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#** Sun summoner Alina
ekbelsher · 5 months
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Alina and Mal get attacked by volcra, and her Sun Summoner powers finally show up (for the Litjoy Shadow and Bone box set)
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inahandful-of-dust · 3 months
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GRISHA KEFTA in SHADOW AND BONE (2021-2023)
CORPORALKI - The Order of the Living and the Dead
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ETHEREALKI - The Order of Summoners
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MATERIALKI - The Order of Fabrikators
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I love when Mal becomes an alcoholic and a gambler in the middle of the Grisha trilogy "because he was stressed". Like, what ails you, you unemployed freeloader?
If anyone deserved to become an alcoholic and somewhat justify it, it's Alina. That girl was running a disbanded army with no knowledge and experience. And dealt with princes, nobles, creepy monks and her followers who formed a cult. All while the Darkling followed her around through the tether and annoyed her for attention.
I'm not endorsing addictions and harmful behaviors, but maybe taking a swing from Nikolai's brandy in the evening would stop Alina from running away in the city in her pajamas and attempting suicide.
But Mal gets a pass because "he felt trapped" in the palace? Because he's a manly man who needs to fight and sleep in the dirt and make out with a different woman every day. But if Alina had a drink or fantasized about a hot general, it would ruin the "perfect goodness and sunshine from the pure heart" image the narrative shoves in our faces?
It's giving "boys will be boys" and "a man likes to feel like a man" in a bad way. But how noble of Alina to resist the temptation! She will not sin, she will not succumb to temptations of the flesh. She'll just send people to their deaths and attempt suicide at every given opportunity. Yeah, that seems more pure.
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slugmilk69 · 4 months
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I just read shadow and bone and you cannot tell me that Alina Starkov is not a raging bisexual.
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adriiivna · 8 months
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Alina and the Morozova Stag
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karinagiada · 8 months
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Sankta Alina ✨
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aesthetic--mood · 1 month
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Shadow and bone Aesthetic
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whenever Aleksander and Alina are doing ~things~ in the trilogy(winter fete make out scene in s&b, dream make out scene in s&s, name reveal in r&r) they're BOTH always in a physical position where it would be impossible to lie about/hide how much they want each other even without the presence of their otherworldly paranormal soulmatecore tether. If Aleksander were a thousand year old well practiced seducer who only wanted to manipulate Alina, wouldn't he AT LEAST move himself out of that revealing position instead of manuevering himself to the point where it's impossible to LIE abt wanting her even if he wanted to. In this essay I will-
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rainingriversofyou · 7 months
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Shadow And Bone - Artist: vinc_ry
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"What, are you?"
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masterlist
summary: when your abilities show themselves during a viscous Drüskelle attack, General Kirigan has you immediately transferred to the Little Palace for protection
pairing: Aleksander Kirigan x sun summoner reader
warnings: canon level violence, mention of blood
genre: angst, fluff
words: 2683
a/n: I watched the show Shadow & Bone a few years age, and I was absolutely obsessed. recently I picked up the books, and I cannot express how upset I am that they’ve cancelled the series. It literally had so much potential :(
also, I apologise for literally falling off of the face of the earth these past two months. I was depressed at first, and when I felt a little better me and my mom went on a two week vacation to Ireland, and this week I was at a figure skating camp, so I didn’t really get to writing lol. anyhow, I’m feeling better, and I am planning on writing more fics and hopefully do a flufftober week or something :)
You do not have my permission to repost, copy or translate my work
 |—————————— ✩₊˚.⋆☾⋆⁺₊✧ ——————————|
The war in Ravka had been raging on for as long as you could remember. It had taken your parent’s lives, and very likely their parent’s lives as well. Now it was your turn to take your place in the army and fight in the war. 
You had never possessed much physical strength. Ever since you were a child, you were weak and fragile. It had pushed the caretakers at the orphanage to give you other tasks. 
They wanted you to posses as many skills as possible, to ensure you would have a future, even if you wouldn’t be able to fight in the war. As you got older, you seemed to develop a true talent in drawing. Your drawings were detailed and realistic, and so the caretakers pressed to ensure you would continue developing that talent. 
When you became of age, you were send to join the first army as a mapmaker. 
Currently you were stationed at a camp just next to the fold. There were several skiffs being readied to enter the fold, but after running a little detour, you found out you were not scheduled to go on any of them. 
At the moment, you were sitting with a Squaller. You had met her years ago, when both of you were just little girls. A boy had been bullying you, and she had thrown him across the field. Ever since, you had been friends. When she would return to the Little Palace, you would write to her, and when you were stationed at an encampment, she would request to be sent to the same place.
