#(because it's the designs that feature there)

[kdinjenzen]

So with all the stuff going on around Nintendo Vs Pocketpair I feel like people are missing the point of what's going on.

And this article actually finally brings up the biggest point: Nintendo has 1000s of patents and chooses not to enforce them all on everyone.

The idea that, quoting the article and Serkan Toto, "Nintendo's sweeping list of patents means it likely "could have sued half of the gaming industry back in 2017," …so like WHY NOT DO THAT?

There's a million reasons to not do it for Nintendo but TLDR is it's just bad business for them to do so.

The real take away is -what has PocketPair/Palworld done- that has brought out Nintendo to start enforcing these things in this particular situation?

A lot if you pay attention to PocketPair/Palworld's marketing and social presence. They threw rocks at Nintendo, so Nintendo is finally pushing back.

Now I'm not going to fully go to bat for Nintendo and say "they are a good company" because there's no such thing truly…

But in most cases with Nintendo, they C&D folks multiple times before even thinking of escalating anything to real legal trouble. Which is kinder than most companies.

The final thought of the article says that Nintendo may feel "threatened" by PalWorld but… I don't buy it.

Pokemon is THE highest grossing franchise in the world… ever… of all time. It's total revenue is around $100 BILLION with a B.

PalWorld, even at it's height, didn't even come close.

The aspects that I think Nintendo decided to act upon in their mind for this is the brazen bold rudeness and shit talking that happened on social media/marketing with PocketPair/Palworld.

PLUS the fact that Pokemon fans were also quick to be like "bruh, even if this isn't stolen it's obviously design lifted" for a lot of Palworld's Pals.

Add in the fact that both Microsoft and now Sony have pulled PalWorld onto their platforms… Nintendo is going to notice and get mad.

The truth is that PocketPair is an indie dev… with major AAA studios behind it now in a lot of ways. Which actually hurts PocketPair in a sense.

Nintendo tends to ignore indie stuff and has actually collabed with many indie studios before in major ways, so they aren't anti-indie.

Nintendo is OLD SCHOOL and expects a little bit of respect.

Nintendo has not taken action against pretty much any of the other true new Tiny Critter Collecting Indie IP that have popped up, a lot of them are ON Nintendo platforms and have had Nintendo feature them in directs…

But PocketPair threw rocks. Nintendo easily saw this as disrespect, but could be ignored.

What CAN'T be is the outcry from their own fanbase to "look into things" with PalWorld to see what, if anything, was lifted from Nintendo directly.

And Nintendo did. They took over a year to look into it.

This isn't Nintendo doing a knee jerk reaction, they went over things and took their time to research what PalWorld and PocketPair were doing.

Nintendo isn't stupid. They don't pick fights for no reason.

Regardless of if you LIKE Nintendo, or your feelings on a big company taking on a little company… Nintendo is very likely on the right side of business, IP, and patent law here.

Nintendo -losing- here would be, actually, really bad for small folks more than big guys in the long run.

Adding in the fact that PocketPair launched a generative Ai art game on top of all that…

This feel like, yes, Nintendo is flexing in a lot of ways but… they chose who to flex on and not to flex on -everyone-… so there seems to be a solid reason as to -why-.

Again the real take away is that IF Nintendo could have sued half of the gaming industry (as of 2017) with all the patents they have … why didn't they and WHY are they choosing to sue PocketPair/Palworld -now-?

Because that's more important than anything else.

[lightseoul]

cw. gn!reader, worker!reader, prohero!katsuki, aged-up (25), pining (again, if you look extra closely), a lot of cussing (are we still surprised)

part 1 (although ig this makes sense on its own)

“What.”

It’s less of a question and more of a statement—a statement sputtered in the typically demanding way characteristic of the one and only Bakugou Katsuki.

The Bakugou Katsuki who happens to be your boss for a good (debatable) three and a half years now, who you also have to spend overtime with until who knows what time to discuss what’s become rocky employee relations in the Dynamight agency.

Your eyebrows furrow in confusion or irrational annoyance—both, really—before you quickly school your expression into a neutral one. You riffle through the documents rather absentmindedly, avoiding his gaze before shooting back with: “What do you mean what?”

“I meant,” he leans back on his office chair that you know he singlehandedly picked out for its superior ergonomic design because he’s meticulous like that, “what the fuck is wrong with your face.”

“Excuse me?”

