigned tasks. With so much on the line, you were more than happy to avoid those spiky subjects. It seemed like such a small price to pay with all you were getting in return.  
You weren’t sure of where all this was going, but none of that mattered. Right now, you were together. Inside the Spider-Society you were a great team and each one was a valuable asset. Outside, every second spent in your arms was enough to make him forget Spider-Man. To you, he was Miguel and nothing more. And that was all you needed.
Life was good. You were happy with the way things were. Until, as it usually happens, a necessary disruption came quite literally crashing into your life in the shape of a fifteen-year-old that carelessly swung around a corner and crashed into you after you’d been chasing him like the rest of the Spider-People after receiving Miguel’s message.
“Miles?” You asked, recalling his name, which you’d actually been hearing for quite some time since the circumstances of his existence started being a problem for your boyfriend. The boy didn’t answer. He just looked at you, his eyes filled with confusion and fear until you hesitantly took a step aside to leave the escape route open for him. If anything he looked even more baffled, but when the noise of his pursuers reached your ears he rushed down the hall and you lost him after he took a sharp turn.
Before you could be spotted, you ran in the opposite direction and hid around a corner as you tried to call Miguel on your watch. Of course, it was in vain. Well, Plan B. Fortunately, this time you did get a reply.
“(Y/N)?”
“Peter! Yes, it’s me! Where are you?”
“Where do you think? I’m going after him like everybody else. I need to get to him before…sweetie, please just get back in there, Daddy’s on the phone right now…I need to get to him before- “
“He’s already left the headquarters,” You informed him.
“Wait, you saw him?”
“About a minute ago. He was on his way to the North exit.”
“(Y/N), are you sure you should be a part of this chase right now?”
“Why not? Jessica is there, isn’t she?” You replied, smiling to yourself. Good old Peter B., looking out for you like some sort of self-appointed brother figure.
“Well yeah, but she’s not running, kid. Although I don’t think she should be on one of those death machines either, I don’t what she’s…”
While he kept on rambling for a bit, you looked around and wondered if you’d ever seen the building this empty.
Empty.
Your eyes slowly ran along the pearly white walls until they landed on the hallway that led to the room where the Go Home Machine was kept. Practically unchecked, if Spider-Byte had joined the pursuit.
“P.B., I’ll talk to you later,” You absent-mindedly replied, hanging up on him without waiting for an answer as you dashed down the hallway.
You kept thinking about that poor kid’s eyes. After having all that information unloaded onto him, instead being given enough time to somewhat process everything he now had to escape from the very people he was supposed to feel safe amongst. When he sat on the floor right in front of you right after the crash, he was sure you would immediately hand him over. Maybe a few months ago you would’ve done it without hesitation but now…things had changed.
There it was. The Go-Home Machine. You thought you saw a purple blast inside that let you know Byte was still there. However, if your theory was correct, Miles would have to go through that hall and therefore, you. A few minutes later, a sudden voice booming from your watch startled you.
“(Y/N)!”
“Miguel? Where are you? I’ve been trying to…”
“(Y/N), listen to me! Miles lured everybody out on purpose, he’s trying to get to the machine. I can see your location back at the headquarters and he should be coming your way in less than a minute!”
“Alright. I’ll handle it.” You replied, ending the call before he could ask you to elaborate on that.
Sure enough, light footsteps came in your direction shortly after. Right as Miles entered your field of view, an alert issued by your watch made your stomach drop and a dreadful feeling fill your chest. However, you’d made up your mind. There was no going back now.
Mile spotted you at the end of the hall and stopped in his tracks. His eyes were determined, not as afraid as a few moments earlier. If he was there that meant he’d somehow gotten past Miguel. You fought back a smile when you wondered how pissed he’d be about it. Having his ass kicked by a teenager was something that, maybe under different circumstances, you could tease him about.
“He’s a delight, isn’t he?” You finally spoke, trying to somewhat lighten the mood while taking a step toward the kid. However, he got in a defensive stance, furrowing his eyebrows in distrust.
“It’s okay, I’m not going to hurt you, I just want to talk.” You assured, showing him both your hands, “Miles, listen very carefully. This is exactly what Miguel was talking about a while ago. At this very moment. Right now, I’m supposed to stop you from getting to that machine and handing you over,”
Of course, he took another step back.
“Miles I’m not going to do that,” You assured him.
“Why not?” He immediately asked, constantly looking behind him, wondering if this was just you trying to stall him like, unbeknownst to you, he thought Peter had tried to do a while ago.
“Because I’m sure there’s a better way to go about all this. I love him so much, I do, but he’s so afraid that I don’t think he’s willing to see other possibilities and by the time he does, it might be too late for you. Now go before anybody else gets here.”
