like mother, like son, but less wholesome this time?
(I couldn't decide whether or not to put them together, so have them in all the different ways!)
3K notes
·
View notes
Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)
Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.
And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.
Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.
780 notes
·
View notes
chilchuck spends the entirety of his daughters' visit hovering suspiciously between them and a certain dwarf. when it's time for the girls to go home and no proposals have been made, he breathes a sigh of relief — awkward coworker x family member romance route narrowly avoided!
a couple weeks later meijack shows back up unannounced, backpack laden with tools and thigh-high boots looking uncharacteristically spiffy. bewildered and betrayed, chilchuck rounds on a clueless senshi, only freezing mid-swear when meijack interrupts to ask after namari's whereabouts.
the last thing he remembers thinking is, "shit, i forgot about the other dwarf!" before promptly blacking out.
1K notes
·
View notes
she makes a peculiar Venus
974 notes
·
View notes
sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)
652 notes
·
View notes
dearest horror-enthusiast menaces <3
262 notes
·
View notes
Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.
The guys from the fake gameplay trailers for a predatory mobile app are my blorbos
169 notes
·
View notes
girls day out but they keep squabbling with each other
2K notes
·
View notes
A little after this happened, the two ran into some remnants of the Swarm! Just what is the Trailblazer up to?
210 notes
·
View notes
Traveling !!
430 notes
·
View notes
Keigo who unconsciously allows his mask to slip around u one time, just forgets the whole guy next door, fastest hero shtick for just a second and you find it hilarious, refreshing even. So obviously he becomes completely obsessed with u over it.
142 notes
·
View notes
okay but the unexplored potential of a revali and purah dynamic
revali is so keen to be the best of the best and push himself past all conceivable limits, and purah wants to find the limits of sheikah tech and magic only to barrel past them and nearly become god
so one day, purah comes to revali "how high can medoh fly?" and he pauses bc he hasnt thought about that much, which he realises is asinine how has he not thought of taking her higher "well her resting altitude is x but its possible to go higher, though i dont know her limits" and they just look at each other bc well now they have too know-
and it continues like that, purah coming to revali with questions about medoh or the rito or his wind magic or eventually just requests for assistance "i need you to fly this up there for me, clear out this monster camp, ect ect" and revali loving the attention and the chance to show off, and that hes able to prove himself as truly better (he often tries to rope in the other champions to compare) and purah is loving all the data and the chance to work so closely with a pilot and they both compliment each others personalities quite well, both sassy and intelligent and where purah is overbearing and bubbly revali is insecure and sulky
anyway this is all pre calamity stuff, i want them to be very good friends and cause chaos together and push each other to constantly better each other, and purah would scoff at revalis creative insults but internally laugh and file them away to use later, and revali may act uninterested when purah talks for hours about conclusions shes come to and different approaches they could take hes actually paying complete attention and thinking of ways to use this knowledge in piloting or training
60 notes
·
View notes
day 6 karin: get out of that box, karin!!!!
58 notes
·
View notes
you know, an interpretation of ct that I don't see that I personally really love is that she's a fuck up. like yes she's cool and she has some good fight scenes, but a huge part of her character is that she makes mistakes. the mistakes that she makes are ones that on their own aren't the end of the world, but she keeps making these little mistakes, and they eventually add up until she's out of room to make any more.
a really good example of this phenomenon in action is the actions she took leading up to her final confrontation with carolina and tex.
strike one, she thought she saw something in the water, but when asked by the leader what it was, she brushed it off as nothing when even if it had been nothing, it would've been smart to tell him what she thought she saw.
strike two, she didn't sense or notice florida's presence when the leader did, and she looks at the leader twice, once as she pulled out her magnums, and again after she did a scan of the room, almost like she was looking at him for guidance before he finds florida and takes him out with one good axe throw.
strike three, she couldn't convince the leader to leave when they had the chance to get away, and her cheap tricks were not enough to hold off either tex or carolina in a fight. they were only good for incapacitating her opponents enough for her to get away, which doesn't work when she has no escape.
ct is not tex, or carolina, or south. she is not a one woman army who can get herself out of trouble when she's stuck in tough situations. she needs people who can watch her back, she need a team who can cover her when she does mess up, and the leader and his team were not those people. she couldn't bring herself to trust them, and they couldn't bring themselves to trust her, and that cost all of them their lives.
102 notes
·
View notes