Your retort is laced with more indignant anger than intended, but at this point in the night, you cannot for the life of you bring yourself to care about your tone. It’s been a long day, and you weren’t about to let your stupid boss make fun of your appearance, of all things.

Bakugou probably senses the significant change in your demeanor, because his eyes widen in surprise ever so slightly before he sits up and opens his mouth to explain himself.

“You’ve been looking like you accidentally drank spoiled milk for the past hour and the shit aftertaste isn’t going away.” He haughtily shakes his head, and it takes everything in you not to jump him and choke your boss.

To your disdain, however, he continues.

“It’s either you spit it out or I’m going to have to force you to tell me what’s wrong.”

You gape at him. Whatever you expected him to say, it wasn’t that.

As quickly as you can, however, you attempt to regain your bearings and at least try to seem nonchalant, clearing your throat as unbothered as possible to top it all off. “Well, working overtime to iron out office squabbles isn’t exactly my idea of a relaxing Friday night, thank you very much.”

He scoffs. “Bullshit.”

You almost get whiplash from how quickly you look at him. His brazen rudeness—which, right now, is worse than usual which is saying something, mind you—renders you incapable of saying anything aside from another winded: “Excuse me?”

He rolls his eyes. “Miss me with that bullshit, dumbass.”

You feel yourself heat up in irritation. “I thought I told you to stop calling me dumbass.”

“You’d rather I call you princess?”

At that, you break eye contact despite yourself, choosing to stare at his forehead instead. It’s still unnerving—looking at any part of his body, really—but it’s better than looking at him squarely and witnessing the smirk you know has taken over his unfairly handsome features.

Your voice is small, to your chagrin, when you reply. “That’s actually a lot worse.”

The man dares to bark out a laugh.

You continue to metaphorically choke him in your head.

“Okay then, dumbass,” he emphasizes the nickname and you are about 99% sure a pained expression is dancing across your face because Bakugou is observing you with even more amusement before his features settle into a look of seriousness.

“As I was saying before you missed the point entirely—I highly doubt you’re this bothered because of fucking overtime,” he eyes you cautiously before pressing on. “Something’s wrong.”

You don’t know if it’s the exhaustion of the week filled with workplace conflict, or the crushing news you received this morning in the mail, or the very fact that Bakugou, despite his roughness and the annoyingly persistent way he’s been poking at your mood like it’s an itchy scab, is looking at you with genuine concern—but you end up doing it.

You give in.

You feel the tears welling up in your eyes before you even get the chance to deny them permission to, and at the sight of them Bakugou sits up even straighter in alarm—and you don’t know what comes over you because you start laughing so hard, your hand shoots up to your stomach in an attempt to keep it from cramping.

“Oi.”

The expression on his face is so unbelievably baffled that you only end up cackling to yourself more.

It takes a few more minutes before the sillies are fully flushed out of your system and really, it only took you a glance at Bakugou to realize you probably looked demented just now.

Feeling self-conscious all of a sudden, you quickly wipe away the tears in your eyes and muster enough courage to flash him a genuine smile.

To your delight, he flashes you one right back, albeit tentatively—one that is boyish and charming under the rather dim lights of his corner office.

Although he seemingly reboots to his default state because it’s immediately replaced by a frown and followed by: “You’re so weird, you know that?”

You snort and, before you can stop yourself: “Not as weird as my ex.”

At that, Bakugou’s entire countenance changes—he visibly stiffens in his seat and his eyebrows furrow in what you believe is confusion at the sudden mention of your past lover.

Bakugou says nothing, however, and so you take that as a sign to continue.

“Remember that meeting we had last March with Chef Asahi about our collaboration with his restaurant where I was late and you gave me shit for it? And when you asked I told you it was because I just got dumped over the phone?”

He gives you a curt nod, lips tight.

“Well,” you chuckle nervously, feeling embarrassed at your upcoming revelation, “I just found out that that ex is getting married in two months, and I’m invited.”

Neither of you says anything for the next—what feels like—hour.

Until Bakugou takes a sharp inhale, leans forward on his desk, and stares you down straight in the eyes: “I’ll do it.”

“What?”

He scowls at you like you’ve got a pea for a brain. “Don’t make me say it twice, dumbass.”

You frown at his hostility, your own bewilderment chipping away at your already thinning patience. “You’re not saying anything.”

Bakugou sighs, and he looks like what he is about to say next physically pains him.