You didn’t have to tell him twice. Miles darted past you as soon as you finished talking, taking a second to look back before reaching the dimly lit room where his ticket home was. His eyes scanned your face and darted down for one second before he looked up at you, a new worry in his eyes that had you wondering whether his spider-sense was strong enough to perceive something you’d just found out yourself.  
“Are you going to be okay?” Miles asked, his eyes looking down for a moment once again. Did he know? Did he mean “you” as in just you or as in…?
“Yes, don’t worry. Now get out of here.” You insisted. With one last hasty “thanks”, he ran into the room as your left in the opposite direction. You weren’t worried about Spider-Byte. She was a good kid, and she’d do the right thing.
The right thing. What did that even mean anymore?
You’d deal with the moral implications later. For now, as you found yourself on the other side of the headquarters, your mind was set on finding Miguel. Maybe you could try and talk some sense into him, make him reconsider whether this was…
“What the hell was that?”
By now you’d gotten used to Miguel’s habit of sneaking up on you. Usually, hearing his voice coming out of nowhere brought a smile to your face. This time, you closed your eyes and winced as you felt his presence behind you.
“Don’t even try lying. I know that voice you used in the call. The one for when you’re about to ignore whatever order I’m about to give you, so I checked the cameras.”
“Miguel, I…” You began to explain yourself just to be harshly cut off.
“(Y/N), what were you thinking? Do you realize what you just did? Do you have the slightest idea of the consequences…?”
“I do realize that you just asked a fifteen-year-old child to stand by and let his father get killed right before calling his existence a mistake, Miguel. What were you thinking?”
“I was thinking of our safety, and that includes Miles’. You’re right, he’s a kid and that means he’s selfish and immature enough to endanger everything we’ve all been risking our lives to protect for years.”
“Miguel, listen to me,” You insisted, “You’re scared. I know. I am, too, but have you ever considered that maybe there’s another solution? Do we even know for sure that allowing the kid to go and try to save his father is going to cause any real damage?”
“What if it does? Are you just going to tell me “Sorry, Miguel, you were right” and that’s all? (Y/N), Dios mío, piensa. Gwen said the same thing but we couldn’t trust her with being objective because he’s her friend,”
“Wait, what do you mean couldn’t?” You asked. Miguel clenched his jaw and turned away, unable or unwilling to look at you.
“Miguel, please tell me you didn’t send her back. Not with how she left things back there,”
His absolute silence told you everything. Shaken, you took a step back.
“What is wrong with you?” You hissed the disappointed look in your eyes hurting like a sharp dagger to his chest.
“(Y/N), mi amor, I’m just trying to…”
“You’re such a hypocrite,” You angrily spat out, “You go around preaching about how important sticking to your stupid canon is and the delicate balance of the multiverse when you know damn well that what we’re doing goes against every single one of those things,”
“No, no, that’s very different,” Miguel disputed,
“How is it different?” You argued back, boldly moving closer to him wishing you were taller so you could face him, “I’m from another dimension, there is no way that we were supposed to meet from the beginning. You had your world, this world, and when you tried to live another life in a different one, an entire dimension was destroyed. I had my world, and for all I know maybe there was somebody there that I was supposed to meet but thankfully I ended up here first so I could meet you. But you know what? My universe is fine, yours is too and I swear I had never been happier in my entire life.”
“You’re right.” He muttered in deep thought.
“Yes, I am. And maybe…” You started to say, a relieved smile tugging at the edges of your mouth until he looked up and the expression in his eyes made your throat dry up.
“We’ve been messing with fire all this time. There is probably somebody you can be with without endangering your entire dimension. And this…this is the hand I was dealt and I should just accept it and live with it. You’re right. Maybe this was all a mistake from the beginning.”
“No. No, come on, you don’t mean that.” You shook your head in denial, lifting both your hands to cup his face in your hands, to bring him close like he had done the night you finally could let all the love you felt for him escape its confinement in your chest.
Miguel grabbed your hands before you could touch him and moved away from you before releasing them as he finally built up the courage to look you in the eye.
“Are you serious?” You asked, your voice quivering with anger as you felt tears begin to dwell in your eyes, “So that’s it? You’d rather sacrifice us than find a different way to solve this?”
“Well, what did you think was going to happen, (Y/N)? That this would go on forever and we’d keep pretending everything is fine and that you don’t have to wear a fucking machine on your wrist every time you come to see me because even the cells in your body know you were never supposed to be here?”  
“Oh, right, so you expect me to believe that you always knew this was going to be temporary? Then what was this? Something to take the edge off after a rough day until you decided it was time to stop fooling around and just be done with it?”