As you were laughing at something Zoya had said, you heard yelling coming from a few tents away from you. You figured it was just another soldier fight, but Zoya knew better as she stood, pulling you up with her when she seemingly spotted something that frightened her.
She pushed you behind her, grabbing your hand and she made a run to the edge of the encampment, towards the forest.
You could hear shouting behind you, and the noises of a fight reached your ears. This was not a friendly soldier fight. Too many people had been involved for that. Before you could reach the forest, you could feel two arms wrapping around you from behind, pulling you away from Zoya. 
She screamed, reaching out for you before someone took her out from behind. 
The language the man spoke was foreign, and it didn’t take you long to realise they were Fjerdans. They must’ve dressed up as soldiers so they could infiltrate the tents and eliminate the Grisha. 
You fought against the man holding you down, kicking him in the stomach and managing to punch him in the face. 
He struggled, falling backwards. You didn’t hesitate to run away from him, spotting Zoya on the ground, the Drüskelle on top of her. He had a knife in his hand, undoubtedly planning on slicing Zoya’s throat. 
You ran over quickly, jumping on the man’s back in order to get him off of her. Zoya struggled for a bit, surprised by your return before regaining her composure, raising her arms to blast the man backwards. She made her way over to you, grabbing you hand once more before she was pierced by an arrow. A Drüskelle stood behind her, a few feet away, holding a bow. 
Zoya fell to the ground, and the Fjerdan you had managed to push to the ground was now behind you again, restraining you as the other one walked over to Zoya.
He grabbed her hair, pulling her to her knees, with her head pulled backwards. He mumbled a few words in Fjerdan, something about salvation of the witches before he pressed his knife to her throat. 
You screamed, fighting against the Drüskelle holding you as they prepared to slit Zoya’s throat. 
The moment the Drüskelle drew blood, you screamed. An anger releasing inside you that you didn’t know you were holding. Your view went black, a bright light shining through the blackness before you felt your body giving out. You could faintly hear screaming, and you could make out Zoya’s voice as she held you head in her lap. 
After that, everything went black. 
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When your vision returned, you could make out you were in a tent. You saw Zoya’s face first, looking concerned as she wiped a wet cloth over your forehead. It appeared you were burning up, yet the cool cloth felt as though it had burned you.
You groaned, moving away from her touch and shielding your eyes. The light was too bright, even though the tent was fairly dark. 
“She’s awake,” you heard Zoya say to another person in the room, who hummed thoughtfully before dismissing her.
“Thank you, Zoya. You may leave,” you heard a male voice command. 
You saw Zoya shaking her head, holding one hand on your arm as her head was turned to the other presence. 
“Please, General. She’s confused and scared as is. Allow me stay, please,” Zoya said, and you don’t think you’ve ever heard her use the word ‘please’, let alone use it multiple times in the same sentence.
“Very well,” the male voice commanded, and you could hear large footsteps cross the tent towards where you were lying down.
You groaned, grabbing onto Zoya as you pulled yourself into a sitting position, noticing you were indeed in the tent of the Black General. You breath caught in your throat at the sight of him, and your eyes fell to two Heartrenders standing guard at the entrance of the tent.
“You’ve made quite the show, miss…?” the General trailed off, looking at you expectedly. 
“y/l/n, y/n y/l/n,” you said quietly, turning your gaze to fall on Zoya, who had moved to sit next to you on the cot you were previously laying on. 
Your head felt heavy, and your hands felt clammy. 
“Miss y/l/n, tell me, what are you?” the General asked, leaning against a desk placed in the tent. 
You looked at him confused, thinking about what he could possibly mean. 
“A mapmaker, sir,” you told him, turning to look at Zoya. You couldn’t read her expression, so you turned back to the General, who looked slightly offended. 
“Don’t fool me,” he started. “What are you,” he stated firmly.
“I don’t know what you mean,” you admitted honestly, not wanting to upset him.
He looked at you for a moment, determining whether you were lying before speaking again.
“Were you tested as a child?” he asked, to which you nodded. 
“What was the result?” 
“I wasn’t Grisha,” you said, a hint of pain in your voice. You had always wanted to be Grisha. To be in a place where you belong, amongst people who were like you. Instead, you were just normal, with no place where you belonged.
“Your little display of power this morning suggests otherwise, miss y/l/n,” the General spoke.
You looked at him confused. 
“I don’t understand what you mean,” you told him honestly.
“You singhandly managed to scare all of the Drüskelle away, yet you claim to have no knowledge of what you were doing?” 