“I’ll be your fucking date to the wedding.”

tagging. @kitthepurplepotato @chelbyisbord @lovra974 @katsukis1wife @brunnetteiwik

special shoutout to @he3v4n for reading the prequel to this and following thereafter--inadvertently making me check out past writing and get inspired to write this <3

[choslut]

˖ ࣪ ، ◞ せ⌇ INKED. featuring s. geto.

↻ geto enjoys his job for this exact reason… he gets to give pretty girls like you your first ever tattoo.

tags : tattoos, slight masochism, dirty thoughts, suggestive actions, possessive behaviour, tattoo artist x florist trope, voice kink, dirty talk, praise kink, latex kink (if you squint), implied fingering, marking (literally and figuratively), implied virgin!reader, slight dubcon // wc. 1.1k

author's note : the longest one of the series… and possibly the longest author’s note too. i want to thank everyone who’s supported me throughout this event from the day i released the masterlist all the way up until the last work today!! i know i’ve said that every one of these have been my favourite but why not save the best ‘til last… this very specific image of geto haunts my (wet) dreams 🤤🤤 thank you again for all the support, because of you guys, i managed to go from 200 to over 900 followers !! 💓💓 i can’t thank you more, and i hope you enjoy this last work. this has been luna, and thank you for reading!!

pspsps …. you might want to stick around for my upcoming kinktober. it’s going to be a thriller…

“i would’ve never striked you as the type to want a tattoo, sweetie.” GETO looks at you over the frame of his glasses, eyebrow quirked as he confirms your appointment on his laptop. “and especially not one of this… calibre. is it your first time?”

you nod shyly, eyes averting from his gaze. he looks at the sheet of paper with your desired design on it, and the corners of his lips quirk upwards. a tramp stamp. totally not your type upon first glance. 

he’s looking forward to this. 

you’re a sweet enough girl. you wear denim miniskirts and baggy floral t-shirts, and your face is almost always bare, save for a few coats of mascara on your eyelashes and the occasional touch of lip gloss to make your features pop. you work in the flower shop across the street, and the only way geto can describe you is cute, and definitely not the type to want such a striking design tattooed on your lower back. it’s in such an intimate position, and he can’t help but feel a tiny bit jealous for the lucky fucker who gets to run their hands all over it whilst he-

“it’s not too… extreme, is it?” you bite your lip nervously. “my friends told me that i should do something out of my comfort zone, so…”

he tears his eyes away from the sheet of paper to look up at you kindly. “it’s beautiful. come this way, we’ll get started now.”

“since it’s your first time, i’ll try to take things slow.” you’re lying flat on your front on the table, skirt pulled down an inch and shirt riding up your stomach. geto stands beside you, rolling up his sleeves and donning his latex gloves before prepping the stencil. 

you have such pretty skin, he notes. beautiful and untouched, with such a pretty arch in your spine. he would’ve loved to imagine you positioned like this in different circumstances, but for now, he’s your tattoo artist and you’re his client, so his job is to make you feel as comfortable as possible. 

so, to soothe your nerves, he runs his latex-clad fingers along the arch in your spine, splaying his hands across your lower back and smiling when he feels you shiver as a disinfectant wipe comes into contact with your skin. 

“i’m just prepping the skin, and then i’ll transfer the stencil. it’ll feel a little cold at first, but hopefully it’ll help calm all those pesky nerves. does that sound alright?” you nod. “good girl.”

shit. it just slipped out, the praise, but then he notices that your muscles start to relax. you like praise. good to know, for next time. 

time seems to pass slowly as geto works his magic, plastering the stencil onto your lower back. it’s affecting him, your reactions, and when he finally reveals the potential placement of your totally out-of-character tramp stamp, he has to physically restrain himself from groaning out loud. 

the placement — it’s fucking dirty. 

geto decides to check up with you before finally starting to prep his equipment. “are you sure about this? it’s your first time, so it might hurt.” he chuckles lightly. “scrap that. it will hurt, but i’ll try to make it quick so that you feel the least amount of pain as possible.”

“i…” your voice dies in your throat when you feel his fingers trace the outline of your preeminent tattoo. “ ‘m a bit nervous. never done this before.”