Deep inside, you knew what his response was going to be, but every inch of your heart silently pleaded for you to be wrong. To pull you into his arms and apologize for trying to send you away and promise that you’d get through this because you loved each other and that was all that mattered.
“I don’t know why you thought it was anything else,”
For a minute, you wondered if this was all actually happening. Maybe this was all a nightmare fueled by all the training simulations you’d gone over lately, and you’d wake up crying just to find Miguel asleep next to you, his wide back slowly rising and sinking with every calm breath he took. Your crying would wake him up and he’d furrow his eyebrows and ask what had happened.
“I had a nightmare, that’s all,” You’d say, wiping your tears off and trying to downplay it. But he knew better. He always knew better. He would pull you close and bury your head in his chest, placing a kiss on top of your head while warning you that he was the only one allowed to have nightmares because otherwise he’d have to start comforting you too and neither would get a full night of rest. And you would laugh softly as you drifted off, lulled by the warmth of his chest and his smell of sage lotion and cheap fabric softener.
But no. You were very much awake, and instead of comforting you with promises and reassurances, he was walking away from you after delivering the final blow to your heart.
Since he had his back turned to you, you felt free to let the repressed tears freely fall down your face as you helplessly watch him go until he disappeared around a corner. All of a sudden, you felt as if the walls of the headquarters had begun to close around you to asphyxiate you, and the sound of the returning Spider-People made you realize you didn’t want to be there for one more second.
Thanks to your watch, you were back “home” in a few seconds.
“Home”. Your empty apartment where you’d lived alone for years. Where he’d never set foot, and at least in that way it was free of his memory. Or so you thought until you looked over your shoulder at the ajar bathroom door. Inside, atop the porcelain sink, still rested the positive pregnancy test you’d left there before having to rush over to the headquarters to help with the latest anomaly.
That memory felt so distant now. As if it had happened years ago, in a different life. You suppose in a way, it did belong to another life. A life that was over now.
Numbly, you made your way toward the ragged sofa, collapsing on top of it as soon as you were close enough. It was only then that the full weight of the last day and a half sank in and, as you gently wrapped your arms around your stomach, you let the tears fall until your throat burned, the dusty cushions muffling your broken sobs.
“I’m sorry, I don’t think I heard correctly, you did what?”
The seriousness of the situation was enough for Peter to fasten a small strap in Mayday’s baby carrier to make sure she won’t go anywhere for a few minutes as he waited for his friend’s platform to reach ground level. He couldn’t be chasing his toddler around and ripping Miguel a new one at the same time.
“I did what I had to do. It’s for her own good,”
“Right, because you’re such an arrogant…” He paused to carefully place his hands over Mayday’s tiny ears, “…such an arrogant dick that you think you know what’s best for everyone, including a fully grown, intelligent, woman like (Y/N)”
“Shit, Parker, do you think it was easy for me?” Miguel uttered, pinching the bridge of his nose before resting his face against the palm of his hand, “What I said about this being the hand I was dealt…I don’t know how I’m supposed to deal with that. Hell, I don’t even know how I’m going to keep myself from showing up at her dimension to try and get her back here the first chance I get.”
“And why would you have to keep yourself from doing that?” Peter asked patiently. It sounded like a better alternative to “Miguel, I love you man but I swear you’ve got the emotional availability of a tree stump. Beats me how (Y/N) was able to get you to admit your feelings without prying your chest open with a jigsaw to see your pounding heart for herself.”
“She was right. We were never supposed to meet in the first place. Not like this. It’s not…”
“Miguel, I swear if I hear the word ‘canon’ even once in this conversation I’m going to drive my head through a wall,”
“Just because you don’t take anything seriously doesn’t mean everybody’s the same,” Miguel hissed back.
“That’s where you’re wrong. Last time I didn’t take something seriously, I ended up just like you will unless you get your priorities sorted out. Alone, and regretting not focusing on what was important,”
“This is important,” Miguel stubbornly argued.
“More important than what you had? Look at yourself. Just forty-eight hours ago you were as happy with (Y/N) as you’d been for the past eight months. And as happy as I’ve been with Mayday and my wife who, by the way, wouldn’t even be with me if it wasn’t for that kid you just called a mistake. And do you see my dimension going up in flames? Or yours? Or hers?”
Unable to find an argument against that, Miguel remained silent, his eyes fixed on an empty spot on the wall in front of him.
“Listen, I know you’re afraid. You don’t want her to get hurt, but if you love her as much as you claim to, then you’re taking the choice of a coward right now. And you can’t afford to be one, especially now.”