“I’m sorry, sir, I truly don’t,” you replied, flinching slightly when the General pushed himself off the desk, closing the distance between you. 
“Hold out your arm,” he stated. 
You did as he said, extending your arm towards him while pulling up your sleeve, knowing what he wanted. 
“You say you were tested as a child?” the General asked in confirmation, noting the way you nodded, almost disappointed. “Were you injured during the testing?” he asked you, seeing your face contort in confusion. 
“I don’t recall… does that matter?” you asked, looking up at him as he stood before you. 
“It is the whole point of the test,” he said, taking ahold of your arm and bringing his sharp ring towards it. Gently, he pressed the talon in your arm, and you gasped at the slight sting before a warm beam of light shot from your arm.
You eyes widened, and the moment he let your arm fall back you grasped it, looking at the cut in disbelief. 
“You are very much Grisha, miss y/l/n,” the General said, motioning towards the Heartrenders at the entrance of the tent. 
You couldn’t find any words, turning to Zoya who just looked as bewildered as you. 
“I’m Grisha…” you whispered quietly, looking at Zoya. 
Before she could say anything, the General had returned to your side, gently grasping your upper arm and pulling you up. 
“We’ll have to work quickly. The Drüskelle are already on alert after the attack, and word of your discovery will spread fast,” the General said, handing you a red Kefta, urging you to put it on. “You’ll travel in my coach,” he spoke, before handing you to the two Heartrenders. 
You looked towards Zoya, who stood and asked the General if she could accompany you. 
He shook his head, insisting that she was still needed at the camp. 
Before you knew it, you were being dragged outside and towards the Darkling’s coach. Two Oprichniki stand at the doors, opening them upon seeing your arrival. You didn’t resist, taking the hand one of the Oprichniki offered to help you step inside. 
Once you settled into the coach, the two Heartrenders followed, sitting across from you. The doors were closed, and the two Oprichniki moved to the front, no doubt riding on horses beside the coach. 
You were silent for the first part of the journey, admiring the detailed embroidery on the red Kefta adorning your body. 
“It’s bulletproof,” said the man across from you suddenly. You looked up, meeting his kind smile and realising they had been watching you. “It is why the General wanted you to wear it,” he finished.
You nodded, allowing your hand to fall to your lap. 
“I’m Feydor, and this is Ivan,” the Heartrender introduced himself, motioning towards his partner beside him. He carried a stern look on his face, turning to look outside instead. 
You nodded in reply, turning to look outside in thought. 
“Where are we going?” you asked, turning back to Feydor. He smiled.
“The Little Palace, of course,” he said. 
You nodded once more, settling your gaze outside again. “Why the hurry?” 
“By now, every Drüskelle and Shu assassin will have heard what happened at the camp. What you did. We need to make sure you are behind safe walls when they come for you,” Feydor explained, and you nodded once more.
“I don’t even know what I did,” you then said, earning the look of both Feydor and Ivan. 
“You saved us,” Feydor started. “Your light killed two Drüskelle, and scared the rest away. The disguised themselves as First army to kill Grisha. Without you, they would have succeeded.” 
You looked at him surprised, not expecting that reply to come from his mouth. You could not remember a single thing that happened at the camp, let alone the Drüskelle attack. 
After the conversation died down, you turned to look outside once more. You felt your eyes drooping, exhausting settling into your bones as the world outside passed you in a blur.
Suddenly, the carriage stopped, and an Oprichniki opened the coach door. 
“There’s a fallen tree on the road, we’re moving it now,” he stated, closing the door again. Ivan looked uneasy, glancing out the little window. Feydor did the same, studying the other window until there was shouting. 
Immediately, Ivan and Feydor got up, both heading out the doors.
“Stay here, get down, and don’t move,” Feydor said, pushing a blade of Grisha steel into your hands before abandoning the coach. 
You did as he said, crouching down onto the floor of the coach, pressing your knees against your chest. You could hear screaming outside and multiple guns firing. When it stilled for a moment, you thought it was over, until the glass of the coach broke and a smoke bomb was thrown inside.
You coughed, pushing the door of the coach open and stumbling outside, falling to your knees as you tried to catch your breath. 
You heaved, clutching the Girsha steel knife in your hand when you looked up, barely registering the boots of a figure marching towards you, grabbing your hair and dragging you away. 
You fought, struggling against his hold as he pressed his knife to your throat, pressing harshly. You felt a trickle of blood stream down you neck, and you grabbed the knife in you hand as tightly as you could before stabbing it backwards, hitting the person in the stomach. 
His hold on you faltered enough for you to push him away, running away from him, into the forest. 