“mm, i know, angel. you have such a beautiful body… i’d be honoured to mark it up some more next time.”

oh. you know (read: think) there’s no underlying intent to his words, but the way his honeyed voice purrs behind you has a stream of wetness start to build inside of you, and you try to discreetly clench your thighs to quell the dull ache in between your legs, praying that geto doesn’t notice. 

he does. if he wasn’t mistaken, this might just be your kink: being left merciless whilst someone toys with your body. he doesn’t overstep though, just teases, running his hands along your bare legs. “how about here next time? i could ink a pretty little flower on your ankle, or maybe some initials… yours, of course.”

geto rathers he mark his initials on your ankle, but again, boundaries. to stop himself from saying anything that’ll have you bolting out of the studio in a millisecond, he finally sits in his chair, picking up the needle and scooting towards you. “are you ready, sweetheart? this is going to hurt, so tell me if you want me to let up at any time.”

you won’t. he knows you won’t, because the feeling of his fingers on your skin is intoxicating for you given the way your toes begin to curl in your flats as he steadies his hands on your lower back. “relax, love. it’ll hurt less.”

the needle pierces your skin, ink blooming as geto begins his work. the feeling… it’s strange, given the fact that it’s quite literally repeated pinpricks on your back. but it feels strangely good paired with geto’s hands on your back, and his smooth voice praising you all the way through. 

“oh, you’re doing such a good job for your first time, love. i’ve never seen anyone react so well.”

“does it feel alright? wouldn’t want to cause any harm to this precious body of yours.”

“i’m almost finished. you’ve been such a good client, i wouldn’t mind inking you again.”

all of it goes straight to your head, and the pain of the needle is replaced with instant euphoria as your mind fills with lewd images of geto fucking you in this exact position, hands on your lower back in the same way as he eases inside of you. and his voice, good lord, his voice… he would totally talk you through it, his rich grumble echoing in your ear as he guides you to orgasm. 

“you’re taking it so well, aren’t you, baby? that’s my good girl.”

“fuck yes, angel, just like that… oh, you’re so damn perfect.”

“you’re close? cum for me, baby. need to feel you, atta girl…”

before you know it, a moan slips from your lips, and you immediately dread geto’s reaction. 

“did you just…?”

your cheeks are on fire. “n-no! sorry, it hurt a little bit there. i should be fine though, you can keep going.” 

he quirks an eyebrow. “well then, the fault is mine entirely. allow me to make it up to you? i’d feel horrible for hurting you, after all.”

your slight nod is all he needs and suddenly he’s finishing up and wrapping your tramp stamp before prying your thighs apart and slipping his latex-clad fingers into your dripping panties. 

PREVIOUS : SWEET TALK ft. choso NEXT : N/A

liked that? check out the WE’RE SO BACK masterlist.

© choslut 2024 — do not copy, repost or translate my works without permission. chain divider by @/cafekitsune.

[jelly-fish-wishes]

I’m looking at Mario (because I’m drawing him a lot at the moment for the next update of Luigi’s Escape Plan and had a revelation for his character design. Look at his cheeks…

Feels like something is missing, don’t it????

I know what facial feature to give him…

Hint: This feature can only be seen on a real smile and I haven’t drawn him smiling yet…

[ohcorny]

i've noticed a trend of games that are essentially just legos and let you build something pretty, like SUMMERHOUSE, Townscaper, or now Tiny Glade which just came out, but... like.... i wish they were actually games? they're such gorgeous, interesting demonstrations of procedural generation and tools and aesthetic sensibility, but they're not games! and it's so strange how all of them advertise themselves on their lack of gameplay.

no wrong answers, no rules, no winning, no losing--no game!

and i'm just like... why not game? why put in so much work to make something like this and not put in the effort of goals or challenges? you can still have your freeform jazz play with blocks game, but like... can't you give me something to do? something to unlock? something to work toward? soon as the novelty wears off and you're familiar with all the pieces, you're left with a bucket of legos and no idea what to do with them, and for some people (like me) that happens really quick.

why not include basic challenges? build a castle that can house 10 people, build a town that features these three items, build a house that this character with these preferences would like. just something.

you know what game about free form designing did that? animal crossing happy homes dlc. and we all went crazy for it. and it still gave you a ton of freedom to just play around! as long as you met some requirements, you could do whatever you wanted--and eventually you didn't even need the requirements (though coincidentally, that's when i stop playing)

i want to like these games, because they're gorgeous and do look fun! but i just know i'd boot them up and get bored in fifteen minutes because i'd have nothing to do

[nohoperadio]