“Especially now?” Miguel inquired, turning to look at his friend who, much to his surprise, pressed his lips together as if he’d made a mistake and instead focused on getting Mayday’s hair out of her face.
“My point is; I know you well enough to know you worship that woman. And she thinks you’re pretty decent too. And I can tell you from experience that you’re going to regret it for the rest of your life if you let this come between you.”
Not knowing what else to add, Peter gently patted Miguel’s shoulder before leaving the room, hoping he’d given him enough to think about. Hopefully, enough to make him change his mind.
Meanwhile, Miguel hadn’t moved since Peter left the room, mulling his words over.
Two, particularly, had stuck with him for some reason.
Especially now.
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blue-likethebird · 6 months
Text
Reusing the memory system from botw for the tears of the dragon storyline in totk was such a terrible decision on so many different levels that it’s honestly kind of impressive.
While the botw memory system had flaws of its own, there was one small but significant thing that worked in its favour: botw’s memories were largely separate from the main plot in the past, and have absolutely no bearing on the story being told in the present. Aside from a few specific instances (ie the calamity striking, the ceremony, Link and Zelda becoming closer) the memories are all self-contained moments that emphasize character development over driving the story. Because there’s no major narrative throughline between them, it gives players more freedom to discover in any order regardless of how much they’ve progressed through the main quest without running the risk of stumbling across a memory that ruins something else later on in the game.
(This got long so the rest of my analysis is going under the cut.)
The biggest change between the memories from botw and the dragon’s tears from totk is definitely what kind of information these cutscenes relay to you as the player. Botw’s memories are primarily snapshots of small interpersonal moments that hold very little significance to the greater narrative taking place in the past. Totk’s memories are the greater narrative. With only one major exception -that I’ll touch on in a sec-, every cutscene in the dragon’s tears shows a crucial moment of story development with no time left to explore the characters driving that story forwards. There’s no organic moment revealing, say, a quirk of Rauru’s that Mineru finds annoying, or Sonia’s sense of humour, or any of our literal Main Villain Ganondorf’s motivations for going to war with Hyrule. If there’s any moments of character focus they only happen in ways that advance the plot (meaning the only real character focus is on the characters totk wants the entire universe to orbit around, namely Rauru and Zelda), and as such it’s harder to bring myself to care about what happens to anyone.
To illustrate the point I’m trying to make here, compare the memories of the champions Link regains during the divine beast quests to the conversations with the ancient sages at the end of each temple. The memories make passing mentions of the ongoing preparations for the calamity, but the real purpose of those scenes is to showcase who the champions were as people before their deaths and give us a reason to mourn them, even though we know at the start of our journey that they’re all long gone. In contrast, the conversations with the ancient sages are all about the events of the imprisoning war and their promise to Zelda that their descendants will come to Link’s aid in the future, very obviously copy pasted for each of the five times that cutscene is brought up (which is a particularly egregious moment of bad quest design but that’s a rant for another time) in such a way that none of the 5 incarnations of that cutscene reveal anything new about the ancient sages as characters, to the point where none of them even show their faces. I care about Daruk because the game shows me that he cares deeply about the wellbeing of his fellow champions and brings out the best in others. So why should I care about the nameless, faceless sage of water? What’s there to move me about their struggles if my only interactions with the sages are a series of exposition dumps? If the game can’t give me a reason to sincerely care about its main characters, the whole rest of the story is meaningless.
(As an aside, I get the feeling someone on the dev team caught on to the issue I’m describing here, because the tea party memory sticks out like a sore thumb from the rest of the dragon tear cutscenes. It’s such a jarring change of pace to have the otherwise plot-heavy dragon’s tears come screeching to a halt for a scene where Sonia sits down with Zelda to have a cute little tea party and talk about absolutely nothing of significance that the whole thing almost seems like it was hastily tacked on to the story later. Given that the next (chronological) memory sees Sonia fall victim to an unceremonious death by chiropractor, it feels like someone realized that Sonia really doesn’t do or say much in the scenes before she dies and threw together the tea party scene so players would have at least one moment to look back on fondly when she’s fridged. But I digress)
The story told in the dragon’s tears is a highly linear one. But the open-ended nature of botw’s memory system remains, meaning that these tears can be found and viewed in any order. At first this doesn’t seem so bad, since the first two tears you’re likely to find if you follow the game’s intended path are also the chronological first and second of the memories you can discover through these geoglyph tears. But after those first two, the game kinda gives up on guiding you towards these tears in a way that flows well with the story they wrote: the closest tear geographically to the two the game initially guides you towards correlates to one of the penultimate scenes of that entire storyline, while the next scene chronologically is found almost halfway across the map. As such, it’s all but guaranteed that you’ll spoil yourself in some way without using either a guide or the (somewhat unintuitive and never fully explained by the game) little map in the forgotten temple. Finding memories in order didn’t matter so much in botw because the scenes you could find still worked well as standalone scenes before you discovered every memory and pieced together the full picture, and the game is never trying to surprise me about the characters’ fates at the end of this storyline: hell the first memory you’re guided to shows the calamity striking. But in contrast, viewing a dragon’s tear at the wrong time can completely ruin the story they’re trying to tell in those cutscenes. During my playthrough, for example, the first tear I found after the game stopped guiding me to them showed Ganondorf removing Sonia’s stone from her dead body. At this point I had known Sonia existed for all of like an hour, so every subsequent appearance she made was ruined for me by the fact that I already knew she was nothing but cannon fodder to be killed off for the sake of another character’s pain (Rauru and Zelda a-fucking-gain). I expected to be pissed that it was so easy to spoil myself, or maybe sad in passing that a character with her potential was so underutilized, but instead I just felt… tired. I wasn’t even halfway to the first settlement and already I was completely numb to the story the game was trying to tell.
