Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)
Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.
And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.
Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.
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I need codependent Danny/Jason as a little treat (for me) and I love the idea of them having some sort of instant connection the moment they meet (bc ghost stuff idk)
Danny who's been dropped in Gotham with no way home (alt universe??) and he's been here for 36 hours and having a Very bad time senses a liminal being and immediately latches onto them heedless of the fact that his new best friend is shooting at some seedy guys in an alley and goes off about how stressed he is and how he can't make it back to the ghost zone and what a bad day he's been having (and it's important to note Danny is a littol ghost boy literally hanging off of Jason's neck as he floats aimlessly) and Jason is like "who are you??" And Danny is like "oh sorry I'm Danny lol" and then just continues lamenting his woes
And honestly ? This might as well happen. Nothing about this Danny guy(is he human?) gives Jason a bad vibe and tbh he's never felt more calm and level headed before so he just keeps up his usual Red Hood patrol and doesn't even think about it when he heads back to a safehouse and feeds Danny dinner (breakfast) before crashing for half the day
The only thing I actually need is Jason meeting up with the bats for some sort of Intel meeting and they're like "uhhh who's that" and Jason is like "that's Danny." And does not elaborate (very ".... What do you have there?" "A smoothie" vibes)
And it takes them a while to realize that these two have known each other for less than 12 hours and are literally attached at the hip
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THERE ARE OTHER WAYS DID NOT GO WHERE I WAS EXPECTING IT TO OH MY GOD /POS
PENELOPE’S THEME AND INSTRUMENT?? ODYSSEUS BEING QUITE LITERALLY BACKED INTO A CORNER AND HAVING SEEMINGLY NO OTHER WAY TO SAVE HIS MEN BUT STILL NOT BEING ABLE TO BRING HIMSELF TO GO THROUGH WITH THE ACT (EVEN THO IT WOULDN’T BE A TRUE ACT OF BETRAYAL BECAUSE THERE’S NO ACTUAL CONSENT ON HIS SIDE AND IT WAS SOMETHING HE WAS ABOUT TO BE COERCED INTO)??? CIRCE BEING TAKEN ADVANTAGE OF BEFORE AND BELIEVING THAT “BECOMING THE PUPPETEER” IS THE ONLY WAY TO KEEP HERSELF AND HER NYMPHS SAFE SO SHE OFFERS THIS “ACT OF PASSION” TO STILL HAVE A FORM OF CONTROL, AND THEN SEEING ODYSSEUS IS NOT LIKE THOSE BEFORE BECAUSE HE’S SO IN LOVE WITH PENELOPE (WHO HE HASN’T SEEN IN 12 YEARS) THAT HE REFUSES HER OFFER AND PLEADS BECAUSE IT’S NOT WORTH IT EVEN THO THATS THE ONLY OPTION HE’S BEEN GIVEN??? HIM CALLING HIMSELF A PUPPET MAKING HER REALIZE THAT THIS CYCLE OF ABUSE AND CONTROL ISN’T WORTH IT ONLY TO COME TO A MUTUAL UNDERSTANDING BECAUSE SHE KNOWS WHAT IT’S LIKE TO BE TRULY IN LOVE AND TO BE HURT, SO SHE OFFERS HIM AN ACT OF KINDNESS INSTEAD???
“Maybe showing one act of kindness leads to kinder souls down the road”
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I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.
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