I'm assuming a bunch of you have heard of this before but while I'm Austenposting I'm gonna put it here because I still find it quite funny: the current Bank of England £10 note features a portrait of Jane Austen on one side with a quote from her underneath, "I declare after all there is no enjoyment like reading!":

Which presumably came from someone on the design team googling "jane austen quotes" and picking one that sounded suitable and not digging deep enough to notice that this is actually a line of dialogue from Pride and Prejudice spoken by a character who finds reading boring but is pretending to like it to impress Mr Darcy:

Miss Bingley's attention was quite as much engaged in watching Mr. Darcy's progress through his book, as in reading her own; and she was perpetually either making some inquiry, or looking at his page. She could not win him, however, to any conversation; he merely answered her question, and read on. At length, quite exhausted by the attempt to be amused with her own book, which she had only chosen because it was the second volume of his, she gave a great yawn and said, "How pleasant it is to spend an evening in this way! I declare after all there is no enjoyment like reading!"

[marmaladeinlemonade]

Ppl will complain about Pressure updates and devs while forgetting Pressure is NEW.

Ik tumblr has more users with common sense but the amount of tiktoks and tt users say that the game was at its PEAK two weeks after the game's release just bc you could climb Sebastian, he wasn't (visibly) married (it was always written into his character), and tolerated the players slightly more is INSANE.

Most games, at that, aren't at its peak gameplay and story a month after release!!

"The anti-climbing mechanic doesn't even fix anything!" Yeah because you climbed Sebastian several times over ofc at SOME point you're gonna get softlocked bro. Maybe try playing pressure for a reason aside from harassing seb.

I genuinely feel like the pressure fanbase tend to forget that Pressure is from roblox programmers in a small developing group. This isn't Hoyoverse or DevSisters where the game is fully polished with information on all characters and a finalized world building upon release because the company has more time, money, and skilled labor to develop that. It was made in ~1 year and a rushed release.

Not only that, but Pressure is a passion-project. It isn't driven by money, which means there's not much of an incentive to please the playerbase with fan service content that changes lore/characters so people can buy it. (Fan service as in any content made to make ppl happy) So, developers are going to choose what they want to do with the game bc they don't care whether or not you play. Zeal said so first thing in his interview with Breadian.

Amazing features that enrich gameplay and world building such as Sebastian killing walldwellers and the DiVine being able to kill you, Navi-AI turning into a new character, and several new room types are hinted to come to Pressure but nooo!!! Its somehow cooked and unsavable because of ONE form of characterization YOU deem incorrect not even knowing the character's lore. Right.

Edit: Pressure has a future as a roblox game that values storytelling and immersing the user in it's world. We need rblx games like it that put work over profit so people stay on the platform. Especially when older and new games have become money hungry over time.

Its really crazy how people be biting the hand that feeds them. Seb could easily be replaced with an expendable or unknown void like jeffery as a merchant npc if this continues. Online users will really be out her acting like the person who wrote and designed their favorite character is all of a sudden BAD!! And their favorite character is RUINED!!! And TAKEN AWAY FROM THEM!! Because their personality wasn't made to please the fanbase.

Yes, Sebastian hates you. Not pouty tsundere hates you, he is literally keeping you alive against his own will by mr. Lopee. He not tryna fuck bro 🔥

[dsmp-lainey]

let me be a hater this one time

i know this is nit-picky and if you disagree that’s perfectly okay i honestly expect no one will fully agree. however you wish to draw the characters is valid and i fully respect it, any creation you put time into deserves praise and respect. these are mostly things i now dislike about my own art i created of the characters in 2021 because that my character designs have shifted SO MUCH lol

[mariacallous]

Over the past decade, China has invested hundreds of millions of dollars in its international media network. The Xinhua News Agency, China Global Television Network, China Radio International, and the China Daily web portal produce material in multiple languages and use multiple social-media accounts to amplify it. This huge investment produces plenty of positive coverage of China and benign depictions of the authoritarian world more broadly. Nevertheless, Beijing is also aware that news marked “made in China” doesn’t have anything like the influence that local people, using local media, would have if they were uttering the same messages.

That, in the regime’s thinking, is the ultimate form of propaganda: Get the natives to say it for you. Train them, persuade them, pay them—it doesn’t matter; whatever their motives, they’ll be more convincing. Chinese leaders call this tactic “borrowing boats to reach the sea.”