But the worst was yet to come. And oh boy was it ever a low point for storytelling in the Zelda series. Remember how I said up above that the memories in botw had no connection to the story in the present? Let’s just say the same cannot be said for the dragon’s tears.
It’s May 2023. I’ve just finished the sage of wind questline. I still have hope that the story the game is trying to tell will be good. Deciding that I’ll go to Goron city next, I head towards the Thyplo skyview tower to expand my map, catch a glimpse of a nearby geoglyph from the air, and glide over to check it out. This geoglyph shows me a memory that not only recaps the entire dragon tear storyline, but also ends on a bit of foreshadowing about Zelda’s fate that’s about as subtle as a brick to the fucking face. By exploring -the thing the game claims it prioritized above all else in the design of its world and quests- I’d once again been hit with spoilers for a major story detail.
My main objective in this game is to find Zelda. It’s the only driving factor behind my journey towards all these different regions. The current big mystery I’m supposed to solve is why Zelda’s causing so much hell for the people of Hyrule. I now knew exactly where she was and what the deal with her appearances in other parts of Hyrule was, and I’d found it completely by accident by doing something the game says over and over again that it wants me to do. Unlike with Sonia’s death, this time I was a mess of emotions. I was pissed the fuck off that this open-world game had punished me twice already for trying to explore. More than that, I was disappointed that a game I had been so excited to play, from a series I had so many fond memories of, had let me down like this. With every subsequent quest where the sages and I chased a Zelda I knew was fake to our next objective, and every NPC wondering where she was that I couldn’t tell the truth to, that disappointment grew. The entire rest of the main story was ruined for me before I had progressed past 1/4th of the regional quests and a third of the dragon’s tears. There was no more sense of anticipation or mystery. I finished the rest of the game with a bitter taste in my mouth and haven’t touched it again since.
Do I think this story could have been good? Honestly, I don’t know, and by now I don’t really care either (that’s a lie. I care so so much and that’s probably why I hate totk as much as I do). But it’s all irrelevant, because like Cinderella’s stepsister cutting off her own heel so she can cram her foot into a glass slipper that’s never going to fit, totk is sabotaged by the devs’ insistence that everything fit itself into a world they custom-made for botw. This isn’t a new formula that the series is following, it’s Nintendo slapping a new coat of paint on an existing skeleton, and I’m not optimistic to see what this particular approach has in store for the Zelda series. Especially not at the price they’re charging for it.
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zanarkandskylines · 3 months
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Hiii just thinking about Bakugo x reader where reader’s in danger from a villain attack and Bakugo saves her heheh. And then the media’s eating it up like 😭😭
this is such a cute idea!! ✨
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Accidental Damage
『♡』  pro-hero support fem!reader x pro-hero bakugo ╰➤ ꒰ pro-heroes au | secret bf/gf ꒱ ♡ katsuki bakugo masterlist ♡
summary: you've been swamped with work as a pro-hero support engineer, pushing 80 hour weeks over the busy season, and finally have a day off! bakugo, however, isn't so lucky and ends up getting called in for an emergency patrol during your movie date. instead of sitting at home, you decide to treat yourself and head out into the city. turns out, you probably should have stayed home...considering the fashion district you frequently visit was the villain-of-the-week's choice of attack. tags & warnings: mild violence, anxiety, cursing | lovers (bf/gf), fluff, emotional comfort, physical hurt, protective bakugo, reader doesn't have a quirk, reader's a badass, accidental pda, oops the secret's out now, bakugo treats reader like a princess a/n: wanted to change up the dynamic a little and make reader & bakugo secretly date from opposing sides of the hero world! i'd love to see more of the support class tbh ꒰ Ao3 version | word count; 2,890 ꒱
It’s your day off! After working endless hours for the past month, you’re finally free of the frenzy of Support Request busy season. Spring is often the time that most heroes submit their upgrade and repair requests to their agency’s support team, resulting in a non-stop effort to get through everything in a timely manner. The agency doesn’t want to be responsible for a hero not being able to perform their patrol duties from malfunctioning hero attire.