You ran for as long as your feet could take you, registering the fighting still happening behind you. When you stopped for only a second to catch your breath, you were tackled to the ground, a figure laying on top of you.
His held his knife high above his head, muttering a prayer of kinds before preparing to bring it down.
You could faintly hear a horse in the background, and you closed your eyes tightly, figuring this was it. You heard a yell, but you didn’t feel the sharp pain of a knife digging into your skin. Instead, when you opened your eyes. You could see the man on top of you, slowly falling in two. 
You turn your head, seeing the Darkling standing there beside a group of other Oprichniki. You realised he had cut the man on top of you in half. 
When he fell, you pushed him off of you, moving away from the body, and catching your breath. 
The General walked over to you, extending his arm, which you gratefully took as he helped you up. He studied the cut on your throat.
“Are you alright?” he questioned. 
You nodded, moving your hand to rub the sore spot on your throat. 
“You’ll ride with me,” he stated, walking over to his horse, leaving no room for argument. 
You followed him, standing beside him as he mounted his horse, extending his hand to help pull you up. You allowed him, settling in the saddle as he took off in a gallop. 
He held onto you firmly, ensuring you wouldn’t fall at the movement of the horse. 
With you were riding multiple Oprichniki guards, and you spotted Ivan and Feydor both riding on a horse themselves. They must’ve won the fight in the woods. 
After riding for nearly half a day, the group stopped at an abandoned barn. The Oprichniki secured it, while the General dismounted the horse, extending his arm to help you off as well. When the Oprichniki secured the barn, the group moved inside. 
The horses were giving water and something to eat, while a small group of Oprichniki went outside to hunt for dinner. 
You settled on the ground, close by the fire that Ivan had made. Once the sun had set, the temperature had dropped significantly, and you could say with certainty you were freezing.
You pulled the dirty Kefta around you a little tighter, hoping to conserve some warmth. The General seated himself beside you, reaching out a gentle hand to touch the cut on your neck. You winced slightly at the sting, and General Kirigan retreated his hand to retrieve a small, black cloth from his pocket. 
Gently, he wiped the blood away from you neck and face, making sure to avoid pressing to harshly. 
Once he retreated his hand, you gave him a small smile. 
“Thank you,” you said in a quiet voice, and he nodded. 
“Once you’re in the palace you’ll be able to clean up properly. The cut isn’t too deep, but in your weakened state it is enough to stir some worry,” he explained, tucking the small cloth back into his pocket. 
You nodded once again, moving to lay down, using you arm to support your head. The palace. That is where you were headed, after all…
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rosesncarnations · 26 days
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Alina my love
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1very1fancy1doilies1 · 11 months
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apparently I never posted the updated version here??
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Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.
The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.
Her character at the beginning - a blank slate.
Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.
Refusing to belong
Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:
Alina's insecurities in SaB:
Not being pretty and talented
2. Not being as pretty and talented as Grisha
3. Being an orphan, being unwanted.
Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.
Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.
The narrative supports her delusions.
I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!
“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”
Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?
Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.
False badassery
Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.
When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.
The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.
When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.
Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.
Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.
"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”
It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.
She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.
When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.
Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:
“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”
The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.
Alina Starkov was meant to be the sun, but turned out to be a trick of the light.
Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.
Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.
Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.
Illusion, mirage, spectre.
No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.
Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.
She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.
P.S. I don't hate Alina's character, I just mourn her lost potential.
If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️
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breathofstorm · 1 year
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I screamed as the force flooded me, burned me, consumed me from within. I became a living star. by life. a new sun, born to shake the air and devour the earth. I am the contrition.
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outletcrash · 1 year
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the martyrdom of sankta alina and vanquishing of the starless saint
ᶠʳᵒᵐ ᵗʰᵉ ᵖᵉʳˢᵖᵉᶜᵗᶦᵛᵉ ᵒᶠ ᵃⁿ ᵃʳᵗᶦˢᵗ ᵒⁿᵉ ʰᵘⁿᵈʳᵉᵈ ʸᵉᵃʳˢ ˡᵃᵗᵉʳ
ᶦⁿˢᵖᶦʳᵉᵈ ᵇʸ ˢᵗ ᵐᶦᶜʰᵃᵉˡ ᵗʰᵉ ᵃʳᶜʰᵃⁿᵍᵉˡ ᵇʸ ᶜˡᵃᵘᵈᶦᵒ ᶜᵒᵉˡˡᵒ
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avasillva · 2 years
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I’ll destroy the only thing you have left.
JESSIE MEI LI as ALINA STARKOV Shadow and Bone (S2 Trailer)
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