When a handful of employees at RT, the Russian state television network formerly known as Russia Today, allegedly offered to provide lucrative payments to the talking heads of Tenet Media, a Tennessee-based far-right influencer team, borrowing boats to reach the sea was exactly what they had in mind. According to a federal indictment released last week, RT employees spent nearly $10 million over the course of a year—money “laundered through a network of foreign shell entities,” including companies in Turkey, the United Arab Emirates, the Czech Republic, and Hungary—with the aim of supporting Tenet Media’s work and shaping the messages in its videos.

The indictment makes clear that the influencers—propagandists, in fact—must have had a pretty good idea where the money was coming from. They were told that their benefactor was “Eduard Grigoriann,” a vaguely Euro-Armenian “investor.” They tried to Google him and found nothing; they asked for information and were shown a résumé that included a photograph of a man gazing through the window of a private jet. Sometimes, the messages from Grigoriann’s team were time-stamped in a way that indicated they were written in Moscow. Sometimes the alleged employees of Grigoriann’s alleged company misspelled Grigoriann’s name. Unsurprisingly, in their private conversations, the Tenet Media team occasionally referred to its mysterious backers as “the Russians.”

But the real question is not whether the talking heads of Tenet Media—the founders, Lauren Chen and Liam Donovan, who were the main interlocutors with the Russians, but also Tim Pool, Lauren Southern, Dave Rubin, and Benny Johnson—had guessed the true identity of their “investor.” Nor does it matter whether they knew who was really paying them to make videos that backed up absurd pro-Moscow narratives (that a terrorist attack at a Moscow shopping mall, loudly claimed by the Islamic State, was really carried out by Ukrainians, for example). More important is whether the audience knew, and I think we can safely say that it did not. And now that Tenet Media fans do know who funds their favorite influencers, it’s entirely possible that they won’t care.

This is because the messages formed part of a larger stream of authoritarian ideas that are now ubiquitous on the far right, and that make coherent sense as a package. They denounce U.S. institutions as broken, irreparable: If Donald Trump doesn’t win, it’s because the election is rigged. They imply American society is degenerate: White people are discriminated against in America. They suggest immigrants are part of a coordinated invasion, designed to destroy what remains of the culture: Illegal immigrants are eating household pets, a trope featured during this week’s presidential debate. For the Russians, the amplification of this narrative matters more than specific arguments about Ukraine. As the indictment delicately explains, many of the Russian-sponsored videos produced by Tenet Media were more relevant to American politics than to the Ukraine war: “While the views expressed in the videos are not uniform, the subject matter and content of the videos are often consistent with the Government of Russia’s interest in amplifying U.S. domestic divisions.”

But these themes are also consistent with the Trump campaign’s interest in amplifying U.S. domestic divisions. People who have come to distrust the basic institutions of American democracy, who feel aggrieved and rejected, who believe that immigrants are invaders who have been deliberately sent to replace them—these are not people who will necessarily be bothered that their favorite YouTubers, according to prosecutors, were being sponsored by a violent, lawless foreign dictator who repeatedly threatens the U.S. and its allies with nuclear armageddon. On the contrary, many of them now despise their own country so much that they might be pleased to hear there are foreigners who, like the ex-president, want to burn it all down. If you truly hate modern America—its diversity, its immense energy, its raucous debate—then you won’t mind hearing it denounced by other people who hate it and wish it ill. On X earlier this year, Chen referred to the U.S. as a “tyranny,” for example, a phrase that could easily have been produced by one of the Russian propagandists who regularly decry the U.S. on the evening news.

These pundits and their audience are not manipulated by Russian, Chinese, and other autocrats who sometimes fill their social-media feeds. The relationship goes the other way around; Russian, Chinese, and other influence operations are designed to spread the views of Americans who actively and enthusiastically support the autocratic narrative. You may have laughed at Trump’s rant on Tuesday night: “The people that came in. They’re eating the cats. They’re eating—they’re eating the pets of the people that live there. And this is what’s happening in our country. And it’s a shame.” But that language is meant to reach an audience already primed to believe that Kamala Harris, as Trump himself said, is “destroying this country. And if she becomes president, this country doesn’t have a chance of success. Not only success. We’ll end up being Venezuela on steroids.”