The original plan of the day was to spend it in your apartment, watching movies with your bombastic hero of a boyfriend - Dynamight. Unfortunately, just like 9 out of 10 other times, he was called out on an emergency shift to cover for someone else.
Being the girlfriend of the number 6 hero wasn’t easy, especially because no one knew you two were even together.
The two of you attended UA High together in separate classes - Class A and Class H. You knew of one another, but never had a chance to talk outside of the occasional ‘hey.’ After graduating from UA, the two of you happen to be hired to the same agency in Tokyo as you were assigned to his support team. A few late night dinners, long phone calls, and plenty of flirty banter later, you started quietly dating the explosive hero. It’s been about two years and you’re happy as can be - secret or not. It wasn’t for any purpose other than to keep the media out of Bakugo’s personal life and focused on his hero career as it was common for the public to become judgmental and fans to get…protective, to say the least. The last thing you wanted to do was to risk his ranking or public image for the sake of labeling him as "taken."
───
"Oh god fuckin' dammit," Bakugo cursed as his phone rang on loop, vibrating to the edge of the coffee table. Removing his arm from your waist, he frustratingly snatched it from the table before the final ring. You caught a glimpse of the caller ID before he answered and left the couch.
AGENCY EMERGENCY LINE
Aww...we just started the movie, you thought, disappointed in the timing.
It was unavoidable, though, considering he was in the top 10 of the pro hero circuit in a record amount of time after graduating from UA. He was damn good at his job and worked his ass off to get where he is today. You're so proud of him and all he's accomplished, but that doesn't mean that you hate how often they pull him back into work on his days off. He hates it just as much as you do.
You overhear a bit of the conversation as he moved to the hallway to take the call.
"Dynamight, we need to you to assist..."
"Spare me the damn formalities and just tell me where the hell you're sending me."
"It's downtown, sector 24, you'll be going along side..."
That's all you heard before he was out of earshot.
You never held it against Bakugo whenever this would happen, it wasn't his fault at all, he had a job to do and he was needed - that's all it was.
He returned from the hallway, a scowl on his face as he plopped onto the cushion next to you. You already know what he's about to say.
"I'm sorry sweets, I gotta go back to work." He leans over and plants a soft kiss on your cheek. "What a fuckin' week. Been lookin' forward to finally sitting at home."
You frown as you squeeze his hand reassuringly. "It's okay, the world needs the great Dynamight."
Bakugo groans in defeat, leaving the couch to run for the door. He's about to put his shoes on and grab his keys before he pauses, dropping his boots in the entryway and skipping back over to the couch. He bends over the arm and sits awkwardly on it as he grabs your chin, turning your face to his. He places a kiss to your lips and it leaves you breathless, like always.
“Love you, sweetheart,” he purrs, finger brushing along the top of your cheek.
“Love you too, Kats,” you respond quietly as his hand leaves your cheek. “Be safe, text me when you head home.”
He grabs his keys and wallet from the entryway, shuffling through it and placing his credit card back onto the table.
"Leavin' my card for you to take, baby. Go buy somethin' pretty for yourself."
And just like that, he's out the door and on his way back to the agency for the fifth time this week.
───
Bakugo had a habit of not letting you pay for almost anything, no matter how much you protested against him - it was one of his ways of showing his love for you. He would often scold you for having somewhat of an overspending problem, but your motto was always “money comes back!” He’d roll his eyes and hand you his credit card, preferring to spoil you instead of letting you drag yourself into debt. You learned to stop refusing his offer to pay for things a few months into your relationship, knowing full well he'd never back down after he'd steal your card out of your hands or swap it for his when you weren't looking.
Might as well take him up on his offer and go shopping!
Strolling down one of the main streets of the fashion district, you pop into one of your favorite clothing boutiques to browse around. It's busy for a Sunday afternoon, but the crowds don't bother you. Whenever you came here, Bakugo would often wait a street or two over to avoid said crowds. He hated them, but never wanted to leave you alone, so he'd tag along in ways that made him comfortable.
You're flipping through a sales rack outside of the store when a sudden rumbling in the street catches your attention. An earthquake, maybe? A couple of people around you notice as well and stop what they’re doing to focus on the vibrations. A moment later, the street becomes riddled with panic as the entire crowd is rushing in the opposite direction.
Of course a villain would show up to ruin your shopping trip.
You always make sure for these type of scenarios that you keep a spare gadget in your bag for protection. Bakugo wasn’t satisfied with you carrying just a normal self defense weapon, so he helped (more so forced you to) craft a device that would allow you to “save your own quirk-less ass” if push came to shove. He knew how talented you were and dedicated to your craft, always thinking up new gadgets and drawing plans off the clock. He wanted to encourage you to create your own genius contraption rather than solely making things for the heroes around you.
Digging through your bag, you grab onto the make-shift object that resembles a pair of bracelets. You slip them on and push the buttons on the underside of each bangle - activating the mechanism inside. They cover your hands in a binding of metals that resemble armored gloves and crawl up your forearms and end at your elbows.
Time to see what these babies can do!
You laugh to yourself at the thought of calling your creations "babies." It fondly reminds you of Hatsume and how she would be ecstatic over her piles of support items she's constructed, constantly flailing around the support classroom with glee.
Your attention is roughly brought back to the villain landing a few stores away from you as a giant gust of wind forces remaining civilians out of his way. He's sporting a jetpack-like bag on his back, motorized arms poking out of it like a spider. He spots you out of the corner of his eye, immediately curious about your support gear.
"Oh? What do we have here?" He questions, gesturing in your direction. "Those look too high and mighty for a girl your size. Are you even a hero?"
You know he's trying to antagonize you and get under your skin, and unfortunately, it works. But if you can keep him distracted until a hero shows, he'll do less damage to the area and you can prevent unnecessary causalities.
"Who needs a hero when a 'normie' like me can kick your ass with my bare fists?" you instigate, praying that'll convince him to shift his full attention to you. It does, aggressively launching himself in your direction with his...spider legs?...and lands in front of you, bending over to level his eyes with yours.
"Those are some brave words for a bug like you."
You take a deep breath, steadying your stance before landing a swift right hook to his jaw, sending him soaring into the street. Your gloves make a soft hiss as they release the energy stored inside them.
Yes! God, that felt good. Is this how Kat feels?!
The villain clamors to his feet, seething with rage as he readjusts his set of translucent goggles.
"You little bitch!"
You brace yourself for impact by crossing the gloves in front of you, summoning a temporary energetic barrier to guard against his attack. The force sends you stumbling backwards, falling straight on your ass as you roll out of the way of a robot leg slamming down next to you.
Just keep moving, don't stop moving, remember what Kat taught you!
You're extremely thankful in this moment that Bakugo practically forced you to train with him. He was adamant on you having basic fighting ability - hand to hand combat, some karate, self-defense moves, and more importantly, staying in shape to outrun any villains. He didn't think you were incapable of handling yourself, he just wanted you to be able to kick some ass while doing it.
As you're zigzagging the villain, dozens of cameramen and reporters are flooding the scene, desperate to get the 'first look' on the details of the commotion. Your tunnel vision on the current threat in front of you keeps you busy, not noticing the massive media crowd forming around you on both ends of the street.
The villain jumps up, catching you off guard as he lands behind you, smacking you in the back with a robot arm with a loud thwap that sends you careening into a clothing rack on the street. A collective gasp is heard from the peanut gallery, clamoring over your safety for 'views.'
You may or may not have hit your head - unsure if you're dizzy from the fall or a potential concussion. Shaking yourself out of the haze, you scramble away from a follow-up attack from one of his mechanized tendrils.
"Aw, are you backing away from the fight you started?!" He taunts, arrogantly laughing at your defensive maneuvers.
In the distance, you begin to hear soft booms echo through the air, steadily growing in volume. You knew exactly who was rushing to the scene.
Oh buddy, now you're fucked.
You can't help the devilish smirk that crosses your lips, anticipating your hero boyfriend to show up and blow this guy into the pavement. In the interim, you have one final trick up your sleeve - literally - to give this guy a pre-beatdown of your own.
"Nah, just wearing you down so I can knock your ass out!" you boast, channeling your best "hero" speech.
With a few taps of your fingers on the metal gripping your forearms, the gloves begin to channel energy into the palms of your hands, lighting up with blue sparks as it charged. You needed an extra 15 seconds before they were ready to burst. The villain notices, swiping at your feet to knock you down before you can properly dodge. The breath is knocked from your lungs and leaves you gasping for air.
Boom, boom...boom!