Plenty of other people are trying to reach that audience too. Indeed, the Grigoriann scheme was not the only one revealed in the past few days. In a separate case that has received less attention, the FBI last week filed an affidavit in a Pennsylvania courthouse supporting the seizure of 32 internet domains. The document describes another team of Russian operatives who have engaged in typosquatting—setting up fake news websites whose URLs resemble real ones. The affidavit mentions, for example, washingtonpost.pm, washingtonpost.ltd, fox-news.in, fox-news.top, and forward.pw, but we know there are others. This same propaganda group, known to European investigators as Doppelganger, has also set up similar sites in multiple European languages. Typosquatters do not necessarily seek to drive people to the fake sites. Instead, the fake URLs they provide make posts on Facebook, X, and other social media appear credible. When someone is quickly scrolling, they might not check whether a sensational headline purporting to be from The Washington Post is in fact linked to washingtonpost.pm, the fake site, as opposed to washingtonpost.com, the real one.

But this deception, too, would not work without people who are prepared to believe it. Just as the Grigoriann scam assumed the existence of pundits and viewers who don’t really care who is paying for the videos that make them angry, typosquatting—like all information laundering—assumes the existence of a credulous audience that is already willing to accept outrageous headlines and not ask too many questions. Again, although Russian teams seek to cultivate, influence, and amplify this audience—especially in Pennsylvania, apparently, because in Moscow, they know which swing states matter too—the Russians didn’t create it. Rather, it was created by Trump and the pundits who support him, and merely amplified by foreigners who want our democracy to fail.

These influencers and audiences are cynical, even nihilistic. They have deep distrust in American institutions, especially those connected to elections. We talk a lot about how authoritarianism might arrive in America someday, but in this sense, it’s already here: The United States has a very large population of people who look for, absorb, and believe anti-American messages wherever they are found, whether on the real Fox News or the fake fox-news.in. Trump was speaking directly to them on Tuesday. What happens next is up to other Americans, the ones who don’t believe that their country is cratering into chaos and don’t want a leader who will burn it all down. In the meantime, there are plenty of boats available to borrow for Russians who want to reach the sea.

[gildedtrashcan]

Another concept for a character from the "designer line" sold to some rich ass bidder

Not in the colours and patterns as like they're out there but the concept idea comes from both fancy rats, aka breeding rats with specific features for the pet trade but also lab rats because something something Mewtwo being a lab rat, something

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[ratzhatz14]

mmmm... Imma try this way of posting Incase I still have that glitch...

Hihihihi guys

I kept forgetting to post these doodles which are... Idfk how old but old enough to retire

On the last image... I missed a bunch of words because my silly ol brain can't write at the speed of my average thought

So here's a better digital explanation because I hate writing!1!1!!!;

"If Astro was/is friend's with Cosmo, shouldn't he have some plant or flower on him?"

"Well, he's just good at avoiding."

"Before, Sprout would've tried to sneak attack Astro (and Vee since... BODYLESS <3), but he always SOMEHOW managed to get away, and lose track of him (high stealth coming in handy). And eventually, Astro got so paranoid of Sprout to the point where he refused to sleep, leading to beloved insomnia and constantly being on guard, just to ensure his and Vee's safety. By now, Sprout just gave up and decided to leave him be... For now, or until he's in a vulnerable position."

...idk what I just typed but I typed something

Quick note; Toons who interacted with Cosmo would have a feature related to plants/nature, and Toons who only interacted with Sprout would look a little damaged/on edge

AND.... I came up with a Bloomed Rodger design, but I won't spoil it until his time comes <333 (sorrgy not sorry cresentdreamers /hj)

[cityof2morrow]

CDK: City Hall

Published: 9-25-2024 | Updated: N/A SUMMARY Cubic Dynamics by John B. Cube and Marcel Dusims forged the future with furnishings that were minimalist in design and maximalist in erudite pretension. Generations later, the company continues to produce edge-of-cutting-edge designs. Use the Cubic Dynamics Kitbash (Simmons, 2023-2024) collection to set up corporate, exposition, and office environments. Envisioned as an add-on to the Cubic Dynamics set (EA/Maxis, archived at GOS), it features minimalist and retro-futuristic objects. Find more CC on this site under the #co2cdkseries tag. Read the Backstory and ‘Dev Notes’ HERE. How’s that build-a-city-challenge going?...because those courtroom, town hall, and city hall chambers are lookin’ a little bald headed. Why not spruce it up with the CITY HALL set! Place one of the decorative assembly desks, then add chairs and portable assembly desks. Your council members, judges, lawyers, and other sims are ready to go to work!