You can tell Bakugo's almost here as the explosions get louder with each burst.
Just 5 more seconds...
"Yo, spider-freak!" Bakugo roars from atop a nearby building. "We can do this th' easy way or hard way. Your choice, jackass!"
He hasn't noticed you yet as your gloves begin to beep, signaling the charge is ready for use.
Perfect timing.
Getting to your feet is more of a struggle than anticipated as you're still recovering from the previous strike. Wobbling on jelly legs, you plant your feet solidly on the pavement to the best of your ability, bring your hands up in front of you and aim your palms at the villain. Your loud cackle catches Bakugo’s attention, sending a panic coursing through his veins as he finally sees you - shaking like a leaf with a grin on your face.
What the fuck is she doing?!
His train of thought is interrupted by your gloves firing off a massive burst of energy, hitting the villain square in the chest and slamming him into the ground, shattering his robotic accessories in the process.
Holy shit, those fuckers work after all.
Bakugo can't help but snort at your ballsy attempt to hold down the villain, feeling simultaneously proud and scared shitless that you'd put yourself in the middle of harms way for strangers - just like himself. He's blasting off the building and down to the street to wrap up what's left of this D-lister villain.
The blowback from the gloves, however, is way harder to handle than anticipated. As the gloves emit vapor and a sharp hissing noise, you're sent teetering backward, tumbling across the street until your body skids to a halt.
───
Everything fucking hurts.
But holy shit, that was exhilarating.
There's sirens in the distance while you lay there, signaling that they're more than likely surrounding the asshole and taking him into custody. You groan and grumble while sitting up, propping yourself up on your elbows as a loud thud lands at your feet.
You know the sound of those boots anywhere.
"Dynamight?" you feign, pretending to be distressed after the fight. "Oh, you showed up at the perfect -,"
He cuts you off with a sharp quip, his voice gruff with a playful tone. "Shut the fuck up."
Bakugo crouches down as he's grabbing your wrists and hoisting you up onto your feet. He holds onto you for a moment while you get your bearings, wobbling like a baby deer. Once you're steady, he pulls you flush to his body and cups your chin in his gloved hand. Before you can protest his movements, he swoops down and your lips meet.
He's kissing you.
In the middle of the street.
In front of every single press company in the city.
In public.
You squeak against his lips, putting your hands on his chest to create space between the two of you as you pull away. He's perplexed at your hesitation until the realization whips him back to reality.
"Fuck!" Bakugo snarled, a pink blush creeping up the back of his neck. He was too caught up in the moment with adoration over your bravery that he...forgot he was on duty.
Cameras and reporters are rushing over, shouting a million different questions at the two of you.
"Miss! Are you a hero, too? What's your name?"
"Are you Dynamight's side-kick?"
"Dynamight, you saved the city once again! Who is this young lady in relation to you?"
"Are you worried this will affect your reputation with your supporters?"
"God, the agency is gonna fuckin' hate me for this," he growls.
Oh no. You just inadvertently tainted his reputation. He might get demoted...if only you had just stayed home today.
Bakugo turns toward the thousands of camera flashes and video cameras, arm slung around your shoulder.
"This is y/n, she's a support engineer from my agency and saved your asses today," he says confidently. "And she's my girlfriend, so don't get any wrong ideas about it."
What?!
The mob of media personnel begin speaking all at once to Bakugo again, shouting question after question.
"How long have you two been together?"
"Is she in training to be a hero, too?"
"That device was impressive! How did you manufacture it?"
"Do you have a quirk?"
You're standing there, dumbfounded that Bakugo just openly admitted to your relationship on live TV and to news reporters. You can't help but flush red over the barrage of questions, not used to this kind of interrogation in your line of support work.
He sighs, shaking his head as he removes his arm from your shoulder and moving to hold your hand.
"Quit it the questions, we're leaving."
With that, he parts through the crowd with you following behind, crossing over to the other street before letting go of your hand.
"Katsuki...are you sure you’re okay with this?" you ask timidly, aware that you can't take back what he said.
"Idiot, I don't lie about things like that. Now I get to show off my perfect princess."
You say nothing in return, just quietly squeal and do a little happy dance.
Perfect princess.
"Let's get your stubborn ass to the medical team, you look like shit," he teases, poking you in the forehead. "And we should probably tone back the output on those gauntlets, that coulda killed somebody - or you."
You hum in acknowledgement and follow him down the street, heading back to the agency together.
think of the gloves as, like, ironman suit type gear? how you can just pop them on and use them as enhanced fighting gear. hehe, a cute little panic fluff is always fun. thanks much again to @queenpiranhadon for the prompt!! 💜
Divider by : @/saradika
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