DETAILS All EPs/SPs. §See Catalog for Pricing | See Buy/Build Mode You need the Company Expo (Mesh Pack) set (Simmons, 2024) for TXTRs to show properly in game. ALL files with “MESH” in their name are REQUIRED. You may need “move objects” and “grid on/off” cheats to place some objects to your liking. When placing partitions/floating shelves and tables/desks/counters on the same tile, place the partition/shelves first. I recommend using this set with Object Freedom 1.02 (Fway, 2023), which includes Numenor’s fix for OFB shelves (2006), for easier use overall. ITEMS Assembly Desks (Small/Large) (1858 poly) – use with portable desk Judge’s Chair (~835 poly) Counselor’s Chair (1377 poly) Counselor’s Desk (402 poly) HoloProjector (2546 poly, HIGH) – place on same tile as hologram Holograms (192 poly) Portable Assembly Desk (733 poly) DOWNLOAD (choose one) from SFS | from MEGA The hologram is functional and comes with 30+ recolors...

COMPATIBILITY AVOID DUPLICATES: The #co2cdkseries includes edited versions – replacements - for items in the following CC sets: 4ESF (office 3, other 1/artroom, other 2/build), All4Sims/MaleorderBride (miskatonic library, office, postmodern office), CycloneSue (never ending/privacy windows), derMarcel (inx office), Katy76/PC-Sims (bank/cash point, court/law school sets, sim cola machine), Marilu (immobilien office), Murano (ador office), Olemantinker, Reflex Sims (giacondo office), Retail Sims/HChangeri (simEx, sps store), Simgedoehns/Tolli (focus kitchen, loft office, modus office), ShinySims (modern windows), Shoukeir via Sims2Play(reverie office, step boxes/shelving), Spaik (sintesi study), Stylist Sims (offices 1,2, & 3, Toronto set), Tiggy027 (wall window frames 1-10), Wall Sims (holly architecture, Ibiza). *The goal is link the objects to the recolors/new functions in the #co2cdkseries without re-inventing the wheel! Credit to the original creators. CREDITS Thanks: EarlyPleasantview/EPV, Panda, Soloriya, ChocolateCitySim, HugeLunatic, Klaartje, Ocelotekatl, Whoward69, LoganSimmingWolf, Gayars, Ch4rmsing, Ranabluu, Gummilutt, Crisps&Kerosene, LordCrumps, PineappleForest. Sources: Any Color You Like (CuriousB, 2010), Beyno (Korn via BBFonts), EA/Maxis, Offuturistic Infographic (Freepik). SEE CREDITS (ALT)

[ihopesocomic]

@ last anon - another thing to go with what Cat said about how unhelpful your criticism was is that saying "most of the characters have same face syndrome" isn't even constructive criticism on its own. You need to provide some actual examples because I'm not seeing what you're seeing. Even the characters that are closely related and share similarities (like Hopeful and Dagga) have features that help us distinguish one from the other, with Dagga being more muscular and bigger.

Yeah exactly. I'm very deliberate with my designs. If everyone was so-called "same face" I would like to know what the better alternative is so I can learn this, but they couldn't even provide an example of how it should be done. If anyone is going to give unsolicited advice, maybe make sure it's good advice first, otherwise people are gonna immediately assume you're not coming from a place of honesty. - Cat

[mrmarblee]

i ummm uhh i er uh

they need catharsis. please chester! please you are killing meee ches te

this art also features some personal designs of the two.. i need to make water wigglers but sunny's personal design is complete. if youre wondering why he has so many scars on his face you will find out in due time.trust me

alts under the cut because im uhh :minty_grin:

[amazingmsme]

(Elpenor Anon)

When Athena comes back (let’s be honest, she won’t die), she sees Dionysus in a new light. Dying and coming back once was extremely painful, how did Dionysus do that 2 more times?

Anyways, wholesome headcanons.

a main trait that some people have when designing the Gods, is that they have animal motifs or features. and an animal commonly associated with Dionysus is jaguars.

That means he could purr potentially.

She just gets a whole new perspective on him & gains so much respect for him because doing that once was terrible, to go through that more than once takes someone special

But OMG YEEEES HE TOTALLY PURRS NOW!!! I’M LATCHING ONTO THAT HEADCANON & NEVER LETTING GO